10001 lines
339 KiB
Plaintext
10001 lines
339 KiB
Plaintext
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You love curry, right?
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I'll give you more.
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Hey!
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Is it good?
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Hey, ugly.
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Look at her.
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- Crazy bitch.
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- I asked you a question!
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That's better!
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- Looking good!
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- That's better!
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It suits her.
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- Hey.
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- What the?
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What the hell are you doing?
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Get out of my face, bitch.
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Stop picking on Ha-jung!
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What the hell?
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Get lost, bitch!
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What?
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Stop it, Soo-na!
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I'm okay. Let it go.
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Are you stupid?
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Why do you let those losers bully you like that?
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Those what?
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Hey!
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Mind your own business and get lost.
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The hell you looking at, bitch?
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You lovers or somethin'?
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Didn't you know?
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Shut up!
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I'll get you for this!
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- Stop it, please.
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- Hey!
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Hey!
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Class rep thinks she can hide behind the teacher!
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She's really asking for it!
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Stop letting them get to you.
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Aren't you mad?
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I'm telling on them!
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No!
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I don't want them to get to you, too.
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I recently met a friend on-line.
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Oh?
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Her dad's been doing it to her for a year.
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What?
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She wanted to kill him, but couldn't.
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She felt sorry for her mom who stayed with the abusive bastard.
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So she said she stays in her room... and puts curses every single day... on the bastard and her real dad.
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Then she felt happy.
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Real happy.
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You're not... You know I can't do it.
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I don't have the guts.
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I envy Mi-jung, that's all.
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Envy her for what?
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Why?
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Hold on.
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Ta-da!
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Did you stitch this yourself?
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You're amazing!
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How long did it take?
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A week?
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Two weeks?
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It's so pretty.
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Thanks Soo-na for always being there for me.
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I'll cherish this forever.
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Yes.
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Yes.
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I just checked on it.
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The construction will be finished on time.
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Don't worry, Mr. AHN.
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It won't happen again.
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Right,
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I see.
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Thank you.
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Yes.
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I'll be in touch.
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Surprise!
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Soo-na!
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You scared me!
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Hi, Uncle Coward.
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Are you mad?
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Please don't be mad.
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Why you little...
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Did you follow me all the way here to scare me?
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No, I've been waiting here for 20 minutes.
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Yeah, right.
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No, I'm serious.
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Really?
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Yup.
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Let's go Uncle Se-jin.
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Who gave you that?
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Ha-jung.
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Yoon-mi's coming over tonight.
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Why don't you like her?
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She acts so smart and proper.
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But she really likes you, kid.
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Still, I don't like her!
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At this rate, I'm gonna die an old bachelor.
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How about my homeroom teacher?
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I think she has a crush on you.
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Forget it, kid.
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Why aren't you eating, sweetie?
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I had a snack with Ha-jung.
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Still, you should eat your dinner.
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Hold your spoon up. Here.
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And you, two.
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When will you make up your minds?
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I made arrangements for your engagement party.
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It'll be the second week of next month.
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I lost my appetite.
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Soo-na!
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You didn't finish!
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Soo-na?
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I brought your favorite green-tea cake.
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Give it to the dog.
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Why that little...
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Soo-na!
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Come back here!
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The kid has no manners!
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Let it go.
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I won't hurt ya!
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Why are you shaking?
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I... I'm sorry.
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This is all I have.
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Shit!
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Think I'm a bum?
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You crazy?
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It's really all I have.
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Forget it.
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Just do something for me.
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- Anything I can help you with?
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- Huh?
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Ah... no...
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Help me Soo-na, I need you.
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Stop bothering me!
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Hey!
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Stop!
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Where is she!
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I'll get her this time!
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- Ma'am!
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- Come here!
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I'm sorry, ma'am!
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So you're the bitch who's been stealing from me?
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Please! I won't do it again!
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You're caught red handed!
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You little bitch!
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Get up! Get up!
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You bitch!
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You bitch!
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You little thief!
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You stole from me everyday!
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How much did you steal!
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How could you!
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You little thief!
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Pay up for everything you stole!
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You thief!
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The orchestra was amazing.
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I'll take you to an even better one next week.
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I love going on dates with you Uncle Se-jin.
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I love going out with you, too, princess.
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Why didn't Yoon-mi come?
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She was busy.
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Thanks.
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Drive home safely.
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You're not coming?
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I have an appointment.
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Come home soon and don't drink!
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See you later.
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Let's go.
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Soo-na?
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Isn't this yours?
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It was on the teacher's desk.
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I looked for this all night.
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Thanks.
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Attention!
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Bow!
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- Good morning, Ms. LEE.
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- Good morning.
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Morning everyone.
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Be good, listen to your teachers, and enjoy your day.
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She hasn't talked or come out since last night.
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Don't worry.
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I'll try talking with her.
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Ha-jung?
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It's me, Soo-na.
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Open up.
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Aren't you hungry? Let's eat.
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Why aren't you taking my calls?
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I worried about you.
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Go away!
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I don't need you.
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What's wrong, Ha-jung?
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It's me, Soo-na.
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I'll kill'em all!
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She says she's just in a bad mood.
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She'll come around. Don't worry.
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You have a guest, sir.
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Really?
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Who?
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Who...
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Song-yi?
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Closing doors.
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Shave Uncle Se-jin...
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That tickles.
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Loners in seclusion
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Hikikomoris' are loners who choose to live in seclusion.
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Unable to adjust to society, they stay confined to their homes.
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As seen in similar cases, symptoms of depression, retrogression, and aggressive behavior are found.
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Cases vary from patients to patients.
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And the causes for the illness are also diverse.
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Taking unreported into account... approximately 2 million teenagers have these symptoms in Japan.
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And the numbers are growing rapidly.
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Symptoms are not readily recognized here and no proper treatments are set...
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What?
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Why'd you do it?
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Do what?
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You forced Ha-jung to do it?
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Apologize to her and bring her back to school.
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Or I'll call your father.
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Why bring him into this?
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Ha-jung better be here, tomorrow.
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Shit.
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That bitch.
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Past the tracks on the left?
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She's home?
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Grant us all another peaceful day.
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And help us love each other in you, Lord.
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Look at this place.
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I see why you suddenly showed up.
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Get an apartment with that.
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Go as far away as you can.
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Take it, you whore.
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And don't you dare come around us, again!
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How dare you treat me like this?
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Why you...
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Show up again and I'll cut you off for good!
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That'll never happen!
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What?
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You didn't meet Soo-na, did you?
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Did you meet her?
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Go ask her yourself!
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How dare you!
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You bitch!
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Now you'll ruin our dear Soo-na's life, too?
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You whore!
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What did you do?
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Who're you trying to kill!
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You whore!
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Get up.
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Get up!
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Over my grave!
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You bitch!
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Open up. Shit.
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So sorry.
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Okay?
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Listen and show up at school tomorrow!
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Got that?
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Your secretary told me everything.
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But, mother...
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Did you...
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Yes, I met her.
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I gave her some money and told her to scram.
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That whore...
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She'll never come around again.
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What?
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I did what I had to do.
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Why didn't you ask me?
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Ask you?
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- I have to ask you about Song-yi?
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- Hi, Soo-na.
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What are you doing there?
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Ha-jung... What are you doing?
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Trying to scare me?
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Stop it.
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Why'd you come?
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What?
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Cuz the teacher...
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I mean, to apologize.
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Really?
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Is that the only way?
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Shit...
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Who are you talking to?
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My new friend.
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A very sweet girl.
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What?
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Can't see?
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She's over there.
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I'll curse you...
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Forever...
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How can we hang with her after what happened?
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She's cursed.
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Yeah, look at her.
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First message.
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Soo-na, it's me.
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Are you okay?
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Let's have dinner together after school.
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Call me.
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Second message.
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Soo-na... It's me, Ha-jung.
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I'm sorry.
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I didn't mean to hassle you.
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I shouldn't have ask you to help me so much.
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I'm so scared.
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I'm so scared of being alone.
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I wish you were here, Soo-na.
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Help me, Soo-na.
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Please!
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It's me.
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Open up.
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- Uncle?
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- Soo-na?
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Yeah right.
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Soo-na...
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What are you talking about?
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Soo-na?
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Soo-na?
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You're okay, right?
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Then, get some rest.
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We'll talk tomorrow.
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How is she?
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She won't open her door.
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What if Song-yi came to
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- her and...
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- No, it's probably 'cuz of Ha-jung.
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She'll get better.
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Where are you going?
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I have an appointment.
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Now what?
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I don't know who's lying.
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I don't know anything.
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If only you were here...
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I could tell you everything...
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HlKl :
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Hello?
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I'm sorry, Ha-jung : Who's this?
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HlKl:
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A friend of Ha-jung's.
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I'm sorry, Ha-jung :
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Oh...
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HlKl:
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Ha-jung said how you were her best friend, even today.
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Please don't joke about my dead best friend.
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HlKl:
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What?
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But I was just chatting with her...
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She said she's going to see you, Soo-na.
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H.J.:
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I miss you, Soo-na.
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Can we meet?
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Moong-chi!
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Where's that damn pup?
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Why's it raining so much?
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Moong-chi!
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Moong-chi!
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Moong-chi!
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Moong-chi!
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Oh!
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When'd she get back?
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I should call and tell the boss.
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You're not alone.
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I'll take care of you.
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Keep your promise.
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Soo-na?
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It's me.
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Open the door.
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Soo-na!
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Come on, let's talk.
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Open the door, Soo-na.
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- Mother?
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Where are you? - Yeah.
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I'm upstairs.
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Joo-young is doing really well.
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Looks like he'll come around soon.
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Let's continue with the treatments.
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What's wrong, doctor?
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Joo-young!
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Joo-young!
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Joo-young!
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Please, no!
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Joo-young, please!
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Joo-young!
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Soo-na is... showing symptoms of a Hikikomori.
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Did anything happen here, besides Ha-jung's death?
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Of course... not.
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Tell me the truth.
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|
|
I'm practically family, already.
|
|||
|
|
Why would I lie to you?
|
|||
|
|
The poor girl...
|
|||
|
|
After her parents died in a car accident...
|
|||
|
|
Se-jin and I raised her...
|
|||
|
|
I know.
|
|||
|
|
- But why would she...
|
|||
|
|
- Stop it.
|
|||
|
|
Just be good to Soo-na.
|
|||
|
|
That's all you need to do.
|
|||
|
|
Let's eat.
|
|||
|
|
Oh, hi Soo-na.
|
|||
|
|
Have a seat.
|
|||
|
|
You must be hungry, dear.
|
|||
|
|
I'll bring your plate right away.
|
|||
|
|
What...
|
|||
|
|
Soo-na!
|
|||
|
|
What are you doing?
|
|||
|
|
Stop it, Soo-na!
|
|||
|
|
Stop!
|
|||
|
|
Wanna hear a funny story?
|
|||
|
|
There once was a high school girl named Song-yi.
|
|||
|
|
She fell in love with her college student tutor.
|
|||
|
|
They had a child together.
|
|||
|
|
Then when his love grew cold... he cast her away like trash.
|
|||
|
|
What's worse!
|
|||
|
|
His mother... split them apart for good!
|
|||
|
|
What are you talking about?
|
|||
|
|
It doesn't matter how they broke up.
|
|||
|
|
But...
|
|||
|
|
The girl... lived on... miserably after that.
|
|||
|
|
Unable to forget her first love, she married any man... who beat her every single day.
|
|||
|
|
Stop it!
|
|||
|
|
What are you doing?
|
|||
|
|
The child they had didn't know... and called her father her uncle...
|
|||
|
|
Soo-na...
|
|||
|
|
You should've seen it!
|
|||
|
|
You're the only one I have, now.
|
|||
|
|
Are you listening?
|
|||
|
|
Where are you?
|
|||
|
|
Where are you?
|
|||
|
|
Where are you?
|
|||
|
|
Come out.
|
|||
|
|
Soo-na?
|
|||
|
|
It's me.
|
|||
|
|
Can we talk?
|
|||
|
|
Soo-na?
|
|||
|
|
I know it's been hard for you.
|
|||
|
|
With Ha-jung and all.
|
|||
|
|
And...
|
|||
|
|
Even I... a long time ago... well... when I was your age... I suffered a lot, too...
|
|||
|
|
And...
|
|||
|
|
Hello?
|
|||
|
|
I want to get in touch with Song-yi.
|
|||
|
|
Mother won't tell me.
|
|||
|
|
Can you find out?
|
|||
|
|
Please, pal.
|
|||
|
|
Thanks a lot.
|
|||
|
|
What's her...
|
|||
|
|
relationship with Soo-na?
|
|||
|
|
What?
|
|||
|
|
Song-yi, the woman you just mentioned.
|
|||
|
|
The woman in Soo-na's story...
|
|||
|
|
It's Song-yi, isn't it?
|
|||
|
|
No.
|
|||
|
|
She came to your office.
|
|||
|
|
It's her isn't it?
|
|||
|
|
No, it's not.
|
|||
|
|
What's the secret you're not telling me?
|
|||
|
|
Why would I lie to you!
|
|||
|
|
There's no secret!
|
|||
|
|
I know you're lying to me.
|
|||
|
|
You don't trust me?
|
|||
|
|
With Soo-na like that, not you, too!
|
|||
|
|
Later.
|
|||
|
|
Yoon-mi...
|
|||
|
|
I'll tell you everything.
|
|||
|
|
Fine.
|
|||
|
|
Then... don't call me till you're ready to talk.
|
|||
|
|
And... leave Soo-na alone.
|
|||
|
|
A Hikikomori... can get worse if you provoke her.
|
|||
|
|
Stop it.
|
|||
|
|
Oh my... What's all this?
|
|||
|
|
Hey...
|
|||
|
|
Who's there?
|
|||
|
|
Help me!
|
|||
|
|
Help!
|
|||
|
|
Help!
|
|||
|
|
Help me!
|
|||
|
|
Help!
|
|||
|
|
Who are you?
|
|||
|
|
You knew everything.
|
|||
|
|
Knew what?
|
|||
|
|
I know you knew!
|
|||
|
|
You lied to me!
|
|||
|
|
I don't know anything!
|
|||
|
|
Please! Don't do this!
|
|||
|
|
You knew everything and lied to me!
|
|||
|
|
I'll curse you!
|
|||
|
|
You hypocrite!
|
|||
|
|
Help me!
|
|||
|
|
Doesn't it feel great?
|
|||
|
|
It's just the beginning.
|
|||
|
|
You don't know what suffering is.
|
|||
|
|
The heart piercing pains...
|
|||
|
|
Wait and see.
|
|||
|
|
It's going to get a lot more fun.
|
|||
|
|
Sir, what happened to the maid?
|
|||
|
|
She's been emotionally shocked.
|
|||
|
|
She'll need a few days rest.
|
|||
|
|
I dug that hole to plant a tree.
|
|||
|
|
I don't know how she fell into it.
|
|||
|
|
Did anyone come by last night?
|
|||
|
|
No, I stayed by the monitor all night.
|
|||
|
|
I didn't even see a fly.
|
|||
|
|
Mr. Kim?
|
|||
|
|
Yes?
|
|||
|
|
Make sure word doesn't get out!
|
|||
|
|
Yes, ma'am.
|
|||
|
|
I'll take care of this, mother.
|
|||
|
|
Go take the maid to the hospital.
|
|||
|
|
What?
|
|||
|
|
Okay.
|
|||
|
|
Rest in peace, Moong-chi.
|
|||
|
|
Mr. Kim!
|
|||
|
|
Get me a ladder!
|
|||
|
|
That little...
|
|||
|
|
I'll get to you...
|
|||
|
|
Be... careful...
|
|||
|
|
The spoiled brat...
|
|||
|
|
Be... careful...
|
|||
|
|
Soo-na?
|
|||
|
|
Soo-na...
|
|||
|
|
Oh, no!
|
|||
|
|
Are you okay, ma'am?
|
|||
|
|
Open up!
|
|||
|
|
Open the door, now!
|
|||
|
|
You know what you did to granny?
|
|||
|
|
Open up!
|
|||
|
|
Open up!
|
|||
|
|
Open up, now!
|
|||
|
|
Try to open this door again... and I'll slit my neck.
|
|||
|
|
With the maid...
|
|||
|
|
Moong-chi, the dog... and now your mother...
|
|||
|
|
Something doesn't feel right.
|
|||
|
|
I'm having strange nightmares.
|
|||
|
|
Mr. Kim.
|
|||
|
|
I don't know... how long I can take this.
|
|||
|
|
You know my mansion in the country?
|
|||
|
|
Yes?
|
|||
|
|
They could use an extra hand for a few months.
|
|||
|
|
Really, sir?
|
|||
|
|
Thank you very much.
|
|||
|
|
Thank you, sir.
|
|||
|
|
You don't know what it's like to be deserted by someone you love.
|
|||
|
|
Stripped naked...
|
|||
|
|
Covered in wounds...
|
|||
|
|
You don't know the pain.
|
|||
|
|
I stayed low and shed bitter, bloody tears!
|
|||
|
|
I'm sorry.
|
|||
|
|
I...
|
|||
|
|
I need you.
|
|||
|
|
Soo-na's getting worse by the day.
|
|||
|
|
Mumbling and inflicting self-injuries...
|
|||
|
|
I wish you were here, Yoon-mi.
|
|||
|
|
I need you.
|
|||
|
|
Please save, Soo-na.
|
|||
|
|
I'm sorry.
|
|||
|
|
So sorry...
|
|||
|
|
Coward!
|
|||
|
|
I'm doing everything alone now!
|
|||
|
|
That brat!
|
|||
|
|
Ow, my back.
|
|||
|
|
That little...
|
|||
|
|
Stop it!
|
|||
|
|
I said, stop!
|
|||
|
|
Stop it!
|
|||
|
|
Soo-na?
|
|||
|
|
By analyzing pictures... we can find the decisive factor that led to the illness?
|
|||
|
|
Yes, pictures can definitely give us clues.
|
|||
|
|
Right.
|
|||
|
|
Hikikomoris aren't formed by imaginary trauma.
|
|||
|
|
It's caused by great emotional or psychological shock.
|
|||
|
|
It can be treated if you get down to its roots.
|
|||
|
|
I'm sure you'll find the reason to Soo-na's condition.
|
|||
|
|
Mind if I take this?
|
|||
|
|
Sure. Hope it helps.
|
|||
|
|
Where'd I see this?
|
|||
|
|
Thanks a lot.
|
|||
|
|
I owe you big.
|
|||
|
|
What are colleagues for?
|
|||
|
|
Bye.
|
|||
|
|
Any minute now.
|
|||
|
|
You met her before.
|
|||
|
|
I don't get why you can't see her.
|
|||
|
|
I found out about Song-yi.
|
|||
|
|
Sorry, pal. She died.
|
|||
|
|
She committed suicide.
|
|||
|
|
During that big rainstorm.
|
|||
|
|
She jumped in front of a train at 2:00 a.m. With the rain and all... the engineer couldn't see her...
|
|||
|
|
Soo-na?
|
|||
|
|
It's your fault
|
|||
|
|
You killed her
|
|||
|
|
It's your fault
|
|||
|
|
- You killed her
|
|||
|
|
Hello... Who are you?
|
|||
|
|
Soo-na?
|
|||
|
|
Are you okay, Soo-na?
|
|||
|
|
Snap out of it, Soo-na!
|
|||
|
|
It's not me...
|
|||
|
|
I didn't do it...
|
|||
|
|
Soo-na!
|
|||
|
|
Open the door, Soo-na!
|
|||
|
|
What's got into you!
|
|||
|
|
I told you to leave me alone!
|
|||
|
|
Please!
|
|||
|
|
Open the door.
|
|||
|
|
Open up, please.
|
|||
|
|
Leave me alone!
|
|||
|
|
Get lost!
|
|||
|
|
Soo-na!
|
|||
|
|
Please!
|
|||
|
|
Please...
|
|||
|
|
Soo-na...
|
|||
|
|
Why do you want Song-yi's address?
|
|||
|
|
It's not 'cuz I'm jealous of a woman in his past...
|
|||
|
|
She died.
|
|||
|
|
But I saw her not too long ago.
|
|||
|
|
It seems she committed suicide.
|
|||
|
|
She jumped in front of a train.
|
|||
|
|
Soo-na.
|
|||
|
|
Listen carefully to what I'm about to tell you.
|
|||
|
|
Ah...
|
|||
|
|
Well...
|
|||
|
|
When I was in college... there was this beautiful girl
|
|||
|
|
I used to tutor. We fell in love.
|
|||
|
|
Everyone said we were crazy but... we... really loved each other.
|
|||
|
|
I didn't... abandon your mother.
|
|||
|
|
I wanted to make a living fast and make your mother happy.
|
|||
|
|
First I had to do my army duty.
|
|||
|
|
But...
|
|||
|
|
When I came out, she was... already... married to someone else.
|
|||
|
|
Till now... raising you...
|
|||
|
|
I always felt so sorry.
|
|||
|
|
I wanted to tell you the truth so many times.
|
|||
|
|
But time flew by too fast.
|
|||
|
|
If I...
|
|||
|
|
I met your mother when I was... more mature.
|
|||
|
|
I...
|
|||
|
|
I would never have left her so foolishly.
|
|||
|
|
A week. A month.
|
|||
|
|
A year.
|
|||
|
|
You can explain but there's no use!
|
|||
|
|
You lied for 17 years. You expect me to believe that?
|
|||
|
|
No!
|
|||
|
|
You don't know the nightmare of living like an abandoned dog!
|
|||
|
|
Soo-na... wait... It's the truth.
|
|||
|
|
Please, believe me.
|
|||
|
|
I survived through living hell... Ionging and yearning....
|
|||
|
|
Soo-na...
|
|||
|
|
The truth?
|
|||
|
|
Then prove it!
|
|||
|
|
Do something!
|
|||
|
|
What should I do?
|
|||
|
|
What'll it take for you to believe me?
|
|||
|
|
Jump in front of a train.
|
|||
|
|
Like mom did.
|
|||
|
|
What?
|
|||
|
|
But how?
|
|||
|
|
You knew?
|
|||
|
|
You don't know what pain or love is!
|
|||
|
|
Soo-na...
|
|||
|
|
You can't jump, can you!
|
|||
|
|
So just leave me alone.
|
|||
|
|
That's all you can do for me.
|
|||
|
|
Please, Soo-na.
|
|||
|
|
Open the door.
|
|||
|
|
Open up!
|
|||
|
|
Open the door!
|
|||
|
|
Open up, please!
|
|||
|
|
Open the door!
|
|||
|
|
Open up, Soo-na!
|
|||
|
|
Tell me what to do!
|
|||
|
|
What'll it take to believe me!
|
|||
|
|
Mom must still be in love with dad.
|
|||
|
|
Hello?
|
|||
|
|
Hi, Geun-ho.
|
|||
|
|
Can you text message me her address?
|
|||
|
|
Thank you.
|
|||
|
|
Hi. You've reached Yoon-mi.
|
|||
|
|
Please leave a message.
|
|||
|
|
I lied to Soo-na and to you.
|
|||
|
|
I'm an idiot.
|
|||
|
|
It's all my fault.
|
|||
|
|
I'm sorry, Yoon-mi.
|
|||
|
|
I'm so sorry.
|
|||
|
|
There's... nothing left for me to lose...
|
|||
|
|
I hope you meet someone good and be happy.
|
|||
|
|
Soo-na...
|
|||
|
|
Soo-na!
|
|||
|
|
245-3, Bongchun-dong
|
|||
|
|
Hello?
|
|||
|
|
Is anybody home?
|
|||
|
|
kim Mi-jung- 245-3, Bongchun-dong
|
|||
|
|
It's over!
|
|||
|
|
Get away from Soo-na!
|
|||
|
|
Let her go!
|
|||
|
|
Yoon-mi...
|
|||
|
|
Yoon-mi!
|
|||
|
|
Wake up, Yoon-mi.
|
|||
|
|
Please, no!
|
|||
|
|
Soo-na.
|
|||
|
|
Soo-na.
|
|||
|
|
Soo-na!
|
|||
|
|
Soo-na!
|
|||
|
|
Soo-na!
|
|||
|
|
No, Soo-na!
|
|||
|
|
Stay right there.
|
|||
|
|
You brought this on.
|
|||
|
|
I was wrong.
|
|||
|
|
It's all daddy's fault.
|
|||
|
|
Hypocrite!
|
|||
|
|
I wanted to get revenge!
|
|||
|
|
No, Soo-na!
|
|||
|
|
Stay right there, please!
|
|||
|
|
Don't go!
|
|||
|
|
What do I have to do for you to forgive me?
|
|||
|
|
Forgive you?
|
|||
|
|
Our souls were ripped out to shreds.
|
|||
|
|
But where were you?
|
|||
|
|
You were never there for us.
|
|||
|
|
We shouted for you, but you ignored us like you're deaf.
|
|||
|
|
We grew haggard and gaunt.
|
|||
|
|
But you pretended to be blind.
|
|||
|
|
If you said you loved us, we could've lived.
|
|||
|
|
But you stayed quiet like a mute!
|
|||
|
|
No!
|
|||
|
|
Don't go any further!
|
|||
|
|
I'll make you pay, forever!
|
|||
|
|
No!
|
|||
|
|
Dad!
|
|||
|
|
No!
|
|||
|
|
No!
|
|||
|
|
Daddy!
|
|||
|
|
Daddy!
|
|||
|
|
No!
|
|||
|
|
Daddy!
|
|||
|
|
Daddy!
|
|||
|
|
Who are you?
|
|||
|
|
You brought all this on!
|
|||
|
|
Say!
|
|||
|
|
Who are you?
|
|||
|
|
Why are you doing this!
|
|||
|
|
It's all your fault.
|
|||
|
|
Then you...
|
|||
|
|
I'll make you pay, forever.
|
|||
|
|
Who the hell!
|
|||
|
|
Who are you!
|
|||
|
|
You'll pay for everything!
|
|||
|
|
You evil...
|
|||
|
|
Dad...
|
|||
|
|
You're abandoning me, again?
|
|||
|
|
Mom gave birth to me.
|
|||
|
|
Then... she got pregnant, again... with my little sister, Mi-jung.
|
|||
|
|
Mom hid her pregnancy and got married.
|
|||
|
|
Cuz she was afraid granny would take Mi-jung away, too.
|
|||
|
|
My poor mom...
|
|||
|
|
I resented dad for lying to me... And granny, too.
|
|||
|
|
So I schemed with Mi-jung.
|
|||
|
|
I wasn't really thinking.
|
|||
|
|
That bastard. When he found out Mi-jung's not his daughter... he started raping her.
|
|||
|
|
That's why she showed symptoms of a Hikikomori.
|
|||
|
|
I think the bastard's involved in Song-yi's death, too.
|
|||
|
|
Son of a bitch. I put an APB on him.
|
|||
|
|
We'll nail him, soon.
|
|||
|
|
1 new message A reserved mail from kim Mi-jung.
|
|||
|
|
If something happens to me, I won't be able to cancel the mail.
|
|||
|
|
Then you're probably reading this.
|
|||
|
|
Cuz I used to change the sending date everyday.
|
|||
|
|
I despised you for leaving mom and me.
|
|||
|
|
Every time that bastard raped me...
|
|||
|
|
I hated you even more.
|
|||
|
|
I thought this was the only way to pay you back for our sufferings.
|
|||
|
|
After mom died, Soo-na came and asked me to live with her.
|
|||
|
|
After a week in Soo-na's house... she said to stop our plan of torturing you.
|
|||
|
|
But I couldn't do it.
|
|||
|
|
Poor mom.
|
|||
|
|
She comes to me every night.
|
|||
|
|
She's happy with what I'm doing.
|
|||
|
|
But then one day, dad sat in front of the door... talking about how he met, loved, and parted with mom.
|
|||
|
|
Then I realized that he was telling the truth.
|
|||
|
|
I'm so jealous of Soo-na.
|
|||
|
|
Dad's warm touch and gentle talk.
|
|||
|
|
I can feel dad's love and warmth these days.
|
|||
|
|
I can't help crying.
|
|||
|
|
I'm sorry to mom but... I'm starting to feel sorry for dad.
|
|||
|
|
He's suffering 'cuz of me.
|
|||
|
|
It hurts to see him getting weaker by the day.
|
|||
|
|
Why can't Soo-na see mom?
|
|||
|
|
I think mom's starting to come around.
|
|||
|
|
If mom forgives, I want to live with dad.
|
|||
|
|
All of us together, forever.
|
|||
|
|
How do I look?
|
|||
|
|
- Pretty.
|
|||
|
|
- Thank you!
|
|||
|
|
How about the amusement park?
|
|||
|
|
It's yummy
|
|||
|
|
I never dreamed before
|
|||
|
|
I'm gonna knock the door into the world of perfect free
|
|||
|
|
(You ain't no lonely!
|
|||
|
|
)
|
|||
|
|
You're gonna say I'm lying
|
|||
|
|
I'm gonna get the chance
|
|||
|
|
I thought a chance is far from me
|
|||
|
|
(You ain't no lonely! )
|
|||
|
|
I was made to hit in America
|
|||
|
|
(I was made to hit in America) I was made to hit in America
|
|||
|
|
You are the sun, you are the star
|
|||
|
|
(To me, forever)
|
|||
|
|
You are the sun, you are the star
|
|||
|
|
(To me, forever)
|
|||
|
|
I was made to hit in America
|
|||
|
|
I was made to hit in America (I was made to hit in America) I was made to hit in America
|
|||
|
|
"C-Major Pentatonic Scale"
|
|||
|
|
It's too hard for me.
|
|||
|
|
Fool!
|
|||
|
|
But it's better to learn the scale early.
|
|||
|
|
Fool!
|
|||
|
|
You stupid bird!
|
|||
|
|
I'll show you!
|
|||
|
|
Don't rush it, Koyuki-kun.
|
|||
|
|
It's only been two months since you started playing the guitar.
|
|||
|
|
But he already knows the scale...
|
|||
|
|
C'mon, we need a change of pace.
|
|||
|
|
Let's go swimming!
|
|||
|
|
"Lucille" -Okay, here goes!
|
|||
|
|
-Watch the ball!
|
|||
|
|
What?
|
|||
|
|
So please buy your own melon roll. It's the truth.
|
|||
|
|
I was called to the faculty office.
|
|||
|
|
S-see you...
|
|||
|
|
Hold it, Tanaka!
|
|||
|
|
Please go to the faculty office immediately. I repeat...
|
|||
|
|
Listen, Tanaka-kun...
|
|||
|
|
I don't think you're taking your job as umbrella monitor seriously.
|
|||
|
|
Oh, no... Daily life is a series of little jobs like this.
|
|||
|
|
Maybe I should put this in your student report...
|
|||
|
|
I'm disappointed in you, Tanaka-kun.
|
|||
|
|
You may go.
|
|||
|
|
Wait, Tanaka-kun!
|
|||
|
|
What is this? !
|
|||
|
|
What happened? !
|
|||
|
|
It's nothing.
|
|||
|
|
We were kidding around and Tanabe-kun did a drop kick on me.
|
|||
|
|
Tanaka-kun...
|
|||
|
|
And naturally, I gave it back to him with a heel hold! So it's no big deal!
|
|||
|
|
Tanaka-kun...
|
|||
|
|
That was awesome!
|
|||
|
|
You look glum, Koyuki!
|
|||
|
|
Maho!
|
|||
|
|
Yo!
|
|||
|
|
Maho, you sure eat a lot.
|
|||
|
|
Shut up. I'm hungry.
|
|||
|
|
You'll gain weight.
|
|||
|
|
You can have my fries.
|
|||
|
|
Beck's first live performance has been set!
|
|||
|
|
R-really?
|
|||
|
|
How long is this going to continue?
|
|||
|
|
I'll talk to him for you.
|
|||
|
|
Okay...
|
|||
|
|
Okay, I'm going on deliveries, so make up for being late and work extra hard.
|
|||
|
|
And don't forget to feed Page.
|
|||
|
|
Around strangers.
|
|||
|
|
It's okay, I'll feed him.
|
|||
|
|
-You little-!
|
|||
|
|
T-this is the last of it!
|
|||
|
|
Oww...
|
|||
|
|
These aren't company documents!
|
|||
|
|
They're Saito-san's personal treasure!
|
|||
|
|
Treasure?
|
|||
|
|
I mean, private collection.
|
|||
|
|
Collection?
|
|||
|
|
-Since the end of summer break.
|
|||
|
|
-What for?
|
|||
|
|
I want to repair the guitar Ryusuke-kun gave me.
|
|||
|
|
I didn't know...
|
|||
|
|
That's why I don't want to see Ryusuke-kun until the guitar is fixed.
|
|||
|
|
I understand.
|
|||
|
|
So, how much do you get paid?
|
|||
|
|
Oh, umm...430 yen an hour.
|
|||
|
|
Are you serious? !
|
|||
|
|
That's crazy!
|
|||
|
|
This new law sure is bad for the manufacturing industry.
|
|||
|
|
-Saito-sama, this way please.
|
|||
|
|
Thank you for calling her.
|
|||
|
|
-I missed you sooo much!
|
|||
|
|
Caught a cold or something?
|
|||
|
|
I'm in disguise!
|
|||
|
|
But how'd you guess it was me?
|
|||
|
|
Okay, it's starting!
|
|||
|
|
Ryusuke-kun's guitar... Are those bullet marks? !
|
|||
|
|
They're real.
|
|||
|
|
That guitar has a name... It's Lucille.
|
|||
|
|
-Sounds like a woman's name.
|
|||
|
|
It's a guitar with a past...
|
|||
|
|
Ryusuke got it in some dangerous place.
|
|||
|
|
It couldn't possibly have happened while he was performing? !
|
|||
|
|
One, two!
|
|||
|
|
Typhoon 24! 24-7!
|
|||
|
|
24 hours straight!
|
|||
|
|
BECK!
|
|||
|
|
B-E-C-K!
|
|||
|
|
We're gonna rush at you!
|
|||
|
|
We're gonna send you flyin' head-first!
|
|||
|
|
If you take off that stiff head you'll feel totally loose This crazy, crazy world
|
|||
|
|
Pass the hot shot, keep on coming, come on!
|
|||
|
|
Blow your mind
|
|||
|
|
Squeeze your sweat yeah
|
|||
|
|
Blow your mind
|
|||
|
|
Squeeze your sweat
|
|||
|
|
This...is Beck...
|
|||
|
|
Koyuki-kun...
|
|||
|
|
Can you go over to Hayakama Instruments?
|
|||
|
|
There's still more?
|
|||
|
|
-The guitar's fixed now. -Huh?
|
|||
|
|
The one with the broken neck.
|
|||
|
|
I sent it out for repairs.
|
|||
|
|
I-is that true? !
|
|||
|
|
You want to patch things up with Ryusuke, don't you?
|
|||
|
|
Saito-san!
|
|||
|
|
Now go, hurry!
|
|||
|
|
Okay!
|
|||
|
|
Koyuki-kun... Deduction for leaving early.
|
|||
|
|
I think this'll do.
|
|||
|
|
If you notice something while playing it, just let me know.
|
|||
|
|
Now I can see Ryusuke-kun!
|
|||
|
|
Hey, Tanaka...
|
|||
|
|
Hey, Tanaka.
|
|||
|
|
Lemme play that guitar.
|
|||
|
|
What an awful sound...
|
|||
|
|
suits you perfectly!
|
|||
|
|
Hey, Masaru.
|
|||
|
|
Forget it, Rikiya-kun.
|
|||
|
|
The sound is the pits.
|
|||
|
|
You laughed just now, didn't you?
|
|||
|
|
-Don't act innocent!
|
|||
|
|
Recently, the Sex Handles-
|
|||
|
|
Damn thing!
|
|||
|
|
Any complaints?
|
|||
|
|
Didn't think so.
|
|||
|
|
It was a piece of junk anyway.
|
|||
|
|
Let's go, Masaru!
|
|||
|
|
Yeah.
|
|||
|
|
-How about New Burger?
|
|||
|
|
Did you get it, Koyuki-kun?
|
|||
|
|
Yeah...
|
|||
|
|
Oh, good!
|
|||
|
|
It's all fixed, then?
|
|||
|
|
Actually, it's been slow here at Saito Paper Company, so getting the money to fix it was a bit hard.
|
|||
|
|
But it was worth it to see you smiling again!
|
|||
|
|
Saito-san...
|
|||
|
|
Thank you!
|
|||
|
|
Oh, you're welcome!
|
|||
|
|
Mom used to say, "From that day on, Yukio was like someone possessed by the guitar, and played it every single day."
|
|||
|
|
Think so? !
|
|||
|
|
We won't miss your next live performance!
|
|||
|
|
Give me your names and numbers!
|
|||
|
|
Hey, Ray!
|
|||
|
|
I've gotta talk to you!
|
|||
|
|
What?
|
|||
|
|
What're you mad about all of a sudden?
|
|||
|
|
Ryusuke-kun, you speak English!
|
|||
|
|
That's so cool!
|
|||
|
|
So I'm more used to English than Japanese.
|
|||
|
|
-That's so cool! -That's so cool!
|
|||
|
|
We've got to go to New York, too!
|
|||
|
|
-Sure.
|
|||
|
|
I was looking for the ab machine I bought by mail order last night... and I finally found it!
|
|||
|
|
Found what?
|
|||
|
|
Look!
|
|||
|
|
This is it... The L48 Eddie gave to you!
|
|||
|
|
Then the one I gave to Koyuki was...
|
|||
|
|
That was a fake one you got at the guitar shop in Queens!
|
|||
|
|
Which means...
|
|||
|
|
-Ryusuke-kun! -Ryusuke-kun!
|
|||
|
|
Don't get tetanus!
|
|||
|
|
Yukio!
|
|||
|
|
Telephone!
|
|||
|
|
Yukio!
|
|||
|
|
Yukio!
|
|||
|
|
I called Ryusuke too.
|
|||
|
|
You're joking, right?
|
|||
|
|
Oh, speak of the devil.
|
|||
|
|
Sorry!
|
|||
|
|
Did you really explain it to him?
|
|||
|
|
I did!
|
|||
|
|
Idiot!
|
|||
|
|
Why am I running away?
|
|||
|
|
Oh, Koyuki!
|
|||
|
|
Izumi-chan!
|
|||
|
|
I spoke to Ryusuke-kun on the phone yesterday and he said to say hi.
|
|||
|
|
Can you say hello from me, too?
|
|||
|
|
All 9th graders will report to the gym for curriculum guidance.
|
|||
|
|
I repeat...
|
|||
|
|
-It's almost graduation.
|
|||
|
|
I'll be lonely.
|
|||
|
|
See you, Koyuki!
|
|||
|
|
"I've decided to stay here a bit longer, so please take care of Page!"
|
|||
|
|
He's extending his stay again!
|
|||
|
|
Southeast Asia must have something that lures grown men...
|
|||
|
|
Fool!
|
|||
|
|
I haven't played yet!
|
|||
|
|
Punk rockers hold their guitars low...
|
|||
|
|
Awright!
|
|||
|
|
Yay!
|
|||
|
|
Cripes!
|
|||
|
|
I'd better go to sleep!
|
|||
|
|
Look...
|
|||
|
|
Eiji...
|
|||
|
|
Look at him...
|
|||
|
|
Didn't he make his band successful all by himself?
|
|||
|
|
We just do things our way.
|
|||
|
|
Umm... Ginger ale.
|
|||
|
|
Okay.
|
|||
|
|
Hey, Koyuki!
|
|||
|
|
Why'd you run away the other day?
|
|||
|
|
Sorry!
|
|||
|
|
Koyuki!
|
|||
|
|
Let's go up front!
|
|||
|
|
Let's go concrete hell, human safari park escape
|
|||
|
|
Ape in the brain, mass brain-washing operation, no thank you
|
|||
|
|
-I-is this what rap is?
|
|||
|
|
-Huh?
|
|||
|
|
-We're at the rebellious age, free as we go
|
|||
|
|
This is no barrier, just what is important, nothing impure, just clear
|
|||
|
|
No pressure at our pace
|
|||
|
|
Music that cuts through the wind, free form
|
|||
|
|
Bullet holes in the body...
|
|||
|
|
The acoustic pick-up in the front is broken.
|
|||
|
|
He has a Roger Mayer at his feet.
|
|||
|
|
But...
|
|||
|
|
How is he getting such a sound?
|
|||
|
|
-I'm gonna get a shot of it!
|
|||
|
|
Totally!
|
|||
|
|
That dog...
|
|||
|
|
Another minute Feelin' so fine
|
|||
|
|
You turn the freeze into warm light
|
|||
|
|
It's got me spinnin' 'round
|
|||
|
|
If you really wanna fly you gotta let go
|
|||
|
|
(once you're here you won't go back) She's really pretty
|
|||
|
|
(lose the fear it don't come back)
|
|||
|
|
"Next Episode"
|
|||
|
|
Sis!
|
|||
|
|
What's the problem?
|
|||
|
|
What's wrong that is making your face fired up?
|
|||
|
|
Did you fart in front of Yoon?
|
|||
|
|
Hurry up and stop farting!
|
|||
|
|
I need to pee too!
|
|||
|
|
-Go to Yoon's.
|
|||
|
|
What is it?
|
|||
|
|
What should I do, Minchae?
|
|||
|
|
-Are you constipated too?
|
|||
|
|
There is a guy who came from Australia to see me.
|
|||
|
|
I met him when I followed Yoon to shoot his CF.
|
|||
|
|
I got helped a lot.
|
|||
|
|
-You have a boyfriend?
|
|||
|
|
Not me, just that person.
|
|||
|
|
Not you, him?
|
|||
|
|
-Yeah.
|
|||
|
|
It seems he's fallen for me.
|
|||
|
|
I feel so sorry, what I should I do?
|
|||
|
|
He's fallen for you...so you're saying he's come all the way from Australia for you.
|
|||
|
|
Did you sleep with him?
|
|||
|
|
Did you?
|
|||
|
|
Yes.
|
|||
|
|
I was freezing to death so we held each other.
|
|||
|
|
I think that's when he started to fall for me.
|
|||
|
|
You must be crazy!
|
|||
|
|
-That's what I'm sayin.
|
|||
|
|
How could you?
|
|||
|
|
The world's gonna end.
|
|||
|
|
No.
|
|||
|
|
It's not that.
|
|||
|
|
Oh, how disgusting.
|
|||
|
|
For how long have you guys been in here?
|
|||
|
|
Sookchae, aren't you done?
|
|||
|
|
Eunchae, Minchae...aren't you done washing up?
|
|||
|
|
-We are done.
|
|||
|
|
We'll be out soon.
|
|||
|
|
Then come out.
|
|||
|
|
Your father has to use the bathroom too!
|
|||
|
|
Mom!
|
|||
|
|
-What?
|
|||
|
|
Eunchae said she slept with a guy.
|
|||
|
|
We must prepare a gift.
|
|||
|
|
No!
|
|||
|
|
We did sleep but not in that way!
|
|||
|
|
I haven't even kissed with a guy.
|
|||
|
|
Now I'm seeing things.
|
|||
|
|
I feel so sorry.
|
|||
|
|
Eunchae!
|
|||
|
|
-Going somewhere?
|
|||
|
|
To see my brother.
|
|||
|
|
-Brother?
|
|||
|
|
Oh good...eat this.
|
|||
|
|
-What is this?
|
|||
|
|
Mountain Ginseng.
|
|||
|
|
Added some honey on the mountain ginseng or something like that.
|
|||
|
|
Eat it.
|
|||
|
|
How can I eat this fragile thing?
|
|||
|
|
-Because it is, you should eat it.
|
|||
|
|
I don't want to.
|
|||
|
|
Your mother bought it for you.
|
|||
|
|
Hey,
|
|||
|
|
I can't eat this.
|
|||
|
|
How could I?
|
|||
|
|
You eat it.
|
|||
|
|
Then I'm throwing it away.
|
|||
|
|
Why can't you eat this?
|
|||
|
|
My mouth is my mouth. Is your mouth dirty then?
|
|||
|
|
Yoon...
|
|||
|
|
Give it so I can give it to a dog.
|
|||
|
|
-Hey, Ok!
|
|||
|
|
I'll eat it.
|
|||
|
|
Ok now?
|
|||
|
|
-Yes.
|
|||
|
|
My mom says she feels great when feeding me delicious food.
|
|||
|
|
I feel great when I do the same for you.
|
|||
|
|
Probably in the past, I might have been your mom or dad.
|
|||
|
|
Eat well and grow a lot, ok?
|
|||
|
|
-Son!
|
|||
|
|
Yes?
|
|||
|
|
-Yoon, put this on and go.
|
|||
|
|
What is that?
|
|||
|
|
-This is milk oil.
|
|||
|
|
It's great for dark circles.
|
|||
|
|
-Who has dark circles?
|
|||
|
|
So we have to prepare for it beforehand.
|
|||
|
|
I feel like dying when I see your handsome face get dirty.
|
|||
|
|
Eunchae, so what happened with that guy?
|
|||
|
|
Guy?
|
|||
|
|
-Sure.
|
|||
|
|
Eunchae's got a boyfriend.
|
|||
|
|
She has a boyfriend?
|
|||
|
|
Eunchae?
|
|||
|
|
Who is it?
|
|||
|
|
What does he do?
|
|||
|
|
-He must be sensitive.
|
|||
|
|
He was even crying.
|
|||
|
|
Eunchae, do a good job.
|
|||
|
|
If you make someone else cry, Then your eyes will cry blood.
|
|||
|
|
Good luck, Eunchae.
|
|||
|
|
Congratulations, you wicked girl!
|
|||
|
|
What the heck kind of guy is he?
|
|||
|
|
Eunchae has no sense for understanding guys.
|
|||
|
|
Why am I feeling upset?
|
|||
|
|
Get in!
|
|||
|
|
Water tastes great, doesn't it?
|
|||
|
|
I had a cramp.
|
|||
|
|
I almost died.
|
|||
|
|
You can't reveal your fear to God...
|
|||
|
|
You have to crush it first.
|
|||
|
|
That's the only way you make friends with him
|
|||
|
|
When'd you learn how to swim?
|
|||
|
|
I didn't learn.
|
|||
|
|
You weren't taught?
|
|||
|
|
But I haven't learned either.
|
|||
|
|
Then what do I do to become as good as you?
|
|||
|
|
Try your best!
|
|||
|
|
-Then I guess I should come here more often.
|
|||
|
|
But I don't swim!
|
|||
|
|
When I think of my mother, I feel grateful and I start to cry,
|
|||
|
|
She gave birth to me, and raised me well. And giving me so much love.
|
|||
|
|
Mom, you are my sunshine and idol.
|
|||
|
|
How is it?
|
|||
|
|
-It's good.
|
|||
|
|
But this place... it seems...
|
|||
|
|
Look over here.
|
|||
|
|
Stripes look great on Yoon.
|
|||
|
|
This is the fifth, ma'am.
|
|||
|
|
-Oh yeah?
|
|||
|
|
This style wouldn't work on anyone but Yoon, right?
|
|||
|
|
But, ma'am, this please is extremely expensive.
|
|||
|
|
Red is great on my son as well.
|
|||
|
|
One second...
|
|||
|
|
Having a great son it hard work too, sis.
|
|||
|
|
Yes,
|
|||
|
|
Yoon?
|
|||
|
|
You can't reach him?
|
|||
|
|
He said he was going to meet up with his "brother".
|
|||
|
|
I don't know what he was talking about.
|
|||
|
|
Newspapers?
|
|||
|
|
No, I didn't see them.
|
|||
|
|
What?
|
|||
|
|
"Kang Minjoo's fling with Chae Yoon"
|
|||
|
|
"Kang Minjoo reveals all:
|
|||
|
|
Love's a just a game to me, I was only playing"
|
|||
|
|
I have to go somewhere.
|
|||
|
|
I'll see you later.
|
|||
|
|
To drive like that?
|
|||
|
|
Would your head crack like that?
|
|||
|
|
Want a hammer?
|
|||
|
|
Today I'm gonna die.
|
|||
|
|
And so will she.
|
|||
|
|
No one better stop me.
|
|||
|
|
Come in, Eunchae!
|
|||
|
|
Door's open!
|
|||
|
|
Wait, just one more round...
|
|||
|
|
Isn't this too much?
|
|||
|
|
Go explain yourself to Yoon.
|
|||
|
|
It seems the interview is out...
|
|||
|
|
You wanna die?
|
|||
|
|
You wanna get beat?
|
|||
|
|
You have any idea how much Yoon loved you?
|
|||
|
|
Yoon, the guy you cheated on.
|
|||
|
|
Sorry.
|
|||
|
|
But I can't change who I am.
|
|||
|
|
You know I'm a flirt by nature.
|
|||
|
|
Why do you live this way?
|
|||
|
|
Is this the way you want to live?
|
|||
|
|
Why do you live so recklessly?
|
|||
|
|
Want to end your career?
|
|||
|
|
Are you a rock head?
|
|||
|
|
Are you an idiot?
|
|||
|
|
Have you decided to end it all?
|
|||
|
|
You idiot, you dummy, you moron!
|
|||
|
|
You done hitting me?
|
|||
|
|
Is that all the power you got?
|
|||
|
|
At least you should break a rib or something.
|
|||
|
|
Yoon... I think I like him.
|
|||
|
|
I think because of that...
|
|||
|
|
Maybe because I was really starting to like him...
|
|||
|
|
That's why I did it.
|
|||
|
|
What?
|
|||
|
|
You like Yoon, don't you?
|
|||
|
|
I'm a romance scholar.
|
|||
|
|
You think I wouldn't know?
|
|||
|
|
I knew since a long time ago.
|
|||
|
|
Who's heard of a friendship between a guy and girl?
|
|||
|
|
What is this girl talking about?
|
|||
|
|
Do you really want to be beat today?
|
|||
|
|
Still I wanted to go all the way, but I couldn't because of you.
|
|||
|
|
You have him.
|
|||
|
|
You can have him.
|
|||
|
|
That's right.
|
|||
|
|
You should be beat!
|
|||
|
|
You need a beating to get you back to your senses.
|
|||
|
|
I'm going to beat you to a pulp!
|
|||
|
|
You're dead, Kang Minjoo!
|
|||
|
|
Can't you stop that, Eunchae?
|
|||
|
|
What do you think you're doing?
|
|||
|
|
What gives you the right to hit her?
|
|||
|
|
No one lays a finger on her!
|
|||
|
|
Yoon!
|
|||
|
|
Mind your business from now on.
|
|||
|
|
Don't meddle in ours, Eunchae.
|
|||
|
|
Don't overreact.
|
|||
|
|
You got it?
|
|||
|
|
Go out!
|
|||
|
|
Didn't you hear me?
|
|||
|
|
Get the hell out!
|
|||
|
|
I'm still owe you one.
|
|||
|
|
Don't get hit again,
|
|||
|
|
..from me or Eunchae.
|
|||
|
|
If someone does this again, I'm going to kill em.
|
|||
|
|
Be it Eunchae, or me.
|
|||
|
|
I'll kill them all.
|
|||
|
|
Don't do that again.
|
|||
|
|
You'll die too.
|
|||
|
|
And I'll die.
|
|||
|
|
I'm sorry.
|
|||
|
|
I was wrong.
|
|||
|
|
I won't be that way again.
|
|||
|
|
I'm sorry.
|
|||
|
|
Poor baby.
|
|||
|
|
Are you lost?
|
|||
|
|
Don't cry.
|
|||
|
|
Don't cry, ok?
|
|||
|
|
I'll find your mother for you.
|
|||
|
|
Crying is bad.
|
|||
|
|
Santa Clause doesn't give presents to children who cry.
|
|||
|
|
So don't cry.
|
|||
|
|
Hello?
|
|||
|
|
This is Perry's mother, right?
|
|||
|
|
Hi, I'm Song Eunchae...
|
|||
|
|
What's the capitol of Australia?
|
|||
|
|
Don't you even know the capital of your own country?
|
|||
|
|
Canberra.
|
|||
|
|
Isn't it Sydney?
|
|||
|
|
-Canberra.
|
|||
|
|
Was it changed?
|
|||
|
|
What about our country?
|
|||
|
|
Seoul.
|
|||
|
|
So you're not demented.
|
|||
|
|
Then ok.
|
|||
|
|
Let's go out.
|
|||
|
|
Are you embarrassed?
|
|||
|
|
Is looking at my face difficult for you?
|
|||
|
|
You're introverted, I see.
|
|||
|
|
I didn't think so.
|
|||
|
|
Try some of mine.
|
|||
|
|
This is what couples do when they go out.
|
|||
|
|
It's called being affectionate.
|
|||
|
|
You're ashamed.
|
|||
|
|
You're so cute.
|
|||
|
|
-Please be quiet.
|
|||
|
|
I'll be asleep for 5 minutes, so please.. be quiet.
|
|||
|
|
Are you ok?
|
|||
|
|
Hey!
|
|||
|
|
Wake up!
|
|||
|
|
Get it together!
|
|||
|
|
Have some.
|
|||
|
|
-It's ok.
|
|||
|
|
You eat it.
|
|||
|
|
Eat!
|
|||
|
|
-I don't eat eaten food.
|
|||
|
|
But Eunchae does.
|
|||
|
|
She has the stomach for that.
|
|||
|
|
Am I a stranger?
|
|||
|
|
-Sorry.
|
|||
|
|
That's my personality.
|
|||
|
|
I don't eat from my mother's leftovers either.
|
|||
|
|
Where you going?
|
|||
|
|
-Bathroom.
|
|||
|
|
Do you get home safe, Eunchae?
|
|||
|
|
About before...
|
|||
|
|
I was out of line.
|
|||
|
|
You're not upset, are you?
|
|||
|
|
Actually, I didn't mean to offend you.
|
|||
|
|
Why isn't she saying anything?
|
|||
|
|
Hello?
|
|||
|
|
Isn't this Song Eunchae's cell phone?
|
|||
|
|
-The owner has fainted.
|
|||
|
|
Her dad says he's coming now.
|
|||
|
|
Where is over there?
|
|||
|
|
Sir, sir!
|
|||
|
|
Please wake up.
|
|||
|
|
Are you ok?
|
|||
|
|
They won't even budge.
|
|||
|
|
Pardon me!
|
|||
|
|
Excuse me.
|
|||
|
|
They fainted while kissing.
|
|||
|
|
Eunchae!
|
|||
|
|
She's like this when she's drunk.
|
|||
|
|
I can't pull them apart.
|
|||
|
|
What happened?
|
|||
|
|
These two... were drinking and then they kissed and...
|
|||
|
|
Get it together!
|
|||
|
|
Help me lift her.
|
|||
|
|
What happened?
|
|||
|
|
How did Moohyuk and Eunchae end up together?
|
|||
|
|
Is he someone you know?
|
|||
|
|
Yes.
|
|||
|
|
-How do you know him?
|
|||
|
|
He's just a guy I like.
|
|||
|
|
What does he do?
|
|||
|
|
I'm not sure either.
|
|||
|
|
Yoon!
|
|||
|
|
-Yes?
|
|||
|
|
What exactly does Eunchae like?
|
|||
|
|
Chicken, rice...
|
|||
|
|
-What doesn't she like?
|
|||
|
|
Ghosts, orangutans, hospitals..
|
|||
|
|
Why do you ask?
|
|||
|
|
Because I'm her father...
|
|||
|
|
Yet I don't know a lot about her.
|
|||
|
|
You've spent more time with her than me, right?
|
|||
|
|
Yes.
|
|||
|
|
You'll probably know her more than I do.
|
|||
|
|
Right?
|
|||
|
|
Is Eunchae...
|
|||
|
|
Is Eunchae promiscuous?
|
|||
|
|
What?
|
|||
|
|
Let go.
|
|||
|
|
You're so strange.
|
|||
|
|
Just leave it.
|
|||
|
|
I'll fold it up later.
|
|||
|
|
What?
|
|||
|
|
Did you piss the bed?
|
|||
|
|
Minchae, conference time!
|
|||
|
|
-What?
|
|||
|
|
What secret is this now?
|
|||
|
|
I'm late for school.
|
|||
|
|
Yesterday, who brought me home?
|
|||
|
|
-Dad did.
|
|||
|
|
Mom's having a fit because of you so run like hell when you see her.
|
|||
|
|
You... would you look at my lips...
|
|||
|
|
What about them?
|
|||
|
|
How is it?
|
|||
|
|
Does it look they've been kissed?
|
|||
|
|
I'm not sure if it was a dream or not...
|
|||
|
|
It doesn't seem like it was a dream...
|
|||
|
|
Look at them.
|
|||
|
|
Do they look like they've been kissed?
|
|||
|
|
What do kissed lips look like anyway?
|
|||
|
|
-I wouldn't know.
|
|||
|
|
Since I never kissed anyone.
|
|||
|
|
-What did you do yesterday?
|
|||
|
|
Well, exactly....
|
|||
|
|
But you've read a lot of weird books, so wouldn't you know?
|
|||
|
|
I wouldn't know either...
|
|||
|
|
Want me to get the magnifying glass?
|
|||
|
|
Your lips seem bruised and swollen.
|
|||
|
|
Push them out more.
|
|||
|
|
In my estimation, you were kissed.
|
|||
|
|
They say the body remembers what your brain doesn't.
|
|||
|
|
Kiss that guy again.
|
|||
|
|
What?
|
|||
|
|
Kiss.
|
|||
|
|
-You crazy?
|
|||
|
|
Whatever.
|
|||
|
|
Forget it!
|
|||
|
|
Sister!
|
|||
|
|
I'm not liking these dishes.
|
|||
|
|
Where might the Italian china be?
|
|||
|
|
Don't move a step!
|
|||
|
|
Who are you?
|
|||
|
|
-You're hurt, stay still!
|
|||
|
|
Aren't you Eunchae's boyfriend?
|
|||
|
|
But why are you here?
|
|||
|
|
Where's the medicine?
|
|||
|
|
Yoon!
|
|||
|
|
Where's the medicine!
|
|||
|
|
Son!
|
|||
|
|
Yoon is asleep!
|
|||
|
|
Where's the medicine!
|
|||
|
|
What's going on?
|
|||
|
|
Who is that man?
|
|||
|
|
-Who?
|
|||
|
|
Ah, that's Moohyuk.
|
|||
|
|
-Why is he at our house.
|
|||
|
|
I brought him over last night.
|
|||
|
|
He was too drunk.
|
|||
|
|
-I told you not to bring just anyone in!
|
|||
|
|
But he was drunk and we didn't where he lives.
|
|||
|
|
You don't even know where he lives, you don't even know him well. Why bring him here?
|
|||
|
|
Are you common man?
|
|||
|
|
You're in show business.
|
|||
|
|
Quiet.
|
|||
|
|
He'll hear us.
|
|||
|
|
-Who do you take after that you can act this way?
|
|||
|
|
Since you're my mother, probably after you.
|
|||
|
|
I got to take a leak, I'll be back.
|
|||
|
|
That guy scares me.
|
|||
|
|
Tell him to leave, please.
|
|||
|
|
-What's scary about him?
|
|||
|
|
He won't eat you.
|
|||
|
|
I'm going to wash, so just stay around.
|
|||
|
|
Hey!
|
|||
|
|
Then I'll go with you to the bathroom.
|
|||
|
|
Were you hurt?
|
|||
|
|
-Yeah, I was hurt a lot, I'm bleeding.
|
|||
|
|
I can't live. ...
|
|||
|
|
Put some medicine on it.
|
|||
|
|
Let me borrow this for a while.
|
|||
|
|
Am I a joke to you?
|
|||
|
|
If you show up again... and you're dead!
|
|||
|
|
Will she be ok?
|
|||
|
|
-She'll be fine.
|
|||
|
|
It was a good thing to stop her bleeding.
|
|||
|
|
Buy some kimbop!
|
|||
|
|
Buy some dukkbogi!
|
|||
|
|
Have you sold a lot?
|
|||
|
|
It's blood!
|
|||
|
|
You should go the hospital.
|
|||
|
|
Why... did you tell me?
|
|||
|
|
My mother...
|
|||
|
|
Why did you tell me about her?
|
|||
|
|
What would I do about it?
|
|||
|
|
What would I do about it, old man!
|
|||
|
|
Do whatever you want.
|
|||
|
|
Whatever you want.
|
|||
|
|
All done.
|
|||
|
|
Go to the hospital.
|
|||
|
|
My mother...
|
|||
|
|
That lady...
|
|||
|
|
Did she wrong you too?
|
|||
|
|
Yes.
|
|||
|
|
Galchi, let's have dinner together tonight.
|
|||
|
|
Let's make jorim.
|
|||
|
|
Kang Minjoo has avowed her relationship with Chae Yoon today.
|
|||
|
|
I've worked hard the past 3 years
|
|||
|
|
With her alone I can give up everything else in the world. Without her,
|
|||
|
|
I don't feel alive.
|
|||
|
|
What are your feelings toward Chae Yoon?
|
|||
|
|
Chae Yoon is the nicest and most honest man I know.
|
|||
|
|
I've done him a lot of wrong, But I'm determined to make it up to him.
|
|||
|
|
I didn't think love was real, But through Yoon, I've come to believe.
|
|||
|
|
He's scary, just tell him to leave.
|
|||
|
|
Do whatever you want.
|
|||
|
|
Both of them have opened their hearts and the public agrees they match well. They're rising in popularity.
|
|||
|
|
Due to today's conference, the issue is getting hot.
|
|||
|
|
Live happily, Yoon!
|
|||
|
|
If you hurt him, I won't leave you alone, Minjoo!
|
|||
|
|
Be happy together!
|
|||
|
|
I've got to go to the studio, I don't think drive you.
|
|||
|
|
-It's ok.
|
|||
|
|
That's why I brought my car.
|
|||
|
|
I'll call you.
|
|||
|
|
Get home safe.
|
|||
|
|
How can I help you?
|
|||
|
|
Hey!
|
|||
|
|
-Lady.
|
|||
|
|
Get out!
|
|||
|
|
Lady?
|
|||
|
|
english translations: zdoon, purpletiger86 bellaangel012. subtitles by zdoon
|
|||
|
|
Who are you?
|
|||
|
|
Can't you recognize your mother and sister?
|
|||
|
|
Why are you guys staring at me?
|
|||
|
|
Is there something on my face?
|
|||
|
|
-There is. No joking, lots of stuff on your face.
|
|||
|
|
Ah alright, alright!
|
|||
|
|
I already made a promise.
|
|||
|
|
Today at five, at the Seoul Hotel first floor coffee shop... a guy...
|
|||
|
|
About 26 yo...
|
|||
|
|
Your "date"... (for marriage)
|
|||
|
|
I'm set up for a "marriage interview", mom?
|
|||
|
|
Alright alright.
|
|||
|
|
If this date gets cancelled, I'm going to dig a hole and bury myself.
|
|||
|
|
-It's not a threat.
|
|||
|
|
Mom looked at a coffin a while ago.
|
|||
|
|
I looked at a blackish copper coffin.
|
|||
|
|
-Give it up, mom.
|
|||
|
|
If Eunchae goes on this date then I'll immediately go into Seoul University.
|
|||
|
|
Well yeah.
|
|||
|
|
If Eunchae goes...
|
|||
|
|
then I'll give you this bed, mom.
|
|||
|
|
Yah yah...
|
|||
|
|
If she goes on this date ...you be the mother.
|
|||
|
|
I'll go on the date.
|
|||
|
|
With news as good as that, you should have told me sooner.
|
|||
|
|
If that person is wonderful, can I propose to him first, mom?
|
|||
|
|
Do you not like me?
|
|||
|
|
It's not that I don't like you.
|
|||
|
|
You're just not my type.
|
|||
|
|
What is your type?
|
|||
|
|
It's hard for me to say...
|
|||
|
|
Do you want to draw your type then?
|
|||
|
|
Ten minutes haven't even passed.
|
|||
|
|
How can you tell if I'm your type or not?
|
|||
|
|
If you look at me close enough... I might be your type.
|
|||
|
|
- I can tell in one minute.
|
|||
|
|
How do you figure that in a minute, huh?
|
|||
|
|
Nonsense.
|
|||
|
|
- I can.
|
|||
|
|
It doesn't make sense.
|
|||
|
|
-Why not?
|
|||
|
|
It doesn't
|
|||
|
|
- It does!
|
|||
|
|
Tell me the truth.
|
|||
|
|
What exactly don't you like about me?
|
|||
|
|
How can I... .. tell you that?
|
|||
|
|
Tell me.
|
|||
|
|
It's alright.
|
|||
|
|
Since you're asking...
|
|||
|
|
I really don't like your appearance.
|
|||
|
|
What about my appearance?
|
|||
|
|
Take a look in the mirror.
|
|||
|
|
We'll pay the coffee bills separately, okay?
|
|||
|
|
I have to get to the broadcast station fast so I don't think I can take you home.
|
|||
|
|
It's okay.
|
|||
|
|
That's why I brought my car too.
|
|||
|
|
I'll call you.
|
|||
|
|
Get home safely.
|
|||
|
|
How can I help you?
|
|||
|
|
Hey!
|
|||
|
|
-Lady!
|
|||
|
|
Get out.
|
|||
|
|
Lady? - You...
|
|||
|
|
Where do you put your eyes when driving?
|
|||
|
|
Look here, guy. - Lady, my baby is.. ...stuck beneath your car.
|
|||
|
|
Take your car out now.
|
|||
|
|
Didn't you hear me?
|
|||
|
|
-I didn't know.
|
|||
|
|
When I was parking, I didn't feel a thing.
|
|||
|
|
I didn't know.
|
|||
|
|
Take the car out.
|
|||
|
|
I'm sorry.
|
|||
|
|
I'm really sorry.
|
|||
|
|
I'll pay you.
|
|||
|
|
If this isn't enough, leave me with your number.
|
|||
|
|
You know who I am right?
|
|||
|
|
I'm Kang Minj...
|
|||
|
|
What is this?
|
|||
|
|
What do you think you're doing?
|
|||
|
|
Are you trying to toy with me?
|
|||
|
|
But, you picked the wrong person, man.
|
|||
|
|
I'm Kang Minjoo! ...
|
|||
|
|
Shut your mouth and pull your car out.
|
|||
|
|
Leave my site by one minute, lady!
|
|||
|
|
Chae Yoon!
|
|||
|
|
-Oh hyung,
|
|||
|
|
Where were you?
|
|||
|
|
-Where are you?
|
|||
|
|
Broadcasting station.
|
|||
|
|
Wanna come over?
|
|||
|
|
Am I officially your manager from today?
|
|||
|
|
-Yeah, the official work starts from tomorrow.
|
|||
|
|
Wait for ten minutes.
|
|||
|
|
I just got in a taxi...
|
|||
|
|
I'll be there soon.
|
|||
|
|
What a sad doggy dog.
|
|||
|
|
I'll wash you up clean.
|
|||
|
|
So you're not crazy.
|
|||
|
|
Fine then.
|
|||
|
|
Let's date.
|
|||
|
|
Do I look like a pushover to you?
|
|||
|
|
You, if you appear before me again... You'll die then.
|
|||
|
|
Why is that sound coming all the way through here.
|
|||
|
|
Sangchae, wake up!
|
|||
|
|
There is a picture shoot today, right?
|
|||
|
|
Yoon.
|
|||
|
|
Son.
|
|||
|
|
Wake up and wash and then let's get to the picture shoot.
|
|||
|
|
Not waking up?
|
|||
|
|
Get up, get up!
|
|||
|
|
Go out with your son, why don't you?
|
|||
|
|
Disgusting!
|
|||
|
|
I may have given birth to you but you guys are pathetic!
|
|||
|
|
Today...
|
|||
|
|
Fire!
|
|||
|
|
Fire!
|
|||
|
|
Sonchae!
|
|||
|
|
Fire!
|
|||
|
|
Stop playing!
|
|||
|
|
Are you up?
|
|||
|
|
For a while now.
|
|||
|
|
Then why pretend to be asleep?
|
|||
|
|
Just because.
|
|||
|
|
I didn't want to open my eyes so I just lazily stayed put.
|
|||
|
|
Yoon and his mother Today there going to have a photo shoot.
|
|||
|
|
Are you sick?
|
|||
|
|
Look at the sweat.
|
|||
|
|
You even have a fever!
|
|||
|
|
I'm a little sick I guess.
|
|||
|
|
Do you think you can go?
|
|||
|
|
I mean, what's going on with you?
|
|||
|
|
It's ok.
|
|||
|
|
I'll be fine.
|
|||
|
|
Hello doggy dog.
|
|||
|
|
Sleep well?
|
|||
|
|
Did you sleep well?
|
|||
|
|
-Yes.
|
|||
|
|
Good morning.
|
|||
|
|
Wake up Yoon.
|
|||
|
|
I can't do a thing to wake him up.
|
|||
|
|
-He's still sleeping?
|
|||
|
|
Yeah, he went to sleep at dawn.
|
|||
|
|
He said he dreamed of a ghost.
|
|||
|
|
He even came into my room and slept with me.
|
|||
|
|
Don't tell Minjoo about Yoon being this way.
|
|||
|
|
Like not being able to sleep after a scary dream, like how he's afraid of ghosts at his age.
|
|||
|
|
Sure.
|
|||
|
|
I wouldn't tell her.
|
|||
|
|
Yoon, wake up!
|
|||
|
|
You have a shoot to go to.
|
|||
|
|
Wake up, it's late.
|
|||
|
|
People are waiting for you.
|
|||
|
|
Are you going to cancel?
|
|||
|
|
I'm going to cancel.
|
|||
|
|
Wake up.
|
|||
|
|
Oh, good boy!
|
|||
|
|
I'm not good!
|
|||
|
|
You know about the Kong Kong Ghost right?
|
|||
|
|
The ghost who died falling down from a three story building?
|
|||
|
|
The ghost who walks on its head like... kong kong kong.
|
|||
|
|
The kong kong ghost is searching for the person who pushed her to her death.
|
|||
|
|
Pusher's name is Chae Yoon.
|
|||
|
|
Kong kong kong.
|
|||
|
|
Just now, it opens the door and enters.
|
|||
|
|
Kong kong kong.
|
|||
|
|
It's gotten into the living room...
|
|||
|
|
Kong kong kong.
|
|||
|
|
It crawls up the stairs...
|
|||
|
|
Has it reached Yoon's room?
|
|||
|
|
He's not in here...
|
|||
|
|
Kong kong kong.
|
|||
|
|
Then after that, it goes back downstairs...
|
|||
|
|
Kong kong kong.
|
|||
|
|
Finds out that Yoon is in his mom's room.
|
|||
|
|
There is something laying down by your side.
|
|||
|
|
Sleep well with the kong kong ghost.
|
|||
|
|
I'm off.
|
|||
|
|
Why don't you get off of me and go.
|
|||
|
|
Get off.
|
|||
|
|
-Don't want to.
|
|||
|
|
Hey, am I your wife?
|
|||
|
|
Am I your mother?
|
|||
|
|
It feels gross.
|
|||
|
|
What did you just say?
|
|||
|
|
I'm gross?
|
|||
|
|
Yes, you are.
|
|||
|
|
That makes me depressed, Eunchae!
|
|||
|
|
Really depressed.
|
|||
|
|
I'm not going to the shoot today.
|
|||
|
|
-Go or don't go.
|
|||
|
|
Is she on drugs?
|
|||
|
|
I should emigrate.
|
|||
|
|
Go and live away for ten years and come back.
|
|||
|
|
Am I really that sick?
|
|||
|
|
Concentrate, Eunchae!
|
|||
|
|
Concentrate.
|
|||
|
|
Why did you poke me?
|
|||
|
|
Hey, it is you.
|
|||
|
|
-Why poke me?
|
|||
|
|
I thought I was hallucinating...
|
|||
|
|
and wanted to check...
|
|||
|
|
Do you like me too?
|
|||
|
|
-No!
|
|||
|
|
They why poke a man standing still?
|
|||
|
|
You do you like me, right?
|
|||
|
|
So that's why you poked me?
|
|||
|
|
No!
|
|||
|
|
Your face isn't looking well.
|
|||
|
|
You sick somewhere?
|
|||
|
|
-No.
|
|||
|
|
You look sick.
|
|||
|
|
- No.
|
|||
|
|
Your face is pale.
|
|||
|
|
- No!
|
|||
|
|
Is no the only thing you can say?
|
|||
|
|
- No.
|
|||
|
|
You hate me?
|
|||
|
|
-No...
|
|||
|
|
Am I a joke to you?
|
|||
|
|
Do I look like a pushover?
|
|||
|
|
If you show up even once more ... then you'll really be dead!
|
|||
|
|
Hey!
|
|||
|
|
I warned you, didn't I?
|
|||
|
|
That if you showed up again, I'd kill you?
|
|||
|
|
I do what I say.
|
|||
|
|
If I say I'll kill you, I do it.
|
|||
|
|
Kill me.
|
|||
|
|
Kill me.
|
|||
|
|
You are crazy, huh?
|
|||
|
|
Yeah.
|
|||
|
|
-Are you schizo?
|
|||
|
|
Go.
|
|||
|
|
Just go.
|
|||
|
|
Go back to your country.
|
|||
|
|
Go back to Australia.
|
|||
|
|
Go, I said go.
|
|||
|
|
I don't like you.
|
|||
|
|
You're seriously not my type.
|
|||
|
|
I don't even like thinking about guys like you, so leave.
|
|||
|
|
Leave, please!
|
|||
|
|
What are you doing, Eunchae?
|
|||
|
|
Who are you to tell my bro to go or not?
|
|||
|
|
Sleep well?
|
|||
|
|
You sleep well too, bro?
|
|||
|
|
When'd you get here?
|
|||
|
|
- 1 hour.
|
|||
|
|
- I have a photo shoot with my mom today.
|
|||
|
|
Let's leave together when she comes out.
|
|||
|
|
Sure.
|
|||
|
|
This man... the new manager is this man?
|
|||
|
|
-That's right, why?
|
|||
|
|
Are you nuts?
|
|||
|
|
Are you crazy?
|
|||
|
|
How can you hire a dude like this?
|
|||
|
|
How can you talk like that?
|
|||
|
|
A dude like him?
|
|||
|
|
He's older than you are.
|
|||
|
|
And...
|
|||
|
|
Are you on drugs today?
|
|||
|
|
From this point on, I'm not you're coordinator.
|
|||
|
|
Hire someone else.
|
|||
|
|
Sorry, sorry, sorry.
|
|||
|
|
We're late because of me, right?
|
|||
|
|
Mom, Eunchae says she won't be my coordinator from today.
|
|||
|
|
Why?
|
|||
|
|
-Don't know.
|
|||
|
|
She says I should hire someone else.
|
|||
|
|
-Why, Eunchae?
|
|||
|
|
Did Yoon do something wrong again?
|
|||
|
|
How could he hire anyone else?
|
|||
|
|
Except for you, no one can handle Yoon.
|
|||
|
|
It's not that.
|
|||
|
|
-Our Yoon...
|
|||
|
|
I'll scorn him later.
|
|||
|
|
Lets go right now, we're late.
|
|||
|
|
Lets go.
|
|||
|
|
You?
|
|||
|
|
He's my manager since yesterday, mom.
|
|||
|
|
You know Moohyuk, right?
|
|||
|
|
It must be 'that day' for Eunchae.
|
|||
|
|
She's weird.
|
|||
|
|
She says I'm disgusting.
|
|||
|
|
And a while ago, she swore at Moohyuk.
|
|||
|
|
She's random, that girl.
|
|||
|
|
-She is a grown-up woman...don't call her girl.
|
|||
|
|
That person, Eunchae did you get him to work?
|
|||
|
|
No.
|
|||
|
|
No, ma'am.
|
|||
|
|
Isn't he your boyfriend, Eunchae?
|
|||
|
|
No, nothing like that.
|
|||
|
|
Later... if you ask me who I'd choose between Moohyuk and you, I'd choose Moohyuk!
|
|||
|
|
Got that!
|
|||
|
|
Why?
|
|||
|
|
Because Moohyuk is cool!
|
|||
|
|
He's not a snob like you.
|
|||
|
|
If anyone talks foul about him again, I won't leave that person alone, no matter who.
|
|||
|
|
Got it?
|
|||
|
|
If I'm a star, I'm a star.
|
|||
|
|
No, dirty and filthy... and disgusting right?
|
|||
|
|
You should at least say something.
|
|||
|
|
Yoon.
|
|||
|
|
-What?
|
|||
|
|
Let's break away with no hard feelings.
|
|||
|
|
It's our last day, so I want to end it nicely.
|
|||
|
|
Are you really going to quit?
|
|||
|
|
I am going to quit.
|
|||
|
|
Today is my last day.
|
|||
|
|
Eunchae, you finish it off.
|
|||
|
|
Mother, Eunchae is really going to quit today.
|
|||
|
|
Son... If you were to ask me to choose between Eunchae and that Moohyuk guy or whatever ...I'd pick Eunchae all the way.
|
|||
|
|
What is wrong with everyone!
|
|||
|
|
-I don't like that guy either.
|
|||
|
|
Why?
|
|||
|
|
What don't you like about him?
|
|||
|
|
-Just because.
|
|||
|
|
I don't like him.
|
|||
|
|
So cut your stubbornness..
|
|||
|
|
But he's a really cool guy.
|
|||
|
|
You don't even know him.
|
|||
|
|
Eunchae, whatever happens, I'm going to fire him.
|
|||
|
|
So you stay with Yoon, okay?
|
|||
|
|
Mister!
|
|||
|
|
Psycho!
|
|||
|
|
Mister!
|
|||
|
|
This sky isn't that great.
|
|||
|
|
The Australian sky is beautiful.
|
|||
|
|
-Our country's sky is pretty too.
|
|||
|
|
Australia's is prettier.
|
|||
|
|
-Then go back to Australia.
|
|||
|
|
If it's that pretty, go to your country and live happily.
|
|||
|
|
That's my dream.
|
|||
|
|
How would it feel to be up there?
|
|||
|
|
Would it be much better than here?
|
|||
|
|
Would it look cooler watching it from here?
|
|||
|
|
If you're so curious, then why don't you go?
|
|||
|
|
I am going.
|
|||
|
|
In just a while... I'll be going too.
|
|||
|
|
Yes? ...
|
|||
|
|
You're finished?
|
|||
|
|
I'm close by, I'll be there soon.
|
|||
|
|
There eating after the photo shoot.
|
|||
|
|
Food food!
|
|||
|
|
Aren't you going to eat?
|
|||
|
|
Do you have money to buy a plane ticket?
|
|||
|
|
Want me to buy it for you?
|
|||
|
|
Yoon is going to fire you.
|
|||
|
|
It was decided that way.
|
|||
|
|
I guess it's better this way.
|
|||
|
|
Instead of wearing yourself out about it, It's better to not start something that isn't meant to happen.
|
|||
|
|
So...
|
|||
|
|
I'm not saying that it's happened to me before.
|
|||
|
|
But from my experience...
|
|||
|
|
Before we're too close and before emotions get deep... we should just end it quick.
|
|||
|
|
That way, you won't be hurt and it'll be easier to forget me.
|
|||
|
|
This is the only place that's opened.
|
|||
|
|
I'll buy you something nice when we go back to Seoul.
|
|||
|
|
- Well, nothing we can about that.
|
|||
|
|
Come sit here.
|
|||
|
|
Excuse me!
|
|||
|
|
I'll have Galbi Soup.
|
|||
|
|
- I'll have Gong Soup.
|
|||
|
|
Our place has Soondae and Soondae soup. Would soondae please you guys?
|
|||
|
|
Sure, just give those then.
|
|||
|
|
Then... why ask for an order?
|
|||
|
|
I'm stomach...
|
|||
|
|
I'll go to the restroom and come back
|
|||
|
|
Where's the restroom?
|
|||
|
|
Go straight... and then go straight again... and from there turn around... and go straight and there it is.
|
|||
|
|
Where did that lady say it is?
|
|||
|
|
- I don't know either.
|
|||
|
|
How can she put her finger in the soup and serve it?
|
|||
|
|
- Let's just eat it, ma'am.
|
|||
|
|
It's quite good.
|
|||
|
|
- It's good.
|
|||
|
|
It's disgusting and dirty.
|
|||
|
|
How can you eat this?
|
|||
|
|
What is that?
|
|||
|
|
That's cow blood, right?
|
|||
|
|
I can't eat this.
|
|||
|
|
Just try some.
|
|||
|
|
It's really good.
|
|||
|
|
I lost my appetite.
|
|||
|
|
I can't eat this stuff.
|
|||
|
|
These are for rustics.
|
|||
|
|
You eat all of it.
|
|||
|
|
Let's be quiet.
|
|||
|
|
Quiet!
|
|||
|
|
Kang Hui-sook...
|
|||
|
|
(tag reads Jung Hui-soo)
|
|||
|
|
Kim Kungwoo... you two!
|
|||
|
|
Oh... the smell!
|
|||
|
|
I don't think I can do this here.
|
|||
|
|
Hello?
|
|||
|
|
Huh?
|
|||
|
|
What happened to my mother?
|
|||
|
|
Don't do it, Eunchae.
|
|||
|
|
I'm going to show everything to Yoon.
|
|||
|
|
Please calm down.
|
|||
|
|
- I can't.
|
|||
|
|
You there!
|
|||
|
|
You messed with the wrong person today.
|
|||
|
|
Your business is over, lady!
|
|||
|
|
I'm going to tell my son and have this place torn down and a new building built on top of it.
|
|||
|
|
What the heck is she blabbing about.
|
|||
|
|
Let go! Let go!
|
|||
|
|
Yoon!
|
|||
|
|
- What happened to your face?
|
|||
|
|
That lady... she poured that hot boiling rice soup on me.
|
|||
|
|
I burned my face.
|
|||
|
|
What did you do mom?
|
|||
|
|
-What do you mean what did I do?
|
|||
|
|
I only said I can't eat the food because it's not to my taste.
|
|||
|
|
Look at her now...she's trying to pour that hot soup again on me.
|
|||
|
|
As long as I've lived, this is the first time I've dealt with this.
|
|||
|
|
I think I want to die, Yoon.
|
|||
|
|
Son!
|
|||
|
|
Son!
|
|||
|
|
What's wrong, what's wrong?
|
|||
|
|
Have you gone insane?
|
|||
|
|
Stop!
|
|||
|
|
Go up first, ma'am.
|
|||
|
|
Why?
|
|||
|
|
What about you?
|
|||
|
|
I need to stop by somewhere.
|
|||
|
|
-Stop by where?
|
|||
|
|
I have a friend who lives by here.
|
|||
|
|
Go up first.
|
|||
|
|
What friend?
|
|||
|
|
What friends of yours don't I know about?
|
|||
|
|
-There is one.
|
|||
|
|
I'll see you in Seoul, ma'am.
|
|||
|
|
If they were adopted at that time these should be the babies.
|
|||
|
|
Can you photo copy one for me?
|
|||
|
|
Excuse me?
|
|||
|
|
How may I help you?
|
|||
|
|
- I just have some questions to ask.
|
|||
|
|
Does a Yoon Suh-kyung reside here?
|
|||
|
|
Yoon Suh-kyung?
|
|||
|
|
-Yes, Yoon Suh-kyung.
|
|||
|
|
Oh that girl.
|
|||
|
|
She lived here for quite a while.. but she moved a few months ago.
|
|||
|
|
Moved? -Yes.
|
|||
|
|
Why are looking for her?
|
|||
|
|
It's nothing.
|
|||
|
|
I beg your pardon.
|
|||
|
|
What's the difference between Jjangoo and Octopus?
|
|||
|
|
- Jjangoo and Octopus?
|
|||
|
|
What is the difference?
|
|||
|
|
Jjangoo is...
|
|||
|
|
Well, Jjangoo is.
|
|||
|
|
Jjangoo can't be dried while Octopus can be.
|
|||
|
|
Oh, that's true.
|
|||
|
|
You didn't have to go that far.
|
|||
|
|
You overreacted.
|
|||
|
|
That's why we paid them for the damage.
|
|||
|
|
Money is not everything.
|
|||
|
|
Ah, I know now... why Eunchae stayed behind.
|
|||
|
|
Why?
|
|||
|
|
The soup place.
|
|||
|
|
She probably went to that lady.
|
|||
|
|
She'd go there...
|
|||
|
|
I'm sure.
|
|||
|
|
Ma'am. Have a seat.
|
|||
|
|
I'll clean it for you.
|
|||
|
|
Just be seated, ma'am.
|
|||
|
|
Turn around.
|
|||
|
|
A while ago it seemed you hurt your back.
|
|||
|
|
I'll put a patch on it.
|
|||
|
|
No, would you rather go to the hospital with me?
|
|||
|
|
I'm tired.
|
|||
|
|
Mom, I wanna sleep.
|
|||
|
|
Sleep, my son.
|
|||
|
|
Were you alarmed?
|
|||
|
|
I'm sorry for that.
|
|||
|
|
It was my fault.
|
|||
|
|
It's ok.
|
|||
|
|
Sing a lullaby.
|
|||
|
|
Yes, ma'am.
|
|||
|
|
I'm in front of the house.
|
|||
|
|
- We will be arriving very soon.
|
|||
|
|
Yoon is sleeping.
|
|||
|
|
Alright, see you later.
|
|||
|
|
Yoon.
|
|||
|
|
Wakeup!
|
|||
|
|
Son, wake up, we're home.
|
|||
|
|
Have fun?
|
|||
|
|
I missed you so much I thought I was going to die.
|
|||
|
|
- Me too!
|
|||
|
|
Have a good time?
|
|||
|
|
You can go home now.
|
|||
|
|
You did a good job.
|
|||
|
|
I'll call you.
|
|||
|
|
Let's go in.
|
|||
|
|
Is he your new manager?
|
|||
|
|
- Yeah.
|
|||
|
|
But not after tomorrow.
|
|||
|
|
- That won't be necessary.
|
|||
|
|
I want to keep him for now.
|
|||
|
|
As you said, he might be an okay guy.
|
|||
|
|
I'll try to assure Eunchae about it.
|
|||
|
|
I'm hungry.
|
|||
|
|
Make me something good, son.
|
|||
|
|
Did the Seoul train leave?
|
|||
|
|
- It left.
|
|||
|
|
Ma'am!
|
|||
|
|
- Yes?
|
|||
|
|
Where's my wife?
|
|||
|
|
-She's in there.
|
|||
|
|
Open up!
|
|||
|
|
Open up!
|
|||
|
|
Where is this girl?
|
|||
|
|
Lady... get out.
|
|||
|
|
You... live here?
|
|||
|
|
We've met before, right?
|
|||
|
|
You must be the new guy that moved in downstairs.
|
|||
|
|
The world is quite small, isn't it?
|
|||
|
|
All the better.
|
|||
|
|
That day was crazy.
|
|||
|
|
If it's alright with you, I'd like to buy you a new dog.
|
|||
|
|
What do you think you're doing?
|
|||
|
|
Are you toying with me?
|
|||
|
|
But, you got the wrong person, lady.
|
|||
|
|
Hey!
|
|||
|
|
How do people like that exist?
|
|||
|
|
Sister.
|
|||
|
|
Why are you sleeping here?
|
|||
|
|
Why the floor and not the bed?
|
|||
|
|
Sleep comfortably on the bed.
|
|||
|
|
I told you to sleep on the bed!
|
|||
|
|
Mother...
|
|||
|
|
How long do you intend to live this way?
|
|||
|
|
Till death...you want to live the rest of you life wrapped up in a small area like that?
|
|||
|
|
Now you can live like a proper person...
|
|||
|
|
on a nice bed, wearing nice clothes, eating good food!
|
|||
|
|
Me, your brother is giving this life to you.
|
|||
|
|
Shut up!
|
|||
|
|
Quiet!
|
|||
|
|
What did mom do for you that you'd call her?
|
|||
|
|
Where's mother?
|
|||
|
|
Where is a mother for us?
|
|||
|
|
Mother...
|
|||
|
|
-Shut up!
|
|||
|
|
Be quiet, you idiot!
|
|||
|
|
My mother is not an idiot.
|
|||
|
|
Mom...
|
|||
|
|
Galchi...
|
|||
|
|
Did you hit my mother?
|
|||
|
|
Galchi, let's go back to our home.
|
|||
|
|
Okay.. okay.
|
|||
|
|
Let's go home.
|
|||
|
|
Let's go home, mom.
|
|||
|
|
Who was it?
|
|||
|
|
Was it Yoon?
|
|||
|
|
Why don't you kill me!
|
|||
|
|
Dry up my blood and kill me!
|
|||
|
|
Friend, whatever...
|
|||
|
|
You went to the soup place, right?
|
|||
|
|
I just know it.
|
|||
|
|
I mean, Moohyuk caused the damage, so why did you settle things?
|
|||
|
|
Do you have that much strength?
|
|||
|
|
Look at you... looking all yellow.
|
|||
|
|
I stayed up all night because of you.
|
|||
|
|
You know that?
|
|||
|
|
- I do.
|
|||
|
|
What do you know?
|
|||
|
|
- I thought it was you.
|
|||
|
|
What?
|
|||
|
|
I knew you were the one taking care of me all night.
|
|||
|
|
What are you talking about?
|
|||
|
|
Thank you, Yoon.
|
|||
|
|
I'm really really thankful.
|
|||
|
|
If not for you, I... I would have died.
|
|||
|
|
Thank you for saving my life, Yoon.
|
|||
|
|
Hey, why are you crying all of sudden?
|
|||
|
|
For not knowing your heart, and for getting angry at you...
|
|||
|
|
I'm so sorry, Yoon.
|
|||
|
|
For being mean to you... and making you sad...
|
|||
|
|
I'm so sorry.
|
|||
|
|
No
|
|||
|
|
I'm more sorry, actually.
|
|||
|
|
I was wrong, Eunchae.
|
|||
|
|
I won't do that again...
|
|||
|
|
Me too...
|
|||
|
|
I won't do that again too.
|
|||
|
|
english translations by zdoon purpletiger86 subtitles by zdoon
|
|||
|
|
Didn't I warn you before?
|
|||
|
|
Don't touch me if you don't have any intentions to go all the way
|
|||
|
|
It's been awhile, what are you doing here?
|
|||
|
|
Did you eat?
|
|||
|
|
I didn't see anything ok?
|
|||
|
|
I didn't want anything yet, it's good that you're here
|
|||
|
|
let's go
|
|||
|
|
Where?
|
|||
|
|
to Yoon's
|
|||
|
|
Why should I go?
|
|||
|
|
I'll leave
|
|||
|
|
If it's because of the scandal and it's hard for you, I'll disappear from Yoon's sight.
|
|||
|
|
So stop playing around and let's go
|
|||
|
|
People can't know it's you
|
|||
|
|
You can breathe right?
|
|||
|
|
Taxi...taxi...taxi...
|
|||
|
|
Yoonah, Yoonah, Minjoo is here
|
|||
|
|
You've been ok?
|
|||
|
|
I'm not mad at you
|
|||
|
|
Considering how much you put up with a player like me, how can I be mad at you?
|
|||
|
|
I don't have the right
|
|||
|
|
I thought that the person you needed most was Eunchai and not me.
|
|||
|
|
It's not jealousy.
|
|||
|
|
It's the truth
|
|||
|
|
Not you too!
|
|||
|
|
How can you say that?
|
|||
|
|
She's like a part of my bone
|
|||
|
|
Eunchai likes you Yoon.
|
|||
|
|
Euchai loves you
|
|||
|
|
Hey rockhead, let's play with me
|
|||
|
|
yeah, let's go
|
|||
|
|
How do I know the bus number going to Maljookuri?
|
|||
|
|
I don't know!
|
|||
|
|
So what am I supposed to do?
|
|||
|
|
What kind of tongue do you have?
|
|||
|
|
Do you have half a tongue or something? [meaning you have no respect? ]
|
|||
|
|
Stop it you old geezer.
|
|||
|
|
Stop it!
|
|||
|
|
I'm going to break your cane
|
|||
|
|
Mister, give me that cane
|
|||
|
|
I'm sorry, please forgive him...
|
|||
|
|
I'm so sorry
|
|||
|
|
Dammit, I can't get hit on the head.
|
|||
|
|
Damn old geezer!
|
|||
|
|
I knew this day would come. I knew you would pay the price.
|
|||
|
|
You only know casual talk and have no respect
|
|||
|
|
You're lucky Mister that this is the only punishment you got.
|
|||
|
|
If it were me, I would have shown you no mercy. NONE!
|
|||
|
|
How can this man become a human?
|
|||
|
|
Thank you
|
|||
|
|
I'm not going to play with you
|
|||
|
|
(teaching him polite expression)
|
|||
|
|
I am sorry
|
|||
|
|
I don't know
|
|||
|
|
Where are you going?
|
|||
|
|
It's very delicious
|
|||
|
|
If you are not sure of the expression, just add 'Yo' at the end of the sentence
|
|||
|
|
Yo?
|
|||
|
|
Sleep well (in slang)
|
|||
|
|
Have a nice night
|
|||
|
|
What's this?
|
|||
|
|
What is this?
|
|||
|
|
You look cool
|
|||
|
|
You look great
|
|||
|
|
How did you learn Korean?
|
|||
|
|
From my wife
|
|||
|
|
Wife?
|
|||
|
|
Are you married?
|
|||
|
|
Where is your wife now?
|
|||
|
|
She married...
|
|||
|
|
Jason...yo
|
|||
|
|
I'm not doing "yo" anymore!
|
|||
|
|
DONE
|
|||
|
|
I will carry that for you
|
|||
|
|
I teach one, you learn ten... You smart man
|
|||
|
|
oh, Yoonah?
|
|||
|
|
am I guy ? What?
|
|||
|
|
How am I a guy ?
|
|||
|
|
Are you in your right mind?
|
|||
|
|
What are you talking about?
|
|||
|
|
Come here in 1 minute, run if you have to Right now?
|
|||
|
|
I'm far from here then come in 30 seconds
|
|||
|
|
It's just over there.
|
|||
|
|
Here I'll give you a few apples
|
|||
|
|
Rock head!
|
|||
|
|
Song Eunchai
|
|||
|
|
Yoonah...
|
|||
|
|
I love you Eunchai till my muscles tremble till my bones pained.
|
|||
|
|
Song Eunchai
|
|||
|
|
Yoonah...
|
|||
|
|
Wow...this girl's heart is actually racing!
|
|||
|
|
What are you doing?
|
|||
|
|
This can't be, it can't happen
|
|||
|
|
What are you talking about?
|
|||
|
|
You said you like me, you love me
|
|||
|
|
Who said that?
|
|||
|
|
Minjoo
|
|||
|
|
That stupid girl, Minjoo
|
|||
|
|
This can't be.
|
|||
|
|
Does this make sense?
|
|||
|
|
We are family, we're like siblings.
|
|||
|
|
You know that we're close
|
|||
|
|
Wake up Eunchai!
|
|||
|
|
Both of us can never be man and woman, you know?
|
|||
|
|
Even if you were butt naked in front of me, it wouldn't make a difference.
|
|||
|
|
Don't get yourself confused
|
|||
|
|
Just have some patience, I'm going to introduce you to a great guy
|
|||
|
|
It's me Hyung.
|
|||
|
|
Do you think that you can get something for me at dawn tomorrow?
|
|||
|
|
Get some balloons and fill the trunk with it
|
|||
|
|
I have a man,
|
|||
|
|
I mean a fianc?
|
|||
|
|
Actually I wanted to introduce you to him.
|
|||
|
|
All four of us should go out for dinner sometime
|
|||
|
|
Are you kidding me?
|
|||
|
|
No
|
|||
|
|
Then what does he do?
|
|||
|
|
He's just a salary man.
|
|||
|
|
He lives in a really nice apartment in Kangnam [a rich part of Seoul]
|
|||
|
|
He's rich, kind, handsome, and really sophisticated.
|
|||
|
|
I think that he's my ideal type.
|
|||
|
|
I should have told you earlier.
|
|||
|
|
I'm sorry for the mixup
|
|||
|
|
Eunchai
|
|||
|
|
Who is it?
|
|||
|
|
That first kiss guy...
|
|||
|
|
Yoon's manager
|
|||
|
|
Yeah, I left him yesterday without telling him.
|
|||
|
|
He must have searched all over for me
|
|||
|
|
Yesterday?
|
|||
|
|
Sister...
|
|||
|
|
I met him yesterday and he looks like a wolf he's really someone to be sorry for
|
|||
|
|
So...what are you going to do?
|
|||
|
|
Perhaps if I ask him to date again, he would say that I was crazy
|
|||
|
|
Like "who are you playing" and I'll probably get hit right?
|
|||
|
|
Sister!
|
|||
|
|
I couldn't sleep last night was thinking last night that no matter who I meet, I couldn't meet anyone who likes me so much.
|
|||
|
|
is this because of Yoon?
|
|||
|
|
And how he's uncomfortable.
|
|||
|
|
So now that you're just going to grab that "dog guy? Moonyuk-off the streets and be with him.
|
|||
|
|
I understand.
|
|||
|
|
'Chae Yoon is mine Kang Min Joo?
|
|||
|
|
Tsk tsk...
|
|||
|
|
Is it that obvious?
|
|||
|
|
When you look at me, is it that obvious that I like him when you see it?
|
|||
|
|
because you're born as a girl, there isn't one girl alive who couldn't love him.
|
|||
|
|
How can you not love a cool guy like that.
|
|||
|
|
But that cant be Sister, you can't be with that 'dog guy?
|
|||
|
|
I already kissed him and slept with him
|
|||
|
|
Are you living in Chosun dynasty? (Ancient time of Korean history)
|
|||
|
|
I feel sorry for him huh?
|
|||
|
|
He is shy and awkward and he can't show his best front.
|
|||
|
|
Who is she talking about?
|
|||
|
|
Yoon's manager.
|
|||
|
|
That old wolf!
|
|||
|
|
You can't !
|
|||
|
|
He's mine!
|
|||
|
|
I saw him first
|
|||
|
|
What is the farthest place from Korea?
|
|||
|
|
The hardest place to get to?
|
|||
|
|
Is there such a thing?
|
|||
|
|
Africa?
|
|||
|
|
he's mine!
|
|||
|
|
Africa?
|
|||
|
|
Missed call from Eunchai
|
|||
|
|
Did you do all the stuff I told you to do?
|
|||
|
|
Yea....
|
|||
|
|
Then come to Minjoo's place ASAP
|
|||
|
|
Ok
|
|||
|
|
It's done right?
|
|||
|
|
So if Minjoo comes from here to there...
|
|||
|
|
I hope she doesn't get confused.
|
|||
|
|
I'm nervous
|
|||
|
|
How do I look Brother?
|
|||
|
|
Minjoo has to be touched. She will be touched
|
|||
|
|
If Minjoo accepts my proposal, I will treat you nicely brother
|
|||
|
|
Ok
|
|||
|
|
Thank you, go on now
|
|||
|
|
Oh, Yoonah, You're here?
|
|||
|
|
Just come up then.
|
|||
|
|
Nevermind, I'll be down in 10 minutes
|
|||
|
|
Where is this place?
|
|||
|
|
Can't you read?
|
|||
|
|
Do I look that gullible to you?
|
|||
|
|
Even though I'm a playgirl, I'm picky for the time and partner
|
|||
|
|
Didn't I say before that if you don' have any intention, don't touch me?
|
|||
|
|
I won't ever look for you again.
|
|||
|
|
Just see me, I have a room at Seoul Hotel.
|
|||
|
|
Have a meal together
|
|||
|
|
Sorry Yoon, I have something urgent to do.
|
|||
|
|
I went somewhere else.
|
|||
|
|
I'll call you later
|
|||
|
|
Rockhead
|
|||
|
|
Who are you?
|
|||
|
|
...yo...
|
|||
|
|
I'm her sister
|
|||
|
|
Why do you have Eunchai's phone?
|
|||
|
|
..yo...
|
|||
|
|
She said she was going to to some traveling before she went to Africa...oppa
|
|||
|
|
Africa?
|
|||
|
|
yes, Africa...oppa
|
|||
|
|
Rockhead!
|
|||
|
|
Mister, I asked the boss for you address
|
|||
|
|
I came to say goodbye...
|
|||
|
|
I'm going somewhere far
|
|||
|
|
Here, I brought this...
|
|||
|
|
I should have returned it earlier.
|
|||
|
|
Thank you.
|
|||
|
|
I will not forget you, please forget me quickly.
|
|||
|
|
Find a really nice woman
|
|||
|
|
Make me kimchi then go!
|
|||
|
|
My nuna can make really good kimbap but she can't make kimchi...make me kimchia then go
|
|||
|
|
I can't make kimchi.
|
|||
|
|
I'm sorry
|
|||
|
|
Well, I can make Kakdoogi (radish kimchi)
|
|||
|
|
You were adopted to Australia? You just found your sister?
|
|||
|
|
yea
|
|||
|
|
Your parents, did you find them too?
|
|||
|
|
How bad! Not one kid but two
|
|||
|
|
They must have a reason...such as too poor to buy milk...so you find yourself a rich family and live well and prosper
|
|||
|
|
Wait
|
|||
|
|
Well, you are nice, you learn Korean, you like kimchi, what a good little boy!
|
|||
|
|
Isn't that a bit too much?
|
|||
|
|
I'm doing it correctly!
|
|||
|
|
This is a beautiful color
|
|||
|
|
Ehhh...how did it become like this?
|
|||
|
|
Eat one more!
|
|||
|
|
Where's Eunchai?
|
|||
|
|
Miss, where is Eunchai?
|
|||
|
|
How am I supposed to know?
|
|||
|
|
She left her phone
|
|||
|
|
How can a mom not know where her daughter is?
|
|||
|
|
Au Duh Lee...
|
|||
|
|
Au Duh Lee
|
|||
|
|
JO MAHL BOK!
|
|||
|
|
What did you say?
|
|||
|
|
Didn't I say never to call me by that name ever again?
|
|||
|
|
You're Au Duh Lee out there but are you Au Duh Lee here too?
|
|||
|
|
I'm Au Duh Lee outside, inside, while I am dead or alive.
|
|||
|
|
I'm Auh Duh Lee
|
|||
|
|
Miss
|
|||
|
|
Your son wants some breast milk.
|
|||
|
|
Give him some
|
|||
|
|
What's wrong with my son?
|
|||
|
|
Eunchai is missing.
|
|||
|
|
She told the boss that she was quitting as my coordinator too
|
|||
|
|
What?
|
|||
|
|
Is something wrong with Eunchai?
|
|||
|
|
I don't know!
|
|||
|
|
She said she's going to Africa
|
|||
|
|
Africa?
|
|||
|
|
What? then what about me?
|
|||
|
|
Miss... WHAT ABOUT ME?
|
|||
|
|
What do you mean what about me?
|
|||
|
|
I didn't want to say this but I heard from Minchae that she didn't want to make you uncomfortable
|
|||
|
|
You can Minjoo should live happily ever after.
|
|||
|
|
That's why she left
|
|||
|
|
My poor daughter.
|
|||
|
|
I'm sorry you met such parents
|
|||
|
|
I am leaving this house
|
|||
|
|
I can't clean like this...
|
|||
|
|
What does Eunchai's mom mean?
|
|||
|
|
Eunchai must have really loved me.
|
|||
|
|
Crazy girl
|
|||
|
|
Before you come out of the bathroom, I should leave.
|
|||
|
|
Goodbye Mister
|
|||
|
|
Stop crying mom, it's ok.
|
|||
|
|
If there was a crazy dog after me, I would pee in my pants too.
|
|||
|
|
Stop crying.
|
|||
|
|
It's Ok
|
|||
|
|
Who are you?
|
|||
|
|
I'm the friend of the guy who lives here
|
|||
|
|
Oh...uncle
|
|||
|
|
Why is your mom crying again?
|
|||
|
|
Because she peed in her pants.
|
|||
|
|
Because a crazy dog was after her and she was scared
|
|||
|
|
Kalchi!
|
|||
|
|
I'm sorry.
|
|||
|
|
I was supposed to say that she peed on herself
|
|||
|
|
Mommy, I'm sorry.
|
|||
|
|
I won't do it again
|
|||
|
|
You did well, you did very well.
|
|||
|
|
You're cool
|
|||
|
|
Why are you crying?
|
|||
|
|
STOP CRYING!
|
|||
|
|
Yoo Soo Kyung
|
|||
|
|
Mister!
|
|||
|
|
You're bad Why are you screaming at your sister?
|
|||
|
|
Why are you talking so disrespectfully
|
|||
|
|
You...shut up!
|
|||
|
|
No matter how much I teach you, you still can't get yourself together.
|
|||
|
|
Bad man!
|
|||
|
|
Sister...
|
|||
|
|
I peed in my pants too.
|
|||
|
|
I peed in my pants yesterday.
|
|||
|
|
And not just on the pants but on the blanket too.
|
|||
|
|
Sister, do you pee on the blanket?
|
|||
|
|
I don't pee on the blanket
|
|||
|
|
Then you're better than me.
|
|||
|
|
There isn't much talk about it but do you know many grown people do it?
|
|||
|
|
It's even in the newspaper, didn't you know?
|
|||
|
|
Here, I'll help you.
|
|||
|
|
Do you want to wash?
|
|||
|
|
Wait... let's wash together
|
|||
|
|
Your hair is nice, you should get a perm, have you gotten a perm before?
|
|||
|
|
Did we put lotion on?
|
|||
|
|
I didn't think so.
|
|||
|
|
I was wondering why my skin was stinging.
|
|||
|
|
Please give me some lotion
|
|||
|
|
I don't have lotion
|
|||
|
|
You don't have lotion?
|
|||
|
|
You never put on lotion before?
|
|||
|
|
Don't go
|
|||
|
|
Don't go Eunchai
|
|||
|
|
Don't go....
|
|||
|
|
I won't burden you...
|
|||
|
|
Please don't go
|
|||
|
|
Eunchai really like you.
|
|||
|
|
She loves you
|
|||
|
|
That girl... Just kill me already!
|
|||
|
|
yes... I'm the new coordinator.
|
|||
|
|
I don't know
|
|||
|
|
Song Eunchai quit
|
|||
|
|
Yea...
|
|||
|
|
I'll get the autograph...
|
|||
|
|
I have to go
|
|||
|
|
Hi, I am Jang Su Hee
|
|||
|
|
She's the new coordinator
|
|||
|
|
Do you like it?
|
|||
|
|
yea...
|
|||
|
|
You look really good with short hair
|
|||
|
|
Chae Yoon
|
|||
|
|
Minjoo ya... you're surprised huh?
|
|||
|
|
you're my partner today?
|
|||
|
|
I want to surprise you so I asked it to be a secret wow you're so beautiful wifey and your mom?
|
|||
|
|
Of course. I have to be here.
|
|||
|
|
She's at the salon.
|
|||
|
|
She'll be here soon
|
|||
|
|
Eunchai?
|
|||
|
|
I don't know.
|
|||
|
|
That betrayer.
|
|||
|
|
From now on, don't mention her name again
|
|||
|
|
Kalchi, isn't your mom pretty?
|
|||
|
|
Yes
|
|||
|
|
You want to wear a nice dress and get marry too huh?
|
|||
|
|
Do you like someone?
|
|||
|
|
yup who is it?
|
|||
|
|
What do you mean by Uncle?
|
|||
|
|
How can you get marry?
|
|||
|
|
He's just Uncle
|
|||
|
|
You can't get marry, right sister?
|
|||
|
|
You mean Mooh-yuk?
|
|||
|
|
Yes
|
|||
|
|
No, I'm going to marry him
|
|||
|
|
No, you can't get married.
|
|||
|
|
Why is my mom such a dummy?
|
|||
|
|
NO! I'm going to marry him
|
|||
|
|
Minjoo, you did a huge favor.
|
|||
|
|
Thank you
|
|||
|
|
Are you done yet?
|
|||
|
|
Why, why is it so loud?
|
|||
|
|
We're at karaoke with mom, Eunchai and grandpa
|
|||
|
|
SONG!
|
|||
|
|
...sing a song!
|
|||
|
|
"You're Precious" by Yoon
|
|||
|
|
Kalchi, National Anthem song
|
|||
|
|
Mister, are you okay?
|
|||
|
|
Can I ask you a favor?
|
|||
|
|
What?
|
|||
|
|
Don't go to Africa, you could take care of my sister and Kalchi later when I am not here
|
|||
|
|
Are you going somewhere?
|
|||
|
|
Back to Australia?
|
|||
|
|
You said that you didn't have anyone back there
|
|||
|
|
Why don't you stay here with your family.
|
|||
|
|
Your wife is already married
|
|||
|
|
It's cold.
|
|||
|
|
Let's go in
|
|||
|
|
I wanted to hug you once
|
|||
|
|
Last time I didn't.
|
|||
|
|
I'll hold you now.
|
|||
|
|
Is that Ok?
|
|||
|
|
Are you warm?
|
|||
|
|
You're not sad anymore right?
|
|||
|
|
Translation by bellaangel012 with fixes by Saturn
|
|||
|
|
Get yourself together.
|
|||
|
|
We can never be just a man and a woman, you know.
|
|||
|
|
Even if you were butt naked in front of me, it wouldn't make a difference.
|
|||
|
|
Don't get yourself confused.
|
|||
|
|
Why are you screaming at your sister?
|
|||
|
|
Why are you talking disrespectfully?
|
|||
|
|
YOU, shut up!
|
|||
|
|
No matter how much I teach you, you still cant get yourself together.
|
|||
|
|
Bad man!
|
|||
|
|
Don't go EunChae.
|
|||
|
|
If Min joo accepts my proposal, then I will treat you nicely Hyung.
|
|||
|
|
Thank You, hyung.
|
|||
|
|
Are you warm?
|
|||
|
|
You're not sad anymore, right?
|
|||
|
|
You got a good taste.
|
|||
|
|
The scarf, mom liked it a lot.
|
|||
|
|
I think you succeeded.
|
|||
|
|
If you were trying to seduce me, you did it nicely.
|
|||
|
|
I'm starting to have interest in you.
|
|||
|
|
But, this is the end;
|
|||
|
|
I'm too grown up to be seduced by a playboy like you.
|
|||
|
|
Unfortunately, I can finally draw a line between love and passion.
|
|||
|
|
Did you get a good sleep, Eun Chae?
|
|||
|
|
Sister!
|
|||
|
|
I'm gonna go make a phone call.
|
|||
|
|
Hello.
|
|||
|
|
Min Che,
|
|||
|
|
Big sis!
|
|||
|
|
Is mom dad well?
|
|||
|
|
Tell them that I'm doing ok so don't worry too much.
|
|||
|
|
Yeah,I'm really ok.
|
|||
|
|
Is that Eun Che?
|
|||
|
|
Hey, Eun Che?
|
|||
|
|
Give it here!
|
|||
|
|
Give it to me!
|
|||
|
|
I'm still talking to her!
|
|||
|
|
Listen to mom,
|
|||
|
|
Listen to you sis...
|
|||
|
|
Hey, Eun Che,it's mom, have you eaten?
|
|||
|
|
Hey, Eun Che,it's big sis,I shrunk your panty.
|
|||
|
|
Come home soon.
|
|||
|
|
Big sis, Suk Che took your cell and made international calls and saw movies,ah..ouch!
|
|||
|
|
Don't hit me!
|
|||
|
|
We're going to move out, Eun Che! ...
|
|||
|
|
We're going to move out even if we have to loan lots of money.
|
|||
|
|
So come home ASAP.
|
|||
|
|
I'm really doing well mom!
|
|||
|
|
I will get tough as a rock when I return.
|
|||
|
|
So don't worry and take care.
|
|||
|
|
I'm gonna buy a lotto ticket while I'm out for grocery,
|
|||
|
|
Watch me,I'll build a house twice as big right across from this one.
|
|||
|
|
If mom didn't get so many Botax shots and give up a few line, We own a building by now.
|
|||
|
|
I hear ya.
|
|||
|
|
What about you?
|
|||
|
|
Over-crediting sister's card, dad's card, buying all brand clothing, bags, and shoes...
|
|||
|
|
Yet you earn no money,if it wasn't for you, we would be so rich, you idiot
|
|||
|
|
I hear ya.
|
|||
|
|
Mrs.!
|
|||
|
|
Oppa!
|
|||
|
|
What's going on?
|
|||
|
|
Choi star comeing to such crappy place?
|
|||
|
|
Give me some food!
|
|||
|
|
I wanted to eat your food!
|
|||
|
|
Sure, come sit here,
|
|||
|
|
Eun Chae,didn't she call you?
|
|||
|
|
Just a while ago,
|
|||
|
|
There wasn't any call.
|
|||
|
|
You came to check up on Eun Chae cause you were worried, didn't you?
|
|||
|
|
Check up?
|
|||
|
|
What check up?
|
|||
|
|
anyway that girl must be crazy!
|
|||
|
|
She doesn't even know how scary and violent the world is...
|
|||
|
|
Mrs. Are you just going to sit there?
|
|||
|
|
Shouldn't you report for MIA?
|
|||
|
|
Don't you know that a girl can break as soon as they go outside?
|
|||
|
|
Just like a plate when you throw it!
|
|||
|
|
Just eat your food!
|
|||
|
|
What do you care if Eun Che picks her ear with a street light pole or peel an apple with nail cutter!
|
|||
|
|
I hear ya
|
|||
|
|
Rice cake!
|
|||
|
|
Buy rice cake!
|
|||
|
|
We have fresh and warm rice cake!
|
|||
|
|
We have warm rice cake!
|
|||
|
|
Kim-bab!
|
|||
|
|
Buy kim-bab!
|
|||
|
|
We have awesome tasting kim-bab!
|
|||
|
|
We have awesome tasting kim-bab!
|
|||
|
|
Don't go
|
|||
|
|
Don't go, Eun Chae
|
|||
|
|
I won't burden you
|
|||
|
|
My sister can really make good kimbap But she can't make kimchi
|
|||
|
|
Hold on, Look at me as well.
|
|||
|
|
Oh Lord, If you really do exist, I promise you,
|
|||
|
|
Song Eun Che,
|
|||
|
|
If you let her be beside me for rest of my time,
|
|||
|
|
Please, little bit more cheap~!
|
|||
|
|
Thank you
|
|||
|
|
If you let her comfort me for the time I have left,
|
|||
|
|
If you don't hurt me again, I'll give up my life right now.
|
|||
|
|
My hatred, my anger,I'll throw them away,
|
|||
|
|
And quietly die,
|
|||
|
|
Lord, I make the promise with you.
|
|||
|
|
Damn it,isn't this a dark circle?
|
|||
|
|
...
|
|||
|
|
A-woo, wha do I do?
|
|||
|
|
Eun-Che!
|
|||
|
|
I got a dark circle!
|
|||
|
|
Eun-Che,
|
|||
|
|
I don't like this kind of style,
|
|||
|
|
This type of stripe doesn't fit me well, and I hate this style the most!
|
|||
|
|
I'm sorry,I didn't know,I'll go look for other ones,
|
|||
|
|
Big sis!
|
|||
|
|
Eat slowly, Song Min-Che,I'll buy you another.
|
|||
|
|
Big sis, who is this girl?
|
|||
|
|
Oh,a sis I know well.
|
|||
|
|
But, I don't think she's well.
|
|||
|
|
She had an accident when she was young,
|
|||
|
|
She's very kind and nice sis.
|
|||
|
|
So, are you staying at her house now?
|
|||
|
|
Yeah,
|
|||
|
|
Give that here.
|
|||
|
|
Oh, hold on,
|
|||
|
|
About $200, don't you think?
|
|||
|
|
You don't even have money?
|
|||
|
|
Don't you have a credit card? ...
|
|||
|
|
Oh yeah,Suk-Che-unni took your card.
|
|||
|
|
Isn't it really hard to get over Yoon oppa?
|
|||
|
|
Not really,
|
|||
|
|
I guess it's stupid for me to ask.
|
|||
|
|
But really, I think I'm very much over Yoon now.
|
|||
|
|
You don't have to lie to me!
|
|||
|
|
You don't think I know love?
|
|||
|
|
I'm gonna go to bathroom.
|
|||
|
|
Ok,want me to come with you?
|
|||
|
|
No, it's ok,
|
|||
|
|
I'm alway with Yoon except when I'm asleep,
|
|||
|
|
Whether Yoon is with me or not, To my eyes that's all I could see.
|
|||
|
|
I told you, I know how you feel.
|
|||
|
|
But, now I see someone else,
|
|||
|
|
Sometimes I still see Yoon, but now, I keep seeing him.
|
|||
|
|
Who, who is it?
|
|||
|
|
Ah, Gal-Chi!
|
|||
|
|
Huh?
|
|||
|
|
Gal-Chi?
|
|||
|
|
Crap! I was to meet with Gal-Chi's teacher, I'll be right back.
|
|||
|
|
Take care of that big sister.
|
|||
|
|
Gal-Chi's teacher?
|
|||
|
|
...are you going to the underwater castle?
|
|||
|
|
Yeah,mom..what?
|
|||
|
|
Laundry?
|
|||
|
|
...you left it on top of the stove?
|
|||
|
|
I'm outside too...
|
|||
|
|
Can't you try Suk-Che?
|
|||
|
|
...where are you?
|
|||
|
|
Ok,I'll go home right now,
|
|||
|
|
Hey, Gal-Chi!
|
|||
|
|
Big sis!
|
|||
|
|
Sorry,did you wait long? ...
|
|||
|
|
Come on...teacher must be waiting.
|
|||
|
|
I don't have to go to school,
|
|||
|
|
Are you going to sell kim-bab then?
|
|||
|
|
well,I can help your mom,or your uncle can help,
|
|||
|
|
I'm sure there are other that can help your mom, you don't have to worry.
|
|||
|
|
You can go to school with out a worry.
|
|||
|
|
Sis!
|
|||
|
|
I'll be right back after I turn off the stove and go to the bathroom.
|
|||
|
|
Don't go anywhere and stay put. Don't go anywhere from here!
|
|||
|
|
Yes,
|
|||
|
|
Wow,fish,
|
|||
|
|
I'm gonna take a nap, I'm so tired, when are we doing the radio show?
|
|||
|
|
11:30pm
|
|||
|
|
Come at 6:30pm then.
|
|||
|
|
I'll see you in a bit,
|
|||
|
|
Hey you!
|
|||
|
|
Hey you!
|
|||
|
|
Who are you?
|
|||
|
|
Who are you and why did you intrude my house?
|
|||
|
|
Who are,?
|
|||
|
|
... Oh?
|
|||
|
|
... That pin, I bought it for Eun-Che from Italy,
|
|||
|
|
Where did you get it?
|
|||
|
|
Eun-Che gave it to me a while ago,
|
|||
|
|
Eun-Che,you saw her?
|
|||
|
|
Where is Eun-Che?
|
|||
|
|
Eun-Che,is she home?
|
|||
|
|
Um..no..
|
|||
|
|
Where is Eun-Che?
|
|||
|
|
Ice cream
|
|||
|
|
Song Min-Che!
|
|||
|
|
What happened?
|
|||
|
|
Where are you now?
|
|||
|
|
!
|
|||
|
|
We got a problem, big sis!
|
|||
|
|
That unwell girl...
|
|||
|
|
Yoon oppa took her away as a hostage just now.
|
|||
|
|
What?
|
|||
|
|
Yoon oppa said, Eun-Che sis have to come get her if you want to find her.
|
|||
|
|
Do you like it?
|
|||
|
|
It's alright
|
|||
|
|
Did you talk to Eun-Che?
|
|||
|
|
Yes.
|
|||
|
|
Don't go
|
|||
|
|
Don't go, Eun Chae
|
|||
|
|
I won't burden you
|
|||
|
|
Don't go
|
|||
|
|
Wow, pretty...
|
|||
|
|
Wow,
|
|||
|
|
So pretty.
|
|||
|
|
Min Chae
|
|||
|
|
Hello.
|
|||
|
|
Oh, Min-Che,why are you standing there like that?
|
|||
|
|
Do you need to go to the bathroom?
|
|||
|
|
Umm..
|
|||
|
|
I'm just, what u doing?
|
|||
|
|
Do you really need to crap?
|
|||
|
|
Noo! I crapped it all out before!
|
|||
|
|
Is Yoon home yet?
|
|||
|
|
Son~!
|
|||
|
|
My son,
|
|||
|
|
How was your day?
|
|||
|
|
Was it a nice day?
|
|||
|
|
Mom,I'm so tired,
|
|||
|
|
Why?
|
|||
|
|
What is it?
|
|||
|
|
Because of Eun-Che?
|
|||
|
|
Forget it,
|
|||
|
|
I wanna go home,
|
|||
|
|
Wow,what a pretty old lady,
|
|||
|
|
What is she?
|
|||
|
|
What the...that's my necklace,it's my necklace,
|
|||
|
|
Miss, who are you?
|
|||
|
|
Which room did you just came out of?
|
|||
|
|
Yoon!
|
|||
|
|
Who is this girl?
|
|||
|
|
Just someone I know,
|
|||
|
|
Don't scare her, mom,I don't think she's normal.
|
|||
|
|
Stay here, don't you move.
|
|||
|
|
Didn't they say where they would go?
|
|||
|
|
Yeah,she said she will come back home soon after getting my mom so go wait at home.
|
|||
|
|
I will come back soon, When Eun-Che comes tell her to stay put and don't go anywhere.
|
|||
|
|
Yes.
|
|||
|
|
I wanna go home
|
|||
|
|
I wanna go back to my home
|
|||
|
|
Galchi, Galchi
|
|||
|
|
Don't cry,don't cry..
|
|||
|
|
Why did you have to call the cops?
|
|||
|
|
You could have just asked her nicely,
|
|||
|
|
She kept on denying when I asked!
|
|||
|
|
Gal-Chi,Gal-Chi~,
|
|||
|
|
Where did you hide the rings?
|
|||
|
|
Huh? Give the rings back!
|
|||
|
|
I'm serious!
|
|||
|
|
I think she really doesn't know,
|
|||
|
|
Why don't you go look for it again?
|
|||
|
|
I've just looked everywhere! ....
|
|||
|
|
You know how much that diamond ring cost? !
|
|||
|
|
It's priceless!
|
|||
|
|
Yoon, why did you bring someone like that into the house?
|
|||
|
|
I said why did you bring her to cause this, you fool!
|
|||
|
|
This small,shiny sparkling thing, haven't you seen the ring?
|
|||
|
|
Think about it,
|
|||
|
|
I wanna go to my home,wanna go back to my home,
|
|||
|
|
I think she's a pro,acting all stupid, Did you hide it in your underwear?
|
|||
|
|
Or maybe you swallowed it didn't you!
|
|||
|
|
Gal-Chi,Gal-Chi~,
|
|||
|
|
Confess before cops come in and make it more serious,
|
|||
|
|
If you confess now I'll forgive you without pressing charges,
|
|||
|
|
Tell me now!
|
|||
|
|
Uncle,uncle,
|
|||
|
|
What's the problem?
|
|||
|
|
I've lost a 6-carat diamond ring.
|
|||
|
|
Sorry, but could you take your socks off?
|
|||
|
|
Don't just frisk her,
|
|||
|
|
I told you she hid it in the underwear, Strip search her.
|
|||
|
|
It's not like you have physical evidence.
|
|||
|
|
Also that would be violation of civil rights.
|
|||
|
|
Thief doesn't have civil rights!
|
|||
|
|
Where did you hide it?
|
|||
|
|
Seriously, where did you hide it?
|
|||
|
|
Huh?
|
|||
|
|
Uncle!
|
|||
|
|
uncle!
|
|||
|
|
Told you to listen when I asked nicely,
|
|||
|
|
Why didn't you listen to me?
|
|||
|
|
Come on,take this off too.
|
|||
|
|
I don't want to,no..don't want to.
|
|||
|
|
Gal-Chi,.Gal-Chi~
|
|||
|
|
Mister...umm..well
|
|||
|
|
Where is my sister?
|
|||
|
|
Isn't she with you?
|
|||
|
|
She's inside
|
|||
|
|
Uncle,
|
|||
|
|
Mr. Car!
|
|||
|
|
What the? !
|
|||
|
|
You know her?
|
|||
|
|
!
|
|||
|
|
Get on my back, big sis,
|
|||
|
|
Oh Lord,if you really do exist,
|
|||
|
|
I promise to you.
|
|||
|
|
Mister
|
|||
|
|
If you have her stay next to me for the time I have left.
|
|||
|
|
Song Eun Chae
|
|||
|
|
Let go, Let go!
|
|||
|
|
Mister
|
|||
|
|
If she will comfort me for the time I have left,
|
|||
|
|
If you don't hurt me anymore.
|
|||
|
|
I can give up my life right now.
|
|||
|
|
I can throw away my hatred, and anger.. I can die quietly,
|
|||
|
|
Lord, I make the promise with you
|
|||
|
|
What the... You!
|
|||
|
|
You were at Moo-Hyuk's place this whole time?
|
|||
|
|
Were you staying with Moo-Hyuk, this whole time?
|
|||
|
|
!
|
|||
|
|
Are you crazy?
|
|||
|
|
Don't yell.
|
|||
|
|
Eun-Che,
|
|||
|
|
Why are you yelling?
|
|||
|
|
Why are you yelling at me?
|
|||
|
|
I didn't do anything wrong to you so why are you yelling at me?
|
|||
|
|
And I'm not crazy,
|
|||
|
|
I'm very fine, Yoon,.
|
|||
|
|
Why are you like that?
|
|||
|
|
Seriously,you act like someone else!
|
|||
|
|
You did wrong today,
|
|||
|
|
To Suh-Kyung unni, To Mr. Moon-Hyuk, you did them wrong, big time.
|
|||
|
|
That stupid girl was Mr. Car's older sister?
|
|||
|
|
Anyhow she is a thief for sure,
|
|||
|
|
Would the ring jumped up to the sky? Or into the ground?
|
|||
|
|
Ahh,my blood pressure..
|
|||
|
|
Oooo,.my ring, what about my ring?
|
|||
|
|
What do I do?
|
|||
|
|
I found something that's not ring nor a necklace,
|
|||
|
|
What?
|
|||
|
|
What is that?
|
|||
|
|
...bring it here.
|
|||
|
|
What is it, oppa?
|
|||
|
|
Bring it here, hurry.
|
|||
|
|
Oh, it's nothing big, madam,
|
|||
|
|
What do I do about my ring...my ring...what do I do,
|
|||
|
|
She passed out early so probably doesn't even know they are twins Let's assume that they are dead,
|
|||
|
|
You, Nurse Kim and I,we have to keep it secret till we die...
|
|||
|
|
About today.
|
|||
|
|
They weren't meant to be with their mother,.
|
|||
|
|
Ah Duh Lee's narration at the radio station on EP03 A Father's Prayer written by by General Douglas MacArthur
|
|||
|
|
Who is that guy?
|
|||
|
|
Where is mother?
|
|||
|
|
Where is a mother for us?
|
|||
|
|
What are they doing?
|
|||
|
|
I don't know.
|
|||
|
|
Where are you going, Eun-Che?
|
|||
|
|
Just out for a walk,and get some air.
|
|||
|
|
My ring, my ring,
|
|||
|
|
Mom,don't be sick over such a thing,
|
|||
|
|
It's priceless...priceless...it's very expensive,
|
|||
|
|
I'll go buy you one,I'll go out and buy you one in a bit, ok?
|
|||
|
|
You think you can buy that with money?
|
|||
|
|
Let's make some Dduk-Bok-gi together, Eun-Che.
|
|||
|
|
Let's make some Dduk-Bok-gi.
|
|||
|
|
Move!
|
|||
|
|
Let's make some Dduk-bok-gi!
|
|||
|
|
Didn't you hear me say "move"!
|
|||
|
|
Dduk-bok-gi!
|
|||
|
|
Dduk-bok-gi!
|
|||
|
|
Dduk-bok-gi, go eat all you want!
|
|||
|
|
Damn girl, don't you know your place?
|
|||
|
|
Seriously!
|
|||
|
|
Did you take some drug?
|
|||
|
|
You did, didn't you?
|
|||
|
|
If I did, I would have killed you by now!
|
|||
|
|
Song Eun-Che!
|
|||
|
|
How old are you?
|
|||
|
|
Grow up!
|
|||
|
|
Dduk-bok-gi?
|
|||
|
|
How could you eat dduk-bok-gi right now?
|
|||
|
|
There are people who can't sleep nor drink a drop of water because of you,
|
|||
|
|
Why is that my fault?
|
|||
|
|
Why is everyone blaming me?
|
|||
|
|
Why only me!
|
|||
|
|
What a pity, Choi Yoon, What a shame,seriously,
|
|||
|
|
If you go,I'll,.you!
|
|||
|
|
...if you go..i'll..!
|
|||
|
|
Come here!
|
|||
|
|
I'm not a dog that comes and goes when you say so, you bastard.
|
|||
|
|
Song Eun-Che!
|
|||
|
|
Does it hurt a lot, mom?
|
|||
|
|
Should I go get some medicine?
|
|||
|
|
Mom, mom,
|
|||
|
|
Galchi
|
|||
|
|
Big Sis
|
|||
|
|
Didn't you go to school?
|
|||
|
|
No...because my mom is really sick,
|
|||
|
|
You mom? She's sick?
|
|||
|
|
Yes..i'm going to get some medicine right now.
|
|||
|
|
Still,you should go to school,
|
|||
|
|
Where is your uncle?
|
|||
|
|
I don't know,he was gone when I woke up.
|
|||
|
|
Big sis..
|
|||
|
|
I'm so sorry,it's all my fault,sorry, big sis,
|
|||
|
|
I didn't steal the ring,I didn't steal it.
|
|||
|
|
I know, I know,sorry..
|
|||
|
|
I'm really sorry,
|
|||
|
|
Oh, Yoon,I know all about it
|
|||
|
|
I don't think I can get exactly the same one, But I can probably get a similar one,
|
|||
|
|
Yeah, I'm going out right now,
|
|||
|
|
If you get there earlier,just look around for a bit,
|
|||
|
|
I was wondering something,so I wanted to ask you,
|
|||
|
|
What's the difference between passion and love?
|
|||
|
|
Was that passion for example?
|
|||
|
|
I love you
|
|||
|
|
It just happened that way,
|
|||
|
|
I love you
|
|||
|
|
Why did she hang up suddenly?
|
|||
|
|
Did she get on the elevator?
|
|||
|
|
Ah,
|
|||
|
|
It's so complicated.
|
|||
|
|
Complicated,
|
|||
|
|
My mom, Eun-che, all so complicated,
|
|||
|
|
Min-Joo!
|
|||
|
|
Your lover is about to die from this complication...
|
|||
|
|
For real
|
|||
|
|
Don't yell
|
|||
|
|
Why are you yelling?
|
|||
|
|
Why are you yelling at me when I didn't do anything wrong to you.
|
|||
|
|
You did wrong today,
|
|||
|
|
To Suh-Kyung sis, to Mr. Moo-Hyuk, You did wrong to them, big time,
|
|||
|
|
She's changed, she's changed for sure..
|
|||
|
|
Damn girl
|
|||
|
|
Is she dating Moo-hyuk hyung? ...
|
|||
|
|
Aaa,I don't know,fine..go date..
|
|||
|
|
What a great couple just like the roaches.
|
|||
|
|
What about her liking me before?
|
|||
|
|
Stupid, stupid girl.
|
|||
|
|
If she will comfort me for the time I have left,
|
|||
|
|
If you don't hurt me anymore. I can give up my life right now.
|
|||
|
|
I can die quietly,
|
|||
|
|
I love you
|
|||
|
|
It just happened that way
|
|||
|
|
(when mom goes to island shore to get food)
|
|||
|
|
(the baby watches the house alone)
|
|||
|
|
Galchi, shhhhh! ....she's sleeping,
|
|||
|
|
The temperature has decreased quite a bit now,
|
|||
|
|
Did you finish solving the math problem I gave you?
|
|||
|
|
Can I correct them now?
|
|||
|
|
Why is it so complicated?
|
|||
|
|
You can't solve it, sis?
|
|||
|
|
No,.that's not what I meant, Are you sure this is elementary school level math?
|
|||
|
|
Yes.
|
|||
|
|
Empty your mind.
|
|||
|
|
Stop thinking about that guy in your head and concentrate only on the ball.
|
|||
|
|
Hey, listen!
|
|||
|
|
I'm not "hey", I'm Park Hyun-woo
|
|||
|
|
Mr. Park Hyun-woo!
|
|||
|
|
Don't move your wrist or your arm.
|
|||
|
|
Move your shoulder!
|
|||
|
|
Don't look at the ball flying when you hit it.
|
|||
|
|
Keep looking at the ground!
|
|||
|
|
I'm sorry, Mister
|
|||
|
|
Get in
|
|||
|
|
Min-joo, open the door!
|
|||
|
|
Who is the bastard next to you?
|
|||
|
|
The bastard sitting next to you, who is he!
|
|||
|
|
Min Joo
|
|||
|
|
Open the door!
|
|||
|
|
Open it right now!
|
|||
|
|
Min-joo!
|
|||
|
|
Open the door Min-joo, please!
|
|||
|
|
Uncle
|
|||
|
|
Eun-chae,I don't want to live anymore, Yoon
|
|||
|
|
Translations by bluface
|
|||
|
|
Flashback translations by zdoon, purpletiger89, bellangel012
|
|||
|
|
Timing by jaycee05
|
|||
|
|
The first cases appeared in early summer.
|
|||
|
|
2 00:00:55,740 -- 00:00:58,410 For months the virus tried to destroy the population.
|
|||
|
|
A single hope for the survivors:
|
|||
|
|
radio to the military base in Noah
|
|||
|
|
Damn!
|
|||
|
|
Drive faster, shit? !
|
|||
|
|
But someone do something!
|
|||
|
|
Sonia!
|
|||
|
|
We have to stop, shit!
|
|||
|
|
That's Impossible, continue!
|
|||
|
|
To get where?
|
|||
|
|
, To hell?
|
|||
|
|
Come! Leave the area!
|
|||
|
|
Please help!
|
|||
|
|
We are all dead now!
|
|||
|
|
We have to escape.
|
|||
|
|
It is difficult.
|
|||
|
|
The vital organs are not affected.
|
|||
|
|
Show me his wounds!
|
|||
|
|
Stop the car.
|
|||
|
|
What is it, Sonia?
|
|||
|
|
Stop the ambulance!
|
|||
|
|
I need to know ..!
|
|||
|
|
What?
|
|||
|
|
In the car ... In the car!
|
|||
|
|
MUTANTS
|
|||
|
|
Sonia ...
|
|||
|
|
Do not touch anything.
|
|||
|
|
Clean up.
|
|||
|
|
I have to rely on you.
|
|||
|
|
You have to clean and disinfect.
|
|||
|
|
Now.
|
|||
|
|
This base ...
|
|||
|
|
Noa Is it false information?
|
|||
|
|
Is it really there?
|
|||
|
|
They are hiding Inside the bastards.
|
|||
|
|
If we are to continue, we must find a station.
|
|||
|
|
She has no emotions.
|
|||
|
|
If there is a small change, she will get rid of us.
|
|||
|
|
She is a military Marko.
|
|||
|
|
We need her.
|
|||
|
|
It is loaded.
|
|||
|
|
Do you know how to use?
|
|||
|
|
At least in an emergency leave. Okay?
|
|||
|
|
I'm not leaving without you.
|
|||
|
|
Nothing.
|
|||
|
|
Shoot!
|
|||
|
|
Shoot, dammit!
|
|||
|
|
Leave her alone!
|
|||
|
|
Are you okay?
|
|||
|
|
What do you expect to do?
|
|||
|
|
He comes with us.
|
|||
|
|
He is scared, that is all.
|
|||
|
|
We'll take care of it, once we reach the base.
|
|||
|
|
Are you sure?
|
|||
|
|
Look, this crazy.
|
|||
|
|
I will not leave him
|
|||
|
|
Sonia ... Infected or not - he is not coming.
|
|||
|
|
Why cant he joint us?
|
|||
|
|
I told you I trust you.
|
|||
|
|
Really? !
|
|||
|
|
You manipulate us from the start.
|
|||
|
|
Why do we follow you?
|
|||
|
|
Both ...?
|
|||
|
|
You have to explain to us ..
|
|||
|
|
Give me the keys!
|
|||
|
|
What do you think?
|
|||
|
|
Explain now, dammit!
|
|||
|
|
Shut up!
|
|||
|
|
Give me the fucking keys!
|
|||
|
|
I am not giving them back ..
|
|||
|
|
Leave the gun ..
|
|||
|
|
Turn around and back away three steps.
|
|||
|
|
No!
|
|||
|
|
No!
|
|||
|
|
Framework will be OK, calm down, relax ... Calm down!
|
|||
|
|
Mark, wake up!
|
|||
|
|
Stay with me, Mark!
|
|||
|
|
I'll find another place.
|
|||
|
|
Hello?
|
|||
|
|
You have to leave, my love.
|
|||
|
|
Emergency call to the base in Noah.
|
|||
|
|
Repeat: an emergency call to the base in Noah.
|
|||
|
|
My name is Sonia, ER Medical, Dupri.
|
|||
|
|
I call through the radio of my car.
|
|||
|
|
My companion was hit by a bullet.
|
|||
|
|
We sat in the middle forest in a large building.
|
|||
|
|
A helicopter flew over us
|
|||
|
|
We are demanding evacuation Please evacuate .
|
|||
|
|
We are not contaminated.
|
|||
|
|
Come to us.
|
|||
|
|
We are not contaminated .
|
|||
|
|
Base Noe, confirm.
|
|||
|
|
Base Noe, please confirm evacuation.
|
|||
|
|
Roger, now our position is confirmed
|
|||
|
|
Base Noah?
|
|||
|
|
Damn!
|
|||
|
|
Base Noah?
|
|||
|
|
Yes, by contacting them on the radio.
|
|||
|
|
They will come to us.
|
|||
|
|
How can you trust them?
|
|||
|
|
Never take any risks.
|
|||
|
|
You all right, have any pain?
|
|||
|
|
Some dizziness, is it bad?
|
|||
|
|
It hurts a little, but it's bearable.
|
|||
|
|
Thanks.
|
|||
|
|
Sonia ...
|
|||
|
|
The wound was serious.
|
|||
|
|
So?
|
|||
|
|
Is it good news?
|
|||
|
|
I'm not doing anything.
|
|||
|
|
The virus does not spread well.
|
|||
|
|
Come ...
|
|||
|
|
There were bandits, Who will come after us.
|
|||
|
|
Are you OK?
|
|||
|
|
Marcus!
|
|||
|
|
Calm down!
|
|||
|
|
Marcus!
|
|||
|
|
Calm down!
|
|||
|
|
Everything will be fine.
|
|||
|
|
Everything will be fine.
|
|||
|
|
I was not sure ...
|
|||
|
|
How long do I have?
|
|||
|
|
The virus probably is in a vegetative stage.
|
|||
|
|
How much?
|
|||
|
|
Three days ...
|
|||
|
|
Maybe less.
|
|||
|
|
The military probably will have to contact us.
|
|||
|
|
Once we're there, we can take care of you.
|
|||
|
|
You must be stegnesh
|
|||
|
|
Do not leave me.. ...to become one of his victims.
|
|||
|
|
I beg you ...
|
|||
|
|
You can not expect that from me
|
|||
|
|
Hold on, Mark.
|
|||
|
|
Stop!
|
|||
|
|
Mark, no.
|
|||
|
|
Look ...
|
|||
|
|
Mark, look!
|
|||
|
|
Look at me!
|
|||
|
|
One of my patients Just while I was tending him
|
|||
|
|
It's been two weeks now.
|
|||
|
|
I must be immune.
|
|||
|
|
There is hope, Mark.
|
|||
|
|
Without a scientist, we can not find an antidote.
|
|||
|
|
Give me that chance.
|
|||
|
|
I'm with you.
|
|||
|
|
I'll always be with you.
|
|||
|
|
I need morphine.
|
|||
|
|
I can not give you any..
|
|||
|
|
I want morphine!
|
|||
|
|
Look at me.
|
|||
|
|
You can do it.
|
|||
|
|
You can do it.
|
|||
|
|
No,
|
|||
|
|
Calm down.
|
|||
|
|
Calm down.
|
|||
|
|
You can
|
|||
|
|
I have the virus in my blood.
|
|||
|
|
O Negative I am a universal donor.
|
|||
|
|
It's worth trying.
|
|||
|
|
Open!
|
|||
|
|
Sonia ...
|
|||
|
|
Open for me.
|
|||
|
|
I want to apologise, I am sorry,..
|
|||
|
|
Marcus?
|
|||
|
|
Open, Sonia.
|
|||
|
|
I can not control myself.
|
|||
|
|
Marcus?
|
|||
|
|
I open.
|
|||
|
|
Get here.
|
|||
|
|
I love you.
|
|||
|
|
The first injection will transfer you into a deep sleep
|
|||
|
|
With the second one it will make your heart stop.
|
|||
|
|
And it can cause dizziness
|
|||
|
|
I love you so much.
|
|||
|
|
I'll be back, my love.
|
|||
|
|
Wake up.
|
|||
|
|
Wake up.
|
|||
|
|
Sorry for the head
|
|||
|
|
Noah...
|
|||
|
|
No.
|
|||
|
|
Frank
|
|||
|
|
Are you military?
|
|||
|
|
You were at the radio?
|
|||
|
|
Stay with us.
|
|||
|
|
Were are the car keys?
|
|||
|
|
I do not know
|
|||
|
|
In any case, there is no fuel.
|
|||
|
|
I think she is joking us, Frank
|
|||
|
|
In the call she said that there were two of them
|
|||
|
|
Where is your friend?
|
|||
|
|
I lied.
|
|||
|
|
I'll kill you ... and ran into the woods.
|
|||
|
|
You think this nonsense Frank?
|
|||
|
|
Cafe.
|
|||
|
|
Two sugars.
|
|||
|
|
I have no interest in walking
|
|||
|
|
You're going to win the walk in the forest.
|
|||
|
|
Slowly, slowly ...
|
|||
|
|
It was easy to fuck!
|
|||
|
|
Shit!
|
|||
|
|
Some cannibals attacked us and we fled as children.
|
|||
|
|
He jumped in the mouth of one to help his brother.
|
|||
|
|
More details?
|
|||
|
|
Nice toy for a physician. 209 00:47:39,610 -- 00:47:40,990 It was supposed to come back
|
|||
|
|
The keys are there Frank.
|
|||
|
|
Why not remove them?
|
|||
|
|
A bullet in it.
|
|||
|
|
He told me always.
|
|||
|
|
Losing
|
|||
|
|
Just you and me.
|
|||
|
|
The radio works
|
|||
|
|
Not working.
|
|||
|
|
You can only receive not send.
|
|||
|
|
There's a military base in Noah
|
|||
|
|
Helicopters fly from time to time.
|
|||
|
|
Fuck, helicopters do not stop ever
|
|||
|
|
You know you have housing, nothing sucks.
|
|||
|
|
Three days he carries us.
|
|||
|
|
If I were you, I would not go near.
|
|||
|
|
More than bloodthirsty..
|
|||
|
|
These monsters are shit.
|
|||
|
|
Aret you not dead?
|
|||
|
|
Tomorrow morning we go.
|
|||
|
|
We must gather fuel and return here fast.
|
|||
|
|
First fuel.
|
|||
|
|
After the keys.
|
|||
|
|
For your blood
|
|||
|
|
Need
|
|||
|
|
I'm infected.
|
|||
|
|
Not me.
|
|||
|
|
I am expecting a baby.
|
|||
|
|
It is necessary to know ...
|
|||
|
|
Was there a radio where you were?
|
|||
|
|
Take me there.
|
|||
|
|
I have to call the military base.
|
|||
|
|
The keys to the ambulance?
|
|||
|
|
Where are you going?
|
|||
|
|
Even under the rubble. I want to bury my family.
|
|||
|
|
Can you help?
|
|||
|
|
Yes.
|
|||
|
|
Toma.
|
|||
|
|
Hurry ..
|
|||
|
|
Calling urgent basis in Noah. I repeat..
|
|||
|
|
Calling urgent basis in Noah.
|
|||
|
|
You flew over us several times, You know very well where we are.
|
|||
|
|
This message will be distributed in open frequency.
|
|||
|
|
Call urgent basis in Noah.
|
|||
|
|
Please come for immediate evacuation.
|
|||
|
|
Emergency call. We are in the infected area.
|
|||
|
|
Please come for immediate evacuation.
|
|||
|
|
Use it!
|
|||
|
|
Lets go!
|
|||
|
|
Finish your message.
|
|||
|
|
Dupri is Sonia I'm pregnant...
|
|||
|
|
He bit, but I'm immune.
|
|||
|
|
I repeat: I was bitten, but I'm immune.
|
|||
|
|
My name is Sonia Dupri.'m pregnant ...they bit me, but I'm immune.
|
|||
|
|
Take the keys!
|
|||
|
|
Now!
|
|||
|
|
The fuel?
|
|||
|
|
Fuel ?
|
|||
|
|
The fuel?
|
|||
|
|
Answer!
|
|||
|
|
What was that?
|
|||
|
|
Frank!
|
|||
|
|
- Shut up!
|
|||
|
|
Frank!
|
|||
|
|
What the fuck?
|
|||
|
|
They are coming!
|
|||
|
|
Come !
|
|||
|
|
Close the damn door! The damn door!
|
|||
|
|
Fran!
|
|||
|
|
Fran!
|
|||
|
|
It's not your fault!
|
|||
|
|
Come on!
|
|||
|
|
Lets go
|
|||
|
|
If you open it ... I'm going to burst!
|
|||
|
|
Frank ...
|
|||
|
|
Open up!
|
|||
|
|
Take your hand off, get out!
|
|||
|
|
Come on, almost ..
|
|||
|
|
Base Noah, "1-S-61".
|
|||
|
|
I repeat: Noah basis, "1-S-61".
|
|||
|
|
Military intervention in an open area.
|
|||
|
|
Risk: Level Four.
|
|||
|
|
Priority evacuation confirmed.
|
|||
|
|
I repeat priority evacuation confirmed.
|
|||
|
|
Medical class.
|
|||
|
|
Individual:
|
|||
|
|
Sonia Dupri.
|
|||
|
|
Code "Rosemary".
|
|||
|
|
Code "Rosemary".
|
|||
|
|
"S-61", base of Noah, understood.
|
|||
|
|
Twelve minutes ETA
|
|||
|
|
Are you Sonia Dupri?
|
|||
|
|
We shall take care of you.
|
|||
|
|
And the baby.
|
|||
|
|
Subtitles (Rough Translation) Fly-5
|
|||
|
|
Audition tour. It's the only city we've been to All eight seasons in our search
|
|||
|
|
♪♪
|
|||
|
|
And it never fails to deliver. We're in the city where stars Are made and dreams become
|
|||
|
|
Reality. [cheering]
|
|||
|
|
♪♪ ♪so you think you can dance ♪
|
|||
|
|
♪dance ♪ [cheering] all:
|
|||
|
|
Welcometo losangeles! [cheering]
|
|||
|
|
L.A.!
|
|||
|
|
L.A.!
|
|||
|
|
Yeah! [cheering] thousandslinedup brightand
|
|||
|
|
Early... And this is what everybody's
|
|||
|
|
Competing for. That all-important ticket to
|
|||
|
|
Vegas. The contestants file into the Theater, ready for their
|
|||
|
|
Close-up. On the panel, as ever, Executive producer
|
|||
|
|
Choreographer tyce diorio.
|
|||
|
|
[cheers and applause] Here's how it's going to work.
|
|||
|
|
Dancers that fail to impress
|
|||
|
|
Will be sent straight home.
|
|||
|
|
wow. It's like something out of
|
|||
|
|
The exorcist. sorry,it'sano. ifthejudgesare onthe
|
|||
|
|
Fence, they'll be asked to learn Some choreography at the end of
|
|||
|
|
The day.
|
|||
|
|
well,obviously,yesfor Choreography. yesforme .
|
|||
|
|
Be handed a plane ticket Straight to the next round of
|
|||
|
|
Auditions.
|
|||
|
|
youwerefabulousout there.
|
|||
|
|
Come and get your ticket for Vegas.
|
|||
|
|
oh,mygo sothejudgesweresettogo
|
|||
|
|
In l.A. And jordan casanova
|
|||
|
|
Was putting the final touches To her hollywood makeover. Iguessyoucouldsaymy
|
|||
|
|
[giggles] The moment you put me on stage,
|
|||
|
|
I'm a completely different Person. Today, I am performing a solo
|
|||
|
|
To naughty girl by beyonce.
|
|||
|
|
The song does not describe Anything about me.
|
|||
|
|
I am an innocent person.
|
|||
|
|
♪♪ oh. whoo!
|
|||
|
|
whoa,yeah!
|
|||
|
|
All right!
|
|||
|
|
♪♪
|
|||
|
|
I like her!
|
|||
|
|
yeah!
|
|||
|
|
Good! whoa!
|
|||
|
|
Whoo! whoo!
|
|||
|
|
nigel,comeon ! Whoo!
|
|||
|
|
Yeah!
|
|||
|
|
[laughs] Oh, she's really good!
|
|||
|
|
enoughalready. Enough.
|
|||
|
|
[cheers and applause] wow!
|
|||
|
|
[giggles] thatwasoneofthehottest
|
|||
|
|
Performances I have ever seen! thankyouso much!
|
|||
|
|
mygosh! You are only 18 years old and
|
|||
|
|
You just nailed it. I mean, from the second that you Just did even your little click
|
|||
|
|
Back there in the back, it was
|
|||
|
|
Like, "I own this." You are just so self-confident
|
|||
|
|
About what you're doing too is
|
|||
|
|
What I just love about you.
|
|||
|
|
thankyouso much. tyce,what'dyouthink?
|
|||
|
|
I loved it! ha-ha!
|
|||
|
|
didyouloveit?
|
|||
|
|
Idon'tevenhavewords. findthewords. it'slikenaughty,naughty,
|
|||
|
|
Naughty girl!
|
|||
|
|
sorry. that'snumberone.
|
|||
|
|
Number two, it was like, "aww!"
|
|||
|
|
Loved it, loved it top to
|
|||
|
|
Bottom. Amazing. um,I 'mgonnahavetobe
|
|||
|
|
no! um... What I will say is I always ask
|
|||
|
|
Dancers to grab the audience.
|
|||
|
|
Yeah? And you certainly grabbed me. You picked me up, you threw me
|
|||
|
|
Around, you dropped me down,
|
|||
|
|
You kicked me, you picked me
|
|||
|
|
Back up again.
|
|||
|
|
Iwouldneverkickyou. youdideverythingthere. You just controlled me from the
|
|||
|
|
Moment you started dancing until I stopped you.
|
|||
|
|
And I had to stop you then. I really did.
|
|||
|
|
I was gonna have another heart Attack.
|
|||
|
|
I don't think there's any Discussion here, is there?
|
|||
|
|
there'snodiscussion,none.
|
|||
|
|
You're gonna fly! [cheers and applause]
|
|||
|
|
Fly!
|
|||
|
|
Fly! itwasonly9:00inthe Morning and the judges were over
|
|||
|
|
The moon.
|
|||
|
|
And jordan's taking a trip... whoa!
|
|||
|
|
wasthatyourtoe ?
|
|||
|
|
yeah!
|
|||
|
|
[cheers and applause] wow!
|
|||
|
|
thatwaswow! hello. d.C.Chapmanwasstill
|
|||
|
|
Waiting to audition, but he Already had a reason to Celebrate.
|
|||
|
|
I'mherewithmygirlfriend.
|
|||
|
|
Um, she's five months pregnant And I'm really excited to be a
|
|||
|
|
Father. wasitplannedorwasita
|
|||
|
|
Surprise?
|
|||
|
|
um...
|
|||
|
|
Wecan'tsay.
|
|||
|
|
[giggles] ourparentsdon'tknowthis .
|
|||
|
|
We-we-we-we planned it. mm-hmm.
|
|||
|
|
rightnow,josie'sliving With my and my family. We're all living together and,
|
|||
|
|
Uh, it's pretty fun.
|
|||
|
|
Go, carly! Go, carly! watchinghimwithour babies,
|
|||
|
|
[laughter] we'reonebighappyfamily.
|
|||
|
|
[chuckles] cheese!
|
|||
|
|
hi. howdy. what'syourname?
|
|||
|
|
uh,mynameisdariond.C.
|
|||
|
|
Chapman and this-- dariond.C.Chapman.
|
|||
|
|
howyoudoing? whatstyleyougonnadofor Us?
|
|||
|
|
West coast, but we be doing a Little bit of c-walk up over
|
|||
|
|
Here.
|
|||
|
|
right.
|
|||
|
|
coulddothat. Uh, what else? I got a little--
|
|||
|
|
A little harlem shake.
|
|||
|
|
That's back in, like-- right.
|
|||
|
|
okay. We got the dougie.
|
|||
|
|
Or we can cat daddy.
|
|||
|
|
I mean, we can do that.
|
|||
|
|
You feeling that right here? wait,whoa,whoa,whoa,whoa .
|
|||
|
|
seemstobe bigoverhere .
|
|||
|
|
whatwasthatone ?
|
|||
|
|
it'sthecat-- It's a new dance.
|
|||
|
|
It's the cat daddy by the
|
|||
|
|
Rej3ctz.
|
|||
|
|
catdaddy? thecatdaddy. catdaddyby therej3ctz.
|
|||
|
|
yougrabyourhandslike a
|
|||
|
|
Wheelchair, "skirt." right.
|
|||
|
|
youwantit to "skirt."
|
|||
|
|
So you "skirt."
|
|||
|
|
right. "skirt." "skirt."
|
|||
|
|
andyou..."skirt"! Then you get back up like that.
|
|||
|
|
[cheers and applause]
|
|||
|
|
"skirt"!
|
|||
|
|
yes,andthenyou dip .
|
|||
|
|
nowhe'sscaringme.
|
|||
|
|
thenyoudipattheend.
|
|||
|
|
It's a little dip.
|
|||
|
|
There you go.
|
|||
|
|
One, two, dip, nigel. There we go.
|
|||
|
|
[cheers and applause] wow.
|
|||
|
|
Okay!
|
|||
|
|
thisguyis givingyou-- comeonthen!
|
|||
|
|
Bring it on. Ijustwanttosayonething
|
|||
|
|
Though. hewantsto saysomething.
|
|||
|
|
I'llsayonemorething Before I dance. I was--I was extremely scared
|
|||
|
|
To come in here last year, Season seven.
|
|||
|
|
Me and my girlfriend made a Promise to come here in season Eight and, uh, baby, thank you
|
|||
|
|
It cracking. [crowd awws] We have a little baby boy to be
|
|||
|
|
Expecting also. oh.
|
|||
|
|
[cheers and applause] thankyou,guys.
|
|||
|
|
whydon'twe seewhatyoucan Do? Yeah, let's do it.
|
|||
|
|
[cheers and applause]
|
|||
|
|
♪♪ [laughs]
|
|||
|
|
♪♪
|
|||
|
|
♪♪ ah! Whoo!
|
|||
|
|
[music stops] [cheers and applause] wow.
|
|||
|
|
Wow.
|
|||
|
|
[cheering continues] wow. youknow,Idon 'tthinkI've Enjoyed a routine like that
|
|||
|
|
Since season four when twitch
|
|||
|
|
Did the conducting. Remember that?
|
|||
|
|
uh. [chuckles] That was the most entertaining
|
|||
|
|
Thing I have ever seen. whoo!
|
|||
|
|
thatwasfantastic! yeah,peoplelikeyou are a
|
|||
|
|
Rarity. thanks. Ithinkthatwhatyoudidis
|
|||
|
|
So unbelievably loud.
|
|||
|
|
It's incredible. It's like I won't forget this.
|
|||
|
|
Iwantto go to vegas. youtranscendwhatthisshow
|
|||
|
|
Is all about really, because There is no way I can sort of Compare that to a ballet routine
|
|||
|
|
Or a jazz routine. That--that stands out for Itself.
|
|||
|
|
[cheers and applause] crowd:
|
|||
|
|
Vegas! Vegas! Vegas!
|
|||
|
|
youwerefabulousout there. Come and get your ticket for Vegas.
|
|||
|
|
[cheers and applause]
|
|||
|
|
Iappreciateit ,nigel. Thank you. sowe'retwofor two and the
|
|||
|
|
Judges are already in love with Los angeles.
|
|||
|
|
thiscity'sunbelievable.
|
|||
|
|
Don't you think it's ridiculous? Ialreadyknewhewasgonna Do a good job because everything
|
|||
|
|
That he does out there he does For me in my life. So you're always--
|
|||
|
|
You're the best, baby.
|
|||
|
|
oh,mygod,thankyou.
|
|||
|
|
comingup...
|
|||
|
|
A champion returns...
|
|||
|
|
To root on her younger sister.
|
|||
|
|
ifyoufailme, you 'renot Coming home.
|
|||
|
|
butdoesthelegacyendhere?
|
|||
|
|
we'vegotto stopthat.
|
|||
|
|
It's off-putting. butfirst,thecityofangels
|
|||
|
|
Has the judges in seventh Heaven... you'regoingto vegas!
|
|||
|
|
andgetsavisitfrom avery Naughty santa.
|
|||
|
|
[screams] Ihaveasix pack.
|
|||
|
|
♪dance ♪ welcomebackto so youthink
|
|||
|
|
You can dance. It's almost noon and dancers are
|
|||
|
|
Still filing into the theater... herewecome,baby!
|
|||
|
|
wegotit ! gettingnumbersandfilling
|
|||
|
|
Out forms. A process arielle coker knew
|
|||
|
|
Only too well.
|
|||
|
|
eachyear,Imadeitfurther And further.
|
|||
|
|
Um, season four, five, and Seven and so I'm hoping season Eight will be my year and maybe
|
|||
|
|
I can make top 20.
|
|||
|
|
That would be amazing. [cheers and applause] I would absolutely love for this
|
|||
|
|
To be my year. But if it's not, I'll be back
|
|||
|
|
Next year and I'll be better,
|
|||
|
|
So that's cool too.
|
|||
|
|
♪♪/i Ithinkshe'sstronger.
|
|||
|
|
sheabsolutelyis .
|
|||
|
|
wow. wow.
|
|||
|
|
thisis--thisis an audition.
|
|||
|
|
Wow.
|
|||
|
|
Are you kidding me?
|
|||
|
|
♪♪/i holymoly.
|
|||
|
|
[cheering]
|
|||
|
|
okay.
|
|||
|
|
Arielle, I said, "I wonder if
|
|||
|
|
That amount of work has paid Off."
|
|||
|
|
I truly think it has. thankyou. Ithoughtthatwas absolutely
|
|||
|
|
Mesmerizing. And that little bit where your
|
|||
|
|
Little toes took you around like
|
|||
|
|
That... [laughs] somegreatstuff.
|
|||
|
|
thankyou.
|
|||
|
|
andyouwerejust Captivating. The energy that was coming out
|
|||
|
|
Of your body just with that walk Forward was tremendous. You've improved every single
|
|||
|
|
Year I've seen you. yeah,I lovedeverysingle
|
|||
|
|
Second of that piece. I mean, when you talk about a Knockout number that has it all,
|
|||
|
|
That was it.
|
|||
|
|
thankyou. beautiful.
|
|||
|
|
[cheers and applause] Ihavenever--Idon 'tthink I've ever seen anybody come back
|
|||
|
|
With more of a fire in their Eyes.
|
|||
|
|
You're like a star up there.
|
|||
|
|
It's incredible.
|
|||
|
|
thankyou. yeah,I can'tbelievehow far You have come in the last few
|
|||
|
|
Seasons.
|
|||
|
|
she'sgotabit furtherto Come though, hasn't she?
|
|||
|
|
yes,absolutely! You're going to vegas! vegas!
|
|||
|
|
[cheers and applause] wow. I wasn't--I wasn't expecting
|
|||
|
|
That. soarielle'sjourneytoward The top 20 continues.
|
|||
|
|
And as the afternoon went on, It looked like she'd have some
|
|||
|
|
♪♪/i andthatwasn'tjustgood .
|
|||
|
|
That was very good.
|
|||
|
|
♪♪/i Ithinkyou'reamazing.
|
|||
|
|
gettheheckout ofhere .
|
|||
|
|
That pissed me off it was so Good. boy,canyoudance!
|
|||
|
|
You can!
|
|||
|
|
[cheers and applause] oh,mygod!
|
|||
|
|
bymid-afternoon,it looked Like the final city on our tour
|
|||
|
|
Might be the best ever. [screams] mary,whereis losangeles
|
|||
|
|
Getting all these dancers today?
|
|||
|
|
Where are they coming from? afterthebreak,one dancer Has come from halfway round the
|
|||
|
|
World... I'mfromjapan.
|
|||
|
|
[speaking japanese]
|
|||
|
|
Peace. andshe'spickedupa few
|
|||
|
|
Tricks. Ilearnedfrommyloverat
|
|||
|
|
The time.
|
|||
|
|
youdon'tsay.
|
|||
|
|
blush. plus,afteran amazingstart, Will the golden state continue
|
|||
|
|
To shine? doyourememberadaylike
|
|||
|
|
This in los angeles? orwilltinseltownloseits
|
|||
|
|
Glitter?
|
|||
|
|
oh,god! Thank you very much.
|
|||
|
|
[laughter] nigel,you'rean [bleep]!
|
|||
|
|
Iamwicked,aren'tI?
|
|||
|
|
yes.
|
|||
|
|
♪♪ welcomebackto so youthink
|
|||
|
|
You can dance. When people want to become a Star, they come here to
|
|||
|
|
Hollywood. And they come from all over the
|
|||
|
|
World.
|
|||
|
|
I'mfrombrazil.
|
|||
|
|
I'mfrombelarus. andI 'mfromhawaii,
|
|||
|
|
Island of oahu.
|
|||
|
|
andwhereareyou from?
|
|||
|
|
chandler,arizona.
|
|||
|
|
whohaveyoubroughtwith You today? Ibroughtmy momand mydad
|
|||
|
|
And my boyfriend, my grandma,
|
|||
|
|
My two younger sisters,
|
|||
|
|
And that's it. anddidyouall comeinthe
|
|||
|
|
Same car?
|
|||
|
|
yes. We just strap grandma to the Top.
|
|||
|
|
Just kidding.
|
|||
|
|
[laughter] butperhapsno onehad a
|
|||
|
|
Longer journey than hiro mcrae.
|
|||
|
|
I'mfromjapanand ... [speaking japanese] America is changing my dancing a
|
|||
|
|
Lot. Super duper much.
|
|||
|
|
Japanese people have such
|
|||
|
|
Discipline. They are practicing thousand
|
|||
|
|
Time of this.
|
|||
|
|
"okay, this, this, this. Keep going.
|
|||
|
|
Next, next, next, doo, doo." It's like a martial artist, But they sometimes forget about
|
|||
|
|
Expression. You know, live in the dance.
|
|||
|
|
Ooh, if I can get the las vegas
|
|||
|
|
Ticket, oh--
|
|||
|
|
I should make it.
|
|||
|
|
Hopefully. Good luck, hiro.
|
|||
|
|
[chuckles] myself.
|
|||
|
|
hi.
|
|||
|
|
konnichiwa. hi,what'syourname?
|
|||
|
|
mynameis hiro.
|
|||
|
|
Hiro mcrae.
|
|||
|
|
hiromcrae?
|
|||
|
|
yes.
|
|||
|
|
andwhereareyou from? I'moriginallyfromjapan.
|
|||
|
|
howlonghaveyou beenhere ?
|
|||
|
|
fouryears. oy,canIcongratulateyouon
|
|||
|
|
Your english?
|
|||
|
|
yes.
|
|||
|
|
thankyouso much.
|
|||
|
|
[speaking japanese]
|
|||
|
|
Thank you so much. Yes, I didn't have money to go To school, so I learned my--
|
|||
|
|
From radio, from my lover at the Time. It was a really hard time.
|
|||
|
|
[cheering] whatdidshelearnfrom him?
|
|||
|
|
Oh! youdon'tsay.
|
|||
|
|
blush.
|
|||
|
|
uh,we'dlovetoseeyou
|
|||
|
|
[cheers and applause] wow. and...
|
|||
|
|
♪♪/i wow.
|
|||
|
|
Whoo! Oh, man.
|
|||
|
|
uh,uh,uh ,Idon 't-- I don't really know what's
|
|||
|
|
Happening today. it'sgoingcrazy,nigel!
|
|||
|
|
uh,I don'tknowifyou'dbe Any good at doing anything else With partners or the waltz or
|
|||
|
|
Vietnamese tango,
|
|||
|
|
Whatever. I don't care!
|
|||
|
|
I loved what you just did.
|
|||
|
|
Arigato. youaredefinitelysomething
|
|||
|
|
Else.
|
|||
|
|
You are extraordinary.
|
|||
|
|
You are a standout.
|
|||
|
|
You're a star up there. Your movements are so precise.
|
|||
|
|
The control of your body is so
|
|||
|
|
Articulate. Got it all going on.
|
|||
|
|
[cheers and applause] what?
|
|||
|
|
What?
|
|||
|
|
whatplanet?
|
|||
|
|
what? What?
|
|||
|
|
Where did you come--
|
|||
|
|
Where did you come from? Everything about you is
|
|||
|
|
Magnificent.
|
|||
|
|
That's it. Ridiculous.
|
|||
|
|
Incredible.
|
|||
|
|
listen. I think we've been extremely Remiss with the terrible
|
|||
|
|
Your home country at the moment. Is all of your family safe?
|
|||
|
|
Are they well?
|
|||
|
|
mydadfinallyemailedme Back that they are fine.
|
|||
|
|
oh,good.
|
|||
|
|
[cheers and applause] thankyouso much.
|
|||
|
|
Ithinkthat... You need now to email your dad Back and tell him you're going
|
|||
|
|
sohollywood'snewestaction Hero is headed to sin city.
|
|||
|
|
oh,mygod.
|
|||
|
|
Oh, my god.
|
|||
|
|
thatwasso muchfun .
|
|||
|
|
thathurtmy feelings.
|
|||
|
|
yeah. tyce,I mean,what-- it'sjustcrazy.
|
|||
|
|
doyourememberadaylike
|
|||
|
|
This in los angeles? no.
|
|||
|
|
andafterthechoreography Round, things looked even
|
|||
|
|
Better... wethinkyoudid anamazing Job right now and we want you To come to vegas!
|
|||
|
|
[cheers and applause] there'syourticket.
|
|||
|
|
vegas!
|
|||
|
|
as18moredancersgrabbed Tickets to the next round.
|
|||
|
|
Ican'tbreathe!
|
|||
|
|
Whoo! it'sprobablythebestday That we've ever had on the
|
|||
|
|
Series, any year.
|
|||
|
|
Iagree.
|
|||
|
|
anyseason. absolutely,100%. anyseason.
|
|||
|
|
upnext,santaclausis
|
|||
|
|
Coming to town... thinkthere'llbe alot of Kids blocking their chimneys Right now.
|
|||
|
|
yeah,that'sright. anditlookslikeeveryoneis On the naughty list.
|
|||
|
|
Ididn'tenjoythatatall,
|
|||
|
|
Actually. thenit'sallornothingfor
|
|||
|
|
One contestant. ifyoufailme, you 'renot
|
|||
|
|
Coming home. canshestepout ofher
|
|||
|
|
Sister's shadow? allofthepressureisnowon You.
|
|||
|
|
♪dance ♪ all: Welcomebacktothecity Of angels!
|
|||
|
|
[cheering] it'sthefinalday of Auditions, and in l.A., A new group of excited dancers
|
|||
|
|
[cheering] After a spectacular first day, There was a holiday mood in the
|
|||
|
|
Theater... And our first contestant of the Day was ho-ho-hoping the good
|
|||
|
|
Cheer would last.
|
|||
|
|
what'sup,y'all? This is big c, the claus of
|
|||
|
|
Krump, little c's protege. I'm from the north pole, of Course, and I spread buckmas
|
|||
|
|
Cheer all year round and give Presents to all the good little Girls and boys.
|
|||
|
|
Oh, well, hello.
|
|||
|
|
What do you want for buckmas?
|
|||
|
|
[laughter] and... Cue music.
|
|||
|
|
uh-oh,uh-oh,uh-oh. Look out.
|
|||
|
|
[screams] [laughs] no!
|
|||
|
|
No!
|
|||
|
|
♪♪ wherearewe goingtoday?
|
|||
|
|
makeitstop.
|
|||
|
|
[chuckles] [indistinct]tryingto do to People?
|
|||
|
|
[cheers and applause] bigc . What is little c gonna say when He sees big c?
|
|||
|
|
he'sgonnasay,"buck!"
|
|||
|
|
whatareyoudoing?
|
|||
|
|
Ihaveasix pack. listen--oh!
|
|||
|
|
[cheers and applause] That was more like a kegger. [laughter]
|
|||
|
|
Ithinkthere'llbea lotof Kids blocking their chimneys
|
|||
|
|
Right now. yeah,that'sright.
|
|||
|
|
Or setting a fire in there.
|
|||
|
|
[giggles] itwasalot offun.
|
|||
|
|
Thank you so much for coming
|
|||
|
|
Down. thankyou,guys,verymuch .
|
|||
|
|
I appreciate it.
|
|||
|
|
[cheering] sobigcfailedtogethis Claws on a ticket to vegas.
|
|||
|
|
that'sthefirsttimewe've Had a santa though, I must say.
|
|||
|
|
backtotheworkshop.
|
|||
|
|
andasthemorningwent on And the hot streak of day one Became a distant memory...
|
|||
|
|
Frosty. Ididn'tenjoythatatall, Actually.
|
|||
|
|
oh,god!
|
|||
|
|
Thank you very much.
|
|||
|
|
♪♪ There was nothing going on There.
|
|||
|
|
Ithinkwe 'regonnahaveto Call it a day.
|
|||
|
|
nigel,you'rean [bleep]!
|
|||
|
|
don'tgetupset,sweetheart.
|
|||
|
|
♪♪ So what do you think about Twitch's uncle?
|
|||
|
|
[laughs] Iamwicked,aren'tI?
|
|||
|
|
by1 :00p.M.,l.A.Had lost Its luster.
|
|||
|
|
youall[bleep,bleep].
|
|||
|
|
andafterasensationalday One, the city had a lot to live Up to, much like our next
|
|||
|
|
Contestant. hi,mynameisalexismason .
|
|||
|
|
I'm 18 years old.
|
|||
|
|
I found this girl out in the Hallway somewhere.
|
|||
|
|
[squealing] it'smysister,jeanine
|
|||
|
|
Mason, season five winner.
|
|||
|
|
thatsoundsso formal.
|
|||
|
|
america'sfavoritedancer Is...
|
|||
|
|
Jeanine.
|
|||
|
|
everytimeanybodycomesup To me and will be like, "oh, my Gosh!
|
|||
|
|
Like, you're jeanine's sister!" Like as if, like, she's some Sort of god.
|
|||
|
|
I sit there and I'm like,
|
|||
|
|
"this is the girl that--"
|
|||
|
|
I can't say that on tv. Wait, let's scratch that.
|
|||
|
|
I was gonna say, "that runs Around the house naked," but I Won't.
|
|||
|
|
[laughter] I was afraid to audition after
|
|||
|
|
She did it, and I feel like I Can't not do it and regret it Later.
|
|||
|
|
youcando this.
|
|||
|
|
No pressure.
|
|||
|
|
I'm so proud of you.
|
|||
|
|
If you fail me, you're not Coming home.
|
|||
|
|
whosaysthatwhenI'mabout To dance?
|
|||
|
|
Who says that to their sister?
|
|||
|
|
hello,younglady.
|
|||
|
|
hello.
|
|||
|
|
what'syourname?
|
|||
|
|
mynameis alexismason.
|
|||
|
|
andwhois yoursister?
|
|||
|
|
Ihaveno ideawhatyou're Talking about.
|
|||
|
|
theannoyingthingmustbeto Have her sit in the audience When you're auditioning as well.
|
|||
|
|
I mean, that's tough, isn't it?
|
|||
|
|
Imean,it 'sdifficult, But it's a privilege.
|
|||
|
|
She's my inspiration, so.
|
|||
|
|
go,girl.
|
|||
|
|
allofthepressureisnowon You.
|
|||
|
|
howamIgonnahandlethat?
|
|||
|
|
howareyou--that'sexactly Right.
|
|||
|
|
Lots of love and luck.
|
|||
|
|
Good luck. Here we go.
|
|||
|
|
thankyouverymuch.
|
|||
|
|
[cheers and applause] and... Cuemusic.
|
|||
|
|
[soft piano music] Striking, striking girl.
|
|||
|
|
♪♪ beautiful.
|
|||
|
|
mm-hmm. Um, alexis, be careful of one
|
|||
|
|
Thing, which is... With your mouth.
|
|||
|
|
okay.
|
|||
|
|
it'soff-putting,becauseI Can see the emotion in your
|
|||
|
|
Face, I want to go with you, And you've got this slight Goldfishing going on.
|
|||
|
|
okay.
|
|||
|
|
wehaveto stopthat.
|
|||
|
|
But, um, absolutely beautiful Control.
|
|||
|
|
Beautiful content to your work.
|
|||
|
|
thankyou.
|
|||
|
|
uh,itwasthrillingtowatch It.
|
|||
|
|
thankyou.
|
|||
|
|
alexis,yoursisterisan Amazing dancer...
|
|||
|
|
And you are an amazing dancer Too.
|
|||
|
|
thankyou. Ican'ttellyou ,sittingon This side, how fun it is for me
|
|||
|
|
It's just so cool. thankyou.
|
|||
|
|
youpulledit off.
|
|||
|
|
You really did.
|
|||
|
|
whoo! Thankyousomuch .
|
|||
|
|
Ithinkthegreatthingabout What just happened is--
|
|||
|
|
I don't know if I'm right.
|
|||
|
|
But did you look at her? yes.
|
|||
|
|
thatwasmy--thatwas my
|
|||
|
|
Favorite part, because it was, Like, a real moment.
|
|||
|
|
You're beautiful. thankyouso much.
|
|||
|
|
[cheers and applause] mary,wassheonthehot
|
|||
|
|
[laughter] she'sdefinitelygettinga Ticket on the train for sure.
|
|||
|
|
she'sdefinitelygettinga Ticket to vegas.
|
|||
|
|
[cheers and applause] that'swhatwe wanttohear Right now!
|
|||
|
|
comingup...
|
|||
|
|
Day two in l.A. Has all the Makings of a hollywood Blockbuster.
|
|||
|
|
Drama... letitgo ,girl.
|
|||
|
|
intenseaction... youareastar,younglady.
|
|||
|
|
andgratuitousviolence.
|
|||
|
|
doyoufighteachother?
|
|||
|
|
never.
|
|||
|
|
♪dance ♪ welcomebackto thevery Stylish l.A. Auditions where Patty ann miller has a swagger
|
|||
|
|
I have to say I love your look.
|
|||
|
|
thankyou.
|
|||
|
|
it'ssocuteand ,like,
|
|||
|
|
Tomboyish and cute and-- yes,I 'ma bigtomboy. isthiswhatyou 'reall
|
|||
|
|
About?
|
|||
|
|
yes,thisis me .
|
|||
|
|
I'm a hip-hop dancer.
|
|||
|
|
I love freestyling.
|
|||
|
|
I was dancing at the age of five
|
|||
|
|
And five years later, I started Drumming.
|
|||
|
|
Rhythm is just something that's Inside of me.
|
|||
|
|
It's natural.
|
|||
|
|
When I'm listening to, like, Music, I hear the drums and I go
|
|||
|
|
Off the drums and I just-- I just feel it.
|
|||
|
|
I love drumming and I love Dancing, so I just incorporate The two and it's a great
|
|||
|
|
what'syourname?
|
|||
|
|
mynameis pattya. Miller.
|
|||
|
|
whatdoyoudofora living? fora living?
|
|||
|
|
yeah,what'syourjob ?
|
|||
|
|
I--I'ma styleconsultant.
|
|||
|
|
styleconsultant?
|
|||
|
|
yeah,that's--that'swhat-- yeah.
|
|||
|
|
bowtie. yeah.
|
|||
|
|
Cute.
|
|||
|
|
We'd love to see you dance. allright.
|
|||
|
|
you'renotnervous,are you ?
|
|||
|
|
um...
|
|||
|
|
Just a little bit.
|
|||
|
|
[laughter] andcuemusic. [dance pop music]
|
|||
|
|
I love her.
|
|||
|
|
I love her, seriously.
|
|||
|
|
Ilikeit . I like her.
|
|||
|
|
Iloveheralot.
|
|||
|
|
Yeah. Yes!
|
|||
|
|
[music stops] [cheers and applause] misspattyann. pattyann,pattyann ,
|
|||
|
|
You are a young lady with a lot Of secrets, aren't you? [laughs] huh?
|
|||
|
|
just-- youwentto berklee... yes.
|
|||
|
|
schoolofmusic?
|
|||
|
|
yes.
|
|||
|
|
yougraduated?
|
|||
|
|
yes.
|
|||
|
|
fullscholarshipas a Drummer. [cheers and applause]
|
|||
|
|
You are just so unique. I like it though.
|
|||
|
|
I really do.
|
|||
|
|
[cheers and applause]
|
|||
|
|
What other-- What other dance styles have you Done?
|
|||
|
|
Be honest with me now. letitgo ,girl.
|
|||
|
|
Let it go. letitgo .
|
|||
|
|
letitgo .
|
|||
|
|
[cheers and applause]
|
|||
|
|
Come on now. Let it out. Let it out.
|
|||
|
|
[chuckles]
|
|||
|
|
Ididn'thearthe question. [laughter]
|
|||
|
|
I'mnotgoingtoaskit Again.
|
|||
|
|
Don't worry.
|
|||
|
|
Mary?
|
|||
|
|
pattyann,youare buck.
|
|||
|
|
You are.
|
|||
|
|
You're really strong in what You're doing and you are unique,
|
|||
|
|
Like nigel said and, you know,
|
|||
|
|
We love that on this show. thankyou.
|
|||
|
|
comeonnow,pattyann.
|
|||
|
|
You are freaking cute.
|
|||
|
|
Look how freaking cute you are! [applause] uh,pattyann,I'm really
|
|||
|
|
Working hard at the moment and We're gonna be doing vegas in a Few weeks and I'm gonna need a
|
|||
|
|
So I can't think of anything Better.
|
|||
|
|
hey,pattyann!
|
|||
|
|
Who said, "gotcha"?
|
|||
|
|
oh,mygod!
|
|||
|
|
andasthefinaldayof Season eight auditions went On...
|
|||
|
|
L.A. Proved it had style to Spare.
|
|||
|
|
you'reveryspecialasa Dancer. [pop music]
|
|||
|
|
♪♪ youareastar,younglady. A star.
|
|||
|
|
♪♪
|
|||
|
|
It's been, like, so many great Dancers here in los angeles.
|
|||
|
|
thankyouso much.
|
|||
|
|
no,thankyou.
|
|||
|
|
haveyoueverdancedin Vegas? no.
|
|||
|
|
sothiswillbea first,
|
|||
|
|
Will it?
|
|||
|
|
♪♪ so...
|
|||
|
|
[screaming] we'veseensomereally, Really good dancers today, I must say.
|
|||
|
|
Vegas, baby!
|
|||
|
|
Taking it to vegas.
|
|||
|
|
See you there, baby!
|
|||
|
|
comingup,seasoneight's Final audition.
|
|||
|
|
Two sisters... whoa!
|
|||
|
|
onedream.
|
|||
|
|
wewantto showthemwecan Actually move and can dance.
|
|||
|
|
butisthereroomforbothin Las vegas?
|
|||
|
|
howwouldyoufeelifwe Broke you up?
|
|||
|
|
♪dance ♪ welcomebackto thefinal And most talented city on our Audition tour.
|
|||
|
|
delightedwithlosangeles.
|
|||
|
|
Okay.
|
|||
|
|
thelasttwodayshave been Almost perfect.
|
|||
|
|
But one thing has been lacking.
|
|||
|
|
ballroom?
|
|||
|
|
alittlebit,not alot. [laughs] don'tjudgeme .
|
|||
|
|
I'mclassicallytrainedin
|
|||
|
|
Ballet and pointe and then I've Taken jazz. wow.
|
|||
|
|
Everything?
|
|||
|
|
Have you done ballroom?
|
|||
|
|
no.
|
|||
|
|
pointeballet,jazz,tap .
|
|||
|
|
[mouths]ballroom? ballroom?
|
|||
|
|
No.
|
|||
|
|
jazz,tap,ballet,hip-hop, Contemporary.
|
|||
|
|
No ballroom, I'm afraid. like,uh,tyce'strousers.
|
|||
|
|
oh,mygosh.
|
|||
|
|
um,okay-- comeon,nigel!
|
|||
|
|
Nigel!
|
|||
|
|
what?
|
|||
|
|
[laughter]
|
|||
|
|
ourfinalcontestants, Sasha and natalie mallory,
|
|||
|
|
May not have any ballroom Experience, but they come ready To show their range.
|
|||
|
|
today,wearedoingapiece-- It's kind of a combination of Modern and african.
|
|||
|
|
wedecidedto bringinother Tastes to show the judges what We can do.
|
|||
|
|
We're not just, like a... both: One-trickpony.
|
|||
|
|
whoa!
|
|||
|
|
jinx!
|
|||
|
|
We are very competitive. It's not a bad thing though.
|
|||
|
|
It's a good thing, because-- it'skindof likea-- letmetalk.
|
|||
|
|
sorry.
|
|||
|
|
It's almost, like, having, like, An extra teacher with you, Because, like, we push each
|
|||
|
|
Other.
|
|||
|
|
Yeah.
|
|||
|
|
You should have said "yeah"
|
|||
|
|
Right away. unfortunately,I haveno
|
|||
|
|
Other choice, so.
|
|||
|
|
They're gonna have so many shots Of us slapping each other. we'resistersandwelove
|
|||
|
|
Each other.
|
|||
|
|
[laughter] natalia... yes.
|
|||
|
|
andsasha?
|
|||
|
|
yes.
|
|||
|
|
okay.
|
|||
|
|
How come you dance together?
|
|||
|
|
wepusheachotherand- - yeah,shemakesmebetter.
|
|||
|
|
Like, going-- aww. sweet.
|
|||
|
|
[crowd awws] allright.
|
|||
|
|
But, like, in class, like, She just--she pushes me to,
|
|||
|
|
Like, better myself and to get Out there and stuff.
|
|||
|
|
doyoufighteachother? never.
|
|||
|
|
Imean,well,wefight
|
|||
|
|
Sometimes. [laughter] wedo,butwelove each
|
|||
|
|
Other. We're good.
|
|||
|
|
We're-- yes,wedo .
|
|||
|
|
Ithinkwe shouldsee you Dance. that'samazing.
|
|||
|
|
That's cool.
|
|||
|
|
Oh, cute.
|
|||
|
|
Really cute.
|
|||
|
|
[indistinct]together,
|
|||
|
|
Aren't they? socute.
|
|||
|
|
andcuemusic.
|
|||
|
|
Well... Listen.
|
|||
|
|
I've got to say I'm really Shocked. Natalia, you shocked me more
|
|||
|
|
Than anything. I've got to be honest.
|
|||
|
|
Um, sasha has obviously got the
|
|||
|
|
Better, um, physique as a Dancer. yes.
|
|||
|
|
you--butholdon here.
|
|||
|
|
You bring so much heart and Technique to it.
|
|||
|
|
You were absolutely tremendous. thankyou.
|
|||
|
|
fabulous.
|
|||
|
|
Um, sasha, you've got everything
|
|||
|
|
Going for you. You've got beautiful technique.
|
|||
|
|
You've got the right facility. Um, I'm impressed with the pair
|
|||
|
|
Of you. Congratulations.
|
|||
|
|
thankyou.
|
|||
|
|
[cheers and applause] yeah,youguysare justtoo
|
|||
|
|
Cute together and we can just See your love of dance.
|
|||
|
|
I just loved it.
|
|||
|
|
both: Thankyou.
|
|||
|
|
yeah,greatchemistry
|
|||
|
|
Together. I enjoy you guys and the piece
|
|||
|
|
As a whole, but I-- I kind of want more from you Both.
|
|||
|
|
Eyes. I felt like you started it,
|
|||
|
|
But the real question is:
|
|||
|
|
Do you know how to take an
|
|||
|
|
Audience on this journey with You? Everyone starts good.
|
|||
|
|
it'sanabsoluteyes tothe
|
|||
|
|
Pair of you from me to go on to Choreography. yeah,it'sayes for me.
|
|||
|
|
yes.
|
|||
|
|
thankyou.
|
|||
|
|
thankyou.
|
|||
|
|
sothedayiscomingtoa
|
|||
|
|
Close.
|
|||
|
|
Sasha and natalie quickly joined 28 dancers for the choreography Round. Teaching them the moves are
|
|||
|
|
Season four's katee and season Six's jakob.
|
|||
|
|
andtwoandthreeandfour- - andafterjustone hourof
|
|||
|
|
Instruction, it's time to dance For the judges.
|
|||
|
|
cuemusic. [dance music]
|
|||
|
|
aftera quickdiscussion, It's judgment time. sasha... yes?
|
|||
|
|
comeondown.
|
|||
|
|
We thought you were tremendous.
|
|||
|
|
Come and get a ticket.
|
|||
|
|
gogetyourticket. natalia,youweresoclose
|
|||
|
|
That you should come down and Get a ticket too. oh,mygod!
|
|||
|
|
no!
|
|||
|
|
[laughter] [cheering] andthegoodnewscontinued
|
|||
|
|
ah! thankyouso much.
|
|||
|
|
[screaming] whoo! Wait!
|
|||
|
|
Somebody be my family! Yay! Aw, thanks, mom!
|
|||
|
|
Whoo!
|
|||
|
|
On to vegas! 160 of the nation's best dancers
|
|||
|
|
Battle it out on our stage. comeon! Right!
|
|||
|
|
theirscreams.
|
|||
|
|
you'reout!
|
|||
|
|
andfeelthepressure.
|
|||
|
|
oh,mygod.
|
|||
|
|
yougottaslamthistothe
|
|||
|
|
Ground. pullyourselftogether.
|
|||
|
|
asdreamsarebroken... [crying]I wannago home.
|
|||
|
|
andsuperstarsareborn.
|
|||
|
|
[crying]I wantit so bad.
|
|||
|
|
butwithno question,there
|
|||
|
|
Will be blood.
|
|||
|
|
Get in the car!
|
|||
|
|
Who are you?
|
|||
|
|
I'm the man whose money you took.
|
|||
|
|
He'll get done, sooner or later.
|
|||
|
|
I made a call.
|
|||
|
|
There's one thing nobody can escape from, it don't matter how big a master criminal you are.
|
|||
|
|
The VAT man.
|
|||
|
|
Well done on bringing us the money.
|
|||
|
|
Welcome to Morocco.
|
|||
|
|
Help!
|
|||
|
|
HELP!
|
|||
|
|
For your own sake, I suggest you answer these questions truthfully.
|
|||
|
|
Why are you on this boat?
|
|||
|
|
That's... er...
|
|||
|
|
That's all of us going on a fishing trip.
|
|||
|
|
I remember that day... happy times.
|
|||
|
|
You are putting a bag in the car.
|
|||
|
|
What was it?
|
|||
|
|
Probably fishing gear.
|
|||
|
|
Bax?
|
|||
|
|
Quinn?
|
|||
|
|
Tell me about this, please.
|
|||
|
|
Where did you learn how to do this?
|
|||
|
|
What is happening here?
|
|||
|
|
That's... that's just lads on holiday, innit?
|
|||
|
|
You know, things get a bit out of control.
|
|||
|
|
Hello?
|
|||
|
|
Who's there?
|
|||
|
|
Hello?
|
|||
|
|
Who are you?
|
|||
|
|
Where are my friends?
|
|||
|
|
You all OK?
|
|||
|
|
They... shaved me.
|
|||
|
|
And they bust my new glasses.
|
|||
|
|
Where are we?
|
|||
|
|
Said Morocco, didn't they?
|
|||
|
|
Yeah, I know that.
|
|||
|
|
But where?
|
|||
|
|
Did they show you the pictures?
|
|||
|
|
What pictures?
|
|||
|
|
What do you say to 'em Rick?
|
|||
|
|
Nothing. Obviously.
|
|||
|
|
Don't tell them anything, all right.
|
|||
|
|
Not until we get some kind of legal representation.
|
|||
|
|
Someone from the embassy - Amnesty or someone.
|
|||
|
|
How you gonna get in touch with them?
|
|||
|
|
Who are they anyway?
|
|||
|
|
They're some kind of militia or something, aren't they?
|
|||
|
|
They knew we had that money.
|
|||
|
|
They picked us off.
|
|||
|
|
They're probably using the money for some extremist movement.
|
|||
|
|
So now we're funding terrorists.
|
|||
|
|
Oh, great.
|
|||
|
|
This just gets better and better.
|
|||
|
|
He was wearing a shirt, with a Marks and Spencer's label on.
|
|||
|
|
I saw it sticking out.
|
|||
|
|
Who?
|
|||
|
|
My interrogator.
|
|||
|
|
I mean, extremists...
|
|||
|
|
They don't shop at MS, do they?
|
|||
|
|
They might.
|
|||
|
|
Shall we go and help him?
|
|||
|
|
Best not to get involved.
|
|||
|
|
You all right, mate?
|
|||
|
|
It's a woman.
|
|||
|
|
Serious.
|
|||
|
|
It's a bird!
|
|||
|
|
I was just trying to see if you were OK.
|
|||
|
|
I'm Quinn.
|
|||
|
|
What sort of fag name is that?
|
|||
|
|
Dunno.
|
|||
|
|
Ask my dad.
|
|||
|
|
Named after my grandfather, I think.
|
|||
|
|
I'm Mercedes.
|
|||
|
|
Hi.
|
|||
|
|
- Your dad into cars then?
|
|||
|
|
- Heard of the Count of Monte Cristo, dumb fuck?
|
|||
|
|
Yeah... no... yeah - fuck, I dunno, I can't remember.
|
|||
|
|
Can I just ask, what's with all the rough stuff?
|
|||
|
|
It's what they do if you don't tell them what they want.
|
|||
|
|
Who are they?
|
|||
|
|
A bunch of COCKSUCKERS!
|
|||
|
|
Come on!
|
|||
|
|
Do you have any idea how we might get in touch with someone from the British Government?
|
|||
|
|
Yeah, it's easy.
|
|||
|
|
They're in there.
|
|||
|
|
Eh? What?
|
|||
|
|
It's the Foreign Office.
|
|||
|
|
Sorry.
|
|||
|
|
What is this place exactly?
|
|||
|
|
It's where they bring people to question... ..when they don't want anyone to know they're doing it.
|
|||
|
|
Oh, great.
|
|||
|
|
A week ago, I was standing in line, holding a tuna baguette, queuing up for easyJet.
|
|||
|
|
Now I'm being fucking renditioned!
|
|||
|
|
"Dear God, please help me see danger coming my way,
|
|||
|
|
"and forgive the body count I will be sending your way."
|
|||
|
|
"Never pick up a dead man's gun."
|
|||
|
|
"I...
|
|||
|
|
"..heart...
|
|||
|
|
"..
|
|||
|
|
Bin Laden."
|
|||
|
|
Right.
|
|||
|
|
We should go en masse and demand to speak to whoever's in charge and make them understand they can't just keep us here.
|
|||
|
|
There's laws and protocols...
|
|||
|
|
You think they'll care about that?
|
|||
|
|
They still have to abide by them.
|
|||
|
|
Says who?
|
|||
|
|
Woody, this is our government.
|
|||
|
|
Governments can't just hold us indefinitely for no reason.
|
|||
|
|
What you on about?
|
|||
|
|
Course they can!
|
|||
|
|
They do it all the time.
|
|||
|
|
You remember those plane spotters in Greece?
|
|||
|
|
You remember that?
|
|||
|
|
They said they were spies.
|
|||
|
|
And what about Guantanamo?
|
|||
|
|
Nobody even knew who was in there.
|
|||
|
|
Get off!
|
|||
|
|
Come on! What?
|
|||
|
|
It takes two of ya?
|
|||
|
|
All right?
|
|||
|
|
How did you end up here then, love?
|
|||
|
|
I was in Kabul, "love".
|
|||
|
|
You in the army then?
|
|||
|
|
No, I went there because I like the opera.
|
|||
|
|
Didn't like what I saw, so I went AWOL.
|
|||
|
|
Took a long fucking walk.
|
|||
|
|
Posted some things on the web.
|
|||
|
|
Things I thought people should see.
|
|||
|
|
Secrets?
|
|||
|
|
There are no secrets.
|
|||
|
|
Only hidden truths.
|
|||
|
|
Nah.
|
|||
|
|
Just bitching about the food and the way they treat people.
|
|||
|
|
Now they think I'm bloody Wikileaks.
|
|||
|
|
Dickheads.
|
|||
|
|
How long do they usually keep people in here for?
|
|||
|
|
As long as they want.
|
|||
|
|
That's the point.
|
|||
|
|
This place don't exist.
|
|||
|
|
Therefore, you don't exist.
|
|||
|
|
What did you all do anyway?
|
|||
|
|
Fellas, can I... have a word?
|
|||
|
|
In private.
|
|||
|
|
This could be a trick.
|
|||
|
|
She could be working for them.
|
|||
|
|
You not seen her face?
|
|||
|
|
They kicked her head in.
|
|||
|
|
She's trying to scare us and then befriend us, you know.
|
|||
|
|
Get us to confess everything.
|
|||
|
|
You got a point.
|
|||
|
|
Oi, wuss-bags.
|
|||
|
|
Just ignore her.
|
|||
|
|
Keep walking. Keep walking...
|
|||
|
|
What, you not talking to me now?
|
|||
|
|
I ain't the enemy.
|
|||
|
|
Anyway, if I wanted info out of you, I'd just....
|
|||
|
|
..beat it out of you.
|
|||
|
|
Get off me, you lunatic woman!
|
|||
|
|
Ever had a cauliflower ear, Quinn?
|
|||
|
|
Or a wet willy?
|
|||
|
|
You know what Churchill said?
|
|||
|
|
Fuck off!
|
|||
|
|
"If you're going through hell, keep going".
|
|||
|
|
Tough it out, guys!
|
|||
|
|
You can get through this.
|
|||
|
|
You got each other for a start.
|
|||
|
|
I'm the one all on her lonesome.
|
|||
|
|
Don't see me walking around with the clown's frown.
|
|||
|
|
She's got a point you know.
|
|||
|
|
We've really need to stay positive.
|
|||
|
|
Good idea, Woody.
|
|||
|
|
Tell you what, why don't we see if they can organise basket weaving classes or something?
|
|||
|
|
Put our time to good use.
|
|||
|
|
Only trying to help, knobhead.
|
|||
|
|
Well, you're not.
|
|||
|
|
Saying "cheer up, it may never happen" doesn't cut it.
|
|||
|
|
So, what, do you think it's somehow harder for you, Quinn?
|
|||
|
|
I don't think anything, Bax.
|
|||
|
|
Because I'm stuck in an illegal prison in the middle of the Sahara fucking desert.
|
|||
|
|
And why am I here?
|
|||
|
|
Because you persuaded me that a weekend away would be "a laugh".
|
|||
|
|
I persuaded you?
|
|||
|
|
You called me.
|
|||
|
|
I've never called you, Baxter.
|
|||
|
|
I've never called you because I cannot bear your incessant moaning and complaining.
|
|||
|
|
Oh, right, great - thanks.
|
|||
|
|
That's nice.
|
|||
|
|
Great time to get that out in the open.
|
|||
|
|
You told me you came because Rick persuaded you.
|
|||
|
|
Yup.
|
|||
|
|
Here we go.
|
|||
|
|
Here we go. Blame Rick.
|
|||
|
|
Yeah, waiting for that one.
|
|||
|
|
Shove it up your arse, Quinn.
|
|||
|
|
You shove it up yours.
|
|||
|
|
Nice toughing it out guys.
|
|||
|
|
Oi, Quinnbo, you know there's no "I" in team, don't you?
|
|||
|
|
No. But there's a "U" in "fuck you".
|
|||
|
|
What's going on?
|
|||
|
|
Stop it!
|
|||
|
|
Get off!
|
|||
|
|
Get off me!
|
|||
|
|
No, please, I haven't done anything.
|
|||
|
|
Please don't, please.
|
|||
|
|
No...
|
|||
|
|
Woods...!
|
|||
|
|
Get your hands off him!
|
|||
|
|
Rick!
|
|||
|
|
Quinn! Stop it!
|
|||
|
|
Please...
|
|||
|
|
Baxter!
|
|||
|
|
Bax, please...
|
|||
|
|
Get off! What's happening?
|
|||
|
|
Please, don't.
|
|||
|
|
Let go!
|
|||
|
|
Where are you taking him?
|
|||
|
|
Leave him alone!
|
|||
|
|
BAX!
|
|||
|
|
Get your hands off him, you slags!
|
|||
|
|
You bastards!
|
|||
|
|
I watched the door all night to see if he'd come out.
|
|||
|
|
Yeah, me too.
|
|||
|
|
Shit, no...
|
|||
|
|
Come on.
|
|||
|
|
Let's not think the worst.
|
|||
|
|
Hiya.
|
|||
|
|
I think there's more grub on the side.
|
|||
|
|
Just help yourself.
|
|||
|
|
We've been worried sick.
|
|||
|
|
You've been gone all night.
|
|||
|
|
What happened?
|
|||
|
|
I dunno... weird.
|
|||
|
|
They asked me a bunch more questions and suddenly it was all, you know, tea and toast.
|
|||
|
|
You should get some.
|
|||
|
|
Come, please.
|
|||
|
|
Is it all right if I bring my tea, chief?
|
|||
|
|
Sit.
|
|||
|
|
Fortunately for you... ..we're not actually interested in what you did over the last few days.
|
|||
|
|
All we wanted to know was who you were financing.
|
|||
|
|
We weren't financing anyone.
|
|||
|
|
We were just trying to get home.
|
|||
|
|
With five million euros?
|
|||
|
|
We have at our disposal DNA databases, forensic analysis, satellite imaging technology.
|
|||
|
|
If that doesn't give us what we need, we employ enhanced interrogation techniques.
|
|||
|
|
If we want to find out the truth, we do.
|
|||
|
|
And now, we have.
|
|||
|
|
We made a mistake.
|
|||
|
|
It happens.
|
|||
|
|
So...
|
|||
|
|
You can go.
|
|||
|
|
Just sign these and we'll get you to the airport and on a flight.
|
|||
|
|
Hang on.
|
|||
|
|
Does that mean that we can...?
|
|||
|
|
Please don't ask if you can keep the money.
|
|||
|
|
Do you want us to do anything for you, back home?
|
|||
|
|
Little candle-lit vigil?
|
|||
|
|
Coloured rubber wrist bands - "Free Mercedes".
|
|||
|
|
Take care.
|
|||
|
|
Mrs Peters. 101 Bridge Road, Crawley.
|
|||
|
|
It's my mum.
|
|||
|
|
Just let her know I'm all right.
|
|||
|
|
Don't mention this, eh?
|
|||
|
|
You take care of yourself.
|
|||
|
|
Seriously?
|
|||
|
|
Did you really think we were going to get out of there?
|
|||
|
|
Two nights in.
|
|||
|
|
Nah... thought that was it.
|
|||
|
|
What went through your mind?
|
|||
|
|
Well, first of all, my kids...
|
|||
|
|
Carmen, and then just like, stupid stuff, like... I thought I'd never get to see United play again.
|
|||
|
|
I kept thinking of my kids.
|
|||
|
|
Kept seeing their little faces.
|
|||
|
|
Then I thought about Nina....
|
|||
|
|
I started to think about all the things they'd find out about me, you know, when I was dead.
|
|||
|
|
And what if they stopped loving me?
|
|||
|
|
I wouldn't be there to tell them that that's not what I'm like.
|
|||
|
|
Be honest, kid, you were worried about her finding your porno collection.
|
|||
|
|
Nah, I don't know.
|
|||
|
|
Things that might be misinterpreted.
|
|||
|
|
You know, e-mails, receipts.
|
|||
|
|
Yeah, I didn't think of that.
|
|||
|
|
I wonder what people would really make of all this back home?
|
|||
|
|
They might wonder why four grown men went on holiday together, saying they were going to Spain and actually ending up in Morocco.
|
|||
|
|
If anyone so much as mentions "bad luck", they're walking.
|
|||
|
|
Be a long walk back, pal, we've been driving for nearly an hour.
|
|||
|
|
Haven't seen so much as a camel.
|
|||
|
|
He's gone.
|
|||
|
|
He's not coming back, is he?
|
|||
|
|
Two stay, two go and get help.
|
|||
|
|
Shouldn't we all go?
|
|||
|
|
Why?
|
|||
|
|
Or stay?
|
|||
|
|
We'll double our chances if we split.
|
|||
|
|
Halve them you mean.
|
|||
|
|
Who wants to stay?
|
|||
|
|
I do. I do. I do.
|
|||
|
|
I'll go.
|
|||
|
|
Come on.
|
|||
|
|
You two stay here, if the driver comes back, just all stay with the car, all right?
|
|||
|
|
Do you believe in destiny, Bax?
|
|||
|
|
No.
|
|||
|
|
So shut up.
|
|||
|
|
Fate then?
|
|||
|
|
Rick, please.
|
|||
|
|
No destiny, no fate, no karma, no spells, no curses.
|
|||
|
|
This is just a series of misunderstandings, OK?
|
|||
|
|
Could have happened to anybody.
|
|||
|
|
No more, no less.
|
|||
|
|
Who's...?
|
|||
|
|
Come on!
|
|||
|
|
Get in.
|
|||
|
|
You are about to be shot, get in!
|
|||
|
|
Bax, get in.
|
|||
|
|
Woods!
|
|||
|
|
Quinn!
|
|||
|
|
Slow down, slow down.
|
|||
|
|
- We had some disturbing intel.
|
|||
|
|
- Well, if it's bad news can you just lie to me?
|
|||
|
|
I'd like to know what's going on, please.
|
|||
|
|
A covert department of the CIA, the Special Activities Division has activated a kill contract on you.
|
|||
|
|
Sorry? What are you talking about?
|
|||
|
|
Evidently, you've intersected a line of narco-finance and...
|
|||
|
|
Wait.
|
|||
|
|
Stop. Hang on.
|
|||
|
|
Now this might be because of the sun and this whole desert, shot at scenario thing but I'm just finding it a little hard to concentrate.
|
|||
|
|
Would you mind talking to me as if I'm five years old?
|
|||
|
|
Your man in Majorca...
|
|||
|
|
..has operated successfully for so long because he gives huge kickbacks to the American security services.
|
|||
|
|
What? He's paying the CIA to protect him?
|
|||
|
|
Narco-finance is a major revenue stream - for American black ops.
|
|||
|
|
- Like a five-year-old, please.
|
|||
|
|
Dirty tricks.
|
|||
|
|
Security activities they don't want people to know about.
|
|||
|
|
Drugs deals have been financing dodgy US foreign policy for years.
|
|||
|
|
Not really new news.
|
|||
|
|
Why would they want to kill us?
|
|||
|
|
One of you tipped off the authorities in the UK.
|
|||
|
|
A contact inside Customs and Excise.
|
|||
|
|
Your man here retaliated by telling the Special Activities Division you were about to blow their op wide open.
|
|||
|
|
So now they have to take you out.
|
|||
|
|
No, this... this is crazy.
|
|||
|
|
I mean...
|
|||
|
|
Why can't you just tell them, all right, that we're not the people that they think we are?
|
|||
|
|
This goes higher than us.
|
|||
|
|
This kind of thing brings down governments.
|
|||
|
|
Iran Contra anyone?
|
|||
|
|
Which is why removing you is an easy piece of damage limitation.
|
|||
|
|
They can't just shoot four blokes who just happened to go on holiday together.
|
|||
|
|
Under the aegis of "the global war on terror", they can shoot anyone they like.
|
|||
|
|
And do.
|
|||
|
|
That's who shot at us?
|
|||
|
|
The CIA?
|
|||
|
|
No.
|
|||
|
|
They'd have tasked local contractors.
|
|||
|
|
So nothing can be linked back to them.
|
|||
|
|
You got lucky...
|
|||
|
|
But this isn't going to go away.
|
|||
|
|
OK, let's get practical, then.
|
|||
|
|
So what are the options?
|
|||
|
|
Well, there must be something?
|
|||
|
|
Right...
|
|||
|
|
Right - there may be a solution but we have to act now.
|
|||
|
|
Like, this minute.
|
|||
|
|
Your presence here is getting a little itchy for us.
|
|||
|
|
Excuse us for the inconvenience!
|
|||
|
|
We may be able to get you out.
|
|||
|
|
Take you to another country.
|
|||
|
|
New identities.
|
|||
|
|
Then what?
|
|||
|
|
Then I'm afraid you're on your own.
|
|||
|
|
How long would this be for?
|
|||
|
|
Maybe for ever.
|
|||
|
|
- We can never go home?
|
|||
|
|
- It's the only offer on the table.
|
|||
|
|
No, no, no, that's...
|
|||
|
|
That's not an option.
|
|||
|
|
No.
|
|||
|
|
I'm going home and...
|
|||
|
|
If you go back, you'll be putting your families at risk as well.
|
|||
|
|
That is a guarantee.
|
|||
|
|
OK, let me just see if this is even logistically possible.
|
|||
|
|
Stand up.
|
|||
|
|
Get up.
|
|||
|
|
OK.
|
|||
|
|
We can do it.
|
|||
|
|
We have a scrambled phone link.
|
|||
|
|
You can each of you make one phone call home but you must not, under any circumstances, tell them where you are and what is happening.
|
|||
|
|
Amy...
|
|||
|
|
Yeah, I know, I'm sorry that I haven't rung.
|
|||
|
|
Listen to me for a second, love.
|
|||
|
|
Nina...
|
|||
|
|
Just stop, just let me talk, darling, OK?
|
|||
|
|
Right...
|
|||
|
|
There's no easy way of saying this, OK, so I'm just going to say it straight out.
|
|||
|
|
I'm not coming back.
|
|||
|
|
Wait, wait, wait -
|
|||
|
|
I don't know who to phone.
|
|||
|
|
Well, I do, I want to speak to my kids, but I don't know which one to choose.
|
|||
|
|
If I've only got one call, which one do I call?
|
|||
|
|
You can't make me choose.
|
|||
|
|
I need you to phone my folks,
|
|||
|
|
I want you to tell them that I'm fine and everything's OK, that I'm just going to go travelling for a little bit.
|
|||
|
|
Rachel, are the girls with you?
|
|||
|
|
Where are they?
|
|||
|
|
Shit...
|
|||
|
|
I want you to tell the girls that I love them both very much...
|
|||
|
|
I don't know how long.
|
|||
|
|
I know, I'm sorry.
|
|||
|
|
Just please, please...
|
|||
|
|
Don't let them think that I've abandoned them...
|
|||
|
|
..because that is not what's happened.
|
|||
|
|
I've met someone.
|
|||
|
|
Oh, Amy...
|
|||
|
|
Please, just tell the kids, OK, that it's not because of them,
|
|||
|
|
I'm sorry Nina.
|
|||
|
|
I'm really sorry.
|
|||
|
|
Dad, it's me.
|
|||
|
|
Yeah, no, I know, I thought I'd be back by now as well.
|
|||
|
|
No, no, everything's fine.
|
|||
|
|
It's just...
|
|||
|
|
I think I'm going to stay out here a little longer.
|
|||
|
|
What?
|
|||
|
|
Well, what happened to your satellite dish?
|
|||
|
|
I can't hear you Rachel, say that again.
|
|||
|
|
Take care?
|
|||
|
|
Yeah, OK. I will.
|
|||
|
|
You too.
|
|||
|
|
Go back to the shop where you bought it from, right, and ask someone there to help you, they'll help you.
|
|||
|
|
Well, it's just because I don't know when I'm going to be back, Dad.
|
|||
|
|
Fuck...
|
|||
|
|
No, no, you're right, I'm sorry, I know I shouldn't swear.
|
|||
|
|
Dad, listen to me, OK?
|
|||
|
|
You've been brilliant, Dad.
|
|||
|
|
Yeah, just take care.
|
|||
|
|
Yeah...
|
|||
|
|
I love you, Dad.
|
|||
|
|
Take care. Bye-bye.
|
|||
|
|
Bye.
|
|||
|
|
I know you all think it's my fault, don't you?
|
|||
|
|
You think it's my fault because I phoned the VAT man.
|
|||
|
|
It's nobody's fault, Rick.
|
|||
|
|
It's just...
|
|||
|
|
I don't know, the universe conspiring against us or something.
|
|||
|
|
And has been since we set foot in Alvo's villa.
|
|||
|
|
A fly saved my life.
|
|||
|
|
What?
|
|||
|
|
Out in the desert.
|
|||
|
|
If it hadn't been for that fly, I'd have had my head blown off.
|
|||
|
|
And the weird thing was, we'd met before.
|
|||
|
|
We'd... ..bonded.
|
|||
|
|
Four hours now.
|
|||
|
|
How far are we going?
|
|||
|
|
Any idea where we're going yet?
|
|||
|
|
Is that a don't know, or won't say?
|
|||
|
|
Bax?
|
|||
|
|
What you going to call yourself?
|
|||
|
|
What do you mean?
|
|||
|
|
Your name.
|
|||
|
|
We can't use our own names right?
|
|||
|
|
I'm gonna be Floyd.
|
|||
|
|
That's what I'm gonna call myself.
|
|||
|
|
Floyd...
|
|||
|
|
Floyd Carter.
|
|||
|
|
You can't call yourself that.
|
|||
|
|
Why?
|
|||
|
|
It's a black name.
|
|||
|
|
Is it?
|
|||
|
|
It's like calling yourself...
|
|||
|
|
Everton or Tyrell, or something.
|
|||
|
|
You can't.
|
|||
|
|
Needs to be something ordinary...
|
|||
|
|
Tony.
|
|||
|
|
Tony Smith.
|
|||
|
|
My name's Tony...
|
|||
|
|
Smith.
|
|||
|
|
Why can't I be Tony Smith?
|
|||
|
|
You call yourself whatever you like, mate.
|
|||
|
|
Sir Tony Smith if you want, mate.
|
|||
|
|
We should call ourselves names that mean something.
|
|||
|
|
You know, like the native Americans do.
|
|||
|
|
I'll be Running Scared.
|
|||
|
|
I'll be... Mr Dances With Wolves.
|
|||
|
|
No, I mean something...
|
|||
|
|
Something with hope in it.
|
|||
|
|
You know, like...
|
|||
|
|
If I was a girl, I'd call myself... ..well, Hope.
|
|||
|
|
You could be Bob Hope.
|
|||
|
|
New hope.
|
|||
|
|
New house.
|
|||
|
|
Aaron... no, Adam.
|
|||
|
|
Adam Newhouse.
|
|||
|
|
James...
|
|||
|
|
Kirk.
|
|||
|
|
Jamie....
|
|||
|
|
Jamie Kirk, then.
|
|||
|
|
Blake...
|
|||
|
|
Lin...
|
|||
|
|
Blake...
|
|||
|
|
Hee...
|
|||
|
|
Ha...
|
|||
|
|
Hatch.
|
|||
|
|
Blake Hatch.
|
|||
|
|
Tony Smith, Adam Newhouse, Jamie Kirk and... ..Blake Hatch.
|
|||
|
|
Hatch.
|
|||
|
|
Welcome to your new fucking lives.
|
|||
|
|
Where are we?
|
|||
|
|
South Africa.
|
|||
|
|
We're on the other side of the world.
|
|||
|
|
Do they speak English here?
|
|||
|
|
Uh... I think so.
|
|||
|
|
What's it like?
|
|||
|
|
I don't know.
|
|||
|
|
This will all sort out, won't it?
|
|||
|
|
Eh? A week from now, we'll be in a pub in London, we'll be laughing about this.
|
|||
|
|
Some rand to get you through the first few weeks.
|
|||
|
|
A driving licence form and some other ID stuff you'll need to fill in.
|
|||
|
|
How do we get in touch with you?
|
|||
|
|
You don't.
|
|||
|
|
Right, OK.
|
|||
|
|
- How do we keep in touch?
|
|||
|
|
- You won't be able to.
|
|||
|
|
It's too dangerous.
|
|||
|
|
Hang on a minute.
|
|||
|
|
What happens if it's safe for us, if it becomes safe for us to go home, to break cover?
|
|||
|
|
How will we know that?
|
|||
|
|
As far as anyone else knows now, you don't exist.
|
|||
|
|
That's your best chance of surviving.
|
|||
|
|
If you want to stay alive, stay invisible.
|
|||
|
|
The truth will come out though, won't it?
|
|||
|
|
In the end.
|
|||
|
|
OK, let's go.
|
|||
|
|
Say your goodbyes.
|
|||
|
|
Come on, move this thing along. Come on, people.
|
|||
|
|
This isn't a secure area.
|
|||
|
|
Take care of yourselves.
|
|||
|
|
Woody.
|
|||
|
|
Hey, we shouldn't be on our own.
|
|||
|
|
Listen, I know I said some things... ..but you boys mean a lot to me, all right? And you always will.
|
|||
|
|
Quinn, Quinn, come on.
|
|||
|
|
Guys, come on, we should stay together, yeah?
|
|||
|
|
We're a team now.
|
|||
|
|
We're a team, we're like a band of brothers.
|
|||
|
|
Rick, Rick... all right, you'll be OK.
|
|||
|
|
You'll be OK.
|
|||
|
|
Right, boys...
|
|||
|
|
Chin up.
|
|||
|
|
At least we're still standing, eh?
|
|||
|
|
You'll be all right, Bax.
|
|||
|
|
What makes you say that?
|
|||
|
|
You're smart.
|
|||
|
|
I'm not that fucking smart.
|
|||
|
|
Good luck.
|
|||
|
|
Hey. What about if just me and him, we stick together?
|
|||
|
|
- It'll be all right, won't it?
|
|||
|
|
- No.
|
|||
|
|
- Listen, nobody has to know.
|
|||
|
|
- It's for your own good.
|
|||
|
|
You'll be all right.
|
|||
|
|
I can't do this Woody.
|
|||
|
|
Yes, you can.
|
|||
|
|
No, I can't!
|
|||
|
|
You're strong, mate.
|
|||
|
|
You're stronger than you think.
|
|||
|
|
No, I'm not.
|
|||
|
|
I'm not, Woods, I'm not strong.
|
|||
|
|
I'm not strong at all.
|
|||
|
|
Woods, let's not do it, yeah?
|
|||
|
|
You and me, we'll stay together, yeah?
|
|||
|
|
Woods...
|
|||
|
|
Woody...
|
|||
|
|
Woody, let me go with you, yeah?
|
|||
|
|
Please, Woody.
|
|||
|
|
Woody, let me come with you, please.
|
|||
|
|
Hey! You've got to be a man about it.
|
|||
|
|
I've got to look after myself.
|
|||
|
|
I'm not your fucking boyfriend.
|
|||
|
|
Woody...
|
|||
|
|
Woody, I don't want to be on my own!
|
|||
|
|
Woody, please.
|
|||
|
|
Woody!
|
|||
|
|
Woody, mate.
|
|||
|
|
Don't leave me, please.
|
|||
|
|
Woody!
|
|||
|
|
Please, mate, don't leave me here.
|
|||
|
|
Woody...
|
|||
|
|
Woody...
|
|||
|
|
Woody!
|
|||
|
|
WOODY!
|
|||
|
|
I know every disgraced politician, every gem smuggler, every high-stakes gambler and gold digger that come through those doors.
|
|||
|
|
Why you never go away?
|
|||
|
|
You don't even leave Cape Town.
|
|||
|
|
If you love her so much, why don't you marry her?
|
|||
|
|
Yeah, why don't you marry me and take me to England?
|
|||
|
|
Your name isn't Newhouse is it?
|
|||
|
|
How dare you, and how dare you try and blackmail me!
|
|||
|
|
Help!
|
|||
|
|
My story can never be told.
|
|||
|
|
I write it over and over wherever we find shelter.
|
|||
|
|
I write of what I cannot speak.
|
|||
|
|
The truth.
|
|||
|
|
I write all I know of it. And then I throw the pages to the wind.
|
|||
|
|
Maybe the birds can read it.
|
|||
|
|
This yours?
|
|||
|
|
I often find them here, these scraps.
|
|||
|
|
Must float down from someone's window.
|
|||
|
|
"She had meant to smother the baby as soon as it was born." "But something made her look at it."
|
|||
|
|
"She heard the thundering heartbeat." "She smelt the baby's bloodied head." "And love confounded her."
|
|||
|
|
It's just a scrap, like you say.
|
|||
|
|
But there's a story there. You can feel it.
|
|||
|
|
Shall we walk a little?
|
|||
|
|
My story starts with Clara. One day, it will end with her.
|
|||
|
|
Clara. Full of secrets.
|
|||
|
|
My saviour.
|
|||
|
|
My burden.
|
|||
|
|
My muse.
|
|||
|
|
- Fucking hell.
|
|||
|
|
Wendy. - Call you back.
|
|||
|
|
You bastard!
|
|||
|
|
Did you see that?
|
|||
|
|
He fucking attacked me. - What has she done?
|
|||
|
|
- Bitten his fucking nose.
|
|||
|
|
- Come on. Oi! Ernie!
|
|||
|
|
Get him out of here, will you?
|
|||
|
|
Would you care for tea?
|
|||
|
|
Then please, come in.
|
|||
|
|
I have been working here for 14 nights.
|
|||
|
|
I want my pay! You're not on the books. What pay?
|
|||
|
|
Excuse me.
|
|||
|
|
Have you seen this girl?
|
|||
|
|
No. Sorry, mate.
|
|||
|
|
No.
|
|||
|
|
- Oi, what are you doing?
|
|||
|
|
Hello, Clara.
|
|||
|
|
We get a lot of bitches in here, but she took the fucking prize.
|
|||
|
|
Shame. She was morbidly sexy.
|
|||
|
|
Shit!
|
|||
|
|
The tedium I have experienced in this pursuit.
|
|||
|
|
My time you have wasted.
|
|||
|
|
You would sell nations with your whoredoms.
|
|||
|
|
Come on. You know who I'm looking for.
|
|||
|
|
Where is she? Huh?
|
|||
|
|
I was him, once.
|
|||
|
|
And that girl...
|
|||
|
|
Love confounded me for her.
|
|||
|
|
And love turned my whole life through.
|
|||
|
|
Your wife?
|
|||
|
|
She was married to my brother, John.
|
|||
|
|
Most happily-
|
|||
|
|
She never knew the way I felt.
|
|||
|
|
Nor did he.
|
|||
|
|
There comes a time in life when secrets should be told.
|
|||
|
|
You've got secrets, haven't you?
|
|||
|
|
There was a story told when I was a boy about the neamh-mhairbh. The revenants.
|
|||
|
|
Neither dead nor alive.
|
|||
|
|
The priests used to tell it to frighten us.
|
|||
|
|
My name is Eleanor Webb.
|
|||
|
|
Eleanor Webb I am ready.
|
|||
|
|
- Are you sure?
|
|||
|
|
I've spent quite enough time here. Believe me.
|
|||
|
|
I feel a great peace.
|
|||
|
|
As if order is about to be restored.
|
|||
|
|
She is an aberration.
|
|||
|
|
I don't know what that means, sir.
|
|||
|
|
Where do you think you're going?
|
|||
|
|
I was going to clean the wound, sir.
|
|||
|
|
You've been cut.
|
|||
|
|
All the time you've had and you've learnt nothing.
|
|||
|
|
Truly, you are base.
|
|||
|
|
Close your eyes.
|
|||
|
|
- Clara?
|
|||
|
|
- How could you bring someone here?
|
|||
|
|
- He was stronger than I thought.
|
|||
|
|
- This is our home! - Eleanor, we have to leave.
|
|||
|
|
- I'm not moving on again!
|
|||
|
|
- I had to do it! - One day you'll understand.
|
|||
|
|
- When I'm old enough?
|
|||
|
|
You have no idea, no fucking idea, what I do for you.
|
|||
|
|
- You did that for me?
|
|||
|
|
- Pack. - I liked it here!
|
|||
|
|
- I said pack!
|
|||
|
|
- Who was he?
|
|||
|
|
- No one.
|
|||
|
|
♪ Mother was bathing her baby one night
|
|||
|
|
♪ Youngest of ten and a poor little mite
|
|||
|
|
♪ Mother was fat and the baby was thin
|
|||
|
|
♪ It was naught but a skellington wrapped up in skin
|
|||
|
|
♪ Mother turned round for the soap from the rack
|
|||
|
|
- Thank you!
|
|||
|
|
- Alright.
|
|||
|
|
We've been here before.
|
|||
|
|
Oh, don't be silly.
|
|||
|
|
Come on.
|
|||
|
|
But don't you remember?
|
|||
|
|
It's gonna be good for us here, I can feel it.
|
|||
|
|
- You said that about the last place.
|
|||
|
|
- Huh! What, that dump we just left?
|
|||
|
|
I've forgotten it already.
|
|||
|
|
What's the matter?
|
|||
|
|
You can't throw the past away as if it didn't happen.
|
|||
|
|
My concern is now, OK?
|
|||
|
|
Silly sod.
|
|||
|
|
Why don't you go and play on the amusements, yeah?
|
|||
|
|
I'm gonna make us some money.
|
|||
|
|
Go on.
|
|||
|
|
Clara is never alone.
|
|||
|
|
She finds money and company every day.
|
|||
|
|
It comes easily to her. Like lying.
|
|||
|
|
- Who's that? You know her?
|
|||
|
|
- No.
|
|||
|
|
But I like solitude.
|
|||
|
|
I walk... and the past walks with me.
|
|||
|
|
It lives.
|
|||
|
|
Hi. It's 50 for a blow, 100 for full whack.
|
|||
|
|
Did they hire you?
|
|||
|
|
You're busking?
|
|||
|
|
You can pass a hat around.
|
|||
|
|
I don't mind.
|
|||
|
|
That was great.
|
|||
|
|
Can you speak?
|
|||
|
|
I haven't got a hat.
|
|||
|
|
How do you remember all those notes?
|
|||
|
|
I remember everything.
|
|||
|
|
It's a burden.
|
|||
|
|
You know anything else?
|
|||
|
|
Try and liven them up.
|
|||
|
|
It's the valley of the stiffs in here.
|
|||
|
|
I have to go.
|
|||
|
|
I finish at ten!
|
|||
|
|
Come in.
|
|||
|
|
50.
|
|||
|
|
So, are you on holiday, then?
|
|||
|
|
- No. - Oh, you live round here?
|
|||
|
|
You fancied a bit of company.
|
|||
|
|
Who?
|
|||
|
|
Mum. She died.
|
|||
|
|
Oh, I'm so sorry.
|
|||
|
|
It was her funeral.
|
|||
|
|
I ran away from it. I've not been out.
|
|||
|
|
I've not been out since.
|
|||
|
|
But your grief, that shows how much you loved her.
|
|||
|
|
And love is a very good thing.
|
|||
|
|
I bet she'd be proud of you.
|
|||
|
|
A lovely son like you.
|
|||
|
|
No, I never made her proud.
|
|||
|
|
I don't even answer the phone.
|
|||
|
|
You know? I messed up the business. I can't pay her debts.
|
|||
|
|
I found 50 quid in one of her old books and what do I spend it on?
|
|||
|
|
Aw... Human contact.
|
|||
|
|
- Are you OK?
|
|||
|
|
- Yeah. - Yeah? - I'm sorry.
|
|||
|
|
I'm Camilla.
|
|||
|
|
Noel.
|
|||
|
|
So, what sort of a business did your mum have, then, Noel?
|
|||
|
|
It's a guesthouse. I trashed it.
|
|||
|
|
Was it a big place?
|
|||
|
|
Yeah, it's fairly big.
|
|||
|
|
Do you... Shall we go back to your place, then?
|
|||
|
|
- Yeah. - Be nice.
|
|||
|
|
- Yeah. - Y-You could come back to mine.
|
|||
|
|
- Glad you waited for me.
|
|||
|
|
- I didn't.
|
|||
|
|
How did you learn to play like that?
|
|||
|
|
I practised.
|
|||
|
|
For how long?
|
|||
|
|
200 years.
|
|||
|
|
That's how it feels, anyway, doesn't it?
|
|||
|
|
Passed around a teacup.
|
|||
|
|
Raised some cash for you.
|
|||
|
|
It's not much.
|
|||
|
|
Thank you.
|
|||
|
|
That piece of paper...
|
|||
|
|
That's my phone number.
|
|||
|
|
I don't have a phone.
|
|||
|
|
So... Ni... Nice...
|
|||
|
|
Goodbye.
|
|||
|
|
Ella!
|
|||
|
|
Ella! Look what I found!
|
|||
|
|
We're damsels in distress.
|
|||
|
|
Wow. Do you know what Noel is, Ella?
|
|||
|
|
He's a knight in shining armour, come to deliver us from evil, aren't you?
|
|||
|
|
It's my little baby sister.
|
|||
|
|
- Hi.
|
|||
|
|
- Hello.
|
|||
|
|
There we go.
|
|||
|
|
- I can't find my keys.
|
|||
|
|
I'll just open up.
|
|||
|
|
Coming in?
|
|||
|
|
Look, I'm trusting you, Camilla.
|
|||
|
|
- Don't.
|
|||
|
|
- I won't.
|
|||
|
|
Look, I'm not saying it's tidy...
|
|||
|
|
It was a hotel once.
|
|||
|
|
Then a boarding house.
|
|||
|
|
My mum had the top two floors.
|
|||
|
|
Used to do BBs, you know?
|
|||
|
|
Families and that. But then it was more, you know, the welfare lot.
|
|||
|
|
It's a bit run down now, but she wouldn't let it go.
|
|||
|
|
Loved the views, you see.
|
|||
|
|
Fantastic view of the pier from up here.
|
|||
|
|
Wow. This is the, er, dining area.
|
|||
|
|
Well... it's nice.
|
|||
|
|
Yeah, it's lovely.
|
|||
|
|
It's a bit of a state, like I said, but I wasn't expecting company.
|
|||
|
|
Tell my sister where her room is first.
|
|||
|
|
Yeah.
|
|||
|
|
Ella? I'll show you to your room.
|
|||
|
|
I went round the house and smashed things up.
|
|||
|
|
I didn't want to look at myself.
|
|||
|
|
Camilla said that, erm you lost your mum, too.
|
|||
|
|
She's your legal guardian?
|
|||
|
|
That's brave of her.
|
|||
|
|
I understand what she's had to do.
|
|||
|
|
Do you?
|
|||
|
|
Well, she needs money.
|
|||
|
|
But what I'm saying is I don't care.
|
|||
|
|
- You can stay.
|
|||
|
|
- Thank you.
|
|||
|
|
Only those prepared to die will find eternal life.
|
|||
|
|
Go on. Go on.
|
|||
|
|
This is the end.
|
|||
|
|
- Of what?
|
|||
|
|
- Of time.
|
|||
|
|
Who was he?
|
|||
|
|
It's in the past, Ella.
|
|||
|
|
Let it go. - Who was he?
|
|||
|
|
- He was a fucking monster.
|
|||
|
|
I should get a medal for what I did to him.
|
|||
|
|
Will we move on today?
|
|||
|
|
Are you tired, my love?
|
|||
|
|
Well, I reckon that we should hang on here for a few days, don't you?
|
|||
|
|
Yeah, we can lay low, get some rest, get some money.
|
|||
|
|
I could start up one of my old businesses, like in the old days.
|
|||
|
|
- You don't have to do that.
|
|||
|
|
- Oh, come on, Ella. This place is perfect.
|
|||
|
|
We'd rake it in.
|
|||
|
|
- Why don't we find another way?
|
|||
|
|
- It's alright, angel.
|
|||
|
|
I'll make sure you're not involved.
|
|||
|
|
Sorry, Noel.
|
|||
|
|
I was worried I dreamt you.
|
|||
|
|
I thought I'd wake up and you'd be gone.
|
|||
|
|
Why would I leave?
|
|||
|
|
You've got everything I need.
|
|||
|
|
Eleanor Webb.
|
|||
|
|
Look at you.
|
|||
|
|
Fair as a lily.
|
|||
|
|
I know your mother.
|
|||
|
|
My mother is dead.
|
|||
|
|
Is that what they've told you?
|
|||
|
|
They've fed you on lies.
|
|||
|
|
Your mother... Your mother stole something from me.
|
|||
|
|
Now I'll steal something from her.
|
|||
|
|
My disease has no cure.
|
|||
|
|
And when I've finished with you, you will be a child no longer.
|
|||
|
|
Look at me!
|
|||
|
|
Are you OK?
|
|||
|
|
Camilla's told me about how you were in a care home.
|
|||
|
|
She said that...
|
|||
|
|
She said that bad things happened to you there.
|
|||
|
|
I want you to know that nothing bad will happen while you're living here.
|
|||
|
|
I promise.
|
|||
|
|
Her name is not Camilla.
|
|||
|
|
- And she's not my sister. - My name's Claire.
|
|||
|
|
It's Clara.
|
|||
|
|
She was born Clara.
|
|||
|
|
- Don't.
|
|||
|
|
- You lie about me all the time.
|
|||
|
|
If you tell him, I will kill him.
|
|||
|
|
Don't you sometimes crave to tell the truth?
|
|||
|
|
There is a code that we survive by, Eleanor.
|
|||
|
|
Keep it.
|
|||
|
|
So, in a week, say, how much would your mum make?
|
|||
|
|
Er, high season?
|
|||
|
|
About a thousand.
|
|||
|
|
We could make that in a night.
|
|||
|
|
- You could clear all your debts, Noely.
|
|||
|
|
I want to save you from that life.
|
|||
|
|
Well, it wouldn't have to be me.
|
|||
|
|
We could get some girls in.
|
|||
|
|
But this is my mother's house.
|
|||
|
|
♪ He is so fair ♪ NONE can compare ♪ Oh, but his blood runs ruby
|
|||
|
|
♪ Come, rosy day ♪ Come quick I pray
|
|||
|
|
♪ Let dreams of love
|
|||
|
|
♪ Be over Once upon a time, there was nothing here.
|
|||
|
|
There was no hotel, no promenade.
|
|||
|
|
Just a beach. Nets hanging out to dry. Great warships in the bay.
|
|||
|
|
And children picking cockles for their bread.
|
|||
|
|
My mother was one of those children. Barefoot, in the sand.
|
|||
|
|
Can you hear me?
|
|||
|
|
My mother lives on human blood and has done for two centuries.
|
|||
|
|
But once, she was a girl like you.
|
|||
|
|
She's never spoken of her family.
|
|||
|
|
They're in the store of things she must forget.
|
|||
|
|
So her tale begins with two officers waiting to be called to war.
|
|||
|
|
Are they sweet?
|
|||
|
|
May I try One?
|
|||
|
|
One was Midshipman Darvell.
|
|||
|
|
Here.
|
|||
|
|
A pearl for a pearl.
|
|||
|
|
And the other, his superior, was Captain Ruthven.
|
|||
|
|
May I offer you a ride?
|
|||
|
|
She's only a child, Ruthven.
|
|||
|
|
She knows how to ride, I dare say.
|
|||
|
|
Don't go with him.
|
|||
|
|
The pearl stays pure forever, while the oyster's flesh rots around it.
|
|||
|
|
I have a gift for you.
|
|||
|
|
Captain Ruthven!
|
|||
|
|
Here's a treasure I found on the beach.
|
|||
|
|
Welcome, my dear.
|
|||
|
|
There's nothing to be afraid of.
|
|||
|
|
Come on.
|
|||
|
|
Let me show you to the Captain's favourite room.
|
|||
|
|
You'll find only friends here.
|
|||
|
|
You gave me nothing, sir.
|
|||
|
|
I've given you your profession.
|
|||
|
|
Welcome to your adult life. How many stories start that way?
|
|||
|
|
Whore.
|
|||
|
|
Thousands upon thousands.
|
|||
|
|
I shall return to see what you have learnt.
|
|||
|
|
Come, now.
|
|||
|
|
Why do you cry?
|
|||
|
|
I have a gentleman here who will soon have you smiling again.
|
|||
|
|
No children in this household.
|
|||
|
|
You know the rule.
|
|||
|
|
Once upon a time, I was born.
|
|||
|
|
It is still a fact that the day you are born is the day you are most likely to be murdered.
|
|||
|
|
More human souls are killed by mothers' hands than by the hands of strangers.
|
|||
|
|
My mother tried to murder me but love confounded her.
|
|||
|
|
Her note said, "This is my daughter, Eleanor Webb."
|
|||
|
|
"I wish her to live a clean life. "
|
|||
|
|
"I shall pay for her upkeep with gold which I will leave every month that she lives. "
|
|||
|
|
"I wish to spare her a life like my own, which has been despoiled from the start."
|
|||
|
|
"Please tell her I'm dead."
|
|||
|
|
So I led that clean life.
|
|||
|
|
I sang the orphans' song.
|
|||
|
|
I learnt that virtue and modesty would be my path to bliss.
|
|||
|
|
North Haven Private Orphanage was my abode.
|
|||
|
|
I wish I could have called it home.
|
|||
|
|
I'm sorry!
|
|||
|
|
Fuck!
|
|||
|
|
Oh, that's gross.
|
|||
|
|
- I've got to get home.
|
|||
|
|
- Let me get help.
|
|||
|
|
I've got your bicycle. Don't worry.
|
|||
|
|
You need stitches.
|
|||
|
|
Were you there to enrol?
|
|||
|
|
What?
|
|||
|
|
Have you joined the college?
|
|||
|
|
- I don't know.
|
|||
|
|
- Leave the bike there.
|
|||
|
|
Oh, I hate blood.
|
|||
|
|
Could you get the doorbell, please?
|
|||
|
|
Oh, my God!
|
|||
|
|
What happened? - He fell.
|
|||
|
|
Mark!
|
|||
|
|
It's OK.
|
|||
|
|
I got him.
|
|||
|
|
Are you his girlfriend?
|
|||
|
|
Where are the keys?
|
|||
|
|
Has he told you?
|
|||
|
|
- Got the keys?
|
|||
|
|
Keep it up, Frank.
|
|||
|
|
Go, go, go!
|
|||
|
|
You can do so much better.
|
|||
|
|
Oi. Would you like to kiss me?
|
|||
|
|
What the fuck?
|
|||
|
|
Why? In celebration... of my wickedness.
|
|||
|
|
The world will be more beautiful without you.
|
|||
|
|
It's alright.
|
|||
|
|
Gotcha.
|
|||
|
|
I wanna die.
|
|||
|
|
No, you don't.
|
|||
|
|
Not today.
|
|||
|
|
If you still wanna die tomorrow, I'll finish you off myself.
|
|||
|
|
Is it still visiting?
|
|||
|
|
Thanks for bringing him home.
|
|||
|
|
He hasn't told me anything about you.
|
|||
|
|
That's boys for you, isn't it?
|
|||
|
|
Have you been going out for long?
|
|||
|
|
- We just met.
|
|||
|
|
Well, I'm glad.
|
|||
|
|
- What's your name?
|
|||
|
|
- Eleanor.
|
|||
|
|
Gabi.
|
|||
|
|
He takes anti-coagulants.
|
|||
|
|
That's why he bled so much.
|
|||
|
|
I expect you were wondering. He's been fighting leukaemia for years.
|
|||
|
|
It's in remission now so we're hoping it's all over.
|
|||
|
|
He's so full of life.
|
|||
|
|
Please don't tell him I was here.
|
|||
|
|
Angel.
|
|||
|
|
Peace be with you.
|
|||
|
|
May light shine upon you.
|
|||
|
|
You came for me.
|
|||
|
|
Forgive me for what I must do.
|
|||
|
|
- Oh, hi.
|
|||
|
|
You speak?
|
|||
|
|
Speak English?
|
|||
|
|
You schoolgirl thing?
|
|||
|
|
She better pay like she say or I'll say, "No, fuck off."
|
|||
|
|
Maybe we do lesbian thing.
|
|||
|
|
I don't mind. That's my little baby sister.
|
|||
|
|
She doesn't drink, she doesn't join in.
|
|||
|
|
You leave her be. Do you understand?
|
|||
|
|
Now, your gentlemen are waiting for you.
|
|||
|
|
Now, you be professional, OK, otherwise you're back sucking cocks on the street.
|
|||
|
|
- I'll try and keep you out of this, OK?
|
|||
|
|
- In case you shock me?
|
|||
|
|
- We need the money. - I'm not complaining.
|
|||
|
|
Well, wipe that prissy look off your face.
|
|||
|
|
How can I be prissy when I've seen it all a thousand times before?
|
|||
|
|
Well, what else are we supposed to do?
|
|||
|
|
I know I won't get your thanks, gratitude or respect.
|
|||
|
|
You could do so much better.
|
|||
|
|
I put money on the table!
|
|||
|
|
That's what mothers do.
|
|||
|
|
Mothers care about the lives their children live.
|
|||
|
|
What kind of life is this?
|
|||
|
|
Humans need to tell stories.
|
|||
|
|
It's a fundamental and uniting thing.
|
|||
|
|
It's through stories that we come to understand ourselves and we come to understand the world.
|
|||
|
|
So, close your eyes.
|
|||
|
|
It's our own experience that is the starting point for all our creativity.
|
|||
|
|
Think about your early childhood.
|
|||
|
|
And when I say your name give me a memory. A detail, a sensation, a feeling.
|
|||
|
|
The first thing that comes into your mind, OK?
|
|||
|
|
Eleanor?
|
|||
|
|
Mother.
|
|||
|
|
What about her?
|
|||
|
|
She would come to the skylight at night.
|
|||
|
|
I was afraid.
|
|||
|
|
Why?
|
|||
|
|
They told me since infancy that she was dead.
|
|||
|
|
And then?
|
|||
|
|
The face at the window had more substance than a ghost.
|
|||
|
|
- OK, thanks. - And yet...
|
|||
|
|
- Frank. - .. I knew it could not live.
|
|||
|
|
Yeah, erm... My friend, David Atkinson.
|
|||
|
|
I'm the only person who can see him.
|
|||
|
|
Erm... I was probably too much alone, whatever, and David Atkinson used to appear in my room and we'd play.
|
|||
|
|
And I guess I grew out of him.
|
|||
|
|
He came till I was about seven or eight.
|
|||
|
|
- Yeah.
|
|||
|
|
- Thank you. - The really funny thing is that years later, I found out that the family before us in the house were called Atkinson.
|
|||
|
|
They lost a baby. Like, a cot death.
|
|||
|
|
And the baby's name... was David.
|
|||
|
|
Uh-huh. Good story.
|
|||
|
|
So, everyone up.
|
|||
|
|
Now, I want you to think about who you are.
|
|||
|
|
And, next time, I would like an essay... ..entitled..
|
|||
|
|
...I Am.
|
|||
|
|
And there's only one rule.
|
|||
|
|
It has to be true.
|
|||
|
|
You don't belong here.
|
|||
|
|
This is my mum's home town.
|
|||
|
|
We came when I got ill.
|
|||
|
|
Your healthcare over here is free and I was something of a, erm a drain... on our limited resources.
|
|||
|
|
My dad commutes.
|
|||
|
|
I don't think he likes it much, but what are you gonna do?
|
|||
|
|
My mum said you came to see me when I was in hospital.
|
|||
|
|
She, erm... She thinks that that you're my girl.
|
|||
|
|
Would that be so bad?
|
|||
|
|
- Because I...
|
|||
|
|
- It would be fatal.
|
|||
|
|
Look...
|
|||
|
|
- I know I'm ill and all, but...
|
|||
|
|
- No.
|
|||
|
|
For me.
|
|||
|
|
If you lived with a secret and the secret meant that you must always lie or be alone and you'd always lived that way and yet you longed for change what would you do?
|
|||
|
|
I'd tell the secret.
|
|||
|
|
Tell me.
|
|||
|
|
My mother did three things for me.
|
|||
|
|
One, she spared my life the day that I was born.
|
|||
|
|
Two, she paid for my upkeep on her knees and on her back.
|
|||
|
|
And three, she gave me the story I can never tell.
|
|||
|
|
By the time I was six, she was dying.
|
|||
|
|
Girls like Clara didn't last.
|
|||
|
|
Her lungs were rotting. But she clung steadfastly to her brutal life.
|
|||
|
|
Where have you been?
|
|||
|
|
The Captain's been waiting.
|
|||
|
|
Captain Ruthven had returned from the wars.
|
|||
|
|
Make sure you punish her, sir.
|
|||
|
|
Of all the harlots he had ever made, Clara was his favourite.
|
|||
|
|
You'll like this one.
|
|||
|
|
She fights. Then, one winter dawn a stranger came.
|
|||
|
|
Are you unwell?
|
|||
|
|
No, sir.
|
|||
|
|
I remember you.
|
|||
|
|
I'm much changed, sir.
|
|||
|
|
And what of me?
|
|||
|
|
Have I changed?
|
|||
|
|
I have.
|
|||
|
|
More than you could imagine.
|
|||
|
|
Open the curtains.
|
|||
|
|
Curse you, whore!
|
|||
|
|
Give me the dark!
|
|||
|
|
Does the light offend you?
|
|||
|
|
- Darvell!
|
|||
|
|
- My friend.
|
|||
|
|
I was with you.
|
|||
|
|
I saw you dead.
|
|||
|
|
And I thank you for your service.
|
|||
|
|
What do you want?
|
|||
|
|
I have not come to take from you.
|
|||
|
|
I come to give.
|
|||
|
|
I'll return at nightfall.
|
|||
|
|
Like you, I prefer the dark.
|
|||
|
|
- No!
|
|||
|
|
- You bitch! He answered her questions with blows.
|
|||
|
|
As usual, she endured them.
|
|||
|
|
And she waited for the storm to pass.
|
|||
|
|
What kind of time do you call this?
|
|||
|
|
Linear time.
|
|||
|
|
As the relentless day crept on, the Captain told his tale of events beyond his understanding.
|
|||
|
|
There was a rebellion in Ireland.
|
|||
|
|
We were sent to crush it.
|
|||
|
|
Both of us were... wounded by the beggarly horde.
|
|||
|
|
My wounds were superficial, but Darvell developed fever.
|
|||
|
|
It decimated him.
|
|||
|
|
I tried to persuade him to come home.
|
|||
|
|
That was good of you.
|
|||
|
|
I knew the journey would quicken his decline.
|
|||
|
|
Darvell was rich. Naive.
|
|||
|
|
He had no heir.
|
|||
|
|
I had begun to wish him dead. But before the grave took him, two men entered his life.
|
|||
|
|
Scholars, I presumed, of dead languages and aged manuscripts.
|
|||
|
|
As if ancient knowledge might keep his death at bay.
|
|||
|
|
You have been looking in the wrong place, my son.
|
|||
|
|
Here it is.
|
|||
|
|
Thank you.
|
|||
|
|
He told me we must find a shrine. An ancient myth said it had healing powers.
|
|||
|
|
It was on an empty island off a barren coast.
|
|||
|
|
I thought it the desperate quest of a dying man.
|
|||
|
|
It was a sinister black thumbnail sticking out of the ocean.
|
|||
|
|
More rock than island.
|
|||
|
|
The oarsmen wouldn't set foot on the place.
|
|||
|
|
Said it was cursed.
|
|||
|
|
The way was steep. But Darvell kept on climbing, regardless.
|
|||
|
|
I thought, or maybe I hoped, his heart would give way.
|
|||
|
|
Is this what you've dragged us here to find? A hermit's hut?
|
|||
|
|
I hated that place.
|
|||
|
|
There were so many birds in the sky.
|
|||
|
|
Almost darkened the sun.
|
|||
|
|
They seemed to know something we didn't.
|
|||
|
|
He sent me to fetch water. That was just a ruse.
|
|||
|
|
I found a corpse.
|
|||
|
|
His breath had gone.
|
|||
|
|
His soul had fled.
|
|||
|
|
Then I ran.
|
|||
|
|
I've never spoken of it since.
|
|||
|
|
- I took his rings. - Ahoy! And when I returned, I took his property.
|
|||
|
|
Everything I own is his.
|
|||
|
|
What will he do?
|
|||
|
|
Mr Kent, this woman is not your sister-in-law.
|
|||
|
|
She's dead.
|
|||
|
|
This is a shell, and what it contains is pure evil.
|
|||
|
|
- I'll go.
|
|||
|
|
- No, no, no, no. I'll get it.
|
|||
|
|
Aren't you a little young?
|
|||
|
|
Eleanor, is she in?
|
|||
|
|
Why, what's it to you?
|
|||
|
|
I read her story.
|
|||
|
|
Can you tell her, please?
|
|||
|
|
But she's not in.
|
|||
|
|
Go on.
|
|||
|
|
Off you go.
|
|||
|
|
Ella.
|
|||
|
|
Look, I understand what Claire's had to do, cos there's money to be made.
|
|||
|
|
If you don't like what Clara's doing, tell her.
|
|||
|
|
You don't like it either, do you, eh?
|
|||
|
|
Why is she like that?
|
|||
|
|
Why is she so...?
|
|||
|
|
What happened to her, Ella?
|
|||
|
|
- She got bitten by a vampire.
|
|||
|
|
There was a boy for you at the door.
|
|||
|
|
I sent him on his way.
|
|||
|
|
He says he's read your story.
|
|||
|
|
What story, Ella?
|
|||
|
|
The one we always tell, about the care home and how my sister rescued me.
|
|||
|
|
It's homework.
|
|||
|
|
You frighten me sometimes.
|
|||
|
|
Don't. I won't.
|
|||
|
|
Fucking brilliant story.
|
|||
|
|
Thank you.
|
|||
|
|
But the assignment asked for truth.
|
|||
|
|
I didn't write it as an assignment.
|
|||
|
|
I wrote it for you.
|
|||
|
|
I don't want to lie any more.
|
|||
|
|
- Something has to change.
|
|||
|
|
It's crazy.
|
|||
|
|
I thought if I told all the walls would come tumbling down.
|
|||
|
|
Yes.
|
|||
|
|
I think... I get that you're using the story to say that bad things happen.
|
|||
|
|
But... why don't you just say the truth?
|
|||
|
|
I am Eleanor Webb.
|
|||
|
|
I've given you my secret.
|
|||
|
|
I've told you how I live.
|
|||
|
|
Hello.
|
|||
|
|
Would you put the record on?
|
|||
|
|
It's called Nacht und Traume.
|
|||
|
|
Peace be with you.
|
|||
|
|
May light shine upon you.
|
|||
|
|
I think you should read this.
|
|||
|
|
I set this every year.
|
|||
|
|
It's just a simple autobiography, and then I get this amazing piece.
|
|||
|
|
It's as if Edgar Allan Poe and Mary Shelley had got together and had a very strange little child.
|
|||
|
|
"A true account of my making and my life in death from the year of my birth, 1804."
|
|||
|
|
- Except if that was a piece of fiction, you'd say it was a dark, passionate, violent, sick, brilliant bit of writing.
|
|||
|
|
But she's saying, "This is who I am."
|
|||
|
|
Which makes me think there's something going on with her.
|
|||
|
|
She's a very closed-off kid.
|
|||
|
|
Well, she wants to communicate, obviously.
|
|||
|
|
Look at the effort she's made.
|
|||
|
|
Her handwriting.
|
|||
|
|
The turn of phrase. I mean...
|
|||
|
|
Who writes like this these days?
|
|||
|
|
"As darkness fell, the soucriant returned."
|
|||
|
|
And Captain Ruthven prepared for the worst.
|
|||
|
|
I took these for safekeeping.
|
|||
|
|
Forgive me, my friend.
|
|||
|
|
Forgiveness is a Christian value, Ruthven.
|
|||
|
|
My gods are older.
|
|||
|
|
More ruthless.
|
|||
|
|
You died.
|
|||
|
|
How else does one find life eternal?
|
|||
|
|
I sent you to fetch water.
|
|||
|
|
Then I met the nameless saint.
|
|||
|
|
This is what happens.
|
|||
|
|
When?
|
|||
|
|
When you pray for it.
|
|||
|
|
I rose and saw with different eyes.
|
|||
|
|
Everything I looked on was a source of wonder.
|
|||
|
|
But my vision had a price.
|
|||
|
|
My soul was lost.
|
|||
|
|
The price of my existence is this sacrifice.
|
|||
|
|
It flows from...
|
|||
|
|
It flows from blood.
|
|||
|
|
His blood is yours.
|
|||
|
|
Drink, my son.
|
|||
|
|
Mine is a cruel existence.
|
|||
|
|
But you do have the qualities one needs.
|
|||
|
|
You are ever a survivor.
|
|||
|
|
I would give my soul to be as you are now.
|
|||
|
|
So be it.
|
|||
|
|
Eternal life will only come to those prepared to die.
|
|||
|
|
- Hello?
|
|||
|
|
- You want up?
|
|||
|
|
Thanks.
|
|||
|
|
Have some fun now.
|
|||
|
|
Hello?
|
|||
|
|
- Mr Minton.
|
|||
|
|
- Hello, Noel. How are you?
|
|||
|
|
What, have I got a detention or something?
|
|||
|
|
I'm actually trying to get some information on one of our current students.
|
|||
|
|
Eleanor Webb?
|
|||
|
|
- She gave this as her address.
|
|||
|
|
- Eleanor? ls everything OK?
|
|||
|
|
We're trying to set up a meeting with the parties interested in her welfare.
|
|||
|
|
Sure.
|
|||
|
|
Are her parents here? Erm...
|
|||
|
|
You need to speak to Claire.
|
|||
|
|
She's Eleanor's big sister.
|
|||
|
|
Claire's her legal guardian.
|
|||
|
|
- Is Claire here?
|
|||
|
|
- No, she's, erm... busy.
|
|||
|
|
It's not what... It's not what you think.
|
|||
|
|
It's Claire's business, right?
|
|||
|
|
She saves girls from the streets.
|
|||
|
|
The thing is, Noel, Eleanor's written a story and in her story, she says that she lives with vampires.
|
|||
|
|
So can you please pass this letter on? And, erm, tell Claire that if I don't hear from her today, then I'll be in touch with social services and the police.
|
|||
|
|
Shit.
|
|||
|
|
So Darvell gave the map and passage to your mother.
|
|||
|
|
No, to Captain Ruthven.
|
|||
|
|
My mother saw her chance and took it.
|
|||
|
|
Bitch! Bitch!
|
|||
|
|
She stole the map and rode into the night. Towards her unknown future.
|
|||
|
|
And she made her way to where, to this ruin?
|
|||
|
|
And this soucriant thing took her.
|
|||
|
|
I didn't give you my story.
|
|||
|
|
I've been betrayed into this.
|
|||
|
|
You can leave any time you like.
|
|||
|
|
So, when did Clara come back for you?
|
|||
|
|
When I was 16.
|
|||
|
|
And what did she do in the meantime?
|
|||
|
|
- She's never talked about it.
|
|||
|
|
- Really?
|
|||
|
|
She says she can't recall, but I expect she's lying.
|
|||
|
|
Lying is a way of life to her.
|
|||
|
|
But I was raised in an orphanage where I was taught to tell the truth.
|
|||
|
|
Are there others like you?
|
|||
|
|
I've never met one.
|
|||
|
|
And Clara never speaks of any.
|
|||
|
|
I think we're the only two who still endure.
|
|||
|
|
How often do you feed?
|
|||
|
|
I'd rather not talk about it, thank you.
|
|||
|
|
That's the distasteful part of being an immortal, isn't it?
|
|||
|
|
If you don't believe a word I say, why this pretence?
|
|||
|
|
Eleanor, how can you be two centuries old?
|
|||
|
|
By... By what miracle of science?
|
|||
|
|
You see that's the tricky thing. Because it's only over time that I can prove it.
|
|||
|
|
30, maybe 40 years from now, when you're pruning roses from your wheelchair I'll stroll by your garden gate and say, "Hello, Morag."
|
|||
|
|
And nothing will have changed.
|
|||
|
|
I am 16 forever.
|
|||
|
|
And you'll realise this.
|
|||
|
|
And it will hurt your heart and I'll say, "May peace be with you."
|
|||
|
|
And I'll help you with the pain.
|
|||
|
|
Why don't you do it now?
|
|||
|
|
I'm not strong.
|
|||
|
|
You could overpower me.
|
|||
|
|
You're not ready.
|
|||
|
|
How do you do it?
|
|||
|
|
Where are your fangs?
|
|||
|
|
Why don't you die in the daylight?
|
|||
|
|
How could you give my story to those people?
|
|||
|
|
- I wrote it for you.
|
|||
|
|
- How do you kill?
|
|||
|
|
I never...
|
|||
|
|
People have to consent.
|
|||
|
|
They have to want.
|
|||
|
|
- Want death?
|
|||
|
|
- It has to be an act...
|
|||
|
|
- Who the fuck wants death?
|
|||
|
|
- Sometimes it releases people.
|
|||
|
|
- So you're moral?
|
|||
|
|
- No.
|
|||
|
|
I'm ruthless.
|
|||
|
|
Bullshit.
|
|||
|
|
All this, "I'm 206, I remember everything, and it's a burden."
|
|||
|
|
It's pathetic.
|
|||
|
|
My mum's giving me a birthday party.
|
|||
|
|
Not really a party because I'm only inviting you.
|
|||
|
|
Will you come?
|
|||
|
|
Yes.
|
|||
|
|
Good.
|
|||
|
|
- Hi.
|
|||
|
|
- Happy birthday.
|
|||
|
|
For you.
|
|||
|
|
Do I have to invite you in?
|
|||
|
|
You'd better come in.
|
|||
|
|
- Hello again, Eleanor.
|
|||
|
|
Seriously, you can try if you like.
|
|||
|
|
I was hoping to arrange a more official meeting, ideally with the school counselor and with Eleanor herself.
|
|||
|
|
Well, what's the problem?
|
|||
|
|
Cos usually she sails through school.
|
|||
|
|
Well, erm, Eleanor wrote her life story. And she's quite insistent that it's true.
|
|||
|
|
I don't expect you to be flattered by this, but in it she describes you as a soucriant, which I believe is a sort of vampire.
|
|||
|
|
Well, she has got a great imagination.
|
|||
|
|
I hope she gets top marks.
|
|||
|
|
- Who else has read it?
|
|||
|
|
- You have sole care of her, don't you?
|
|||
|
|
That boy Frank.
|
|||
|
|
Quite a responsibility for somebody so young.
|
|||
|
|
I'm doing just fine, thank you.
|
|||
|
|
So, I shoot the bastard Ruthven and I nick the map and then what?
|
|||
|
|
Well, it ends. She doesn't say.
|
|||
|
|
That's cos I never told her.
|
|||
|
|
Shall we arrange a more formal...
|
|||
|
|
I saw that Ruthven wasn't dead.
|
|||
|
|
I should have killed him then, but I had mercy on the cunt.
|
|||
|
|
Now, hold that thought, because I'll tell you what he did.
|
|||
|
|
But first, shall I tell you what it was like for me?
|
|||
|
|
- It was wonderful.
|
|||
|
|
I had eyes that cut through lies, lungs that breathed eternity.
|
|||
|
|
I felt I'd lived my whole wretched life just to prepare me for that moment.
|
|||
|
|
It was easy.
|
|||
|
|
Where's Ruthven?
|
|||
|
|
He wasn't worthy of your gift.
|
|||
|
|
You stole it?
|
|||
|
|
Are we thieves now?
|
|||
|
|
Do we steal time?
|
|||
|
|
We buy it.
|
|||
|
|
With blood.
|
|||
|
|
We are a brotherhood.
|
|||
|
|
There are no women amongst us.
|
|||
|
|
What is her parentage?
|
|||
|
|
It is low.
|
|||
|
|
- And her life before?
|
|||
|
|
- She made ends meet as many...
|
|||
|
|
I was a harlot.
|
|||
|
|
But that is in the past.
|
|||
|
|
Some things are eternal.
|
|||
|
|
You were to find a man of good blood who appreciates this brotherhood and what we do.
|
|||
|
|
What is it you do?
|
|||
|
|
We are the pointed nails of justice.
|
|||
|
|
How will you use this gift?
|
|||
|
|
To punish those who prey on the weak.
|
|||
|
|
To curb the power of men.
|
|||
|
|
We should not permit her to survive.
|
|||
|
|
We have no choice. Unless she breaks our code.
|
|||
|
|
You have no part in our order.
|
|||
|
|
Truly, you are base.
|
|||
|
|
Will you not speak for me?
|
|||
|
|
They banished me.
|
|||
|
|
I learnt that immortality is unendurable alone.
|
|||
|
|
So I came back.
|
|||
|
|
I watched my daughter grow.
|
|||
|
|
She was my only link with everything alive.
|
|||
|
|
Back to sleep.
|
|||
|
|
Back to sleep. You.
|
|||
|
|
Come on.
|
|||
|
|
It was because of Eleanor I broke their code.
|
|||
|
|
How did you do that?
|
|||
|
|
A woman's not permitted to create.
|
|||
|
|
I took my darling to the nameless isle and I let the thing save her.
|
|||
|
|
And for that they would annihilate us both.
|
|||
|
|
You see, I had made a fatal error.
|
|||
|
|
I'd been merciful.
|
|||
|
|
- I'd let Ruthven live.
|
|||
|
|
Eleanor!
|
|||
|
|
Give my regards to your mother.
|
|||
|
|
And welcome to a slow death.
|
|||
|
|
Eleanor!
|
|||
|
|
Welcome... whore.
|
|||
|
|
No!
|
|||
|
|
Die!
|
|||
|
|
Die! Now you know everything.
|
|||
|
|
I'm never merciful.
|
|||
|
|
And knowledge is a fatal thing.
|
|||
|
|
When I was born, there were only seven planets.
|
|||
|
|
Neptune hadn't been discovered, so nobody believed in it.
|
|||
|
|
Heaven and Earth are full of things we don't yet understand.
|
|||
|
|
I had a year of chemotherapy.
|
|||
|
|
With... too much time lying in my bed. So... I made this.
|
|||
|
|
That's you.
|
|||
|
|
Near the sun.
|
|||
|
|
Where it's warm and bright.
|
|||
|
|
And that's me.
|
|||
|
|
Where light barely penetrates.
|
|||
|
|
And it's cold.
|
|||
|
|
And time moves so slowly.
|
|||
|
|
You're not cold.
|
|||
|
|
Everything outside of time is cold.
|
|||
|
|
If you kissed me right now will I live forever?
|
|||
|
|
I'm sorry.
|
|||
|
|
Wait.
|
|||
|
|
Stop!
|
|||
|
|
Why do you always run away from me?
|
|||
|
|
- If you stay with me, you'll die.
|
|||
|
|
- I'm dying anyway.
|
|||
|
|
It isn't life I offer you.
|
|||
|
|
Do you understand that?
|
|||
|
|
You'll take life.
|
|||
|
|
By consent, like you do.
|
|||
|
|
It's still monstrous.
|
|||
|
|
You'll leave everything behind.
|
|||
|
|
Except you.
|
|||
|
|
The gift I gave you, open it.
|
|||
|
|
Wait until I knock.
|
|||
|
|
Kevin?
|
|||
|
|
Do you want to go to...
|
|||
|
|
There you are.
|
|||
|
|
I've been worried sick.
|
|||
|
|
Look, Claire's not happy.
|
|||
|
|
I've made changes.
|
|||
|
|
Sent the girls home, bought them tickets on the Eurostar.
|
|||
|
|
It's gonna be a clean house now.
|
|||
|
|
- Noel, I'm leaving.
|
|||
|
|
- What are you talking about?
|
|||
|
|
What do you think you're doing, telling that fucking school who we are?
|
|||
|
|
I hate the way you speak.
|
|||
|
|
How dare you put us in such danger?
|
|||
|
|
You told that fucking teacher our story!
|
|||
|
|
I listened to his crap about your fantasies of death and all the while he was implying my neglect.
|
|||
|
|
- Neglect, Eleanor, of you!
|
|||
|
|
- Stop it, Claire!
|
|||
|
|
There is a rule that we live by and you broke it.
|
|||
|
|
- What if I broke free?
|
|||
|
|
- No. To tell another is forbidden.
|
|||
|
|
Those with knowledge have to die.
|
|||
|
|
- You made that rule to isolate me. - No!
|
|||
|
|
I've kept you safe.
|
|||
|
|
Stupid fucking cunt, Mother, I hate you!
|
|||
|
|
No, no, leave her! Just leave her!
|
|||
|
|
Come back, Ella!
|
|||
|
|
- Leave her alone. - Eleanor!
|
|||
|
|
No, you can't leave!
|
|||
|
|
- Claire!
|
|||
|
|
You're making it worse.
|
|||
|
|
It's not safe, Eleanor!
|
|||
|
|
You can't leave!
|
|||
|
|
Claire, just leave her be.
|
|||
|
|
- Let her go! - You can't leave!
|
|||
|
|
- Clara!
|
|||
|
|
She has every right to go.
|
|||
|
|
No!
|
|||
|
|
Know where she lives?
|
|||
|
|
Yes, I believe it's a hotel on the seafront.
|
|||
|
|
- Does she trust you?
|
|||
|
|
- Maybe. - I've never lied to her.
|
|||
|
|
- That's good.
|
|||
|
|
What will happen?
|
|||
|
|
She'll be taken somewhere safe.
|
|||
|
|
We just want to talk to her.
|
|||
|
|
You've told your boyfriend all about us.
|
|||
|
|
- Haven't you?
|
|||
|
|
- No! You know what happens to those with knowledge!
|
|||
|
|
- No, Clara, don't!
|
|||
|
|
- It's like a virus.
|
|||
|
|
It's deadly. It needs to be stamped out.
|
|||
|
|
Clara, please.
|
|||
|
|
Don't!
|
|||
|
|
- I know where he lives! - Don't!
|
|||
|
|
Clara, don't go!
|
|||
|
|
Clara! Clara!
|
|||
|
|
Hello...
|
|||
|
|
Frank.
|
|||
|
|
Where's Eleanor?
|
|||
|
|
She's got a message for you.
|
|||
|
|
Can I come in?
|
|||
|
|
Well, you're gonna have to come out here then, aren't you?
|
|||
|
|
I must say, you are definitely Ella's type.
|
|||
|
|
Earnest, clueless, about as sexy as a pair of shoes.
|
|||
|
|
I knew you wouldn't let her go without a fight.
|
|||
|
|
Oh. Is that what you're suggesting, Frank?
|
|||
|
|
A fight?
|
|||
|
|
Go on.
|
|||
|
|
Finish me.
|
|||
|
|
I still have the advantage.
|
|||
|
|
She's going to leave you anyway.
|
|||
|
|
Frank, Clara's coming.
|
|||
|
|
Don't answer the door. Don't let her in.
|
|||
|
|
I'm trapped.
|
|||
|
|
She caught me.
|
|||
|
|
Just don't let her get you.
|
|||
|
|
It's too late, my love.
|
|||
|
|
I will never forgive. I will never ever forgive!
|
|||
|
|
- Eleanor! What is going on?
|
|||
|
|
- You have to stop Clara.
|
|||
|
|
These men are looking for her.
|
|||
|
|
- She's here.
|
|||
|
|
- Ella! You have to tell us the truth.
|
|||
|
|
- Something terrible has happened.
|
|||
|
|
- Who is this?
|
|||
|
|
- You know who we are.
|
|||
|
|
- I will take care of Eleanor now.
|
|||
|
|
These men are from the police.
|
|||
|
|
They've come to help.
|
|||
|
|
We have to get to Frank.
|
|||
|
|
We must get you to a doctor.
|
|||
|
|
Don't run!
|
|||
|
|
What are you doing?
|
|||
|
|
We need to get to Frank.
|
|||
|
|
We don't need handcuffs.
|
|||
|
|
She's a child!
|
|||
|
|
Eleanor, I'm coming with you.
|
|||
|
|
I will be with you, whatever happens.
|
|||
|
|
There's no need to be afraid.
|
|||
|
|
Of course not.
|
|||
|
|
It's a privilege to meet you, Eleanor.
|
|||
|
|
I thought Clara and I were the only ones.
|
|||
|
|
Surely she told you of the brotherhood.
|
|||
|
|
What are you saying to...?
|
|||
|
|
Darvell.
|
|||
|
|
You're just as I imagined.
|
|||
|
|
Help me.
|
|||
|
|
Where are you taking us? Because we've just gone right past the police station and the hospital.
|
|||
|
|
Seriously, where are we going?
|
|||
|
|
Eleanor!
|
|||
|
|
Eleanor! Ella!
|
|||
|
|
Mother!
|
|||
|
|
They'll destroy you, Ella!
|
|||
|
|
They'll destroy you! Darvell, let her go!
|
|||
|
|
- Mother!
|
|||
|
|
- Please! - I'll show you, you piece of whore.
|
|||
|
|
Yes!
|
|||
|
|
My God, you've killed her.
|
|||
|
|
Nothing is that easy.
|
|||
|
|
Mother!
|
|||
|
|
- Mother! - With this act I cleanse the Earth!
|
|||
|
|
- Mother!
|
|||
|
|
- No!
|
|||
|
|
Be calm.
|
|||
|
|
- Be calm. - Who are you people?
|
|||
|
|
I said, be calm!
|
|||
|
|
I hate these crying women.
|
|||
|
|
Damn you.
|
|||
|
|
I followed you for many years.
|
|||
|
|
You take only those who are ready.
|
|||
|
|
And that has a certain grace.
|
|||
|
|
You have been condemned from the moment Clara made you.
|
|||
|
|
Our code does not permit women to create.
|
|||
|
|
In her stories, you were wonderful.
|
|||
|
|
You had compassion and respect.
|
|||
|
|
You gave her life.
|
|||
|
|
She stole her life.
|
|||
|
|
- Please.
|
|||
|
|
Please stop him.
|
|||
|
|
- She killed one of the brethren.
|
|||
|
|
- And that's unforgivable.
|
|||
|
|
Amazing, how two little girls with no money and learning slipped through your fingers for an eternity.
|
|||
|
|
No! - Hold her down. Hold her down.
|
|||
|
|
- Ella! No. No!
|
|||
|
|
Darvell! Bring it here.
|
|||
|
|
Bring it here! Isn't the present everything?
|
|||
|
|
Ella! - This is your last night, witch. - Darvell!
|
|||
|
|
This blade is from Byzantium, my souvenir of the Crusades.
|
|||
|
|
May it send you to eternity.
|
|||
|
|
It was on a beach like this that we first met.
|
|||
|
|
But I went with Ruthven, for all my damnation.
|
|||
|
|
But it was you. You were the pearl.
|
|||
|
|
See how the bitch uses her arts to the last.
|
|||
|
|
The honour is yours.
|
|||
|
|
Do what you like with me, but let her go, please!
|
|||
|
|
- Hold her still.
|
|||
|
|
- Please. I beg you, Darvell!
|
|||
|
|
- Still, I said! - She's going to die anyway.
|
|||
|
|
She can't survive on her own.
|
|||
|
|
Eleanor!
|
|||
|
|
My baby!
|
|||
|
|
You truly are a wonder.
|
|||
|
|
I've been following you for years.
|
|||
|
|
So assiduously.
|
|||
|
|
Because if I wasn't the one to find you, they certainly would have killed you.
|
|||
|
|
What will they do, the others?
|
|||
|
|
The brotherhood is strong. Unchanging.
|
|||
|
|
They will come.
|
|||
|
|
With their pointed nails of justice.
|
|||
|
|
Will he travel with us now?
|
|||
|
|
You're not coming with us.
|
|||
|
|
What?
|
|||
|
|
I'm cutting you loose.
|
|||
|
|
You can't stay with your mother all your life, can you?
|
|||
|
|
Come on.
|
|||
|
|
Come here.
|
|||
|
|
Go on.
|
|||
|
|
Look forward, not back.
|
|||
|
|
Always.
|
|||
|
|
Your instinct is to hunt the powerful and protect the weak.
|
|||
|
|
I'd like to try and live that way.
|
|||
|
|
Live your life how you choose. It's no concern of mine.
|
|||
|
|
If you could have anything, what would it be?
|
|||
|
|
Your pardon.
|
|||
|
|
In time... maybe.
|
|||
|
|
Your company, then.
|
|||
|
|
We have time.
|
|||
|
|
I'm afraid.
|
|||
|
|
Don't be.
|
|||
|
|
lam Eleanor Webb.
|
|||
|
|
I throw my story to the wind. And never will I tell it more.
|
|||
|
|
Another one begins.
|
|||
|
|
Previously on Siberia...
|
|||
|
|
A tiger!
|
|||
|
|
A fucking tiger!
|
|||
|
|
I couldn't believe it.
|
|||
|
|
It was like something a seven year old would tell me...
|
|||
|
|
"Oh, I saw a tiger in the woods..."
|
|||
|
|
- What are you doing?
|
|||
|
|
- Wondering what would do that to a tiger.
|
|||
|
|
Oh, hell.
|
|||
|
|
It's on fire... and it's green...
|
|||
|
|
- What's on fire?
|
|||
|
|
- The sky.
|
|||
|
|
You know, there's something about Carolina.
|
|||
|
|
I feel like I recognize her.
|
|||
|
|
- Fire in the woods, man.
|
|||
|
|
- Got to get some water.
|
|||
|
|
I told you this was a mistake!
|
|||
|
|
That's all we had, man. That's all we had.
|
|||
|
|
Does anyone recognize this?
|
|||
|
|
We found Johnny's shirt.
|
|||
|
|
And it was full of food from the shed.
|
|||
|
|
I get what it looks like. I see that.
|
|||
|
|
But I didn't steal the food, and I didn't burn down the shed.
|
|||
|
|
Someone obviously doesn't like me, and they're trying to set me up.
|
|||
|
|
People weren't taking too kindly me being at camp 'cause apparently I stole food from the shed and then burned it down.
|
|||
|
|
Someone framed me.
|
|||
|
|
They wrapped my shirt around some food, hid it in the woods.
|
|||
|
|
I don't know who did it.
|
|||
|
|
You know, frankly, I don't really care anymore, you know?
|
|||
|
|
I don't really need them anyways.
|
|||
|
|
You know, obviously, I can take care of myself.
|
|||
|
|
Took them how long to build a fire?
|
|||
|
|
I did it in five minutes in the dark.
|
|||
|
|
I can't believe Johnny's gonna just stay out in the woods.
|
|||
|
|
That's crazy.
|
|||
|
|
And why shouldn't he?
|
|||
|
|
After all the crap that he's pulled?
|
|||
|
|
He'll be fine.
|
|||
|
|
And if he's not, you got a better chance of winning.
|
|||
|
|
And you can keep his bed.
|
|||
|
|
I want to make it to the end, but I want to do it as a team, kind of like how Neeko's doing it, you know?
|
|||
|
|
Can I tell you something?
|
|||
|
|
Sure.
|
|||
|
|
You're a smart guy.
|
|||
|
|
You know that Neeko is a professional athlete?
|
|||
|
|
He plays game for living.
|
|||
|
|
How about maybe he's playing this game that he's a very nice guy, everybody trusts him, just to win the game?
|
|||
|
|
Have you ever thought about it?
|
|||
|
|
I don't think you should trust him.
|
|||
|
|
Can't trust anybody.
|
|||
|
|
Guys?
|
|||
|
|
I get up early, and as soon as I open the door, I practically ran into this spear that's stuck in the ground.
|
|||
|
|
It felt like a threat.
|
|||
|
|
Let me see.
|
|||
|
|
What does it say?
|
|||
|
|
It says...
|
|||
|
|
What is that?
|
|||
|
|
It means "get out."
|
|||
|
|
It's just another thing to throw on the pile of what the hell's going on here.
|
|||
|
|
It's a nice prop.
|
|||
|
|
Look at it.
|
|||
|
|
It's not real.
|
|||
|
|
Nice scare tactic.
|
|||
|
|
They're watching.
|
|||
|
|
I'm sure they're loving this.
|
|||
|
|
Why is it in front of our cabin and not yours?
|
|||
|
|
Who wants you guys to get out?
|
|||
|
|
Well, this is here on purpose.
|
|||
|
|
That's for sure.
|
|||
|
|
It's here on purpose.
|
|||
|
|
It's here for a reason.
|
|||
|
|
You guys gonna be so gullible to fall for this, really?
|
|||
|
|
Who else could've left that spear?
|
|||
|
|
Besides Production, who could've done it?
|
|||
|
|
We're the only people out here.
|
|||
|
|
Aren't we?
|
|||
|
|
- Are you okay?
|
|||
|
|
- I'm fine.
|
|||
|
|
I mean, aren't you still scared?
|
|||
|
|
The spear this morning telling us to leave?
|
|||
|
|
That doesn't scare you at all?
|
|||
|
|
I think, at this point, it's just all mind games.
|
|||
|
|
I miss home.
|
|||
|
|
I miss my family.
|
|||
|
|
I even miss my stupid ex-boyfriend.
|
|||
|
|
This place is-- it's getting to me.
|
|||
|
|
I don't know.
|
|||
|
|
I'm thinking about pushing the button.
|
|||
|
|
I don't want you to go.
|
|||
|
|
You know what I mean?
|
|||
|
|
I think-- I think we can win this.
|
|||
|
|
We just need to--
|
|||
|
|
But I don't need to stay.
|
|||
|
|
I don't understand why I'm even staying.
|
|||
|
|
I don't need the money that badly.
|
|||
|
|
I do.
|
|||
|
|
Annie.
|
|||
|
|
I've been a lone wolf for a while, you know?
|
|||
|
|
I've been on my own for a while.
|
|||
|
|
I'm probably, without knowing it, less lonely than I have been in a long time because I'm interacting with people more often than I have in many years.
|
|||
|
|
Now I consider Daniel a friend.
|
|||
|
|
He's a good kid.
|
|||
|
|
If I had a son, I'd be proud if he was like Daniel.
|
|||
|
|
What are you looking at?
|
|||
|
|
- Just watching those two. - Mm-hmm.
|
|||
|
|
I don't want to overstep my bounds, you know.
|
|||
|
|
I don't know how she feels about me, and so I'm just kind of--
|
|||
|
|
I'm taking it slow, but at the same time, it's really hard 'cause I really want to, you know, see where this is gonna go.
|
|||
|
|
I don't know.
|
|||
|
|
At the same time, I don't want to get hurt.
|
|||
|
|
Don't worry.
|
|||
|
|
She knows you exist.
|
|||
|
|
How would I really get her to? I don't know, like...
|
|||
|
|
Get her to what?
|
|||
|
|
Like me like me.
|
|||
|
|
You can't get her to like you.
|
|||
|
|
Either she does or she doesn't.
|
|||
|
|
You know?
|
|||
|
|
How beautiful is it?
|
|||
|
|
This is so nice.
|
|||
|
|
_
|
|||
|
|
Why not?
|
|||
|
|
_
|
|||
|
|
I'm sorry.
|
|||
|
|
I'm being naughty.
|
|||
|
|
It's beautiful in, though.
|
|||
|
|
_
|
|||
|
|
You must be hot.
|
|||
|
|
Come on.
|
|||
|
|
_
|
|||
|
|
- No good... _
|
|||
|
|
- No one's here.
|
|||
|
|
- It's trouble.
|
|||
|
|
No one's here.
|
|||
|
|
I'm not gonna tell anyone.
|
|||
|
|
You want to come.
|
|||
|
|
- Oh, yeah?
|
|||
|
|
_
|
|||
|
|
You'll thank me once you're in here.
|
|||
|
|
It's beautiful.
|
|||
|
|
_
|
|||
|
|
Careful.
|
|||
|
|
_
|
|||
|
|
I'm gonna film us.
|
|||
|
|
_
|
|||
|
|
It's a great idea.
|
|||
|
|
You promise you'll erase it?
|
|||
|
|
_
|
|||
|
|
- Promise me?
|
|||
|
|
- I promise.
|
|||
|
|
Good.
|
|||
|
|
Annie?
|
|||
|
|
Wait, Annie.
|
|||
|
|
You shouldn't be walking out here alone.
|
|||
|
|
It's not safe.
|
|||
|
|
_
|
|||
|
|
What are you talking about?
|
|||
|
|
Come on, it's not safe.
|
|||
|
|
Stop.
|
|||
|
|
Wait.
|
|||
|
|
Don't be like this.
|
|||
|
|
Be like what?
|
|||
|
|
Look, I--
|
|||
|
|
It's not the same thing for me, okay?
|
|||
|
|
I'm not going back to a life or a job that I like or family or friends or even an ex-boyfriend, and I get that you're sad about that.
|
|||
|
|
But you're forgetting about who's here for you right now, and you're turning your back on me.
|
|||
|
|
No, I'm not.
|
|||
|
|
I like her.
|
|||
|
|
It's been a while since I've been with anybody, but I-- We get along so well.
|
|||
|
|
I just feel like a dumbass now.
|
|||
|
|
I mean, she's probably not gonna talk to me for the rest of the time, if she does stay.
|
|||
|
|
- Hey.
|
|||
|
|
- Hey.
|
|||
|
|
- There you are.
|
|||
|
|
- How's it going?
|
|||
|
|
Good.
|
|||
|
|
I just wanted to talk to you.
|
|||
|
|
Uh-huh? Um, so, Victoria's gone.
|
|||
|
|
Um, I'm just wondering what's going on with her bed.
|
|||
|
|
Oh, it's-- well, it's free right now.
|
|||
|
|
So no one would mind if I moved in?
|
|||
|
|
Um... yeah, yeah.
|
|||
|
|
I mean, I don't mind.
|
|||
|
|
I don't know what the other girls other think, but it's good with me.
|
|||
|
|
Awesome.
|
|||
|
|
All right, I'll go grab my things.
|
|||
|
|
It's not that I didn't have fun with the boys.
|
|||
|
|
I don't know.
|
|||
|
|
I just feel like my time there is done.
|
|||
|
|
It's served its purpose, and I want to-- I want to get to know the girls a bit better.
|
|||
|
|
- Hey.
|
|||
|
|
- Hey.
|
|||
|
|
- What are you doing?
|
|||
|
|
- I'm leaving.
|
|||
|
|
You mean the show?
|
|||
|
|
No, you idiot.
|
|||
|
|
I'm gonna move into Victoria's old bed.
|
|||
|
|
Wait.
|
|||
|
|
Why?
|
|||
|
|
Why?
|
|||
|
|
Because it's free.
|
|||
|
|
I know, but I thought you liked it here with me.
|
|||
|
|
You said we are great roommates.
|
|||
|
|
Yes, we were, and thank you for letting me stay.
|
|||
|
|
Just, I don't know. I want to be with the girls now.
|
|||
|
|
Come on, Esther.
|
|||
|
|
Don't you think we should team up?
|
|||
|
|
We are both smarter than everyone else here.
|
|||
|
|
We can win this thing-- together.
|
|||
|
|
Ohh, I like your style.
|
|||
|
|
I will think about it.
|
|||
|
|
But hold on. Hold on.
|
|||
|
|
Hold on.
|
|||
|
|
I was just thinking that we could have something...
|
|||
|
|
You thought what?
|
|||
|
|
That we could get romantic a little bit?
|
|||
|
|
Don't laugh.
|
|||
|
|
Really?
|
|||
|
|
I don't do romance.
|
|||
|
|
Look, we're playing a game.
|
|||
|
|
What do you mean?
|
|||
|
|
I'm playing a game-- for money.
|
|||
|
|
I don't do romance, and I'm not playing a dating game.
|
|||
|
|
I'm sorry.
|
|||
|
|
Fuck you, bitch!
|
|||
|
|
You're not going anywhere.
|
|||
|
|
Get the fuck off me!
|
|||
|
|
I'm kidding.
|
|||
|
|
I was just kidding, Esther.
|
|||
|
|
I'm just kidding. Esther.
|
|||
|
|
Don't you fucking touch me again.
|
|||
|
|
Come on!
|
|||
|
|
I'm just- - I was just kidding!
|
|||
|
|
I think I was in shock.
|
|||
|
|
I-I don't know. It happened so quickly.
|
|||
|
|
But he grabbed me here, pushed me up against the bunk, and then he backed off.
|
|||
|
|
Esther is a player.
|
|||
|
|
We all know that.
|
|||
|
|
And I played with her, too.
|
|||
|
|
So she was on the way out.
|
|||
|
|
I just pushed her a little bit on the bed, just jokingly, like pretending that I'm like scaring her.
|
|||
|
|
"You're gonna stay here," or something.
|
|||
|
|
She just, like, freaked out.
|
|||
|
|
She pushed me away.
|
|||
|
|
She's like, "don't talk to me like that."
|
|||
|
|
Stormed out, like mad.
|
|||
|
|
And I was just telling her, "I'm joking.
|
|||
|
|
You know me. I always joke around.
|
|||
|
|
I was just joking with you."
|
|||
|
|
I didn't get it, seriously.
|
|||
|
|
She just freaked out, and it was just a pure joke.
|
|||
|
|
What are you showing me?
|
|||
|
|
It was right here.
|
|||
|
|
Are you sure?
|
|||
|
|
Big huge carcass.
|
|||
|
|
Guts hanging out and everything.
|
|||
|
|
Look.
|
|||
|
|
Look at what?
|
|||
|
|
The blood? It could've been anything.
|
|||
|
|
It could've been a bird. It could've been a deer.
|
|||
|
|
Why would I make this up?
|
|||
|
|
Why would I lie?
|
|||
|
|
There was a huge-- there was a huge tiger there.
|
|||
|
|
I guess they took it. The producers took it.
|
|||
|
|
The producers?
|
|||
|
|
I think she thinks that I could've been trying to scare her, play a sick joke on her.
|
|||
|
|
I was kind of a bit shocked because I didn't think she saw me as that kind of person.
|
|||
|
|
For all I know, Johnny took it.
|
|||
|
|
Johnny took it?
|
|||
|
|
He probably dragged it off into there and hid it or something.
|
|||
|
|
I don't know.
|
|||
|
|
Oh, now Johnny does everything?
|
|||
|
|
Not only do we have to worry about the producers playing mind games with us, we got to worry about that guy.
|
|||
|
|
Hopefully he's done us all a favor and gone and pushed the button to get out of here.
|
|||
|
|
I don't think he's as bad as you think.
|
|||
|
|
Why are you always defending him? Why are you always defending him?
|
|||
|
|
I'm telling you that guy's dangerous.
|
|||
|
|
You need to watch yourself!
|
|||
|
|
I'm kind of baffled where it's gone, you know, 'cause this thing was pretty big, you know.
|
|||
|
|
It would've taken a lot of force or something pretty hefty to get it out of there, and there was no trail.
|
|||
|
|
There was no kind of like a trail of where it could've been dragged to.
|
|||
|
|
It's like it was almost picked up and gone.
|
|||
|
|
Got some traps set up along this way somewhere.
|
|||
|
|
I found some deer trails I scouted earlier.
|
|||
|
|
Hope they catch something.
|
|||
|
|
The first night in the woods by myself was pretty awesome, actually.
|
|||
|
|
Had a nice little fire. Weather was nice.
|
|||
|
|
You know, wrapped up.
|
|||
|
|
It was nice being on my own.
|
|||
|
|
It's what I wanted to do originally, too, is, you know, be by myself, take care of myself, do my own thing, and I got that, so pretty content.
|
|||
|
|
What the hell did this, man?
|
|||
|
|
This thing's...
|
|||
|
|
I mean, it, obviously, it ripped the deer while it was standing here.
|
|||
|
|
It was strong enough to rip it off-- rip the, like, rip its bone in half.
|
|||
|
|
What do you want?
|
|||
|
|
What are you doing?
|
|||
|
|
I'm trying to catch some food, but something got to it before me, it looks like.
|
|||
|
|
What do you want?
|
|||
|
|
I just came to try to convince you to come back.
|
|||
|
|
Try to convince me to come back, to the camp?
|
|||
|
|
Yeah, I don't think it's safe for you to be out here.
|
|||
|
|
I think it's safer here than being back at camp where a bunch of people don't like me thanks to you, making those wild accusations.
|
|||
|
|
Just, whatever happened, I don't think it's safe for you to stay out here.
|
|||
|
|
Well, you know what?
|
|||
|
|
I really don't need you trying to be nice to me.
|
|||
|
|
I'll be fine on my own, okay?
|
|||
|
|
I can take care of myself.
|
|||
|
|
Y'all try taking care of yourselves, too, all right?
|
|||
|
|
Okay, fine.
|
|||
|
|
If that's how you want to be, then fine.
|
|||
|
|
Fine.
|
|||
|
|
Nah, that's-- that's not good enough.
|
|||
|
|
That ain't good enough.
|
|||
|
|
Hey, Irene.
|
|||
|
|
Hey, Dan.
|
|||
|
|
Whatcha doing?
|
|||
|
|
Collecting some acorns.
|
|||
|
|
- Oh. - Yeah.
|
|||
|
|
If you mash them up, you can make like a paste and make a pancake out of it.
|
|||
|
|
- Really?
|
|||
|
|
- Yeah.
|
|||
|
|
Is it-- does it taste good?
|
|||
|
|
I think so.
|
|||
|
|
You want me to help?
|
|||
|
|
Oh, sure.
|
|||
|
|
That'd be great. Yeah.
|
|||
|
|
They're kind of scattered all over.
|
|||
|
|
Daniel is a really, really nice, really sweet person, and he has such a gentle-- a very gentle spirit, I guess you can say.
|
|||
|
|
Hey. It's a Siberian squill.
|
|||
|
|
I'm not really big on flowers.
|
|||
|
|
Why not?
|
|||
|
|
Well, you know, they're pretty, but it's kind of odd, the whole idea of someone giving someone a flower 'cause it's like, "Oh, you know, I like you, so let me give you something that's dying."
|
|||
|
|
It never really made sense to me.
|
|||
|
|
Something more permanent would be nice, you know, even a rock would be better.
|
|||
|
|
She's got so much complexity to her, you know?
|
|||
|
|
I find out something new about her every day, it seems like, and it's a pretty big thing that I would've never expected out of her.
|
|||
|
|
It's... She's just-- she's amazing.
|
|||
|
|
Where are we?
|
|||
|
|
I can't find the path.
|
|||
|
|
We're lost.
|
|||
|
|
- We're not lost.
|
|||
|
|
- No, we're lost.
|
|||
|
|
I don't know where we're going.
|
|||
|
|
In the middle of the wood, very close to the river, I found this really weird-looking tree.
|
|||
|
|
I mean, it wasn't a tree.
|
|||
|
|
It was something different.
|
|||
|
|
It had a face shape.
|
|||
|
|
It had hair.
|
|||
|
|
What?
|
|||
|
|
My name is Miljan.
|
|||
|
|
It's really nice to meet you.
|
|||
|
|
What is your name?
|
|||
|
|
Ogdee?
|
|||
|
|
This is my friend Ogdee.
|
|||
|
|
We go way back, man.
|
|||
|
|
He's so bad.
|
|||
|
|
I spoke to it.
|
|||
|
|
We had a little conversation.
|
|||
|
|
Ogdee is my old friend from high school.
|
|||
|
|
I'm kidding.
|
|||
|
|
- Esther.
|
|||
|
|
Esther.
|
|||
|
|
- What?
|
|||
|
|
_
|
|||
|
|
_ _
|
|||
|
|
_ _
|
|||
|
|
_ _
|
|||
|
|
_
|
|||
|
|
_
|
|||
|
|
_
|
|||
|
|
_
|
|||
|
|
_
|
|||
|
|
_
|
|||
|
|
_ _
|
|||
|
|
_
|
|||
|
|
_
|
|||
|
|
_
|
|||
|
|
Hey. Where have you been?
|
|||
|
|
Out.
|
|||
|
|
Out?
|
|||
|
|
Where do you go all day, anyway?
|
|||
|
|
Okay.
|
|||
|
|
I can't believe you got us so lost.
|
|||
|
|
We're not lost.
|
|||
|
|
Yes, we are.
|
|||
|
|
Where are we?
|
|||
|
|
Do you know where we are?
|
|||
|
|
We're in Siberia.
|
|||
|
|
Not funny.
|
|||
|
|
Oh, God!
|
|||
|
|
What is that?
|
|||
|
|
Did you hear that?
|
|||
|
|
I heard it.
|
|||
|
|
Come on.
|
|||
|
|
There might be something out here.
|
|||
|
|
Oh! Oh, God!
|
|||
|
|
What are you doing out here?
|
|||
|
|
Sorry. I'm going to get water.
|
|||
|
|
Where are you going?
|
|||
|
|
Home-- where the hell is it?
|
|||
|
|
That way.
|
|||
|
|
Why is she being such a bitch?
|
|||
|
|
Why are you here, by the way, alone?
|
|||
|
|
No reason.
|
|||
|
|
That's suspicious.
|
|||
|
|
Shut up, Miljan.
|
|||
|
|
Guys, have you seen Carolina?
|
|||
|
|
No. She hasn't come back.
|
|||
|
|
You mean she's not back yet?
|
|||
|
|
She's not back.
|
|||
|
|
I have no idea where she is.
|
|||
|
|
I haven't seen her.
|
|||
|
|
You do know she's out there with Johnny?
|
|||
|
|
Yeah, tell me about it.
|
|||
|
|
I know. Well, I don't know about you, but I feel like I should go and look for her.
|
|||
|
|
I don't-- I don't feel comfortable with her with Johnny.
|
|||
|
|
Before it gets too late, I think we should.
|
|||
|
|
I'm game, yeah.
|
|||
|
|
- You're gonna come with me?
|
|||
|
|
- Yeah. Gentlemen.
|
|||
|
|
Where the hell were you?
|
|||
|
|
I was in the woods.
|
|||
|
|
Have you seen Carolina?
|
|||
|
|
She's out there with Johnny.
|
|||
|
|
Oh, she'll be fine, guys.
|
|||
|
|
- Come on.
|
|||
|
|
- Are you serious?
|
|||
|
|
Yes.
|
|||
|
|
They're probably having sex or something.
|
|||
|
|
Oh, you're a funny guy.
|
|||
|
|
Don't be naive.
|
|||
|
|
You didn't notice the chemistry they had?
|
|||
|
|
Hey, guys, listen. I'm gonna look for her.
|
|||
|
|
I don't know about you.
|
|||
|
|
Just sitting here talking.
|
|||
|
|
Hey, it's dark outside.
|
|||
|
|
Oh, fuck!
|
|||
|
|
Get on the bed.
|
|||
|
|
Get onto the bed!
|
|||
|
|
The bed?
|
|||
|
|
Oh, my God.
|
|||
|
|
What is this?
|
|||
|
|
The cab started shaking...
|
|||
|
|
Ran outside, and the sky this just this odd color that I've never seen in my life, and I'm thinking it can't be the show doing this because that's way out of their powers and their control.
|
|||
|
|
What is it?
|
|||
|
|
It's like-- it's like the sky's on fire.
|
|||
|
|
What?
|
|||
|
|
It's like the sky's on fire.
|
|||
|
|
The sky went from dark to light, and it looked like it was on fire, just like Victoria said.
|
|||
|
|
If this is all part of the game, it's beyond me at this point.
|
|||
|
|
I don't understand how they could pull it off.
|
|||
|
|
I feel like I'm on another planet.
|
|||
|
|
I feel like I walked into some kind of a dream or a nightmare, and nobody-- nobody has any answers.
|
|||
|
|
I don't have an answer.
|
|||
|
|
I could sit here all day long and just-- it's way above my pay scale.
|
|||
|
|
- Is it moving?
|
|||
|
|
- It just keeps moving.
|
|||
|
|
Carolina never came back today, did she?
|
|||
|
|
Yeah.
|
|||
|
|
Where-- where are they?
|
|||
|
|
She's still in the woods-- the forest.
|
|||
|
|
Well, this can't stop us.
|
|||
|
|
We still have to find her.
|
|||
|
|
We can't leave her out there.
|
|||
|
|
We better go now.
|
|||
|
|
We're just gonna go look for her-- me and Sam, Daniel, Miljan as well.
|
|||
|
|
Oh, my God.
|
|||
|
|
Carolina?
|
|||
|
|
Carolina.
|
|||
|
|
Are you okay?
|
|||
|
|
What happened?
|
|||
|
|
Oh, my God.
|
|||
|
|
Carolina!
|
|||
|
|
- What happened?
|
|||
|
|
Are you okay?
|
|||
|
|
- Are you okay?
|
|||
|
|
Then we see Carolina stumbling towards the girls' cabin, and the girls go rushing over to her.
|
|||
|
|
Are you hurt somewhere?
|
|||
|
|
- What happened?
|
|||
|
|
- Look at all the blood.
|
|||
|
|
What happened?
|
|||
|
|
She's bleeding.
|
|||
|
|
Guys, don't, don't-- don't go to her.
|
|||
|
|
Oh, my God, look at her arm.
|
|||
|
|
Look at her arm.
|
|||
|
|
What happened to you?
|
|||
|
|
You're okay.
|
|||
|
|
Carolina, what happened?
|
|||
|
|
Carolina shows up, and she's battered and disoriented.
|
|||
|
|
She couldn't even speak.
|
|||
|
|
She's trembling.
|
|||
|
|
I don't...
|
|||
|
|
She doesn't remember.
|
|||
|
|
You don't remember?
|
|||
|
|
What do you remember?
|
|||
|
|
She didn't know what was going on.
|
|||
|
|
She was saying she couldn't even, like, remember what she'd been doing out there.
|
|||
|
|
She was just talking nonsense, and it was really jolting to see her come back like that.
|
|||
|
|
_
|
|||
|
|
You were with John?
|
|||
|
|
- And what happened?
|
|||
|
|
- Where is he?
|
|||
|
|
What were you doing with Johnny?
|
|||
|
|
Get her some water.
|
|||
|
|
Get her some help.
|
|||
|
|
Carolina, were you with Johnny?
|
|||
|
|
She said she was.
|
|||
|
|
What were you doing with Johnny?
|
|||
|
|
_
|
|||
|
|
_
|
|||
|
|
She said the name "Johnny."
|
|||
|
|
At that point, I just, you know, lost it.
|
|||
|
|
Listen to me. Listen to me.
|
|||
|
|
Listen to me.
|
|||
|
|
For what?
|
|||
|
|
Here, just come here.
|
|||
|
|
Come here.
|
|||
|
|
I want to say something to you.
|
|||
|
|
- What?
|
|||
|
|
- Listen to me!
|
|||
|
|
It's important.
|
|||
|
|
You got to make sure.
|
|||
|
|
You look at his hands.
|
|||
|
|
Okay.
|
|||
|
|
His hands are a tell-tale sign, okay?
|
|||
|
|
His hands will tell you if he did something.
|
|||
|
|
What are you doing?
|
|||
|
|
Where are you going?
|
|||
|
|
Stay here with the girls. Stay here with the girls!
|
|||
|
|
I'm not wasting any more time with this guy.
|
|||
|
|
Everyone wants to keep him around, thinking,
|
|||
|
|
"Oh, yeah, he'll turn around and be a good guy."
|
|||
|
|
No, I don't think so.
|
|||
|
|
I'm not gonna lay around waiting for him to come stab me in the back.
|
|||
|
|
- She's been through a lot.
|
|||
|
|
- Yeah.
|
|||
|
|
We're gonna look after you, okay?
|
|||
|
|
Don't worry.
|
|||
|
|
We don't know where Johnny is.
|
|||
|
|
Carolina sort of-- she couldn't say much, but she said that she was-- they were fighting-- her and Johnny were fighting.
|
|||
|
|
And then, now she looks like this, so Johnny should be probably fearing for his life right now because Sam and Neeko went after him.
|
|||
|
|
Let's just keep moving.
|
|||
|
|
Move. Move.
|
|||
|
|
_
|
|||
|
|
The whole walking through the woods and hearing noises coming from places that, you know--
|
|||
|
|
We stop and we look, and there's nothing there.
|
|||
|
|
It's just this whole atmosphere that everything just feels like you're being watched, you know.
|
|||
|
|
Whether, you know, whether you're in the woods or in the cabin, you always feel like something is watching you, and the past two nights,
|
|||
|
|
I haven't slept very well, you know.
|
|||
|
|
So I'm just-- you know, you're always looking over your shoulder.
|
|||
|
|
You always think something's there, and, like, the whole thing with the sky now...
|
|||
|
|
I don't know.
|
|||
|
|
Well, he's obviously around here somewhere.
|
|||
|
|
Yes.
|
|||
|
|
You keep saying "he," "he."
|
|||
|
|
Look how thick the brush is here.
|
|||
|
|
If there's somebody around here, we'd see them.
|
|||
|
|
We hear other things.
|
|||
|
|
All of a sudden, something goes flying.
|
|||
|
|
I think we should be talking more in the sense of "what."
|
|||
|
|
I'll go see if the water's boiled.
|
|||
|
|
Thank you.
|
|||
|
|
I don't want to die.
|
|||
|
|
I didn't ever expect that that would be a possibility on this show, and every day that I'm here,
|
|||
|
|
I feel like I'm an idiot for staying, that I am gonna end up like Tommy.
|
|||
|
|
I don't deal well with-- Abuse is not something that...
|
|||
|
|
I can handle right now.
|
|||
|
|
I'm scared.
|
|||
|
|
And Johnny was already on the outs with the group for stealing food.
|
|||
|
|
I just-- How could he do that to her?
|
|||
|
|
It didn't make sense.
|
|||
|
|
She's such a nice lady.
|
|||
|
|
Johnny.
|
|||
|
|
Hey. What did you do?
|
|||
|
|
- Huh? - What did you do to Carolina?
|
|||
|
|
I don't know what you're talking about.
|
|||
|
|
What do you mean you don't know what I'm talking about?
|
|||
|
|
- What'd you do to her?
|
|||
|
|
- I didn't--
|
|||
|
|
She's all cut up and shit.
|
|||
|
|
I don't- - I don't know. I...
|
|||
|
|
What's wrong with you?
|
|||
|
|
I don't know.
|
|||
|
|
I just- - I kind of came to.
|
|||
|
|
I was walking around, and... I don't know. I was-
|
|||
|
|
You saw her where?
|
|||
|
|
You got to tell me what happened.
|
|||
|
|
We were in the woods, and...
|
|||
|
|
I don't really-- I don't really remember.
|
|||
|
|
I get approached by Daniel, and basically started accusing me of hurting Carolina.
|
|||
|
|
I didn't know what to say.
|
|||
|
|
What did you to do her?
|
|||
|
|
!
|
|||
|
|
The last thing she remembers is getting in a fight with you, so you can't come back here and tell me that you didn't touch her!
|
|||
|
|
I don't.
|
|||
|
|
Then what happened to her?
|
|||
|
|
I don't know.
|
|||
|
|
That's not a very good answer right now, man.
|
|||
|
|
I don't-- trust me.
|
|||
|
|
Hey. You hear that?
|
|||
|
|
At the camp.
|
|||
|
|
Let's go.
|
|||
|
|
I don't know.
|
|||
|
|
Are you serious?
|
|||
|
|
You don't know?
|
|||
|
|
You're such a scumbag.
|
|||
|
|
Oh, what?
|
|||
|
|
So she just fell down and ended up that way?
|
|||
|
|
Are you kidding me?
|
|||
|
|
I was in a complete haze.
|
|||
|
|
I had no recollection.
|
|||
|
|
I was like blacked out, like I drank too much.
|
|||
|
|
He doesn't look like he knows what's going on.
|
|||
|
|
I don't.
|
|||
|
|
- Then what happened to her?
|
|||
|
|
- I don't know.
|
|||
|
|
I don't know.
|
|||
|
|
You were together, weren't you?
|
|||
|
|
- You said that.
|
|||
|
|
- Shit!
|
|||
|
|
Neeko!
|
|||
|
|
Neeko!
|
|||
|
|
Guys, he doesn't know!
|
|||
|
|
- Motherfucker!
|
|||
|
|
- Come on! Stop it!
|
|||
|
|
- Stop! Stop it!
|
|||
|
|
- Come on!
|
|||
|
|
Stop it! Neeko, stop it!
|
|||
|
|
He didn't do it!
|
|||
|
|
Carolina starts screaming, "It's not him.
|
|||
|
|
He didn't do it."
|
|||
|
|
Stop it!
|
|||
|
|
What do you mean?
|
|||
|
|
You said you don't remember.
|
|||
|
|
You said you don't remember.
|
|||
|
|
You're a dead man. You're a fucking dead man.
|
|||
|
|
Listen. Listen. Hey, hey.
|
|||
|
|
Hey! Calm down. Listen.
|
|||
|
|
- What happened?
|
|||
|
|
- I don't know.
|
|||
|
|
Talk to me.
|
|||
|
|
I don't know.
|
|||
|
|
Johnny doesn't know anything?
|
|||
|
|
He doesn't remember anything.
|
|||
|
|
It was just her and him in the forest.
|
|||
|
|
I know that. I know that.
|
|||
|
|
I saw it in his eyes, okay?
|
|||
|
|
All I remember is I talked to her.
|
|||
|
|
We were arguing.
|
|||
|
|
And then I-I came here, and I started getting accused, and I don't even know what the fuck is going on.
|
|||
|
|
If we caught him in the woods, he would've been dead.
|
|||
|
|
When I saw that look in his eyes, I just felt that I needed to take a step back.
|
|||
|
|
Remember the way she came into camp?
|
|||
|
|
He's got the same look on his face.
|
|||
|
|
Does she remember anything?
|
|||
|
|
Show us your hands.
|
|||
|
|
Oh, yeah. I've seen that before.
|
|||
|
|
What's that from?
|
|||
|
|
Nothing's making sense here.
|
|||
|
|
And just to be angry and become a bunch of animals--
|
|||
|
|
We can't go killing each other.
|
|||
|
|
We're still human beings.
|
|||
|
|
I don't like things that I can't explain and that I don't have at least some sort of control over.
|
|||
|
|
The sky changing color and looking like fire-- the producers, the show can't do that.
|
|||
|
|
We're talking supernatural stuff now.
|
|||
|
|
Regardless of everything else, that's real, and that scared the hell out of me.
|
|||
|
|
It seems like everybody at camp was convinced that I was the person that hurt her.
|
|||
|
|
I've never hit a woman in my life.
|
|||
|
|
I don't know why I would.
|
|||
|
|
I don't remember anything, but... I can't say that I didn't 'cause I don't-- I don't know what happened.
|
|||
|
|
But I know in my heart I wouldn't do that.
|
|||
|
|
I don't remember anything.
|
|||
|
|
All I remember is that I was... with--
|
|||
|
|
Went to get Johnny.
|
|||
|
|
He was in the woods. I found him, and I...
|
|||
|
|
It's all one big blur, like one big blackout.
|
|||
|
|
I have all these marks on my body, and my shirt is broken, and I don't remember.
|
|||
|
|
I don't understand.
|
|||
|
|
So you're telling me this is real.
|
|||
|
|
Yes.
|
|||
|
|
It looks like it's native, handmade.
|
|||
|
|
It looks like it's just a prop to me.
|
|||
|
|
Well, if it's a prop, it's really well-made 'cause you see the barbs.
|
|||
|
|
They're curved.
|
|||
|
|
That's exactly how it should look.
|
|||
|
|
This is ox.
|
|||
|
|
It's real ox.
|
|||
|
|
And it's balanced for throwing.
|
|||
|
|
It just looks perfect.
|
|||
|
|
It's your choice to believe in it or not, but this is real, so...
|
|||
|
|
I don't have to deal with lies in figuring out what is true, what is not.
|
|||
|
|
I have to know the environment I'm in.
|
|||
|
|
I have to know what's out there in order to protect myself and survive.
|
|||
|
|
Look at this.
|
|||
|
|
So, I found this symbol that is really strange.
|
|||
|
|
It has four lines and little triangles on the ends.
|
|||
|
|
Then I found another one and another one, and I realized it's a path.
|
|||
|
|
I should follow them.
|
|||
|
|
At the end, it was very close to the settlement.
|
|||
|
|
I found the last one.
|
|||
|
|
And I found this box.
|
|||
|
|
It was a metal box.
|
|||
|
|
I opened it, and it was a book.
|
|||
|
|
I didn't understand anything because it was in a different language.
|
|||
|
|
I would assume it's Russian because it's cyrillic letters.
|
|||
|
|
In the middle of me looking at it, somebody was watching at me.
|
|||
|
|
It was a person.
|
|||
|
|
He's staring at me.
|
|||
|
|
And he just disappeared in a second.
|
|||
|
|
So there are people out there.
|
|||
|
|
Hey.
|
|||
|
|
I was just gonna try and make things better, and, like, apologize, and just wanted to let her know that I didn't, you know, I didn't want to screw anything up or make anything awkward for her.
|
|||
|
|
I guess I was in a weird mood, and I just want to apologize because I don't want to make you feel uncomfortable or anything, because I'm really glad you're--
|
|||
|
|
When I realized what Annie's real feelings were for me, I just thought... "I'm sort of open to love in any form right now."
|
|||
|
|
So I kissed her.
|
|||
|
|
Which I kind of surprised myself at, to be honest.
|
|||
|
|
Don't worry about it.
|
|||
|
|
Hey.
|
|||
|
|
Hey.
|
|||
|
|
Can I have a seat?
|
|||
|
|
How are you feeling?
|
|||
|
|
I'm okay.
|
|||
|
|
You?
|
|||
|
|
I wanted to go check on her to see how she was doing 'cause I knew she had scratches and stuff on her, and she was sure freaked out like I was.
|
|||
|
|
Do you remember anything from last night?
|
|||
|
|
No.
|
|||
|
|
I don't remember a thing.
|
|||
|
|
I don't remember anything either.
|
|||
|
|
But I know you didn't hurt me.
|
|||
|
|
I would never hurt you.
|
|||
|
|
Can I ask you something, though?
|
|||
|
|
Why'd you set me up?
|
|||
|
|
With the shed and the food?
|
|||
|
|
She couldn't even look me in the eye.
|
|||
|
|
And I was like, "Well..."
|
|||
|
|
I was like, "It tells me all I need to know," so I was like-- got the hell out of there.
|
|||
|
|
Johnny.
|
|||
|
|
Johnny.
|
|||
|
|
Stop, please.
|
|||
|
|
Johnny, wait for me.
|
|||
|
|
- Give me a break.
|
|||
|
|
Oh, my God.
|
|||
|
|
- Hey.
|
|||
|
|
I know that. I know that.
|
|||
|
|
- Johnny.
|
|||
|
|
- I know that.
|
|||
|
|
You're an actress.
|
|||
|
|
She said, like, this slogan.
|
|||
|
|
Like, "I know that. I know that from somewhere."
|
|||
|
|
And then it just-- the light bulb went off.
|
|||
|
|
Yeah, that's like your slogan.
|
|||
|
|
She's that actress from that show that--
|
|||
|
|
I'm like, "That's how I know you."
|
|||
|
|
I didn't want to do that.
|
|||
|
|
I didn't want- - I asked them.
|
|||
|
|
You didn't want to do what?
|
|||
|
|
I didn't want to burn it down.
|
|||
|
|
I didn't want to set you up.
|
|||
|
|
They told me to.
|
|||
|
|
Who's they?
|
|||
|
|
The producers.
|
|||
|
|
So you're-- you're helping the show?
|
|||
|
|
Subtitles by DramaFever
|
|||
|
|
Thank you.
|
|||
|
|
Sorry, I have to keep holding on to feel calm.
|
|||
|
|
Let's go.
|
|||
|
|
- Is this far enough?
|
|||
|
|
- Yes.
|
|||
|
|
Is this far enough?
|
|||
|
|
I don't think a ghost followed me.
|
|||
|
|
There aren't any.
|
|||
|
|
Then why are you still holding on?
|
|||
|
|
My hand just keeps going towards your body. I'm not an object that you can touch however you please.
|
|||
|
|
Of course. You're a very expensive man.
|
|||
|
|
I thought you wouldn't let me touch you because you were mad.
|
|||
|
|
Thank you so much for helping me.
|
|||
|
|
I'm valued at a very high cost.
|
|||
|
|
So be careful.
|
|||
|
|
That's right. I'm just someone valuable who sees ghosts. You're valued high for now, but if you go overboard, your value goes down.
|
|||
|
|
Then there will be serious consequences.
|
|||
|
|
Yes, I'm sorry.
|
|||
|
|
I was just trying to make you feel comfortable.
|
|||
|
|
Don't bother.
|
|||
|
|
All I need is your sixth sense to get in touch with Hee Joo.
|
|||
|
|
I understand.
|
|||
|
|
I went overboard.
|
|||
|
|
I'll just focus on using my sixth sense, nothing else.
|
|||
|
|
You'll start work tomorrow.
|
|||
|
|
I've found you a position.
|
|||
|
|
Really?
|
|||
|
|
I've always gotten fired because of the ghosts.
|
|||
|
|
I never thought I'd find work again.
|
|||
|
|
Thank you, President Joo.
|
|||
|
|
I'll work really hard to look out for ghosts from now on.
|
|||
|
|
I'll be here to protect you so do all that you can.
|
|||
|
|
Yes, I'll do well.
|
|||
|
|
But the salary... will you really deduct from my pay if I touch you?
|
|||
|
|
Holding hands is 100,000 won. Hugging is 1,000,000 won.
|
|||
|
|
I took it all out from your salary.
|
|||
|
|
Wait, I think that's too much.
|
|||
|
|
100,000 won.
|
|||
|
|
I won't touch you so carelessly.
|
|||
|
|
I'm warning you to be careful. If you keep touching me, you'll never see your salary.
|
|||
|
|
You should only touch me when absolutely necessary. Calculate well.
|
|||
|
|
I understand.
|
|||
|
|
So expensive...
|
|||
|
|
Doesn't matter if you're uncomfortable.
|
|||
|
|
The truth is, you need me.
|
|||
|
|
No matter how expensive my body can protect you.
|
|||
|
|
But if you put it that way, you need me, too.
|
|||
|
|
I'm the only one who can connect you with Cha Hee Joo.
|
|||
|
|
That's right.
|
|||
|
|
I do need you.
|
|||
|
|
That's right.
|
|||
|
|
You feel like you'd die without me, right?
|
|||
|
|
Without you... I'd feel inconvenienced.
|
|||
|
|
- Then hear me out... - Get lost.
|
|||
|
|
President, you were joking about the salary, right?
|
|||
|
|
If I were kidding, you would be laughing.
|
|||
|
|
100,000 won.
|
|||
|
|
Not even worth a bottle of champagne.
|
|||
|
|
1,000,000 won.
|
|||
|
|
I hugged her for not even the price of a refrigerator.
|
|||
|
|
I was too cheap.
|
|||
|
|
Was President Joo here?
|
|||
|
|
He was so cool before.
|
|||
|
|
Hey, come to your senses.
|
|||
|
|
He didn't hug you because he liked you.
|
|||
|
|
He was making the ghosts go away.
|
|||
|
|
If you keep thinking like this, it'll get dangerous.
|
|||
|
|
Well, I guess it's possible for two people to feel nervous around each other.
|
|||
|
|
You see ghosts, but that doesn't mean you are one.
|
|||
|
|
Okay. Today, I'll hug you a lot.
|
|||
|
|
1,000,000 won!
|
|||
|
|
2,000,000 won!
|
|||
|
|
I love you.
|
|||
|
|
Hey ghost, go away.
|
|||
|
|
Like it?
|
|||
|
|
Episode 5
|
|||
|
|
We found the perfect wife for your grandson.
|
|||
|
|
How old is she?
|
|||
|
|
Is she about Ji Woo's age?
|
|||
|
|
She's the same age as Ji Woo.
|
|||
|
|
And she died at the same age as Ji Woo.
|
|||
|
|
I prepared these for Ji Woo's wedding.
|
|||
|
|
I checked both their histories and picked a date for the wedding.
|
|||
|
|
I can feel that Ji Woo's soul is near. If we can find a suitable match for him, he can leave peacefully. Ji Woo.
|
|||
|
|
It seems your grandson does not approve of the lady.
|
|||
|
|
I'll come back once I find someone more suitable for Ji Woo.
|
|||
|
|
Kang Woo!
|
|||
|
|
They delivered milk!
|
|||
|
|
Are you going to have one?
|
|||
|
|
- You guys can have it.
|
|||
|
|
- Thanks.
|
|||
|
|
Kang Woo, that lady got a job at the same place you work.
|
|||
|
|
She just left.
|
|||
|
|
A job?
|
|||
|
|
She says she doesn't think she'll get fired this time.
|
|||
|
|
You should protect her.
|
|||
|
|
She says that scary people follow her around and bother her.
|
|||
|
|
What kind of people?
|
|||
|
|
You'll know when you see her later.
|
|||
|
|
Be brave and don't run away.
|
|||
|
|
Protect Gong Shil.
|
|||
|
|
You said you like her.
|
|||
|
|
I like her, but she doesn't like me.
|
|||
|
|
Keep on drinking. If we're brave and don't run away, we can keep drinking the milk.
|
|||
|
|
Drink.
|
|||
|
|
Go away.
|
|||
|
|
Stop following me!
|
|||
|
|
Let me live! Stop bothering me!
|
|||
|
|
What?
|
|||
|
|
Who is it?
|
|||
|
|
- Did he go this way?
|
|||
|
|
- Oh, no...
|
|||
|
|
I'll buy you coffee.
|
|||
|
|
Come back later.
|
|||
|
|
Kang Woo!
|
|||
|
|
Kang Woo...
|
|||
|
|
Kang Woo...
|
|||
|
|
I think I lost him.
|
|||
|
|
Who was it?
|
|||
|
|
Was it a thief?
|
|||
|
|
It's not a big deal.
|
|||
|
|
Don't worry about it.
|
|||
|
|
Seung Mo said there was someone who kept following you around.
|
|||
|
|
Well, it's sort of true...
|
|||
|
|
I did think something was strange.
|
|||
|
|
You always seemed uncomfortable and were wandering around.
|
|||
|
|
That's why you take the long way back home, right?
|
|||
|
|
Gong Shil, by any chance... are you in debt?
|
|||
|
|
Are the people following you around loan sharks?
|
|||
|
|
No.
|
|||
|
|
Then what is it?
|
|||
|
|
Well... the things that are following me around... are ghosts.
|
|||
|
|
There's one right next to you now.
|
|||
|
|
Kang Woo!
|
|||
|
|
What's bothering you?
|
|||
|
|
He's ... a ghost... a ghost-like stalker.
|
|||
|
|
Stalker?
|
|||
|
|
He keeps following me around and bothering me.
|
|||
|
|
Have you reported him? Should we go to the police station?
|
|||
|
|
No, I don't want to go to the police.
|
|||
|
|
I found a way to live with it. You really don't have to worry.
|
|||
|
|
Then should I help you out?
|
|||
|
|
I know how to get rid of stalkers.
|
|||
|
|
Are you saying you'll be my bodyguard?
|
|||
|
|
I'm grateful for the offer, but you won't be able to do it.
|
|||
|
|
I'm pretty good though.
|
|||
|
|
I won't charge you.
|
|||
|
|
Then... can I depend on you?
|
|||
|
|
It's Ms. Tae.
|
|||
|
|
Looks like Kang Woo is with her.
|
|||
|
|
The sun is shining bright for her first day of work.
|
|||
|
|
The sun is too bright. It's giving me an annoying fever.
|
|||
|
|
President Joo gave you a job. I guess he doesn't think you're crazy.
|
|||
|
|
He trusted me with a very important job.
|
|||
|
|
Are you helping him with something personal?
|
|||
|
|
What kind of work?
|
|||
|
|
Well the thing is... So...
|
|||
|
|
It's President Joo's car.
|
|||
|
|
I'm late.
|
|||
|
|
I have to go!
|
|||
|
|
Hello, President Joo.
|
|||
|
|
Tae Gong Shil. You're as fast as a ghost.
|
|||
|
|
Of course, I have to get to work before you. Since I am your secretary...
|
|||
|
|
Secretary?
|
|||
|
|
Who?
|
|||
|
|
You? According to who?
|
|||
|
|
Did Mr. Kim say so?
|
|||
|
|
I didn't say anything to her.
|
|||
|
|
Aren't I working here as your secretary?
|
|||
|
|
This is not where you'll be.
|
|||
|
|
Then where will I be?
|
|||
|
|
This is the place.
|
|||
|
|
But this is a storage room. This was a room for the VIP members, but there isn't any use for it anymore.
|
|||
|
|
So, now we use it as storage.
|
|||
|
|
What will be my responsibilities?
|
|||
|
|
Officially, your title is 'Advisor for Special Customer Services'. but in reality, you'll be cleaning up the storage room.
|
|||
|
|
Ms. Tae seems disappointed since it wasn't what she expected.
|
|||
|
|
Really?
|
|||
|
|
But it suits her just fine.
|
|||
|
|
'Advisor for Special Customer Services'.
|
|||
|
|
How can I advise any customers here?
|
|||
|
|
Why is my first customer a ghost?
|
|||
|
|
I said I'd get you coffee!
|
|||
|
|
Do you know that woman?
|
|||
|
|
She's Chinese, and she's renowned for her matchmaking skills.
|
|||
|
|
She only arranges marriages for the wealthy dead.
|
|||
|
|
Dead people?
|
|||
|
|
Marriages for the dead spirits.
|
|||
|
|
If there is a dead child in the family, she'll find a worthy match and arrange the marriage.
|
|||
|
|
She's a ghost matchmaker. They call her 'Madam Go'.
|
|||
|
|
Wealthy families sure do strange things.
|
|||
|
|
I hear you got a room for Bang Shil.
|
|||
|
|
Where is it?
|
|||
|
|
We got her an office, not a room.
|
|||
|
|
And it's Gong Shil, not Bang Shil.
|
|||
|
|
I love you.
|
|||
|
|
Center for special customer services?
|
|||
|
|
There's such a department at Kingdom?
|
|||
|
|
There is.
|
|||
|
|
The room is hard to find, but it kind of looks like a garage.
|
|||
|
|
Anyway, good for you.
|
|||
|
|
It'll be bad if weird things visit you there.
|
|||
|
|
It's already here.
|
|||
|
|
It is?
|
|||
|
|
One for you... One for him...
|
|||
|
|
I think he's addicted to the coffee here.
|
|||
|
|
He keeps following me.
|
|||
|
|
He's my first customer.
|
|||
|
|
If he's your customer, take him to your center for coffee.
|
|||
|
|
He likes it here.
|
|||
|
|
I'll go now.
|
|||
|
|
You should visit.
|
|||
|
|
Hey!
|
|||
|
|
Now what?
|
|||
|
|
Hey, why do you ask for coffee and never tell me how you died?
|
|||
|
|
Tell me.
|
|||
|
|
How did someone as young as you die?
|
|||
|
|
Tell me.
|
|||
|
|
Someone who has one foot in the spirit world.
|
|||
|
|
This lady will do. I spoke with the president of Giant Mall yesterday.
|
|||
|
|
I'm guessing you weren't just exchanging greetings.
|
|||
|
|
We also exchanged information.
|
|||
|
|
The president of Giant Mall has a lot of business leverage.
|
|||
|
|
He's thinking of partnering with Mrs. Wang for the Shanghai distribution.
|
|||
|
|
Mrs. Wang of the Shanghai distribution?
|
|||
|
|
I heard she gave up on business after her grandson died.
|
|||
|
|
The president of Giant Mall is making an empty partnership.
|
|||
|
|
Is he trying to build a lie?
|
|||
|
|
But still, it would be worth looking into.
|
|||
|
|
Mrs. Wang could be Kingdom's VIP member.
|
|||
|
|
Oh, about the Center for Special Customer Services that you set up...
|
|||
|
|
Someone had paid her a visit already.
|
|||
|
|
Just letting you know. Not bad, right?
|
|||
|
|
Your aunt stopped by to ask me for a favor.
|
|||
|
|
Work?
|
|||
|
|
She said to go visit Chairman Wang.
|
|||
|
|
Chairman Wang, I heard her grandson died not long ago.
|
|||
|
|
What if you see him there?
|
|||
|
|
Do you think so?
|
|||
|
|
Then, I don't think I can go.
|
|||
|
|
No, if you see him there, go meet him.
|
|||
|
|
What? Ask him about his grandmother's business plans. Ask him if she has any plans to join Giant.
|
|||
|
|
But I'm scared.
|
|||
|
|
Is President Wang an important person?
|
|||
|
|
Very important.
|
|||
|
|
Ask her no matter what. Since she's important to you, I'll go. But I won't be able to sleep if I see something scary...
|
|||
|
|
You have me to protect you.
|
|||
|
|
Do well.
|
|||
|
|
If you're scared, I'll hold you.
|
|||
|
|
Madam. This is the lady.
|
|||
|
|
Can you please change into these clothes?
|
|||
|
|
You want me to wear this?
|
|||
|
|
It's a favor.
|
|||
|
|
I'm not mentioning that girl because it's better than hanging onto Hee Joo.
|
|||
|
|
She seems a bit lacking, but she seems pretty normal.
|
|||
|
|
She's definitely not normal. She's doing work I've asked her to do, so please don't give her extra assignments.
|
|||
|
|
I didn't give her extra work.
|
|||
|
|
Madam Go asked for her particularly, which is why I sent her.
|
|||
|
|
Madam Go?
|
|||
|
|
She's the woman who arranges spirit marriages for those who've passed.
|
|||
|
|
Seeing that she's taking her to Mrs. Wang, the rumors must be true.
|
|||
|
|
What rumor?
|
|||
|
|
I hear she's on the lookout for a wife to pair up with her dead grandson.
|
|||
|
|
This is amusing. Ghost rumors.
|
|||
|
|
But why would she insist on taking Bang Shil with her?
|
|||
|
|
President Joo. I was a bit scared, but now that you've called, I feel better.
|
|||
|
|
Are you okay?
|
|||
|
|
What did you see there?
|
|||
|
|
Oh... her dead grandson.
|
|||
|
|
I think he's inside this house.
|
|||
|
|
I saw his portrait, and he was very young and handsome.
|
|||
|
|
His grandmother is sad he spent all his time in the house sick.
|
|||
|
|
He never go to be in love.
|
|||
|
|
What are you doing there?
|
|||
|
|
They asked me to put on some clothes, so I tried it on.
|
|||
|
|
Clothes?
|
|||
|
|
Why'd they ask you to do that?
|
|||
|
|
I don't know. It's a very pretty dress, the kind you see in movies.
|
|||
|
|
They mentioned it was a Chinese cheongsam for weddings.
|
|||
|
|
A what?
|
|||
|
|
Why would you wear that?
|
|||
|
|
Take it off and get out of there.
|
|||
|
|
Why?
|
|||
|
|
Get out. Right now!
|
|||
|
|
But you said it was important.
|
|||
|
|
I'll see what I can do before I leave.
|
|||
|
|
Tae Gong Shil. Tae Gong Shil!
|
|||
|
|
Whatever.
|
|||
|
|
She's not a real employee anyway.
|
|||
|
|
Since it's important to you, I'll go.
|
|||
|
|
She should get out if she's afraid of ghosts.
|
|||
|
|
Why is she doing everything I ask her to do?
|
|||
|
|
Whatever. Whatever!
|
|||
|
|
I think it was here.
|
|||
|
|
Is this the dead grandson's room?
|
|||
|
|
It's locked.
|
|||
|
|
Please open! Please open!
|
|||
|
|
Please spend the night in this room.
|
|||
|
|
Who are you?
|
|||
|
|
Ma'am, we have a visitor.
|
|||
|
|
What are you doing here President Joo?
|
|||
|
|
I'm here for my employee who came to make a delivery.
|
|||
|
|
Where is she? Do presidents come directly to look for their employees?
|
|||
|
|
If she was just any employee, you wouldn't have especially requested for her.
|
|||
|
|
I invited her here to ask her for a favor.
|
|||
|
|
I'll take good care of her, so please go on ahead.
|
|||
|
|
Who is she with?
|
|||
|
|
Is it your dead grandson?
|
|||
|
|
It's something important to me.
|
|||
|
|
Get out! She's an important employee.
|
|||
|
|
I'll stick around.
|
|||
|
|
- Where is she?
|
|||
|
|
- What? I said where is she?
|
|||
|
|
Open it.
|
|||
|
|
I said open it.
|
|||
|
|
Open it.
|
|||
|
|
Open it for him.
|
|||
|
|
You'll regret it if you open it.
|
|||
|
|
Your financial advisor paid me a visit.
|
|||
|
|
I can join forces with you.
|
|||
|
|
It's all in your hands.
|
|||
|
|
What are you going to do?
|
|||
|
|
- Then I will...
|
|||
|
|
- President Joo...
|
|||
|
|
Go back in.
|
|||
|
|
I'm here.
|
|||
|
|
President Joo, you're here.
|
|||
|
|
She opened the door.
|
|||
|
|
I didn't.
|
|||
|
|
It's all ruined, Ma'am.
|
|||
|
|
Ma'am, your grandson has a message for you.
|
|||
|
|
My Ji Woo?
|
|||
|
|
I'll just say it verbatim.
|
|||
|
|
Grandma, are you senile?
|
|||
|
|
Just stop it! And tell that lady to get lost. She makes me want to puke!
|
|||
|
|
It's my Ji Woo.
|
|||
|
|
We have to take measures of precaution before Joong Won falls for Bang Shil.
|
|||
|
|
I'm thinking of slowly pairing him up with a better woman.
|
|||
|
|
Who?
|
|||
|
|
There's someone.
|
|||
|
|
Explode like the fire from the propane!
|
|||
|
|
Raise it.
|
|||
|
|
Raise it up. As if you're the fireworks. Passionately.
|
|||
|
|
Like it's consuming your body.
|
|||
|
|
Raise your dress up. Raise it up!
|
|||
|
|
- Raise it up?
|
|||
|
|
- Way up!
|
|||
|
|
Stretch it up!
|
|||
|
|
- Then wither down. - I'm not doing this.
|
|||
|
|
Wait a minute.
|
|||
|
|
Let Yi Ryung drink some water.
|
|||
|
|
- How much left.
|
|||
|
|
- Just one more scene.
|
|||
|
|
What?
|
|||
|
|
My arm is about to fall off.
|
|||
|
|
I'm only going to hold the lid.
|
|||
|
|
Miss Yi Ryung. The original concept was a wedding, since my wedding was called off, we had to changed it.
|
|||
|
|
You have a lot of issues now that you're wedding is canceled.
|
|||
|
|
If only your friend had not interfere with your marriage.
|
|||
|
|
My friend?
|
|||
|
|
Didn't I tell you?
|
|||
|
|
I meant to tell you.
|
|||
|
|
The lady who got your wedding called off was your high school friend.
|
|||
|
|
She works at Kingdom now.
|
|||
|
|
Is it Tae Gong Shil by any chance?
|
|||
|
|
So, it was Tae Gong Shil?
|
|||
|
|
A business deal fell through. Then someone in the family got sick.
|
|||
|
|
All the misfortune was blamed on Ji Woo.
|
|||
|
|
The business didn't do well because of the global economic crisis.
|
|||
|
|
Everyone has a sick person in the family.
|
|||
|
|
How did it become all about ghosts?
|
|||
|
|
Because of... that.
|
|||
|
|
It's because of that.
|
|||
|
|
It's been 100 days since Ji Woo passed, but the flowers are still fresh.
|
|||
|
|
As time passed, everyone began to fear this fact.
|
|||
|
|
He's waiting for someone he likes.
|
|||
|
|
That never even crossed my mind.
|
|||
|
|
He was sick since he was a child. He had no friends because he was always in the hospital and this house. He also had a temper, so no one got close to him.
|
|||
|
|
This is too hot!
|
|||
|
|
He was always a sensitive child.
|
|||
|
|
And it was hard for others to connect with him.
|
|||
|
|
That child... had this girl that he liked.
|
|||
|
|
I want to meet her for once as well.
|
|||
|
|
You will be able to meet her.
|
|||
|
|
Right?
|
|||
|
|
I don't know. I only know this kind of person.
|
|||
|
|
My employee will visit here back and forth and find out about it by talking a lot with your grandson.
|
|||
|
|
Didn't you say she's an important employee so you have to take her with you?
|
|||
|
|
Not at all. The only thing important to me is you, Ma'am.
|
|||
|
|
Anyways, I will say it again I did not open the door.
|
|||
|
|
How much are you looking into the investment in China?
|
|||
|
|
Well... I will need definite details from Kingdom.
|
|||
|
|
Then, I will consider it.
|
|||
|
|
Our team will...
|
|||
|
|
Miss!
|
|||
|
|
I think my employee saw something.
|
|||
|
|
Excuse me... who is the person that came here just now?
|
|||
|
|
The kid who came to deliver milk?
|
|||
|
|
Was the milk delivery kid close with the grandson here?
|
|||
|
|
I didn't know who he was... Oh, the boy who delivered last time... spoke a lot with the young master, and they also played games together.
|
|||
|
|
Did you find out who it is?
|
|||
|
|
I think so.
|
|||
|
|
Who is the woman that this family's grandson waited for day and night?
|
|||
|
|
It's... not a girl... It's a guy.
|
|||
|
|
I think he's waiting for the milkman.
|
|||
|
|
A guy?
|
|||
|
|
Miss?
|
|||
|
|
- Did you figure something out?
|
|||
|
|
- Yes, well...
|
|||
|
|
No, Ma'am. She says she still doesn't know.
|
|||
|
|
We will come back tomorrow.
|
|||
|
|
Let's go.
|
|||
|
|
President Joo.
|
|||
|
|
How can you just leave? She's waiting, shouldn't we let her meet him? Are you telling me to drop a bomb on that grandma's face who's expecting to see her grandson's beautiful first love?
|
|||
|
|
The important thing is to make that grandma feel happy. So, what are you going to do?
|
|||
|
|
The first love... with the eyes of a pretty nurse in the hospital... or with a teacher who taught piano... let's split the fee with that in half with the ghost.
|
|||
|
|
But that's a lie.
|
|||
|
|
You said you didn't like lying yourself.
|
|||
|
|
When I made up the story about Hee Joo didn't you say that you didn't like lying?
|
|||
|
|
That kid is so pitiful.
|
|||
|
|
He has no one and he's waiting for the person that he liked.
|
|||
|
|
But, I'll do what you say.
|
|||
|
|
Either just leave like this or go inside and tell her.
|
|||
|
|
Make a decision.
|
|||
|
|
Go.
|
|||
|
|
Find the milkman.
|
|||
|
|
Instead... let's not make it sound like it's his first love.
|
|||
|
|
Tae Gong Shil, come fast.
|
|||
|
|
I will crush you.
|
|||
|
|
- Are you the stalker?
|
|||
|
|
- What is this?
|
|||
|
|
Tae Yi Ryung, you again?
|
|||
|
|
Get off, you jerk!
|
|||
|
|
I'm acting like this only because I shot my commercial today or else you'll be sued.
|
|||
|
|
There's no scratch.
|
|||
|
|
It's going to swell up.
|
|||
|
|
Then why did you come to vent out on your friend about your canceled wedding?
|
|||
|
|
I didn't come to vent out but to take revenge.
|
|||
|
|
But looking at it, it doesn't seem to be a victim's revenge.
|
|||
|
|
What are you going to do?
|
|||
|
|
I'm going to tell her to watch out, I'm going to steal the guy.
|
|||
|
|
The guy? President Joo.
|
|||
|
|
I'm going to flirt with him and declare war to make her cry her eyes out.
|
|||
|
|
You don't think I'll be able to do it?
|
|||
|
|
I'm Tae Yi Ryung...
|
|||
|
|
So, you're going to war, but a secret weapon... is important for battle.
|
|||
|
|
Should I do that?
|
|||
|
|
You're going to help me?
|
|||
|
|
But, there's a condition.
|
|||
|
|
Find out the reason why President Joo is interested in Tae Gong Shil.
|
|||
|
|
Why are you curious about that?
|
|||
|
|
Do you perhaps like Tae Gong Shil?
|
|||
|
|
Well... let's say I do.
|
|||
|
|
Wait, I think it's turning blue.
|
|||
|
|
Hey! Why are you talking down to me? I could just tell you look younger than me.
|
|||
|
|
You sure do look older than me.
|
|||
|
|
Want me to treat you like an old person?
|
|||
|
|
Fine. Talk in that familiar form.
|
|||
|
|
Now that we're on the same side... want to go for a drink to commemorate?
|
|||
|
|
Drink by yourself.
|
|||
|
|
It's that guy from before.
|
|||
|
|
Excuse me, I'd like to ask you something.
|
|||
|
|
You deliver milk in the neighborhood up there, right?
|
|||
|
|
Do you happen to know the person who delivered there before?
|
|||
|
|
The person's over there.
|
|||
|
|
It looks like him.
|
|||
|
|
He looks sturdy. Excuse me!
|
|||
|
|
Yes?
|
|||
|
|
You know Ji Woo, right?
|
|||
|
|
Ji Woo?
|
|||
|
|
Who's the person that used to deliver milk to that house?
|
|||
|
|
I did. I'm the one who used to bring deliveries to Ji Woo's house.
|
|||
|
|
He said it was a guy...
|
|||
|
|
There was a lot of misunderstandings like that before I grew my hair out.
|
|||
|
|
She may look like a girl, but she's totally a guy.
|
|||
|
|
She's the one, right?
|
|||
|
|
So, you're the one that Ji Woo is waiting for.
|
|||
|
|
Hey, delivery!
|
|||
|
|
Shouldn't you deliver it properly?
|
|||
|
|
The milk is all squashed.
|
|||
|
|
Even though it's squashed it still tastes the same.
|
|||
|
|
Even though it tastes the same, I don't like it looking ugly. Just like you.
|
|||
|
|
I don't like being unlucky either. Just like you.
|
|||
|
|
What?
|
|||
|
|
What are you doing?
|
|||
|
|
Delivery, you're really a girl after all!
|
|||
|
|
An ugly girl.
|
|||
|
|
It's fortunate.
|
|||
|
|
That she's a girl, how fortunate.
|
|||
|
|
I am aware of what happened to Ji Woo.
|
|||
|
|
I don't want to really talk about it. Please leave.
|
|||
|
|
There's something we really wanted to show you.
|
|||
|
|
It'll be great if you can go and take a look.
|
|||
|
|
It's a very pretty flower.
|
|||
|
|
A green rose.
|
|||
|
|
There are many kinds of roses.
|
|||
|
|
And many colors, too.
|
|||
|
|
Then are there green roses as well?
|
|||
|
|
I like the color green.
|
|||
|
|
We do have green roses.
|
|||
|
|
Awesome, they must be pretty.
|
|||
|
|
They're not pretty at all. They look like cabbages, just like you.
|
|||
|
|
Hey! If I grow out my hair and doll up, I'm fine too.
|
|||
|
|
Why do you keep saying I'm ugly?
|
|||
|
|
You look ugly. I can't even tell if you're a guy or a girl.
|
|||
|
|
I think being weak is girly.
|
|||
|
|
As I expected it was not good with a tomboy like you.
|
|||
|
|
Hey.
|
|||
|
|
Don't cry. If you cry, you'll get uglier.
|
|||
|
|
I don't cry over a guy like you who's weak and grows flowers.
|
|||
|
|
I really don't like guys like you.
|
|||
|
|
Ji Woo.
|
|||
|
|
Ji Woo.
|
|||
|
|
They're very pretty.
|
|||
|
|
You lied saying they were ugly. I wanted to show you too, so I grew out my hair. But you died, like a fool.
|
|||
|
|
Farewell.
|
|||
|
|
Farewell, my baby.
|
|||
|
|
Farewell.
|
|||
|
|
The meaning of a green rose is a noble love that exists only in heaven.
|
|||
|
|
It's fortunate that Ji Woo, that girl and the grandma found out about the truth, right?
|
|||
|
|
We unveiled a very big secret today.
|
|||
|
|
You did your part, too. So, I'll drive you home today.
|
|||
|
|
Oh, no. I don't want you to go all the way to the front of the study room.
|
|||
|
|
If I ride in your car, it may be awkward if I bump into a certain person.
|
|||
|
|
Oh, you mean Kang Woo? - You guys live together, right? - Yes.
|
|||
|
|
He's really curious about what I do next to you. It's a bit awkward to give him an answer. It seems like you're hiding the fact that you have unique radars from Kang Woo.
|
|||
|
|
That's right. He keeps asking me what I'm afraid of. I told him that it was a stalker.
|
|||
|
|
Are you perhaps bragging right now? It's all thanks to you, President Joo.
|
|||
|
|
Going to work and meeting people.
|
|||
|
|
Stop the car.
|
|||
|
|
- I could go a little further.
|
|||
|
|
- No, I don't want to go any further.
|
|||
|
|
I shouldn't have been too accommodating to you...
|
|||
|
|
Get lost, here.
|
|||
|
|
Okay.
|
|||
|
|
Well then...
|
|||
|
|
What the heck?
|
|||
|
|
You said it was free so I didn't want to just leave.
|
|||
|
|
Then... goodbye.
|
|||
|
|
Let's go.
|
|||
|
|
How come I don't feel afraid after touching his hand?
|
|||
|
|
Why is that?
|
|||
|
|
They don't look like ghosts, but why are they following me?
|
|||
|
|
- Miss! Come with us.
|
|||
|
|
- What are you doing?
|
|||
|
|
Who are you?
|
|||
|
|
Let's go!
|
|||
|
|
Let go, let go!
|
|||
|
|
Kang Woo. Are you okay?
|
|||
|
|
Are those people the ones following you around?
|
|||
|
|
They're people, but why did they follow me?
|
|||
|
|
That's enough.
|
|||
|
|
I came to see you again. But it looks like I won't be able to. You shine too brightly.
|
|||
|
|
That's why the creatures of the darkness follow you.
|
|||
|
|
I shine brightly? They may complain and make a request. You must be alert.
|
|||
|
|
Amongst them, there are some who are looking for a chance.
|
|||
|
|
The chance to come back by using you.
|
|||
|
|
'Darkness will swallow the light...' [Chinese phrase] Darkness will swallow the light and death eventually swallows life.
|
|||
|
|
Be careful and don't get swallowed.
|
|||
|
|
Mom said she was coming now.
|
|||
|
|
Seung Joon, didn't you hear what I said?
|
|||
|
|
Seung Joon!
|
|||
|
|
Seung Joon!
|
|||
|
|
Seung Joon!
|
|||
|
|
Seung Joon, where are you?
|
|||
|
|
Seung Joon!
|
|||
|
|
Seung Joon!
|
|||
|
|
You have to tell me where you're going.
|
|||
|
|
It's a doll.
|
|||
|
|
You can't.
|
|||
|
|
We don't know if someone left it there.
|
|||
|
|
If it's still there later on, then that means it's been thrown out so let's take it then.
|
|||
|
|
Let's go.
|
|||
|
|
How did you meet that swindler?
|
|||
|
|
While working.
|
|||
|
|
You're not explaining in detail once again.
|
|||
|
|
Anyway, it was worth waiting over there.
|
|||
|
|
Do you really like me?
|
|||
|
|
You like me, so that's why you want to know more about me? The reason why I can't say everything about myself is because I really like it when someone likes me.
|
|||
|
|
They might run away if they find out.
|
|||
|
|
You're thinking what kind of big secret does this woman hold that she's trying to scare me away, right?
|
|||
|
|
Is she perhaps a spy?
|
|||
|
|
A criminal?
|
|||
|
|
Or is originally a man?
|
|||
|
|
Various things come to mind, right? But... you're going to be even more surprised than whatever it is that you're thinking of.
|
|||
|
|
I warned you.
|
|||
|
|
Don't come any closer.
|
|||
|
|
Thank you so much for today.
|
|||
|
|
Don't say thank you.
|
|||
|
|
It just makes me feel bad.
|
|||
|
|
You're not the only one who has a secret.
|
|||
|
|
There could be something I'm not saying as well. After listening to your warning... I am kind of scared that I might disappoint you as well.
|
|||
|
|
Sleep tight.
|
|||
|
|
He says he likes me so much, should I just tell him?
|
|||
|
|
Kang Woo, I see ghosts.
|
|||
|
|
How can I say this?
|
|||
|
|
Chairman Wang will be holding hands with my kingdom.
|
|||
|
|
It's an innate choice.
|
|||
|
|
She said she'll hold my hand as well, she said to go to China with her. So?
|
|||
|
|
- Are you going?
|
|||
|
|
- I can't. You're here.
|
|||
|
|
It's too bad, but I declined.
|
|||
|
|
So, is that why you don't have any strength?
|
|||
|
|
Do you really regret declining Chairman Wang's offer?
|
|||
|
|
It's not that, it's something else that I got rejected.
|
|||
|
|
That was very regretful.
|
|||
|
|
And what is that?
|
|||
|
|
The person who likes me.
|
|||
|
|
Thank you.
|
|||
|
|
Thanks.
|
|||
|
|
Hold onto your mom's hand, well.
|
|||
|
|
Thank you.
|
|||
|
|
I can't say that I can see ghosts.
|
|||
|
|
He says that he likes me, so I can't say it even more.
|
|||
|
|
If it can't be then, I just want to pretend to be an a normal person.
|
|||
|
|
But... I'm so depressed. Why do I have to see ghosts?
|
|||
|
|
Tae Gong Shil.
|
|||
|
|
You look more like a normal person than the first time I met you.
|
|||
|
|
Probably think it's because you're arrogant...
|
|||
|
|
I'm so funny, right?
|
|||
|
|
It's because I have some room to breathe. So, I have a lot of time to think about things. I got greedy, too.
|
|||
|
|
Humans want more if they can live.
|
|||
|
|
That can happen.
|
|||
|
|
Thank you, President Joo.
|
|||
|
|
You have become an air defense for me. And a counseling room as well.
|
|||
|
|
You... brought Chairman Wang and broke off the deal with Giant Mall.
|
|||
|
|
So, I'll give you a discount.
|
|||
|
|
Thank you.
|
|||
|
|
But I feel so depressed today, I really don't want to see ghosts today. Can you tag along, when I go home?
|
|||
|
|
Humans bite into it, when they think it's the right time.
|
|||
|
|
That cannot happen.
|
|||
|
|
Okay.
|
|||
|
|
- What's the occasion?
|
|||
|
|
- There wasn't enough. But you know Tae Gong Shil who worked with us?
|
|||
|
|
The reason why she went to customer service was because she received President Joo's special attention.
|
|||
|
|
- President Joo?
|
|||
|
|
- They're that close? There are a lot of evidence already and also a number of people who saw them...
|
|||
|
|
Lee Han Joo's mouth is quite loud, so the rumors are spreading faster than expected.
|
|||
|
|
President Joo should probably hear it by now.
|
|||
|
|
We have to connect like...
|
|||
|
|
- Didn't Gong Shil have a lover?
|
|||
|
|
- She did.
|
|||
|
|
A lover?
|
|||
|
|
Oh, you know she comes to work and leave... with that employee who works on the security team
|
|||
|
|
Then, it's a love triangle? Who is it?
|
|||
|
|
The security team?
|
|||
|
|
Hey!
|
|||
|
|
There's guy who lives together with Tae Gong Shil on our security team.
|
|||
|
|
Who is the person she grabbed and dragged to go home together?
|
|||
|
|
Not only that, he's also her personal bodyguard.
|
|||
|
|
Really?
|
|||
|
|
Tae Gong Shil is trash. But with her dark circles hanging, how can she seduce men?
|
|||
|
|
Right?
|
|||
|
|
I've been watching from afar, but looking at it closely it seems they've grown very close together.
|
|||
|
|
Anyways, who is that guy?
|
|||
|
|
It's me.
|
|||
|
|
Pardon? The one preparing to dive on the hill is me.
|
|||
|
|
It's not easy jumping in.
|
|||
|
|
I would need to brave.
|
|||
|
|
You would need enforcements.
|
|||
|
|
What is trash?
|
|||
|
|
Sorry.
|
|||
|
|
Only deliveries are coming in, instead of the customers.
|
|||
|
|
This is a storage house.
|
|||
|
|
Tae Gong Shil.
|
|||
|
|
- Mr. Kim. - Yes.
|
|||
|
|
When we leave later, we're taking Tae Gong Shil with us.
|
|||
|
|
Yes, Sir.
|
|||
|
|
I want to know you.
|
|||
|
|
I will bring up the courage. So, you should cheer up. I will bring up the courage.
|
|||
|
|
So, you should cheer up.
|
|||
|
|
President Joo.
|
|||
|
|
The person who likes me said he will bring up his courage for me.
|
|||
|
|
He told me to cheer up. And? So, you're going to cheer up and go?
|
|||
|
|
Yes. I want to try to go.
|
|||
|
|
I want to go.
|
|||
|
|
♫ Are you listening to my heart?
|
|||
|
|
♫
|
|||
|
|
♫ Are you looking at my tears?
|
|||
|
|
♫
|
|||
|
|
♫ In this world there is only one...♫ You don't feel anything when I touch you like this.
|
|||
|
|
Right?
|
|||
|
|
Do you really think I'm an air-raid shelter made out of marble?
|
|||
|
|
♫ Why are you always pulling away from me?
|
|||
|
|
♫ ♫ Please stay with me. ♫ You know that can't be.
|
|||
|
|
♫ Please take my hand.♫
|
|||
|
|
I, too, am not indifferent.
|
|||
|
|
So do you feel just a tiny bit?
|
|||
|
|
I always felt a little like that.
|
|||
|
|
You tend to... touch me too randomly.
|
|||
|
|
You didn't seem to think much about it, and I didn't say anything because I didn't want to be the weird person. But it looks like you're starting to react like a normal person would, so I'll ask this of you. When you use me as your secret hideout,
|
|||
|
|
I would like it to be at a friendly level. People staring at us like, "What do they think they're doing?" I don't like it.
|
|||
|
|
This. Friendly.
|
|||
|
|
And this. "What do they think they're doing?" Understand?
|
|||
|
|
I understand. Actually, all that time, I just barged in just to survive not considering whether you liked it or not.
|
|||
|
|
But now I think I should be careful.
|
|||
|
|
Careful, careful.
|
|||
|
|
Yes. Be careful. Be careful of things like this, too.
|
|||
|
|
I'll listen to your ghost stories, so don't go off on your own and end up like this. This kind of concern is friendly.
|
|||
|
|
If I get closer...
|
|||
|
|
"What do they think they're doing?"
|
|||
|
|
Understand?
|
|||
|
|
Yes.
|
|||
|
|
Now let's go, I'll take you.
|
|||
|
|
It's okay, I'll just go on my own.
|
|||
|
|
You had to go to the detention cell and even got hurt.
|
|||
|
|
That much concern, I can give you.
|
|||
|
|
Let's go.
|
|||
|
|
But I need to be careful...
|
|||
|
|
My radar just caught a strange thing.
|
|||
|
|
So hold it. Use it.
|
|||
|
|
It's fine.
|
|||
|
|
You, again... Are you being careful not to be seen with me in front of your Kang Candy?
|
|||
|
|
I'm just being careful.
|
|||
|
|
I have nothing to be careful about. If we happen to bump into him, I'll explain to him that, we don't have a "What do they think they're doing?" kind of relationship, but we just happen to be a little friendly.
|
|||
|
|
Don't worry and just come.
|
|||
|
|
Do you know what an honour it is to have a friendly relationship with the President?
|
|||
|
|
Even Kang Candy will take you more seriously.
|
|||
|
|
Episode 8
|
|||
|
|
CEO Joo Joong Won went to the police station for Tae Gong Shil.
|
|||
|
|
And I'm positive Tae Gong Shil is in some way related to dead Cha Hee Joo.
|
|||
|
|
I let it slip due to a personal feeling.
|
|||
|
|
I'm sorry.
|
|||
|
|
Cha Hee Joo was an orphan. If that woman, too, doesn't have any parents, there's a possibility they met at some kind of orphanage.
|
|||
|
|
I'll look into it.
|
|||
|
|
One more thing.
|
|||
|
|
Find out if that Tae Gong Shil woman has ever lived in or been to Europe.
|
|||
|
|
Yes. Kang Woo, it seemed to me that your interested in her.
|
|||
|
|
Are you alright?
|
|||
|
|
I will be.
|
|||
|
|
Don't pretend to be strong.
|
|||
|
|
Will it hurt?
|
|||
|
|
I will... take care of it.
|
|||
|
|
Mr. CEO.
|
|||
|
|
I'm grateful for today.
|
|||
|
|
And since you did go to the detention cell, make sure to eat tofu.
|
|||
|
|
I don't eat such a thing.
|
|||
|
|
I'll be going. Goodbye.
|
|||
|
|
Tae Gong Shil, about your radar catching a strange thing earlier.
|
|||
|
|
Is there something following you?
|
|||
|
|
Oh, that?
|
|||
|
|
It's nothing scary... but something that needs to be scolded.
|
|||
|
|
So I think I just need to talk it out with it.
|
|||
|
|
You can go now.
|
|||
|
|
Go.
|
|||
|
|
I'm not Candy, I'm a radar.
|
|||
|
|
Pull yourself together!
|
|||
|
|
Ever since I met Tae Gong Shil, I'm eating bitter anti-anxiety pills like vitamins.
|
|||
|
|
Ah, it's bitter.
|
|||
|
|
Water!
|
|||
|
|
Also, since you did go to the detention cell, make sure to eat tofu, CEO.
|
|||
|
|
Does this look like tofu...?
|
|||
|
|
Even when I touch you like this, you don't feel anything, right?
|
|||
|
|
The woman who asked just to sleep holding hands... now she's worrying about anything.
|
|||
|
|
Ah, it's salty. Now that the radar isn't picking up on any ghosts lately, do I have a lust ghost stuck to me now?
|
|||
|
|
You touching here like this earlier, that's called sexual harassment.
|
|||
|
|
It's the same thing as touching someone's butt in the subway.
|
|||
|
|
Are you here again, Super Market Grandma?
|
|||
|
|
!
|
|||
|
|
How can I sleep if you stare at me like that?
|
|||
|
|
!
|
|||
|
|
But since you're here... could you just scare me a little so I get back to my senses?
|
|||
|
|
Stop, stop, please stop!
|
|||
|
|
You can stop now, grandmother!
|
|||
|
|
Stop, just stop! CEO Joo, I heard you had a trip to the police station after personally taking care of something that's not even profitable.
|
|||
|
|
Have a seat.
|
|||
|
|
I was really surprised.
|
|||
|
|
I, too, was quite shocked. I don't have much to say since you did a good deed, but you seem to do things you normally wouldn't do now that you've put Bang Shil by your side.
|
|||
|
|
Your father seems to know about it, too, and started asking me what kind of girl she is.
|
|||
|
|
That's something to be more surprised about.
|
|||
|
|
Are things about me being reported there, too?
|
|||
|
|
It wasn't me!
|
|||
|
|
Last time I talked to him, all we did was talk about golf.
|
|||
|
|
He must've heard about you because things about you are floating around recently.
|
|||
|
|
You're his son, of course, he's interested in you. It's the first time I've had his definite interest in over 34 years, which is so shocking that I'm on the verge of convulsing.
|
|||
|
|
Your father is getting old, so he's probably gaining more interest in his kid.
|
|||
|
|
Right, dear?
|
|||
|
|
Of course!
|
|||
|
|
He's at an age where he likes to see grandchildren and all.
|
|||
|
|
CEO Joo, this time make sure you REALLY succeed.
|
|||
|
|
I don't know...
|
|||
|
|
Maybe he'll have a grandchild through meaningless skinship.
|
|||
|
|
Grandmother, I've already pulled myself together.
|
|||
|
|
So come out of the garbage bins.
|
|||
|
|
Don't do that with your eyes, Grandma!
|
|||
|
|
Just come out-
|
|||
|
|
Kang Woo.
|
|||
|
|
Are you planning to go out for a run this late?
|
|||
|
|
Yes, I'm going out for a short run.
|
|||
|
|
Oh, we were supposed to come home from work together today... I just came on my own, so I'm sorry.
|
|||
|
|
Something unexpected came up, so...
|
|||
|
|
Tae Gong Shil.
|
|||
|
|
I think it'd be best to clean things up while I can.
|
|||
|
|
When I said I liked you, it was a misunderstanding.
|
|||
|
|
What?
|
|||
|
|
It was something I said as a joke to the kids, but you believed it as truth.
|
|||
|
|
I couldn't say it wasn't true. You even told me you were thankful, so I tried to go with it, but I can't anymore.
|
|||
|
|
I'm sorry.
|
|||
|
|
Ah, it was like that... No wonder, I thought it was quite strange.
|
|||
|
|
How embarrassing... You should have told me early on that you didn't have feelings for me. Because you gave me candy, and musical tickets, I guess I got too excited and went overboard.
|
|||
|
|
I don't think you... were hurt because of me. If that's right, then... I don't have to be as sorry, right?
|
|||
|
|
♫ How much more do I have to love you, for you to realize my feelings?
|
|||
|
|
♫ How much time has to pass, for you to love me?
|
|||
|
|
♫ I, who have too much tears, I, who is too dumb to tell you.
|
|||
|
|
♫ My heart hurts... It hurts more today than it did yesterday.
|
|||
|
|
♫ Tomorrow comes...
|
|||
|
|
You need to go get it!
|
|||
|
|
I won't tolerate that!
|
|||
|
|
Unnie!
|
|||
|
|
What's going on?
|
|||
|
|
Help!
|
|||
|
|
Over here! Someone please help!
|
|||
|
|
Over here!
|
|||
|
|
Help me!
|
|||
|
|
Unnie!
|
|||
|
|
Wake up!
|
|||
|
|
Wake up!
|
|||
|
|
Unnie, wake up.
|
|||
|
|
This is already the third accident that has occurred at Kingdom Hotel's pool. They said something pulled her leg from beneath the waters, but there was nothing that could have done that.
|
|||
|
|
If it's not a water ghost, what could it be?
|
|||
|
|
Are you sure it wasn't a prank pulled by a person?
|
|||
|
|
It wasn't just one lifeguard who saw it - many did, and it wasn't a prank pulled by a person. Because this rumor spread during the busiest time of the summer season, we might lose customers to Giant Hotel.
|
|||
|
|
We can't let that happen.
|
|||
|
|
I'll install my radar... at the pool.
|
|||
|
|
Giant Mall building is taller than mine!
|
|||
|
|
Secretary Kim!
|
|||
|
|
Hi, "10 billion won" radar.
|
|||
|
|
We need to run the radar.
|
|||
|
|
You... were you harassed all night?
|
|||
|
|
Your dark circles are about to bury deep into the ground!
|
|||
|
|
The supermarket granny came, so I couldn't sleep all night. Mr. CEO, do I... look sick?
|
|||
|
|
You... always look sick.
|
|||
|
|
But today, more than usual... you look like a zombie.
|
|||
|
|
He says that when he hasn't seen a zombie in real life.
|
|||
|
|
Instead of a zombie, you said you have seen a water ghost, right?
|
|||
|
|
Yes.
|
|||
|
|
A long time ago, when I went to the Han River with my sister to eat chicken...
|
|||
|
|
I was enchanted by a water ghost, and I almost drowned to death!
|
|||
|
|
Water ghost!
|
|||
|
|
I never want to see a water ghost again. Never, ever!
|
|||
|
|
I really hate water ghosts!
|
|||
|
|
I hate them so much!
|
|||
|
|
They're too scary!
|
|||
|
|
Hold it.
|
|||
|
|
With water ghosts, it doesn't help to hold your hand.
|
|||
|
|
Water ghosts.
|
|||
|
|
She shudders at the thought of them.
|
|||
|
|
I feel bad just sending her to catch them.
|
|||
|
|
Mr. CEO gave this, saying you should visit on your day off.
|
|||
|
|
Gift certificate to an all-inclusive package at Kingdom Hotel!
|
|||
|
|
Isn't this place a really awesome place? He included several gift cards, saying you should have a good time with your friends.
|
|||
|
|
Earlier, he said I looked like a zombie... Is he sending me there so I can get some rest?
|
|||
|
|
Yes, yes.
|
|||
|
|
Oh, I'm so happy!
|
|||
|
|
I passed it along. She was really happy about it, and she says she'll go tomorrow.
|
|||
|
|
Yes... I'll send her over there first, then later... I'll tell her to see the ghost.
|
|||
|
|
Yes.
|
|||
|
|
If it's Kingdom Hotel, it will be really luxurious.
|
|||
|
|
What's the occasion?
|
|||
|
|
I have more, so if you want to bring friends, do that..
|
|||
|
|
- Then... should we ask Apt. 404?
|
|||
|
|
- No... No? Well, then let's just pack our suitcase.
|
|||
|
|
Pack a lot of pretty clothes, since we can load them in my car.
|
|||
|
|
Okay. Unnie, I'll take a lot of pretty pictures for you.
|
|||
|
|
Gong Shil, I'm so happy.
|
|||
|
|
Hey, Kingdom Hotel has a pool, right?
|
|||
|
|
Let's pack our swimsuits as well.
|
|||
|
|
Don't you get the chills, with rumors saying there's something in the pool?
|
|||
|
|
There is no such thing!
|
|||
|
|
It isn't like this is the Loch Ness. (Lake in Scotland where the Loch Ness Monster "lives")
|
|||
|
|
You dared to ask me to come and see you?
|
|||
|
|
I'm not a person you can easily meet, on a whim.
|
|||
|
|
Thanks for coming in your busy schedule.
|
|||
|
|
What is it that you wanted to ask me?
|
|||
|
|
Please find out details on Tae Gong Shil, things that can't be found in official records. If you find out through her friends, you'll know whether they have seen her dead parents, and what her relationship was like with her parents, right?
|
|||
|
|
Why do you want to know about her family?
|
|||
|
|
Do you want to marry her?
|
|||
|
|
If I was going to marry her, I wouldn't be doing a background check like this.
|
|||
|
|
I could just meet her family in person!
|
|||
|
|
Oh, that's right.
|
|||
|
|
Then... is this just part of your job?
|
|||
|
|
Keeping your eyes on her?
|
|||
|
|
If that's the case, then I'll help you.
|
|||
|
|
Let's talk while we eat something.
|
|||
|
|
Are you going to help, only if I dine with you?
|
|||
|
|
No, I don't mean that.
|
|||
|
|
I'm just saying it's meal time, so I'll "let" you join me.
|
|||
|
|
If that's the case, then you don't have to "let" me join you.
|
|||
|
|
Call me after you've found out something.
|
|||
|
|
Hey!
|
|||
|
|
I already made reservations... Why is he playing so hard to get, when he's just a "salaryman"? Secretary Kim, are you reporting to my father about me?
|
|||
|
|
I met him last year, and after he went overseas, we've never talked on the phone.
|
|||
|
|
Why do you ask? Considering how he never showed interest in women with whom there were talks of marriage, it's strange that he would suddenly show interest in Tae Gong Shil.
|
|||
|
|
I'm sure he's doing it out of love.
|
|||
|
|
That... is even more ridiculous.
|
|||
|
|
Did Tae Gong Shil leave?
|
|||
|
|
Unnie, this place is awesome!
|
|||
|
|
Get here quickly!
|
|||
|
|
Okay.
|
|||
|
|
I'll pack my stuff and go when I'm done with work.
|
|||
|
|
You take a look around first.
|
|||
|
|
Where are you going? Looks like it's somewhere nice.
|
|||
|
|
You don't need to know.
|
|||
|
|
I'm a career woman!
|
|||
|
|
Why do I have to spy on Tae Gong Shil?
|
|||
|
|
I got something like this.
|
|||
|
|
Bring Kang Woo and come.
|
|||
|
|
You want us to join on Tae sisters' trip?
|
|||
|
|
I, with Gong Shil and Kang Woo... want to do this.
|
|||
|
|
If they get together, I'll buy you food.
|
|||
|
|
Should I report this to the Vice President?
|
|||
|
|
Let's just go have fun. We have to.
|
|||
|
|
Maybe it's because it's wide open, but this place doesn't seem scary.
|
|||
|
|
They're doing fireworks today.
|
|||
|
|
Fireworks can't happen during the day and I'm scared to go out at night.
|
|||
|
|
It's a pie in the sky for me.
|
|||
|
|
Mr. CEO?
|
|||
|
|
Where are you?
|
|||
|
|
I'm at the hotel lobby.
|
|||
|
|
This place is really nice.
|
|||
|
|
Of course, it is.
|
|||
|
|
It's mine after all.
|
|||
|
|
The painting next to you is also really expensive.
|
|||
|
|
Mm, it does look expensive.
|
|||
|
|
Oh, but how do you know where I am?
|
|||
|
|
Because I'm behind you.
|
|||
|
|
Mr. CEO!
|
|||
|
|
How did you come here?
|
|||
|
|
- I followed you.
|
|||
|
|
Did you come alone?
|
|||
|
|
My sister hasn't come yet...
|
|||
|
|
Really?
|
|||
|
|
Let's go eat first.
|
|||
|
|
I'm hungry.
|
|||
|
|
He followed me?
|
|||
|
|
Why?
|
|||
|
|
You have it ready, right?
|
|||
|
|
Yes. After dinnertime, the pool will be off limits to outsiders.
|
|||
|
|
We can go after we eat dinner.
|
|||
|
|
Where are we going?
|
|||
|
|
I'll tell you after we eat.
|
|||
|
|
It looks like Master Joo is doing an event for that girl.
|
|||
|
|
She's so lucky!
|
|||
|
|
She'll get to watch the fireworks at the closed off pool.
|
|||
|
|
Do you have anything you want to eat? Tell me, I'll buy it all for you.
|
|||
|
|
Are you going to buy me something good because I look out of energy?
|
|||
|
|
Yes.
|
|||
|
|
Then, buy everything I want please.
|
|||
|
|
Okay. Let's go.
|
|||
|
|
It's been 15 years since Hee Joo died. Every year, for remembering and helping the place where she grew up, thank you very much.
|
|||
|
|
It's already been 15 years since Cha Hee Joo died.
|
|||
|
|
After she died, I thought about ending my relationship with this place because it felt like I was paying for her life.
|
|||
|
|
But thinking of Joong Won, I think I did well by continuing to come here.
|
|||
|
|
It was here where Joo Goon met Cha Hee Joo for the first time, right?
|
|||
|
|
Yes, that's right.
|
|||
|
|
Chief Kang Woo?
|
|||
|
|
Why did he come here?
|
|||
|
|
Secretary Kim, what are you doing?
|
|||
|
|
Ah, yes. I'm going.
|
|||
|
|
Tae Gong Ri, Tae Gong Shil...
|
|||
|
|
Such sisters have never been at this orphanage.
|
|||
|
|
You didn't even bring Kang Woo, so why are you still coming?
|
|||
|
|
Chief Kang Woo has other business, and I don't ever drop out of something I decide to join.
|
|||
|
|
You couldn't even bring money for gas.
|
|||
|
|
Han Joo has small salary.
|
|||
|
|
Oh.
|
|||
|
|
It's Kim Dong Soo.
|
|||
|
|
- Do you know him?
|
|||
|
|
Oh!
|
|||
|
|
It's the same!
|
|||
|
|
Who is he?
|
|||
|
|
He was the one who ran away with my money and disappeared.
|
|||
|
|
It's my neck.
|
|||
|
|
But... are you following him?
|
|||
|
|
You can't.
|
|||
|
|
We have somewhere else we need to go.
|
|||
|
|
- Shut up!
|
|||
|
|
Hold on tightly.
|
|||
|
|
You can't have alcohol, so at least have this.
|
|||
|
|
Thank you.
|
|||
|
|
Really?
|
|||
|
|
But, by any chance... do you have any other clothes?
|
|||
|
|
My sister's bringing all my clothes, but she's running a bit late...
|
|||
|
|
Just a minute.
|
|||
|
|
If she's going to go in and out of the pool, she'll need a change of clothes...
|
|||
|
|
Should I prepare it?
|
|||
|
|
Hey, tonight President Joo is closing the pool and doing an event.
|
|||
|
|
Wow, whoever girl it's for is so lucky.
|
|||
|
|
It's our loss when we get jealous.
|
|||
|
|
- I wish I can go on a date with him just once.
|
|||
|
|
Event?
|
|||
|
|
For me possibly?
|
|||
|
|
You're going to go to your room, right?
|
|||
|
|
Meet me in two hours at the lobby.
|
|||
|
|
We already ate.
|
|||
|
|
Is there something else?
|
|||
|
|
There's something very important.
|
|||
|
|
If by chance you get surprised, don't get too mad.
|
|||
|
|
Yes. Mr. CEO rented the swimming pool, and the one that he wants to meet in two hours is me.
|
|||
|
|
Then, he closed the pool because of me?
|
|||
|
|
Don't let anyone else enter after I go in.
|
|||
|
|
Yes.
|
|||
|
|
Have the prepared item sent to the guest room I told you about.
|
|||
|
|
Yes!
|
|||
|
|
What... is this?
|
|||
|
|
CEO Joo sent this.
|
|||
|
|
It's so pretty!
|
|||
|
|
It's pretty!
|
|||
|
|
Then, what Mr. CEO said about an important matter...
|
|||
|
|
Mr. CEO.
|
|||
|
|
Did you prepare this for me?
|
|||
|
|
Yes.
|
|||
|
|
There's more.
|
|||
|
|
Look.
|
|||
|
|
♫ It's you
|
|||
|
|
♫ Love that's like destiny ♫ Sad memories that were like shadows
|
|||
|
|
Please go in.
|
|||
|
|
Mr. CEO has been waiting for you.
|
|||
|
|
Is no one really allowed to go in because it's closed off?
|
|||
|
|
Yes, he has ordered not to let anybody in except you two.
|
|||
|
|
[Oh, okay.] I came here because a problem came up at the hotel's pool. I didn't come to play.
|
|||
|
|
Yes.
|
|||
|
|
I'll return after figuring out what it is in the pool.
|
|||
|
|
Yes.
|
|||
|
|
It won't take long.
|
|||
|
|
Hello, 10 billion dollar radar.
|
|||
|
|
You're going to have to use your radar again.
|
|||
|
|
You said you've seen a water ghost before, right?
|
|||
|
|
Yes.
|
|||
|
|
Tae Gong Shil! Tae Gong Shil, where are you going?
|
|||
|
|
Wait a minute!
|
|||
|
|
♫ When you brush by, ♫ My heart that once was cold
|
|||
|
|
♫ Spreads with warmth
|
|||
|
|
That could have been bad.
|
|||
|
|
I would have been so embarrassed.
|
|||
|
|
It would have been a disaster if I went, dressed like that.
|
|||
|
|
♫ I want to quietly approach
|
|||
|
|
♫ And just lean on you But then, why am I so upset?
|
|||
|
|
♫ The distance doesn't get closer.
|
|||
|
|
When your heart doesn't tell you the truth, your symptoms will give you the answer.
|
|||
|
|
♫ It's okay if I can't touch you ♫ It's okay if I can't embrace you ♫ Lonely love, yes I love you as if you're my destiny.
|
|||
|
|
♫ I can feel you
|
|||
|
|
♫ La la la la la la la
|
|||
|
|
Is there anything else you need?
|
|||
|
|
What?
|
|||
|
|
Flowers, champagne, I'll prepare everything.
|
|||
|
|
It's fine.
|
|||
|
|
It seems she's mistaken about something.
|
|||
|
|
Oh my!
|
|||
|
|
Looks like she got kicked out after going in there in a fancy dress.
|
|||
|
|
What is it?
|
|||
|
|
Looks like it's not an event.
|
|||
|
|
You changed.
|
|||
|
|
Yes, I thought it would be uncomfortable.
|
|||
|
|
You looked pretty earlier.
|
|||
|
|
Let's go.
|
|||
|
|
There isn't anything scary here.
|
|||
|
|
There are people who are scarier than ghosts.
|
|||
|
|
Right now, in their eyes, we look like "What do they think they're doing?".
|
|||
|
|
It can't be that way.
|
|||
|
|
I don't care what they think.
|
|||
|
|
I'm looking at you, who is upset by what those people are saying.
|
|||
|
|
Tae Gong Shil. You're upset, aren't you?
|
|||
|
|
Yes.
|
|||
|
|
Running away dressed like that back there; you looked like Candy.
|
|||
|
|
That's right.
|
|||
|
|
Think about it. You invite me here, buy me dinner, send me clothes.
|
|||
|
|
Of course, I'd turn into Candy.
|
|||
|
|
You should have just told me to use my radar.
|
|||
|
|
Why did you do that?
|
|||
|
|
You said you were scared. I'm still your secret hideout.
|
|||
|
|
Forcing you when you said you didn't want to.
|
|||
|
|
I felt guilty.
|
|||
|
|
So, it's like that.
|
|||
|
|
I feel a little bit better now.
|
|||
|
|
Let's go catch that water ghost.
|
|||
|
|
Let's go.
|
|||
|
|
It's okay now, Mr. CEO.
|
|||
|
|
Let my hand go, if you can.
|
|||
|
|
I don't care.
|
|||
|
|
That was fast.
|
|||
|
|
I've asked Gong Shil's closest friends.
|
|||
|
|
Her parents are her biological parents.
|
|||
|
|
They said they were all very close, too.
|
|||
|
|
I even recorded it.
|
|||
|
|
Should I give it to you?
|
|||
|
|
Send it to me.
|
|||
|
|
Thanks a lot.
|
|||
|
|
Hey!
|
|||
|
|
Doing this, we really seem like spies.
|
|||
|
|
I've always wanted to be one.
|
|||
|
|
Aren't you a singer?
|
|||
|
|
I've done a movie, too, you know.
|
|||
|
|
Haven't you done any research on me?
|
|||
|
|
You can find it all on the internet...
|
|||
|
|
How long are you going to follow me?
|
|||
|
|
Salary man, you don't have a car, right?
|
|||
|
|
My car's outside.
|
|||
|
|
It takes anyone, if you can ride it, get on it.
|
|||
|
|
I'm going to take the subway.
|
|||
|
|
That guy, really! Tae Yang, we've been sitting here like this for a while now.
|
|||
|
|
Don't you see anything?
|
|||
|
|
I don't see any.
|
|||
|
|
Could it be in the water?
|
|||
|
|
I'll go and look for it.
|
|||
|
|
Wait for a while.
|
|||
|
|
It might appear when it gets a little darker out. Just like being scared before getting a needle, with a ghost, the moment they're about to pop out is scariest.
|
|||
|
|
And I want to get it done before the fireworks start...
|
|||
|
|
I should hurry and look.
|
|||
|
|
Will you be alright?
|
|||
|
|
Water ghosts are really scary.
|
|||
|
|
If you get caught, they'll drag you down and won't let go.
|
|||
|
|
You'll help me if I don't come up, won't you?
|
|||
|
|
Forget it.
|
|||
|
|
Don't go.
|
|||
|
|
Just go rest and watch the fireworks.
|
|||
|
|
What about the water ghost?
|
|||
|
|
Let's just take care of it, since the pool is empty.
|
|||
|
|
I'll just have the water drained and the pool completely dried for a couple days.
|
|||
|
|
There's an lady over there!
|
|||
|
|
Oh, it's scary!
|
|||
|
|
This must be his house.
|
|||
|
|
Kim Dong Soon, you're dead today!
|
|||
|
|
I'm going to get all my money back, and I'm going to kill you!
|
|||
|
|
He's married.
|
|||
|
|
Are you going to... k...ill... Honey, did you hear about the latest gossip on Tae Yi Ryeong?
|
|||
|
|
I don't like her. It's not even like she's a good singer or anything.
|
|||
|
|
I know, right? She was pretty when she was younger.
|
|||
|
|
Now that she's gotten old, you can really tell she had plastic surgery.
|
|||
|
|
That's right.
|
|||
|
|
Hasn't she lost almost all of her popularity?
|
|||
|
|
Yeh, she's losing popularity to younger, more talented singers, like IU.
|
|||
|
|
Her popularity isn't like what it was before.
|
|||
|
|
Let's get off at the next stop.
|
|||
|
|
Hello.
|
|||
|
|
I'm Tae Yi Reong.
|
|||
|
|
Oh, it's Tae Ri Yeong.
|
|||
|
|
For your information, I'm still very popular.
|
|||
|
|
IU?
|
|||
|
|
I... really... like you, Oppa.
|
|||
|
|
Aigoo! What do I do?
|
|||
|
|
Thank you.
|
|||
|
|
Thank you.
|
|||
|
|
I love you so much!
|
|||
|
|
Please look over here.
|
|||
|
|
Why did you do that?
|
|||
|
|
I was having fun!
|
|||
|
|
You are really.. terrible at singing.
|
|||
|
|
Really? Even so, I'm still pretty, right?
|
|||
|
|
You're saying that again?
|
|||
|
|
Yup.
|
|||
|
|
So, I've decided.
|
|||
|
|
Let's date.
|
|||
|
|
I don't want to.
|
|||
|
|
How can you refuse so quickly!
|
|||
|
|
?
|
|||
|
|
You dog-mannered...
|
|||
|
|
Hey!
|
|||
|
|
It's Tae Ri Yeong.
|
|||
|
|
Wow.
|
|||
|
|
Oh really?
|
|||
|
|
The water ghost is an older woman?
|
|||
|
|
Yes.
|
|||
|
|
Ah, there she is.
|
|||
|
|
Over there?
|
|||
|
|
Yes.
|
|||
|
|
-What is she doing?
|
|||
|
|
She's fixing her make up.
|
|||
|
|
Make up?
|
|||
|
|
Who does a ghost want to show herself to after wearing make up?
|
|||
|
|
Something seems really strange.
|
|||
|
|
She's leaving.
|
|||
|
|
If she's a water ghost, isn't she supposed to stay in the water?
|
|||
|
|
Looks like she's not a water ghost.
|
|||
|
|
Oh my!
|
|||
|
|
What?
|
|||
|
|
What?
|
|||
|
|
She went over there!
|
|||
|
|
What took so long?
|
|||
|
|
That Ahjumma even took a shower, She went to the sauna, and also knocked before going into the restroom.
|
|||
|
|
Can there be such a polite ghost?
|
|||
|
|
I don't think she knows she's dead.
|
|||
|
|
Where is she now?
|
|||
|
|
She's going up there.
|
|||
|
|
The ahjumma is sitting in the chair over there and dining.
|
|||
|
|
She wasn't just staying at the pool?
|
|||
|
|
She's wiping her mouth.
|
|||
|
|
Looks like she's leaving.
|
|||
|
|
To where again?
|
|||
|
|
She's reading a magazine.
|
|||
|
|
What is it?
|
|||
|
|
She just went into that room.
|
|||
|
|
That room is the most expensive room at this hotel.
|
|||
|
|
- Excuse me.
|
|||
|
|
- Yes?
|
|||
|
|
Is there a guest in that room?
|
|||
|
|
No, that room is empty now.
|
|||
|
|
Open it.
|
|||
|
|
In this expensive room, what is that Ahjumma doing?
|
|||
|
|
She's sitting over there.
|
|||
|
|
She's luxuriously drinking wine while looking out at the night scenery.
|
|||
|
|
She acts like she's alive.
|
|||
|
|
She's not acting like a ghost but like a human, so why did she do that at the pool? She doesn't think she's dead, so while swimming, couldn't she just be pushing people out of her way? Go, tell her "you died", and tell her to check out of this hotel.
|
|||
|
|
Go.
|
|||
|
|
Okay.
|
|||
|
|
Ahjumma. I'm really sorry for saying this, but you can't stay here like this.
|
|||
|
|
What did she say?
|
|||
|
|
Did she understand?
|
|||
|
|
She said she can stay here since she won a gift certificate.
|
|||
|
|
This... she showed me something similar to the gift certificate you gave me.
|
|||
|
|
She won a gift certificate to the hotel?
|
|||
|
|
Mrs. Kang Gil Ja won the gift certificate to the royal suite room.
|
|||
|
|
Is it her?
|
|||
|
|
- Yeah, it is.
|
|||
|
|
I especially remember her out of all the winners.
|
|||
|
|
You're Mrs. Kang Gil Ja, right?
|
|||
|
|
Come this way, please.
|
|||
|
|
This is really nice!
|
|||
|
|
I wish I could always live in a place like this!
|
|||
|
|
I remember she was so happy during her stay here. So if she was very passionate with this place, she wouldn't be able to forget about it even after she's dead.
|
|||
|
|
Dead?
|
|||
|
|
Who?
|
|||
|
|
Mrs. Kang Gil Ja. She's dead.
|
|||
|
|
I guess you have a misunderstanding, she's still alive.
|
|||
|
|
You say she's alive?
|
|||
|
|
- Where is she?
|
|||
|
|
I heard she's at the hospital.
|
|||
|
|
Is that even possible?
|
|||
|
|
This is my first, too. I'm not really sure.
|
|||
|
|
Why is she not waking up if she's fine?
|
|||
|
|
What do you mean fine?
|
|||
|
|
!
|
|||
|
|
How can you say that to a person that fainted at your birthday party!
|
|||
|
|
Why are you yelling?
|
|||
|
|
You were the one that made a scene after getting drunk!
|
|||
|
|
You have no say!
|
|||
|
|
You were the one that always fought against her!
|
|||
|
|
But why isn't she waking up?
|
|||
|
|
Ahjumma, you can't stay here like this.
|
|||
|
|
You have to go quickly.
|
|||
|
|
It's possible you could really die.
|
|||
|
|
It looks like she doesn't want to go.
|
|||
|
|
Before, her daughter's name, what was it?
|
|||
|
|
Joo Yeon.
|
|||
|
|
There's a response.
|
|||
|
|
Lee Joo Yeon's mother, you can't keep on staying here.
|
|||
|
|
Your family is waiting.
|
|||
|
|
You have to go live.
|
|||
|
|
Do you want to go?
|
|||
|
|
That's a good choice.
|
|||
|
|
It's not even weird seeing her do that anymore.
|
|||
|
|
Okay, okay.
|
|||
|
|
- Okay?
|
|||
|
|
Okay.
|
|||
|
|
Looks like she's understanding well.
|
|||
|
|
Ahjumma said she'll go.
|
|||
|
|
She just wants to see the fireworks tonight.
|
|||
|
|
I'll go watch it with her at the pool.
|
|||
|
|
She already changed her clothes!
|
|||
|
|
We'll be going!
|
|||
|
|
Even a ghost is all dressed up and enjoying it.
|
|||
|
|
Don't lose.
|
|||
|
|
Should I enjoy it since it's the last time?
|
|||
|
|
She must be really excited!
|
|||
|
|
It's been a while since I've seen fireworks, too.
|
|||
|
|
It probably will be pretty.
|
|||
|
|
Ahjumma. Ahjumma, let's go together!
|
|||
|
|
There are eyes.
|
|||
|
|
Act like you're talking to me, and not the Ahjumma.
|
|||
|
|
Shall we go?
|
|||
|
|
It was such a good dream...
|
|||
|
|
I guess... I'll have to wake up now.
|
|||
|
|
Mom!
|
|||
|
|
Honey!
|
|||
|
|
Daughter, are you okay?
|
|||
|
|
Was it difficult?
|
|||
|
|
Do you see me?
|
|||
|
|
What should we do?
|
|||
|
|
I'll listen to you so well from now on!
|
|||
|
|
Mom, really, thank you!
|
|||
|
|
Thank you!
|
|||
|
|
Did Mrs. Kang Gil Ja like it?
|
|||
|
|
Yes.
|
|||
|
|
She said she really liked it.
|
|||
|
|
She said it was like a Midsummer Night's Dream.
|
|||
|
|
She thought she had a dream that made her be in awe and feel dizzy.
|
|||
|
|
It made her heart flutter, feel happy... and it apparently hurt her, too.
|
|||
|
|
Because she liked seeing it from here so much.
|
|||
|
|
♫ You make me crazy ♪ ♫ You make me cry ♪
|
|||
|
|
♫ When I'm reaching for you to the point of grasping you close at hand ♫
|
|||
|
|
She left.
|
|||
|
|
Since when?
|
|||
|
|
Just now.
|
|||
|
|
I just have to trust you since I don't see it, right?
|
|||
|
|
Yes.
|
|||
|
|
Fireworks are over.
|
|||
|
|
I... woke someone up from a good dream.
|
|||
|
|
"Tae Yi Ryeong Surprise Show in the Subway"?
|
|||
|
|
I didn't know he was married.
|
|||
|
|
You have a business trip to China scheduled.
|
|||
|
|
How many days?
|
|||
|
|
- One week.
|
|||
|
|
One week is a bit long.
|
|||
|
|
Do I have to tell her?
|
|||
|
|
- Tae Yang already knows.
|
|||
|
|
She seems fine even though she knows.
|
|||
|
|
Tae Yang said this:
|
|||
|
|
To me, Mr. CEO is like winning a gift certificate to a 5-star hotel.
|
|||
|
|
It's huge luck... but I can't be there for a long time.
|
|||
|
|
I have to get familiar with it not existing, if I want a normal life in the future.
|
|||
|
|
The thing that Tae Yang said wasn't from herself... but it was Mrs. Kang Gil Ja's review on the hotel.
|
|||
|
|
I was concerned about it for no reason.
|
|||
|
|
Are you not feeling fine?
|
|||
|
|
I'm fine.
|
|||
|
|
I'm very glad and relieved that she doesn't need me.
|
|||
|
|
"When your heart doesn't tell the truth..."
|
|||
|
|
"pain gives the answer."
|
|||
|
|
That's what Tae Yang said.
|
|||
|
|
So apparently she found an answer.
|
|||
|
|
"When your heart doesn't tell the truth, pain gives the answer"...
|
|||
|
|
I've heard that many times from someone.
|
|||
|
|
Who?
|
|||
|
|
Cha Hee Joo.
|
|||
|
|
When your heart doesn't tell the truth, pain gives the answer.
|
|||
|
|
Are you saying you learn when you get hit?
|
|||
|
|
That's right.
|
|||
|
|
Since you like me more than I like you, it's fair for you to hurt more.
|
|||
|
|
So are you telling me to get hurt if I want to like you?
|
|||
|
|
Yeah. I want you to hurt a lot.
|
|||
|
|
Where did you hear that from?
|
|||
|
|
Did Hee Joo tell you?
|
|||
|
|
I never saw Hee Joo.
|
|||
|
|
Then how do you know the phrase that she used to say often?
|
|||
|
|
I heard it from Kang Woo.
|
|||
|
|
Bring me Kang Woo's résumé again.
|
|||
|
|
Yes. Oh, by the way, Mr. CEO.
|
|||
|
|
When I went to donate at Ms. Cha Hee Joo's orphanage... I saw Chief Kang Woo.
|
|||
|
|
I scouted Kang Woo because he was recommended for his fantastic résumé.
|
|||
|
|
Is there a problem?
|
|||
|
|
Who recommended you to him?
|
|||
|
|
It was...
|
|||
|
|
Was it my father?
|
|||
|
|
Did you know? He told me not to tell you, and I thought you wouldn't like him to interfere with your work, so I cut it off in the middle.
|
|||
|
|
I considered both sides.
|
|||
|
|
When you consider next time, don't divide it into two sides.
|
|||
|
|
But be clear on either being on my side, or the other side.
|
|||
|
|
You're the one that my father sent?
|
|||
|
|
I received an order to be aware of your surroundings.
|
|||
|
|
Why? - He said that a person related to Cha Hee Joo can come into contact with you.
|
|||
|
|
Why?
|
|||
|
|
It's because he said that Cha Hee Joo's surroundings are the main culprits, and he thinks that Cha Hee Joo is not a victim, but an accomplice.
|
|||
|
|
Are his thoughts true?
|
|||
|
|
Did you really not see the culprits?
|
|||
|
|
You tell me honestly first.
|
|||
|
|
Did you really give them my ransom?
|
|||
|
|
Do you think that Hee Joo died, because I didn't give them the money?
|
|||
|
|
If it's not that, then why are you worried about whether or not I saw the culprit's face?
|
|||
|
|
Believe in what you want.
|
|||
|
|
And you believe in what you also want to believe. Tell him to come and explain to me, why he is suddenly concerned again after 15 years. Oh, and also tell him that since he told me to believe what I want to believe,
|
|||
|
|
Tell him that.
|
|||
|
|
I wonder what relations Kang Woo and Cha Hee Joo have.
|
|||
|
|
Cha Hee Joo...
|
|||
|
|
What's wrong?
|
|||
|
|
Cha Hee Joo was here.
|
|||
|
|
She told me... about why she's a bad bitch. I knew you would figure it out someday, since you can see Hee Joo.
|
|||
|
|
That she's one of the main culprits.
|
|||
|
|
Who did she say it was?
|
|||
|
|
The other person that she planned the incident with?
|
|||
|
|
She told me she can't tell me.
|
|||
|
|
What?
|
|||
|
|
She said she has to protect that person.
|
|||
|
|
Okay.
|
|||
|
|
"I want you to hurt a lot."
|
|||
|
|
Tae Gong Shil.
|
|||
|
|
Don't go.
|
|||
|
|
Stay here.
|
|||
|
|
I don't want her to see me like this.
|
|||
|
|
Since you can see her, you stay beside me and protect me.
|
|||
|
|
♫ You drive me crazy. ♫ ♫ You make me cry.♫ ♫ When I'm reaching for you to the point of grasping you close at hand, you are moving away like the wind .♫
|
|||
|
|
Subtitles brough to you by The I See Dead People Team @ Viki Oh, there they are.
|
|||
|
|
That woman is the one who will be marrying CEO Joo.
|
|||
|
|
Nice to see you, Miss Seo Yeon.
|
|||
|
|
Nice to see you.
|
|||
|
|
Nice to see you, too.
|
|||
|
|
Let's head on upstairs.
|
|||
|
|
Is that woman an employee here?
|
|||
|
|
She keeps looking at us.
|
|||
|
|
Stop looking at her and go quickly.
|
|||
|
|
I can't stand it.
|
|||
|
|
You go ahead.
|
|||
|
|
Have you been doing well for the past week?
|
|||
|
|
You don't look too bad.
|
|||
|
|
For me, it was hell.
|
|||
|
|
Mr. CEO, are you really getting married?
|
|||
|
|
Aren't you curious?
|
|||
|
|
Don't you want to know how she feels about you?
|
|||
|
|
What secret?
|
|||
|
|
I can see right through her.
|
|||
|
|
Can you... see something?
|
|||
|
|
Something that is just as scary as the ghosts you see.
|
|||
|
|
CEO, are you trying to avoid me? Are you getting married so that you don't have to see me again?
|
|||
|
|
Tae Gong Shil, do you think that you mean something to me, enough that it'll affect my wedding?
|
|||
|
|
No.
|
|||
|
|
Then, you don't have the right to ask me "why."
|
|||
|
|
And I don't have an obligation to give you an answer, right?
|
|||
|
|
Yes.
|
|||
|
|
Episode 10
|
|||
|
|
Your aunt already went upstairs.
|
|||
|
|
Let's go.
|
|||
|
|
As I've told you already, I hate people touching my body.
|
|||
|
|
Even if you're about to trip and fall, try to avoid touching me.
|
|||
|
|
Our Master is so cold and rude, even to his fiancé!
|
|||
|
|
If he's not even going to let her touch him, why is he getting married?
|
|||
|
|
I wish he had given me a head's up.
|
|||
|
|
How could he even not answer my phone call?
|
|||
|
|
Tae Gong Shil.
|
|||
|
|
Kang Woo.
|
|||
|
|
Did you not know about CEO Joo Joong Won's wedding?
|
|||
|
|
Yes.
|
|||
|
|
I'm a little surprised... the news of it was so sudden.
|
|||
|
|
The night of Louis Jang's concert... CEO Joo came here, instead of going on his business trip, right?
|
|||
|
|
When you two met that night, did something happen?
|
|||
|
|
Did he come that night?
|
|||
|
|
Then, the person I saw that night... was Mr. CEO?
|
|||
|
|
I guess I was right.
|
|||
|
|
He did come here to see you.
|
|||
|
|
That night, I was almost out of my mind.
|
|||
|
|
I really wasn't myself.
|
|||
|
|
I think the ghost wife met Mr. CEO when she was still inside my body.
|
|||
|
|
What did they talk about?
|
|||
|
|
What secret?
|
|||
|
|
I can see right through her.
|
|||
|
|
She must have told him my secret!
|
|||
|
|
Secret?
|
|||
|
|
I think she told him that I like Mr. CEO!
|
|||
|
|
Oh, no!
|
|||
|
|
Even though you need her for your business, is it really okay to use "marriage" to get what you want?
|
|||
|
|
It's okay.
|
|||
|
|
I've used my brains to calculate the risks, and I've come up with a good answer.
|
|||
|
|
Tae Yang seemed very surprised and a little thrown off by the news.
|
|||
|
|
What are you going to do?
|
|||
|
|
The reason why I can't figure out an answer when it comes to her is because... instead of being in my head, she was inside somewhere else.
|
|||
|
|
I was surprised like hell to realize this, but I've come to accept it.
|
|||
|
|
If so, you need to tell that person how you feel.
|
|||
|
|
Also, tell her that you're not really getting married.
|
|||
|
|
I don't want to do that.
|
|||
|
|
Secretary Kim. The reason why I still don't-
|
|||
|
|
The reason why I can't read... The problem isn't here, but rather, the problem is over here.
|
|||
|
|
I want to live using my head, which works just fine. Since Tae Yang is a person who can see ghosts and souls, don't you think she'll be able to see your issues and embrace them?
|
|||
|
|
Then, when I die, I'll become a ghost... and I'll go visit her when that happens.
|
|||
|
|
I think he's trying to get rid of me.
|
|||
|
|
But I can't live without him!
|
|||
|
|
Tae Gong Shil, your hideout... is he the only one?
|
|||
|
|
Does it have to be him?
|
|||
|
|
He's my one and only hideout in this world.
|
|||
|
|
I just got his permission to stay by his side after begging like crazy!
|
|||
|
|
Saying he's getting married and keeping a woman by his side... that means... he's telling you not to stay by his side as a woman. Now that he's getting married, if he knew that I liked him, he would ask me to get lost. Right?
|
|||
|
|
You said you liked him.
|
|||
|
|
Being ignored like this... doesn't it hurt?
|
|||
|
|
In your world, I'm Candy, and Mr. CEO is Prince Charming on a white horse, right? But in my world, I'm just a ghost radar, and Mr. CEO is a shelter where I can hide.
|
|||
|
|
I can't be Candy.
|
|||
|
|
Because... he has no intention of being Prince Charming. But, I can still be useful as a radar, so I think he'll let me stay by his side.
|
|||
|
|
I think I should go see him.
|
|||
|
|
Mr. CEO... congratulations on your engagement.
|
|||
|
|
What?
|
|||
|
|
Earlier, I was too surprised... and I couldn't tell you something important. Congratulations on your engagement, and I wish you happiness.
|
|||
|
|
You're being scary.
|
|||
|
|
Can I do that?
|
|||
|
|
Sweethome?
|
|||
|
|
Idon 'tlikesweetstuff .
|
|||
|
|
If not, please give birth to a son! Give birth to a son who has the same powers as you. and if you let me take care of him.
|
|||
|
|
You come in here out of the blue, and you're going too far with this.
|
|||
|
|
Telling me to give birth to a son... Tae Gong Shil, are you acting like this because of the secret you told the nutcracker ghost?
|
|||
|
|
Did that wife tell you my secret?
|
|||
|
|
No, I didn't hear about it. If it was a secret, it means you wanted to hide it from me, so I didn't dig further.
|
|||
|
|
I politely refused, saying that I wouldn't hear about it.
|
|||
|
|
You're thankful, right?
|
|||
|
|
Is that what you did?
|
|||
|
|
But it really wasn't anything.
|
|||
|
|
I didn't hear about it, but seeing how you act, it's so obvious.
|
|||
|
|
You're being so awkward that I'm beginning to suspect whether you even have the will to keep it a secret.
|
|||
|
|
Bursting in here, saying "congratulations", "I wish you happiness"... What you're doing is exactly what that famous girl, one who says "I won't cry even when lonely or sad"...
|
|||
|
|
You're following her pattern!
|
|||
|
|
You're being just like her (Candy)!
|
|||
|
|
Never mind.
|
|||
|
|
This may actually make it easier.
|
|||
|
|
Making the effort to congratulate me, telling me that you'll move into the basement of my sweet home... and since you're also saying you'll be my son's (little hideout) nanny;
|
|||
|
|
so that you won't be embarrassed, I'll act as if I didn't see or hear anything. You're good. It seems like you're misunderstanding something, but that person I said I liked to that wife isn't you.
|
|||
|
|
It's someone else.
|
|||
|
|
You know who it is!
|
|||
|
|
I like... very sweet things.
|
|||
|
|
Also, all this time, I stayed next to you despite all the bad things you said because you were my hideout.
|
|||
|
|
As a woman, I hate men like you!
|
|||
|
|
Men who are mean and rude!
|
|||
|
|
Fine. I'm grateful that I'm not your type!
|
|||
|
|
Then, I'll leave before you tell me to get lost.
|
|||
|
|
Those words... they made me feel terrible.
|
|||
|
|
Wait!
|
|||
|
|
Get lost.
|
|||
|
|
If you were going to make an excuse, you should have made up a different one.
|
|||
|
|
Out of all things, why did it have to be Candy Kang?
|
|||
|
|
Tae Gong Shil, the VP's wife is looking for you. For Louis Jang to introduce you to us as his muse, I guess you must have an eye for art.
|
|||
|
|
Open it and take it out.
|
|||
|
|
This one?
|
|||
|
|
It's a vase.
|
|||
|
|
This is an engagement present for Joong Won sent by her family.
|
|||
|
|
It might be a little crass to speak of money, but it's extremely expens...
|
|||
|
|
Ahh...
|
|||
|
|
Do you know how expensive this is?
|
|||
|
|
I'm sorry.
|
|||
|
|
I was surprised.
|
|||
|
|
I guess you'd be surprised.
|
|||
|
|
I guess this item is too much for you to handle, am I correct?
|
|||
|
|
What if you'd broken it?
|
|||
|
|
Even the thought is scary, isn't it?
|
|||
|
|
You're probably thinking, "I shouldn't have touched it."
|
|||
|
|
Yes.
|
|||
|
|
That kind of stuff... don't touch them, they're bad.
|
|||
|
|
What?
|
|||
|
|
-Tae Gong Sil.
|
|||
|
|
Calling something like this "stuff" is a little...
|
|||
|
|
It's a very valuable white porcelain.
|
|||
|
|
It's because people now keep saying it's so valuable, but really... it was probably just once a water container.
|
|||
|
|
Please don't keep saying, "This is too valuable for just anyone to handle."
|
|||
|
|
It will turn rude and arrogant.
|
|||
|
|
What?
|
|||
|
|
Are you saying that to me?
|
|||
|
|
! ?
|
|||
|
|
Well... I'm just speaking about the vase.
|
|||
|
|
That's right.
|
|||
|
|
By analogy to this vase, "Don't try to touch our Joong Won and break off the marriage." I'm saying this nicely to you, but what?
|
|||
|
|
Rude and arrogant?
|
|||
|
|
I'm sorry.
|
|||
|
|
I was just talking about this vase.
|
|||
|
|
This was originally just a water container.
|
|||
|
|
But the person looking at it... can keep putting their heart in and weird things can come out.
|
|||
|
|
Once you are bewitched in the wrong way, the only recourse would be to break it.
|
|||
|
|
Are you not understanding because I'm saying it nicely?
|
|||
|
|
Are you saying that you're going to do whatever it takes to sabotage Joo Won's marriage?
|
|||
|
|
You're really dangerous!
|
|||
|
|
I think you don't understand because you can't see it...
|
|||
|
|
I even went and congratulated him on the engagement... If you mishandle this vase, it could be extremely dangerous, so please be careful.
|
|||
|
|
That really should be destroyed...
|
|||
|
|
Someone will get bewitched.
|
|||
|
|
Bang Shil... fighting!
|
|||
|
|
Scary things will come around?
|
|||
|
|
Bewitched?
|
|||
|
|
Bang Shil's talking about herself, isn't she?
|
|||
|
|
You got dragged into the Vice President's office?
|
|||
|
|
It was a little scary.
|
|||
|
|
What.. did she throw an envelope full of money at you?
|
|||
|
|
No...
|
|||
|
|
I saw a ghost.
|
|||
|
|
I warned them but they couldn't comprehend what I said.
|
|||
|
|
Is that so?
|
|||
|
|
You! People keep misunderstanding and say that you were rejected by the CEO.
|
|||
|
|
I guess my advances are seen as being Candy to other people.
|
|||
|
|
At times like this, only ghosts understand my story.
|
|||
|
|
The marriage has been announced now... You'll get rid of her, right?
|
|||
|
|
I have no intention of that. I brought up marriage so that I can safely keep her.
|
|||
|
|
You're going to let her stay by your side?
|
|||
|
|
Is she refusing to leave?
|
|||
|
|
I'm not letting her go.
|
|||
|
|
Because I can't not see her, for now, I'm securing a safe distance with the marriage, and I'm going to keep seeing her.
|
|||
|
|
Until when?
|
|||
|
|
Until I don't want to see her anymore.
|
|||
|
|
Was she scared because of this?
|
|||
|
|
We told her it was extremely expensive, and she almost broke it in surprise.
|
|||
|
|
She wouldn't have been surprised that it was expensive...
|
|||
|
|
Is something attached to it?
|
|||
|
|
Joong Won! Do you know how much this is? Because boasting about money won't scare her, in the future, don't do that.
|
|||
|
|
He really!
|
|||
|
|
CEO Joo... fighting!
|
|||
|
|
Big Tae Yang is dating the CEO of Kingdom?
|
|||
|
|
As if!
|
|||
|
|
CEO Joo is marrying the daughter of Seo Jin Group.
|
|||
|
|
Really?
|
|||
|
|
Mi Kyung, who works at Kingdom Hotel, says she saw them doing an event together.
|
|||
|
|
He's just playing her a bit.
|
|||
|
|
Frankly, even playing around, their statuses are very incompatible.
|
|||
|
|
Why?
|
|||
|
|
What's wrong with big Tae Yang?
|
|||
|
|
She's smart, pretty, good at sports, and has a good personality.
|
|||
|
|
Honestly, was she the big Tae Yang for no reason?
|
|||
|
|
I thought that Kingdom's CEO was someone who fits well with big Tae Yang.
|
|||
|
|
You have to see her to come to your senses!
|
|||
|
|
Do you want to meet her?
|
|||
|
|
Let's pick a date.
|
|||
|
|
You're going to be surprised.
|
|||
|
|
Are you alright?
|
|||
|
|
What did you see in the porcelain?
|
|||
|
|
Isn't it that something scary followed you?
|
|||
|
|
It didn't follow me.
|
|||
|
|
But it's something dangerous, so please warn them to be careful.
|
|||
|
|
They didn't seem to understand me.
|
|||
|
|
Why didn't you come to me?
|
|||
|
|
If you came to me because you needed me, I said I wouldn't avoid you. After telling me to leave the safety hideout as it is in the 2nd level basement in the sweet home, why didn't you use it?
|
|||
|
|
Can I be honest?
|
|||
|
|
If you can, go ahead.
|
|||
|
|
I was afraid the person I like would misunderstand.
|
|||
|
|
Are you going to keep insisting that that person is Candy Kang?
|
|||
|
|
Are you going to keep misunderstanding it to be you?
|
|||
|
|
Misunderstanding? In a manwha movie I saw before, struck by lightning, I was a wolf who met a sheep. In order for the wolf to live, it must eat the goat,
|
|||
|
|
In order to survive, he should see it as something to eat,
|
|||
|
|
She's not supposed to look at the sheep as someone she loves, so he's kind of stupid, right?
|
|||
|
|
I won't do that type of thing.
|
|||
|
|
So, you're saying that your "wolf" thinks of this "sheep"... as a food source?
|
|||
|
|
Yes.
|
|||
|
|
That's why you shouldn't keep asking if the wolf likes the goat.
|
|||
|
|
Alright, then.
|
|||
|
|
Let's say the wolf was like that.
|
|||
|
|
What about the goat?
|
|||
|
|
In the movie, the goat also likes the wolf.
|
|||
|
|
Then what happens?
|
|||
|
|
The goat likes the wolf so much that it says,
|
|||
|
|
"Wolf, just eat me."
|
|||
|
|
That goat must be crazy.
|
|||
|
|
When the wolf likes the goat... ♫ When my fingertip brushes you, ♫
|
|||
|
|
Don't you want to know her secret?
|
|||
|
|
I don't want to know.
|
|||
|
|
Why? Are you afraid you can't make calculations if you know?
|
|||
|
|
Yes.
|
|||
|
|
Should I have listened so I can know for sure...?
|
|||
|
|
Ah, I don't know.
|
|||
|
|
Don't know.
|
|||
|
|
The elder said that if his son is really getting married, he will adjust his schedule and return earlier.
|
|||
|
|
About this wedding, what am I supposed to report? To tell you the truth, this wedding is fake.
|
|||
|
|
It's business for both sides. If I accept your proposal, does the owner of Sejin Group change?
|
|||
|
|
I didn't come here for a study, but on an exile.
|
|||
|
|
Once I return to Korea with the marriage as an excuse, avoiding my step-mother's control,
|
|||
|
|
I'm going to find my bed-ridden father's bank account under a different name.
|
|||
|
|
I... will turn Sejin Holding Company into Sejin Cement Corporation.
|
|||
|
|
The excuse of marriage, will a week be enough?
|
|||
|
|
If you help me, I will help you expand Kingdom's business in Shanghai by providing you with Sejin's support. I will give you the wings so that you can fly.
|
|||
|
|
That proposal... I will accept it.
|
|||
|
|
After one week, the wedding could become something that never happened.
|
|||
|
|
Tell the Chairman that he doesn't need to try too hard to change his schedule.
|
|||
|
|
Does Tae Gong Shil know the truth?
|
|||
|
|
She doesn't. To her, before CEO Joong Won explains it, don't mention it first.
|
|||
|
|
I understand.
|
|||
|
|
I prefer a simple white porcelain vase to a flashy celadon (green-glazed) vase.
|
|||
|
|
It's just like a dignified scholar.
|
|||
|
|
Don't just touch it recklessly. She said it's not good to touch it.
|
|||
|
|
Just look at it.
|
|||
|
|
That's a ridiculous story. Honey, what do you think you are doing?
|
|||
|
|
I mean what about it?
|
|||
|
|
No one's around anyway.
|
|||
|
|
What about me?
|
|||
|
|
I told you that I hate undignified people!
|
|||
|
|
Go scratch in the bathroom.
|
|||
|
|
I get it.
|
|||
|
|
How did I fall for a man like that?
|
|||
|
|
When he wasn't even my type.
|
|||
|
|
I liked men who were like dignified scholars.
|
|||
|
|
Who are you? A gentle, virtuous scholar like you is calling on me?
|
|||
|
|
When are you going to fix this annoying sleeping habit?
|
|||
|
|
I've always been doing this, but why are you suddenly saying that now?
|
|||
|
|
Before... You told me it was cute that I sleep like a little kid.
|
|||
|
|
Not being decent...
|
|||
|
|
Go sleep in another room!
|
|||
|
|
I was meeting a noble scholar (in my dream).
|
|||
|
|
Why that kick?
|
|||
|
|
Who did you meet?
|
|||
|
|
I'm going to the VP's office now.
|
|||
|
|
Let's go together.
|
|||
|
|
No, I think it's best for you to not come with me.
|
|||
|
|
Is there a ghost?
|
|||
|
|
I saw something there.
|
|||
|
|
That's why I wanted to go to check on it.
|
|||
|
|
So if you just give me the keys, I'll just go by myself.
|
|||
|
|
Let's go together.
|
|||
|
|
If I don't check it well, I won't be able to pass by the Vice President's office anymore.
|
|||
|
|
I'll bring the keys.
|
|||
|
|
Let's go.
|
|||
|
|
Are you going to stay here?
|
|||
|
|
Due to the business trip, there's a lot of work piled up. Secretary Kim you finished all your work, so you can go.
|
|||
|
|
Yes.
|
|||
|
|
Taeyang is still here, but should we go out together?
|
|||
|
|
No...
|
|||
|
|
I guess Kang Woo will probably take her. He's saying it so I could hear him, but I didn't hear anything.
|
|||
|
|
What is this?
|
|||
|
|
Did she already leave?
|
|||
|
|
Kang Woo... You can hold me if you're scared.
|
|||
|
|
Ok then...
|
|||
|
|
I'll lean on you.
|
|||
|
|
I don't want to hold on like a kid.
|
|||
|
|
I am used to this posture.
|
|||
|
|
Ok.
|
|||
|
|
But please loosen your grip.
|
|||
|
|
Alright... I will.
|
|||
|
|
Where should we look?
|
|||
|
|
The vase isn't here.
|
|||
|
|
No ghosts either.
|
|||
|
|
They aren't there?
|
|||
|
|
Tae Gong Shil, you aren't scared?
|
|||
|
|
I'm scared, too.
|
|||
|
|
I'm just more used to it than you.
|
|||
|
|
Were you living in hiding for so long because you were scared?
|
|||
|
|
I was just living in hiding but... after I met Mr. CEO it got a lot better.
|
|||
|
|
My life started becoming different since I found a breathing space.
|
|||
|
|
The CEO is... giving you something that I could never give.
|
|||
|
|
But he's getting married now.
|
|||
|
|
I don't think I can keep staying by his side.
|
|||
|
|
After a week, this could be something that never happened. Miss Tae Gong Shil, why don't you test yourself to see if you really need him or not? Even when he wasn't here, you came to work and endured it well.
|
|||
|
|
But, I don't know if I'll be able to not stick to him when he's right next to me
|
|||
|
|
Give yourself about a week, and please think about it well. If you decide that you are fine without him, even if the situation changes, don't go back to him.
|
|||
|
|
It will hurt.
|
|||
|
|
Wait for me and we'll go together.
|
|||
|
|
I heard there's a nice ramyun shop near our building...
|
|||
|
|
There's something there though.
|
|||
|
|
Then, you direct me to a place without them.
|
|||
|
|
The kimbap place next to it has nothing.
|
|||
|
|
But it also has no taste...
|
|||
|
|
The kimbap place sounds better.
|
|||
|
|
Hold it...
|
|||
|
|
Is Kang Woo not here?
|
|||
|
|
The Chief is out somewhere...
|
|||
|
|
We see you a lot.
|
|||
|
|
Since I see you often, do I also look like a neighborhood girl to you?
|
|||
|
|
No you're a goddess of course.
|
|||
|
|
Appearing in our security office, a goddess.
|
|||
|
|
What is that?
|
|||
|
|
It's the Chief's.
|
|||
|
|
It's cute... I'm sorry, but a picture?
|
|||
|
|
If you keep doing this... you won't be able to go.
|
|||
|
|
What is this?
|
|||
|
|
Kang Woo...
|
|||
|
|
You're so cute!
|
|||
|
|
Did you just do this because you were scared?
|
|||
|
|
Do it again.
|
|||
|
|
That's enough.
|
|||
|
|
Why are you here again?
|
|||
|
|
There might be an article about you and me.
|
|||
|
|
We got our photos taken in the subway.
|
|||
|
|
I'm meeting with a close reporter tomorrow... If you come with me and have some beer, you can become a bodyguard.
|
|||
|
|
And if I feel like it... you'll come out as my boyfriend.
|
|||
|
|
That article will become number one.
|
|||
|
|
I'm going to the kimbap place with Tae Gong Shil later...
|
|||
|
|
You should come along and eat Korean yellow radish next to her since you're friends.
|
|||
|
|
Kang Woo!
|
|||
|
|
It got on well.
|
|||
|
|
Let's go!
|
|||
|
|
Let's show Gong Shil, too.
|
|||
|
|
This color... and this color are the same.
|
|||
|
|
Is that right?
|
|||
|
|
Let's go next time to eat kimbap.
|
|||
|
|
Yes, I understand.
|
|||
|
|
I'll go first then.
|
|||
|
|
Mr. CEO didn't leave yet?
|
|||
|
|
He's not here?
|
|||
|
|
OH MY GOD!
|
|||
|
|
I thought you were a ghost!
|
|||
|
|
It would be better if I was a ghost.
|
|||
|
|
Without having to be worried about anyone else... and being concerned for only yourself... If you were a ghost, you would have to hold on to me instead of me holding on to you.
|
|||
|
|
I'm really popular among the ghosts. When they see me, I actually seem like the sun.
|
|||
|
|
What?
|
|||
|
|
Come in...
|
|||
|
|
Sit.
|
|||
|
|
Tae Gong Shil, do you just want to be Candy?
|
|||
|
|
Come out of hostage, I'll get you a house.
|
|||
|
|
You might need a car, choose one.
|
|||
|
|
Do you want to study more? Then do it. I'll let you.
|
|||
|
|
Is there a big ghost that you need to find?
|
|||
|
|
Tae Gong Shil, normally people say either "Thank you." or "Why are you being like this?"
|
|||
|
|
I don't need a big house because then there's a lot of room for ghosts to hide. And for the car, I do have my license, but I'm scared that something might come out so I don't need it. And I'm thinking about studying, but
|
|||
|
|
You're giving me answers that I can't calculate at all.
|
|||
|
|
The relationship that you and I have...
|
|||
|
|
I want to set things straight.
|
|||
|
|
With no money and being frugal, you push away, and stick to a man with a lot of money.
|
|||
|
|
And people around you are telling you that it won't work out.
|
|||
|
|
If I buy you a house or a car, you either act cute or get upset.
|
|||
|
|
Do it the easy way. You, who talk about ghosts in a porcelain vase when my aunt is trying to embarrass and insult you, you're hard to understand. Just be simple and be Candy.
|
|||
|
|
Then I, for sure, can get rid of you.
|
|||
|
|
If you're curious about the end, I'm not scared.
|
|||
|
|
Then you're saying that you can easily push me away? If I go into your world, and become your one and only person, if that happens, I can't tell you to get lost.
|
|||
|
|
So, to make it easier for me to deal with you, be Candy, and... with me, let's play in here.
|
|||
|
|
If I become Candy, then that means I'll have to leave when you tell me to get lost.
|
|||
|
|
I don't want to do it.
|
|||
|
|
Then what do you want me to do?
|
|||
|
|
I tell you I'm getting married, and you tell me to make a shelter for you at the B2 floor.
|
|||
|
|
I tell you to be Candy, but you say you don't want to accept gifts and leave in return.
|
|||
|
|
You want me to become a sheep and expect me to say "Hunt me, and eat me"
|
|||
|
|
I don't expect anything like that.
|
|||
|
|
Why is it so hard for you?
|
|||
|
|
Is it a burden that I might like you?
|
|||
|
|
I don't like you. Just like how we caught the water ghost at the hotel, I'll just go catch the porcelain ghost.
|
|||
|
|
There are none here.
|
|||
|
|
Go home.
|
|||
|
|
Let's go.
|
|||
|
|
Look at this.
|
|||
|
|
After hearing all that, you don't say
|
|||
|
|
"Why are you doing this" or "What do you think you're doing"
|
|||
|
|
Truthfully, on the way here, I saw a very scary ajumma.
|
|||
|
|
Let's go.
|
|||
|
|
Where did you see her?
|
|||
|
|
At the entrance, I think it's her first time here.
|
|||
|
|
I guess I have to keep holding you hand.
|
|||
|
|
If you're uncomfortable, it's okay if we just hold fingers.
|
|||
|
|
While I was on my business trip, did you see any other scary things?
|
|||
|
|
There was.
|
|||
|
|
But I endured by holding onto your ballpoint pen.
|
|||
|
|
Pen?
|
|||
|
|
Oh, as an amulet.
|
|||
|
|
Mr. CEO, I've been thinking... Since I was kind of okay, spending a week away from you with just that pen... So when the time comes, before you tell me to get lost
|
|||
|
|
So don't worry too much.
|
|||
|
|
There will be an end.
|
|||
|
|
Necklace... I don't think she picked it up.
|
|||
|
|
Am I really that... burdensome?
|
|||
|
|
Everyone, pay attention.
|
|||
|
|
After China, it is America.
|
|||
|
|
I'll give you three minutes of time.
|
|||
|
|
Those of you who can't keep pace, go work for Giant mall.
|
|||
|
|
Secretary Kim.
|
|||
|
|
Keep an eye on Giant mall's construction plan.
|
|||
|
|
Make all of it into mirrors.
|
|||
|
|
Make it pretty.
|
|||
|
|
Everyone got it?
|
|||
|
|
I heard that girl and the CEO, together slept in a suite room.
|
|||
|
|
A Suite room?
|
|||
|
|
They even borrowed the whole swimming pool.
|
|||
|
|
Who?
|
|||
|
|
Over there.
|
|||
|
|
But I heard she got dumped.
|
|||
|
|
Because he's marrying someone else.
|
|||
|
|
Of course. I knew it would happen.
|
|||
|
|
I knew it was going to be like this.
|
|||
|
|
But I'm still kind of jealous.
|
|||
|
|
What are you jealous of?
|
|||
|
|
Are they talking about me?
|
|||
|
|
Even I would marry someone else. Seonbeenim (scholar) how can you have such good thoughts, and be so graceful?
|
|||
|
|
This is good.
|
|||
|
|
Try it.
|
|||
|
|
How vulgar and repulsive.
|
|||
|
|
Why are you being like this again?
|
|||
|
|
You called me dirty earlier for going to the bathroom.
|
|||
|
|
Why you keep hating everything I do?
|
|||
|
|
A man be such a flake.
|
|||
|
|
I lost my appetite.
|
|||
|
|
I knew Dooly, I guess there was a Gong Shil too?
|
|||
|
|
You seem tired these days, so for Gong Shil to have strength take Gong Shil.
|
|||
|
|
Thank you.
|
|||
|
|
She kind of looks like Dooly.
|
|||
|
|
Gong Shil's boyfriend is Dooly.
|
|||
|
|
Really?
|
|||
|
|
Please take care of Gong Shil.
|
|||
|
|
Okay, I'll reserve the restaurant.
|
|||
|
|
I'll see you later.
|
|||
|
|
Is this your office?
|
|||
|
|
It's so tiny,
|
|||
|
|
I heard all our classmates from high school are having a gathering.
|
|||
|
|
Everyone's wondering about you.
|
|||
|
|
Can't you feel it?
|
|||
|
|
I'll go.
|
|||
|
|
I think I need to go to places like that.
|
|||
|
|
Really?
|
|||
|
|
When we decide the place and time, I'll let you know.
|
|||
|
|
I'm asking this because I'm really curious,
|
|||
|
|
What's your relationship with CEO Joo Joong Won?
|
|||
|
|
Just look at it as you see it.
|
|||
|
|
I heard that you got rejected.
|
|||
|
|
If it looked like that, I guess it is...
|
|||
|
|
That's too bad. CEO Joo Joong Won has been known for that first love curse, The wedding was broken several times, but I think this time he will actually marry.
|
|||
|
|
Too bad the curse got broken just about the same time you tried to win him over.
|
|||
|
|
I know right..
|
|||
|
|
What's that?
|
|||
|
|
Gong Shil, her name is Gong Shil too.
|
|||
|
|
Is this Dooly's copycat?
|
|||
|
|
No, her boyfriend is Dooly.
|
|||
|
|
Yes, I will go to the airport on time.
|
|||
|
|
Okay.
|
|||
|
|
I'll see you then.
|
|||
|
|
If I go in this time, I think I might be there for a long while.
|
|||
|
|
Are you going to find this woman?
|
|||
|
|
If she's alive, I need to find her. Joo Woong, The saying that he's under Cha Hee Joo's curse, that rumor spread every time wedding was mentioned.
|
|||
|
|
This time how it's going to be, there will be a lot of talk going around.
|
|||
|
|
To the CEO Cha Hee Joo isn't a curse but a pain.
|
|||
|
|
If it's a pain, he supposed to look for someone to cure it.
|
|||
|
|
Maybe it is a real curse..
|
|||
|
|
He kicks everyone out, not letting anyone near.
|
|||
|
|
That's right.
|
|||
|
|
And he always goes "get lost" A person who says he will not change, and a person who will not go away no matter how much you kick them away.
|
|||
|
|
If they come together, who do you think will win?
|
|||
|
|
Are you talking about CEO and me?
|
|||
|
|
I'm on your side.
|
|||
|
|
I heard tomorrow you're going to a class meeting.
|
|||
|
|
Where's the location?
|
|||
|
|
Tomorrow, the meeting with Sejin group Park Sung Ji has been planned.
|
|||
|
|
It's been almost a week, but are you sure you want to cancel it?
|
|||
|
|
Are you not planning to continue?
|
|||
|
|
I know everything about what Secretary Kim is thinking.
|
|||
|
|
I'm not going to tell you.
|
|||
|
|
Honey.
|
|||
|
|
Why is this person doing this to me lately?
|
|||
|
|
We have to break that though... Since this is President Joo's fiance's gift, leave this here.
|
|||
|
|
Is aunt really wierd? After bringing this, she completely ignores me and when I tell her to do something, she says that she's tired and can't do it.
|
|||
|
|
She even told me that she doesn't want to see my face. She's not the type of person to do that though... According to that miss, if something happens, we should break this but even though things are weird, this isn't something that should be broken just from listening to those words.
|
|||
|
|
Tae Gong Sil said to break this?
|
|||
|
|
Yes she did. But still, President Joo isn't breaking his wedding, so why should we break this?
|
|||
|
|
President Joo, you take responsibility for this.
|
|||
|
|
After breaking this, I should say to take responsibility.
|
|||
|
|
You said to break this.
|
|||
|
|
Do I really have to?
|
|||
|
|
Is your aunt not feeling well?
|
|||
|
|
She's in a really bad state.
|
|||
|
|
She's in a critical state and can't even get up.
|
|||
|
|
Then do I break this or not?
|
|||
|
|
Then you're supposed to break it... If this breaks, you know that the wedding gets cancelled too, right?
|
|||
|
|
Do I break it or not?
|
|||
|
|
You can't really break those things though... They said aunt is in a very bad state... that she's almost dying.
|
|||
|
|
She's the only aunt I have though...
|
|||
|
|
Then you have to break it...
|
|||
|
|
Then it's decided.
|
|||
|
|
We're trusting your words and breaking this.
|
|||
|
|
If the wedding breaks too, then you take responsibility.
|
|||
|
|
Why do I have to take responsibility for that? Because of you, she's dying so we break it.
|
|||
|
|
No!
|
|||
|
|
Honey!
|
|||
|
|
Honey!
|
|||
|
|
What?
|
|||
|
|
What?
|
|||
|
|
What's wrong?
|
|||
|
|
Are you okay?
|
|||
|
|
Are you okay?
|
|||
|
|
What was that?
|
|||
|
|
What was that?
|
|||
|
|
!
|
|||
|
|
I don't see anything. Gong Sil, you said to break it for the ghost but why was the reason changed to breaking the wedding?
|
|||
|
|
For you, it wasn't like that, right?
|
|||
|
|
To others, how they might see you next to him, I think I understand now.
|
|||
|
|
What do I do?
|
|||
|
|
Kang Woo ssi.
|
|||
|
|
Is there something there?
|
|||
|
|
It was Gong Sil to Gong Sil talking.
|
|||
|
|
It's been almost a week.
|
|||
|
|
How do you feel?
|
|||
|
|
Even though that person isn't here, do you think you'll be okay? I'm not sure if it's okay for him to be gone, but I now understand what it's like to be next to him.
|
|||
|
|
Gong Sil, when both are together does it match well.
|
|||
|
|
You said that you had a gathering today, right?
|
|||
|
|
Sumo said that you were very nervous.
|
|||
|
|
That's right.
|
|||
|
|
It's been a really long time since I met my friends.
|
|||
|
|
When girls meet together, they brag a lot about their boyfriends, right?
|
|||
|
|
I guess so.
|
|||
|
|
Then, Tae Gong Sil, you should also brag about your man.
|
|||
|
|
Who?
|
|||
|
|
Dooly?
|
|||
|
|
At that spot, if Dooly shows up, all girls faint.
|
|||
|
|
But rather than Dooly, I think liked Dochi more.
|
|||
|
|
That won't do then.
|
|||
|
|
If you want to talk about Dooly, then he should be there too.
|
|||
|
|
You're going to the airport to escort the president, right?
|
|||
|
|
Yes.
|
|||
|
|
Then do you have an appointment?
|
|||
|
|
Oh, with Tae Yang?
|
|||
|
|
Yes. Lee Hyun Joo has a loud mouth so you should tell her that Gong Sil and the president aren't in that type of relationship.
|
|||
|
|
Who makes those rumors anyway?
|
|||
|
|
I agree.
|
|||
|
|
I don't understand why people go around saying whatever they want nowadays.
|
|||
|
|
Listening to some people, it seems like it was someone from the security team.
|
|||
|
|
Really?
|
|||
|
|
But does our security team have someone with that kind of cheap mouth?
|
|||
|
|
You should figure it out, so I can give them my wrath.
|
|||
|
|
When you figure it out, I won't ask for money for coffee.
|
|||
|
|
Eat this.
|
|||
|
|
Lee Hyun Joo is right here.
|
|||
|
|
After lunch finishes, he said to come to the vice president's room.
|
|||
|
|
Why would the vice president look for you?
|
|||
|
|
I wonder too...
|
|||
|
|
I wonder why.
|
|||
|
|
Then go and found out who has the cheap mouth.
|
|||
|
|
Then I'll be going.
|
|||
|
|
This is takeout.
|
|||
|
|
Honey.
|
|||
|
|
What again?
|
|||
|
|
It sounds so powerful how you suck those noodles right in!
|
|||
|
|
I fell for those sexy lips.
|
|||
|
|
You must have gone crazy!
|
|||
|
|
According to that miss, breaking that vase must really have had an effect.
|
|||
|
|
But why did Joong Won break that fiance's really important gift?
|
|||
|
|
I wonder.
|
|||
|
|
Maybe he was thinking of breaking up the wedding...
|
|||
|
|
Honey.
|
|||
|
|
You said that hyungnim is coming in today, right?
|
|||
|
|
It's been a year already.
|
|||
|
|
He couldn't be coming to help Joong Won's wedding.
|
|||
|
|
Maybe there's some other issue?
|
|||
|
|
Kang Woo, it's been a long time.
|
|||
|
|
Let's go.
|
|||
|
|
Thanks to you, the problem's been solved.
|
|||
|
|
If Kingdom's side doesn't mind, I want to continue this marriage.
|
|||
|
|
It's unfortunate that we must stop here.
|
|||
|
|
It's nothing to be unfortunate about.
|
|||
|
|
It started out as a business deal, and we've gained a lot.
|
|||
|
|
We should both calculate how big that is.
|
|||
|
|
Yes it's been a long time.
|
|||
|
|
I come by a lot.
|
|||
|
|
Oh, big Tae Yang!
|
|||
|
|
Wow, it's been a really long time!
|
|||
|
|
Hi!
|
|||
|
|
Come here.
|
|||
|
|
Are you okay?
|
|||
|
|
What's wrong?
|
|||
|
|
No! No, it's nothing. I'm okay.
|
|||
|
|
Anyway, since we cancelled the wedding, I can't say let's see each other often.
|
|||
|
|
If it's like this, then have I become President Joo's cursed love?
|
|||
|
|
It's famous.
|
|||
|
|
Kingdom's Joo President is stuck on a cursed dead first love.
|
|||
|
|
It's been your fourth breakup (wedding cancelled), right?
|
|||
|
|
I hope you get free from your curse next time.
|
|||
|
|
That girl said that she was the fourth curse. If we gather all the cursed women and play go stop, we could sell Kwangdo.
|
|||
|
|
Even though we gather them, it won't be fun.
|
|||
|
|
They all are pushed out by a dead girl.
|
|||
|
|
A heart that no one accepts is cursed.
|
|||
|
|
If it doesn't change, then it won't be freed either.
|
|||
|
|
The reason why I kept you close to Joong Won is because of this piece of photograph.
|
|||
|
|
This is Maria.
|
|||
|
|
I accidentally found this picture in Maria's old photo album.
|
|||
|
|
Who do you think this other woman is?
|
|||
|
|
That's Cha Hee Joo.
|
|||
|
|
Where is this place?
|
|||
|
|
England?
|
|||
|
|
Yes. A woman who doesn't just resemble but looks exactly the same was in England.
|
|||
|
|
One year after Cha Hee Joo died.
|
|||
|
|
Then, are you saying Cha Hee Joo is alive?
|
|||
|
|
You said Joong Won met the dead Cha Hee Joo through the woman named Tae Gong Shil, right?
|
|||
|
|
I found the living Cha Hee Joo in Europe.
|
|||
|
|
Then, could Cha Hee Joo have been one of the twins?
|
|||
|
|
That's the most possible scenario.
|
|||
|
|
But I found something very strange.
|
|||
|
|
What are these? Those are the x-mas cards which the English person who took this picture exchanged these X-mas cards for 10 years.
|
|||
|
|
She lived traveling many different places overseas. Looking at the sent date sequence, she lived 3 years in LA, 4 years in New York, and 3 years in Peking.
|
|||
|
|
My son stayed abroad after the kidnapping incident.
|
|||
|
|
3 years in LA, 4 years in New York, 3 years in Peking.
|
|||
|
|
Did this woman follow around CEO Joo Joong Won?
|
|||
|
|
The last postcard had a message that she's returning to Korea.
|
|||
|
|
That was 5 years ago, and after that, Joong Won came back to Korea and he's been living here since.
|
|||
|
|
Do you think this woman is somewhere near CEO Joo Joong Won? Yes. I believe that Cha Hee Joo is alive, and she followed Joong Won after that incident, and she's still some place very close.
|
|||
|
|
Who is she?
|
|||
|
|
I haven't seen her around.
|
|||
|
|
She moved here not too long ago.
|
|||
|
|
It's Tae Gong Shil.
|
|||
|
|
Ah... She said she was going to a school reunion.
|
|||
|
|
I guess it was here.
|
|||
|
|
I heard your father just checked in the hotel.
|
|||
|
|
Chief Kang Woo will be here soon.
|
|||
|
|
Will you see him and listen to what he says?
|
|||
|
|
I will talk to my father in person.
|
|||
|
|
You don't need to call Chief Kang Woo.
|
|||
|
|
I didn't call him.
|
|||
|
|
Rather, he's coming here to see Tae Yang.
|
|||
|
|
I guess he's going to join them.
|
|||
|
|
Wow...
|
|||
|
|
Tae Yang... will be pretty proud in front of her high school friends today.
|
|||
|
|
Her boyfriend is so tall and good looking... So you had an accident... How about now, are you okay?
|
|||
|
|
Yes. I've gotten much better.
|
|||
|
|
But... it's such a waste that you didn't get to graduate from that college, that school background.
|
|||
|
|
Until what age can you go back to your study?
|
|||
|
|
There's still time, but...
|
|||
|
|
Gong Shil!
|
|||
|
|
Tell me about you.
|
|||
|
|
You said you're working at Kingdom, right?
|
|||
|
|
You... The CEO there... is he really your boyfriend?
|
|||
|
|
Tell them in detail what you told me.
|
|||
|
|
How you made advances to him, and how you got rejected.
|
|||
|
|
You're right. I met a man who's really rich and successful.
|
|||
|
|
How?
|
|||
|
|
On a heavy raining day, I got a ride in a very nice car.
|
|||
|
|
But the person was Kingdom's CEO. I really wanted to see him again, so I went to visit him.
|
|||
|
|
I felt like I had to hold on to him. So, I got a part-time job there, and followed him around.
|
|||
|
|
When I told him I was alone and sad, he started looking at me.
|
|||
|
|
The safety hideout came.
|
|||
|
|
Hide.
|
|||
|
|
Whenever I was going through a hard time, he helped me, and stayed with me.
|
|||
|
|
Ah, he even held an event for me by renting the whole hotel pool.
|
|||
|
|
How do you see me after hearing my story?
|
|||
|
|
Hey, we're so jealous!
|
|||
|
|
I envy you.
|
|||
|
|
And then what?
|
|||
|
|
You know the ending is what's important.
|
|||
|
|
That person is marrying a chaebol's daughter soon.
|
|||
|
|
No wonder...
|
|||
|
|
Still, I haven't gotten off of him, and I still hold on to him tightly.
|
|||
|
|
Because I can never be separated from him.
|
|||
|
|
That's a little... I can't help it ever though I look shameless and pathetic.
|
|||
|
|
Because, to me, he's the only one special person in the world.
|
|||
|
|
That's me.
|
|||
|
|
Tae Gong Shil.
|
|||
|
|
I came here after breaking off the marriage because of you.
|
|||
|
|
So, you take the responsibility.
|
|||
|
|
Let's go.
|
|||
|
|
What are you doing here?
|
|||
|
|
Now you're doing what I wanted to see from you.
|
|||
|
|
Then, is it my turn to act all charming?
|
|||
|
|
My kid is pretty upset.
|
|||
|
|
To appease her, I'll treat you to this dinner.
|
|||
|
|
Please have a fun and enjoyable time here.
|
|||
|
|
My baby.
|
|||
|
|
Will you come with Oppa?
|
|||
|
|
Let's go.
|
|||
|
|
What the heck do they think they're doing?
|
|||
|
|
Without the talks of radar and the safety hideout, people understand (the relationship between) you and me easily.
|
|||
|
|
Stop it.
|
|||
|
|
I get it now.
|
|||
|
|
This is me in your world.
|
|||
|
|
Tae Gong Shil!
|
|||
|
|
What's wrong?
|
|||
|
|
What's wrong?
|
|||
|
|
Did something happen?
|
|||
|
|
I was taking her with me.
|
|||
|
|
Kang Woo!
|
|||
|
|
What's the matter?
|
|||
|
|
Why is Tae Gong Shil acting that way?
|
|||
|
|
Why did CEO Joo come here?
|
|||
|
|
He said that he broke off the marriage because of her.
|
|||
|
|
And told her to take the responsibility.
|
|||
|
|
What about you?
|
|||
|
|
Why are you here?
|
|||
|
|
Did you come here because of her, too?
|
|||
|
|
Yes.
|
|||
|
|
Do you really like Tae Gong Shil?
|
|||
|
|
Yes.
|
|||
|
|
With this, you won't ever tell me to become your boyfriend again, right?
|
|||
|
|
You said you would make the whole thing available and to use everything. I just need a small space to breathe in.
|
|||
|
|
But are you that afraid that I would want something else?
|
|||
|
|
Yes, I am.
|
|||
|
|
I told you I would.
|
|||
|
|
I'm like that even now.
|
|||
|
|
Can I trust that? Even though you just stomped me so horribly, if a scary thing suddenly pops out, I can immediately run straight into your arms. I'm like that.
|
|||
|
|
Fine. I'll trust you. From now on, I'm going to do whatever I want to do to make myself at ease.
|
|||
|
|
From now on, you handle everything.
|
|||
|
|
Thank you.
|
|||
|
|
I can handle everything.
|
|||
|
|
Is that right?
|
|||
|
|
What will you do now?
|
|||
|
|
Subtitles by DramaFever
|
|||
|
|
I'm... leaving.
|
|||
|
|
I think I should just be a sun that only shines for those who are already dead.
|
|||
|
|
I only want to remain as a brilliant sun only for those ghosts.
|
|||
|
|
When I'm by your side... I feel like I become a sun of misfortune who only invites death to those around me.
|
|||
|
|
That makes me really fear and hate myself.
|
|||
|
|
So, it's not just that you're slightly disappointed when I'm not around... but I make you fear and hate yourself?
|
|||
|
|
I don't want to remain by your side only to become that kind of a sun.
|
|||
|
|
Just... tell me to get lost now.
|
|||
|
|
The only reason why I was able to... tell you to get lost all this time without any fear... was because I knew... without a doubt in my mind... that you'd rise again by my side.
|
|||
|
|
I'll give it a try... and do as you wish me to do.
|
|||
|
|
Get lost... my sun.
|
|||
|
|
Master Joo. I heard that Ms. Tae is leaving for somewhere very far away.
|
|||
|
|
Weren't you here with Ms. Tae?
|
|||
|
|
Where is she?
|
|||
|
|
Episode 16.
|
|||
|
|
Make sure to call me often, okay?
|
|||
|
|
You're not going to stay away for too long, right?
|
|||
|
|
I don't think I'll know how long I'll be until I actually get there.
|
|||
|
|
Is he the one that's going with you?
|
|||
|
|
That man... he's the one from your accident, right?
|
|||
|
|
That's why you shouldn't worry.
|
|||
|
|
I'll be back, okay?
|
|||
|
|
Okay.
|
|||
|
|
Bye.
|
|||
|
|
- Take care, Gong Ri. - Okay.
|
|||
|
|
I'll call you.
|
|||
|
|
She left you? I thought Tae Gong Shil would be fine as long as I handled everything.
|
|||
|
|
But... she told me that she's afraid, and it's too much for her.
|
|||
|
|
When I thought about it... I never once tried to understand, nor took it into consideration... the situation that she may be in.
|
|||
|
|
Then... are you saying that you're being considerate, and understanding of Ms. Tae's situation and that's why you're letting her go?
|
|||
|
|
Do I look crazy to you?
|
|||
|
|
To let Tae Gong Shil leave me like this?
|
|||
|
|
Why would I do something that I've never done in 34 years of my life in such a pivotal moment like this?
|
|||
|
|
I don't understand nor want to be considerate of her wanting to leave me.
|
|||
|
|
Please answer your phone.
|
|||
|
|
Did you end things... with that man?
|
|||
|
|
How could I have ended it?
|
|||
|
|
I just... forced myself to walk away from him.
|
|||
|
|
I wish the plane would just take off already.
|
|||
|
|
It should get better once I put some distance between us, right?
|
|||
|
|
I told Kang Woo that I was leaving today, but he hasn't even called.
|
|||
|
|
His crappy dog manners.
|
|||
|
|
Tae Gong Shil left on a flight headed for L.A.
|
|||
|
|
Get me a seat on the next flight out.
|
|||
|
|
I'm going to follow her. Yes, I'll get you a seat on the flight as soon as I get your passport from the office.
|
|||
|
|
- Joong Won is going to America?
|
|||
|
|
- Yes. Deputy Ahn received a phone call from Chief Secretary Kim. She just left for the airport with President Joo's passport.
|
|||
|
|
Why is he going to America all of a sudden?
|
|||
|
|
What could this be about?
|
|||
|
|
I'm not sure.
|
|||
|
|
No, it's nothing. Once you go and pass the audition, instead of returning to Korea... let's just stay there and hone your acting skills. Okay?
|
|||
|
|
I need to use the bathroom.
|
|||
|
|
- Tae Gong Shil.
|
|||
|
|
- Yi Ryung. What are you doing here?
|
|||
|
|
Are you going to America, too?
|
|||
|
|
Are you going to there on a business trip with President Joo?
|
|||
|
|
No, I'm just going there to take care of some personal business.
|
|||
|
|
I read in the newspaper that you're going to America to film a movie.
|
|||
|
|
Oh, that. I'm just going there for an audition.
|
|||
|
|
- Is he with you?
|
|||
|
|
My seat is over there.
|
|||
|
|
Come over to chat if you get bored.
|
|||
|
|
We went to school together.
|
|||
|
|
I got you a seat on a flight that leaves in two hours.
|
|||
|
|
- Nothing sooner?
|
|||
|
|
- No, nothing as of now.
|
|||
|
|
You just let Tae Gong Shil leave?
|
|||
|
|
She told me that she was going to leave as soon as Cha Hee Joo's case was resolved. So... you just let her leave instead of grabbing onto her and asking her to stay?
|
|||
|
|
I'm not letting her leave.
|
|||
|
|
I'm going to follow her and bring her back.
|
|||
|
|
Even if you were to follow her there, she has a two hour head start on you.
|
|||
|
|
What if you lose track of her during that time gap?
|
|||
|
|
This is a tracking device. Take this with you.
|
|||
|
|
I wasn't sure what was going to happen, so I put a tracking device in Gong Shil's bag.
|
|||
|
|
Tae Gong Shil doesn't know that I did that.
|
|||
|
|
Go and make sure that you find her, and bring her back.
|
|||
|
|
You're a very clever man, Team Leader Kang.
|
|||
|
|
Come back and work for me at Kingdom again.
|
|||
|
|
I'll double your salary.
|
|||
|
|
Turn it on for me.
|
|||
|
|
[Tae Yi Ryung] Kang Woo. Did you know that Tae Gong Shil is on her way to America?
|
|||
|
|
- How do you know that?
|
|||
|
|
- She's on the same flight that I'm on!
|
|||
|
|
She's going to America with some man whom I've never seen before.
|
|||
|
|
Really?
|
|||
|
|
Tae Gong Shil is on the same flight that Tae Yi Ryung is on right now.
|
|||
|
|
The plane is still on the ground.
|
|||
|
|
Hello?
|
|||
|
|
Hello?
|
|||
|
|
Hey!
|
|||
|
|
Hey, you dog...
|
|||
|
|
President Joo Joong Won?
|
|||
|
|
Ms. Tae Yi Ryung, listen to me very carefully.
|
|||
|
|
I need your gifted acting skills right now.
|
|||
|
|
Excuse me?
|
|||
|
|
Hey.
|
|||
|
|
Do you consider me a good actress?
|
|||
|
|
What?
|
|||
|
|
Make sure you don't get yourself involved in the act that I'm about to put on, okay?
|
|||
|
|
Yi Ryung!
|
|||
|
|
What's wrong?
|
|||
|
|
Gong Shil.
|
|||
|
|
My stomach hurts.
|
|||
|
|
What? What's wrong with your stomach?
|
|||
|
|
I don't know. But it really hurts!
|
|||
|
|
I think it's my appendicitis!
|
|||
|
|
Help! Someone help us!
|
|||
|
|
Please! We need some help!
|
|||
|
|
- Is she okay? - She needs help.
|
|||
|
|
Gong Shil.
|
|||
|
|
It's okay, Yi Ryung.
|
|||
|
|
Just hang on.
|
|||
|
|
- Big Sun.
|
|||
|
|
- Yes? Stay with me.
|
|||
|
|
Big Sun.
|
|||
|
|
Gong Shil!
|
|||
|
|
Don't leave me, Gong Shil!
|
|||
|
|
- It's okay, just hang on. Gong Shil!
|
|||
|
|
Gong Shil!
|
|||
|
|
- Big Sun!
|
|||
|
|
No!
|
|||
|
|
Come with me!
|
|||
|
|
- You go on ahead.
|
|||
|
|
You're her guardian, so you get in with her.
|
|||
|
|
Tae Gong Shil!
|
|||
|
|
I never knew that a day would come when I'd be impressed by Tae Yi Ryung's acting.
|
|||
|
|
You managed to get her to stay, but what are you going to do now?
|
|||
|
|
Be understanding, and considerate...
|
|||
|
|
I'm going to have to start doing those things.
|
|||
|
|
I want you to remain by my side and help me.
|
|||
|
|
I'm not good at things like that. So, if it seems like I'm doing it wrong, you have to get on my case and if I try to deviate from it, you have to stop me.
|
|||
|
|
Just like what you've been doing at my side for the past 15 years.
|
|||
|
|
Yes, I'll do that.
|
|||
|
|
But, Master Joo. I'm a little disappointed.
|
|||
|
|
I've been on your case for the past 15 years, but you didn't even budge. But look at how easily you've opened up your heart to Ms. Tae whom you've only known for a brief while.
|
|||
|
|
It wasn't easy.
|
|||
|
|
You know that I'm not that easy of a person.
|
|||
|
|
I'm not so sure.
|
|||
|
|
- Chief Secretary Kim.
|
|||
|
|
- Yes?
|
|||
|
|
Okay.
|
|||
|
|
Little Sun.
|
|||
|
|
You're acting way too normal for someone who was dying a minute ago.
|
|||
|
|
Can't you tell by looking?
|
|||
|
|
I was faking it.
|
|||
|
|
I've been taking acting lessons from an acting coach lately and my acting's gotten much better.
|
|||
|
|
I just got a script for a woman who has terminal illness.
|
|||
|
|
Maybe I should do that.
|
|||
|
|
Did you get me off that plane just so that you could practice your acting on me?
|
|||
|
|
Well, I didn't really want to go to that audition anyways.
|
|||
|
|
And President Joo Joong Won asked me to do it.
|
|||
|
|
He asked me to get you off that plane.
|
|||
|
|
- President Joo asked you to do that? - I didn't want to do it either.
|
|||
|
|
I don't like seeing you being happy with someone as successful as President Joo. It makes me envious of you.
|
|||
|
|
Then why did you do it?
|
|||
|
|
Because things need to get better for you, and you have to become safe and happy. In order for him to stop watching over you, and feel safe enough to leave your side... I couldn't think of any other solution other than finding you happiness with President Joo.
|
|||
|
|
That's why I helped him.
|
|||
|
|
If that's the case, then you shouldn't have gotten yourself involved.
|
|||
|
|
Because I was leaving so that I could be safe and happy.
|
|||
|
|
You seem to be saying that because you don't want to lose face in front of me.
|
|||
|
|
But that's not at all how you looked.
|
|||
|
|
'I love you too much, and that's why I'm leaving you.'
|
|||
|
|
That's the candy fluff you're trying to play off right now.
|
|||
|
|
- Candy? - That's right.
|
|||
|
|
I'm not good enough, so I'm leaving for your own good.
|
|||
|
|
Make me stay if you really love me.
|
|||
|
|
If you do, then I'll relent and stay.
|
|||
|
|
President Joo did more than his share by getting you off of that plane.
|
|||
|
|
Stop playing hard to get, and let him grab onto you now.
|
|||
|
|
If you insist on dragging it out, it'll only exhaust everyone involved. Yi Ryung. I have a big fatal flaw, so I can't pretend to be weak and just grab onto him.
|
|||
|
|
A fatal flaw?
|
|||
|
|
I think I know what it is.
|
|||
|
|
You need both Kang Woo and President Joo to feel empathy for you and protect you.
|
|||
|
|
Okay, what is it?
|
|||
|
|
I... see dead people.
|
|||
|
|
What?
|
|||
|
|
There's one in here, too.
|
|||
|
|
I think he was a patient who passed away in this hospital room.
|
|||
|
|
I don't believe in things like that.
|
|||
|
|
Okay. Anyways, he wants me to pass along a message to you.
|
|||
|
|
He says he's a fan of yours.
|
|||
|
|
I'm leaving now.
|
|||
|
|
Hey, Tae Gong Shil! Where are you going?
|
|||
|
|
If you leave me all alone after telling me something like that.
|
|||
|
|
It's scary.
|
|||
|
|
I really hate ghost stories. When I was being clingy, but even when I'm leaving... I'm still nothing but a gold digging candy girl in everyone else's eyes.
|
|||
|
|
Woo Jin, it's you.
|
|||
|
|
But... why are you still here?
|
|||
|
|
It's Woo Jin's mom.
|
|||
|
|
Woo Jin. Seeing you reminds me of a terrifying memory.
|
|||
|
|
I don't want to see you.
|
|||
|
|
Mr. Joo Joong Won.
|
|||
|
|
You forcefully brought back the sun that was trying to leave. But, did you manage to have her rise at your side again?
|
|||
|
|
- Who are you?
|
|||
|
|
- I'm the man that's leaving with Gong Shil.
|
|||
|
|
I'm sure that Gong Shil must've told you.
|
|||
|
|
I've met someone who can see and hear the same things that I can.
|
|||
|
|
You're telling me that you see ghosts like Tae Gong Shil does?
|
|||
|
|
Unlike you... I'm someone who lives in the same world which Gong Shil lives in.
|
|||
|
|
Ms. Tae!
|
|||
|
|
- Chief Secretary Kim.
|
|||
|
|
- How could you have left without a word?
|
|||
|
|
Were you running away... to avoid Master Joo?
|
|||
|
|
I wasn't running away.
|
|||
|
|
- I was just going to search for something.
|
|||
|
|
The reason why I ended up this way.
|
|||
|
|
I was leaving to search for a reason why I was made to be able to see dead people. Are you saying if she goes to those places that she's been with you that she'll be able to find the reason why?
|
|||
|
|
I'm not sure of that myself.
|
|||
|
|
We can only know once we get there.
|
|||
|
|
When you're not even sure of it yourself you were still trying to take her that far away from here?
|
|||
|
|
That's not what's important.
|
|||
|
|
What's important is that for the very first time... Gong Shil has started to take a real look at herself and who she is.
|
|||
|
|
She's hid herself away living in torment while avoiding others all these years, hasn't she?
|
|||
|
|
And when you appeared, you were like a safe haven she could escape to.
|
|||
|
|
But, now...
|
|||
|
|
Gong Shil is considering stepping out on her own away from you.
|
|||
|
|
That's why I came to see Gong Shil.
|
|||
|
|
What is it... that you can do for Tae Gong Shil?
|
|||
|
|
Her memories from those three years that she roamed this earth as a spirit... I'm going to help her regain those memories. Since that's when she started seeing spirits... once she regains her memories of that time... it'll transform Gong Shil.
|
|||
|
|
- How so?
|
|||
|
|
- She won't be afraid anymore.
|
|||
|
|
She may be able to accept her ability to see spirits, or... it's possible that she may even lose that ability.
|
|||
|
|
You're saying that it's possible she may not be able to see ghosts anymore?
|
|||
|
|
Yes. Whether she accepts her ability, or loses her ability... the defense shield you can offer to Gong Shil will become meaningless to her.
|
|||
|
|
Is Tae Gong Shil aware of all this?
|
|||
|
|
Yes.
|
|||
|
|
That's why she's coming with me.
|
|||
|
|
So, you thought that I was leaving for President Joo's sake?
|
|||
|
|
I was really only thinking of myself when I tried to leave.
|
|||
|
|
Now that I think about it, Candy is much more of a romanticist than I am.
|
|||
|
|
To leave like that for the sake of someone else.
|
|||
|
|
I'm not that innocent, bright, nor kind hearted like that.
|
|||
|
|
You've changed a lot, just like how Master Joo has changed.
|
|||
|
|
You used to say that you were just grateful to have someone like you.
|
|||
|
|
The sun that was crumpled down below is now saying how she wants to rise high up in the sun and shine brilliantly.
|
|||
|
|
And there's nothing I can do about it either. I'm at a loss for what to do.
|
|||
|
|
Seriously.
|
|||
|
|
Then do you think President Joo could have the same misunderstanding?
|
|||
|
|
Do I really have to put on my Candy act?
|
|||
|
|
I'm not sure.
|
|||
|
|
I'm not sure where Master Joo stands.
|
|||
|
|
He's Master Joo.
|
|||
|
|
Even though I had to force you to come back... I feel like I can finally breathe again now that you're standing in front of me.
|
|||
|
|
Listen, President Joo. Why did you hold me back?
|
|||
|
|
I was trying to leave for your own sake because I knew I wasn't good enough for you.
|
|||
|
|
Who do you think you're talking to?
|
|||
|
|
Do you think that I'm going to run over to you and hold onto you from the back just because you're putting on that act?
|
|||
|
|
Was I being that obvious?
|
|||
|
|
Did the blunt and brazen sun all of a sudden become a moon of purity? I just thought that you'd feel less offended and be a little bit more understanding if I told you that I did what I did for your benefit sake.
|
|||
|
|
Even if you come off sounding really blunt, I like you better when you're being honest.
|
|||
|
|
I don't like it when you change who you are which only ends up confusing me.
|
|||
|
|
Okay, then I'll be blunt and tell you how it is.
|
|||
|
|
I... I'm leaving for the sake of my own survival.
|
|||
|
|
It's not that I hadn't thought of you at all... but my own well-being came first.
|
|||
|
|
Initially, I felt comfortable to cling onto you as my defensive shield.
|
|||
|
|
Because I just clung onto you without having to think about anything else.
|
|||
|
|
Then I started to have feelings for you, I think that's when it all started.
|
|||
|
|
That's when I started hating myself for my ability to see ghosts.
|
|||
|
|
You told me that you'd lower yourself as much as you can to suit me, right?
|
|||
|
|
But... I felt so pathetic about how low my life was.
|
|||
|
|
I can't live like this anymore.
|
|||
|
|
I need to find out why I ended up this way.
|
|||
|
|
I want to get rid of my ability to see ghosts if I can.
|
|||
|
|
Can you find your reason, and come back to me?
|
|||
|
|
I can't promise you that I'll come back to you.
|
|||
|
|
Because if I don't change from the way I am now... there's no way that I'll return to your side ever again. I told you, didn't I? I don't want to remain as the sun of misfortune at your side.
|
|||
|
|
I never should've gone after you. And fortunately, your life didn't end then... you were able to find a way to continue on with your life the way you're meant to.
|
|||
|
|
Can you understand what I'm saying?
|
|||
|
|
I'm not a dumb street mutt. I got it, so you can give it a rest.
|
|||
|
|
Thank you. Seeing how you're able to walk around freely at a hospital when you once told me that it was the scariest place to you in the world... I guess you won't be coming back because you missed having your defensive shield.
|
|||
|
|
I need to find another weapon to bring us back together.
|
|||
|
|
Wait for me until I do.
|
|||
|
|
I'm going to leave just like I had planned.
|
|||
|
|
Then you'll be meeting some cops on your way to the airport.
|
|||
|
|
Why?
|
|||
|
|
Because... you're a sexual molester.
|
|||
|
|
You've touched every nook and cranny of my body.
|
|||
|
|
You even crawled onto my bed without my permission.
|
|||
|
|
You even paid me for the privilege of doing that, didn't you?
|
|||
|
|
10,000 won.
|
|||
|
|
One million won.
|
|||
|
|
Didn't you just tell me that you understood?
|
|||
|
|
Even if I understood, I have no intention of being considerate.
|
|||
|
|
There's no way that I'll just send you off peacefully.
|
|||
|
|
I'm just going to start doing whatever I want from now on without a guilty conscience.
|
|||
|
|
You can handle everything from now on all on your own.
|
|||
|
|
Once I think that you're no longer afraid of ghosts, and that you'll be okay alone... that's when you can tell me to stop coming, and go back to my own neighborhood.
|
|||
|
|
That woman doesn't have any self-respect.
|
|||
|
|
There's a definite reason why she can't let me go... and that's why she doesn't have the luxury to care about any self-respect.
|
|||
|
|
I don't get scared when I'm sure of the ending.
|
|||
|
|
All I ever told her every day was for her to handle everything and that there was a sure ending for us.
|
|||
|
|
And now... I got what I asked for.
|
|||
|
|
But still... I got to tell her exactly how I felt.
|
|||
|
|
I love you.
|
|||
|
|
Would that... have been enough?
|
|||
|
|
I guess I must've gone as far as what I feared in my worst case scenario.
|
|||
|
|
I totally forgot that I said those words to her.
|
|||
|
|
The things I said to Madame Go... that was the worst thing I could've said.
|
|||
|
|
Death, the end, and not being attracted...
|
|||
|
|
I said some words that I never should've said if it hadn't been for that specific situation.
|
|||
|
|
I don't want to retrieve those words just to complicate things again.
|
|||
|
|
No, I'm sure she didn't hear me say that.
|
|||
|
|
The deal with Madame Go is all over now.
|
|||
|
|
I even paid her a huge amount of money so that she never comes back again.
|
|||
|
|
I need to say nicer words to her.
|
|||
|
|
That way I can ask her how can she treat me so coldly like this.
|
|||
|
|
I heard that Han Na Brown was the culprit?
|
|||
|
|
Ugh, it could've been really bad for President Joo.
|
|||
|
|
Can you imagine how bad it would be if they got together like you wanted them to?
|
|||
|
|
I can't even fathom how shocked my Joong Won must've been.
|
|||
|
|
You said that they were able to catch her all thanks to Tae Gong Shil's help, right?
|
|||
|
|
Yes.
|
|||
|
|
Honey. What Bang Shil did was amazing.
|
|||
|
|
Honey.
|
|||
|
|
Joong Won. Are you okay?
|
|||
|
|
Aunt.
|
|||
|
|
I'm really struggling right now, so let's do this some other time.
|
|||
|
|
Okay.
|
|||
|
|
President Joo. I'm sure that you must be exhausted.
|
|||
|
|
I'll take care of the Shanghai meeting, and the finalization of all the paperwork. I have both sides of my brain for that, one to ponder business... and the other side for my own personal life. I can take care of them both myself.
|
|||
|
|
So both of you... just leave.
|
|||
|
|
Go, I said.
|
|||
|
|
It seems as though President Joo is suffering from the huge shock.
|
|||
|
|
I think he needs someone who'll be at his side to comfort and console him.
|
|||
|
|
He has me.
|
|||
|
|
Yes, I know that he has you. What he needs now is a warm loving presence.
|
|||
|
|
Who are you referring to?
|
|||
|
|
I'm talking about Bang Shil.
|
|||
|
|
Deputy Ahn told me a few things. And I guess Tae Gong Shil was trying to... leave for somewhere far away after she resolved the case for him.
|
|||
|
|
President Joo went after her and got her back.
|
|||
|
|
My goodness... my heart just breaks for them.
|
|||
|
|
I was really touched after I heard the story about the two of you from Deputy Ahn.
|
|||
|
|
You getting on that plane, and Master Joo coming after you.
|
|||
|
|
That's just unbelievable. If you really want to test the boundaries of love getting on the plane and pretending to leave is a pretty good tactic to use. You know your stuff.
|
|||
|
|
It wasn't like that.
|
|||
|
|
Gong Shil. President Joo went through all that trouble to bring you back and make you stay. You shouldn't go.
|
|||
|
|
Okay? He's not the reason why I'm leaving.
|
|||
|
|
Hey, that man... You told me that he even knows about the things you see.
|
|||
|
|
If he's telling you that he still likes you even after knowing all that then shouldn't that be the end of it?
|
|||
|
|
Even in your eyes... do you think that he's above my limit, and I'm playing hard to get undeservingly?
|
|||
|
|
Ms. Tae Gong Shil, you should give it a rest and stop playing so hard to get, okay?
|
|||
|
|
Why are you talking to my sister like that?
|
|||
|
|
Ms. Tae Gong Shil.
|
|||
|
|
You're being asked to come to the vice president's office.
|
|||
|
|
- Me? - Yes.
|
|||
|
|
Why?
|
|||
|
|
Once she gets President Joo's aunt's approval... then I guess things will go the way that the vice president wanted it to go.
|
|||
|
|
I didn't think that it was possible for Master Joo and Gong Shil to work out. I was starting to wonder if I got on the wrong side of the fence but it ends up that I had chosen the golden side of the fence.
|
|||
|
|
Lee Han Joo, you were on the vice president's side?
|
|||
|
|
Of course, I'm the vice president's eyes, ears, mouth. I'm his head, shoulders, knees and toes...
|
|||
|
|
Then were you the blabbermouth from the vice president's office?
|
|||
|
|
All those times that you took me out to eat jokbal and everything else it was all so that you could go around blabbing that mouth of yours?
|
|||
|
|
So, you were just fishing for information?
|
|||
|
|
Wait, Tae Gong Ri!
|
|||
|
|
I'm not going to touch you, nor provoke you for the time being.
|
|||
|
|
So, stop with all that needless talk of leaving just to make things harder for my Joong Won right now.
|
|||
|
|
You two are telling me that you can't live without one another and it seems I've just made things even more poignant and heart wrenching by getting in the middle of it.
|
|||
|
|
So, I'm not going to do that anymore.
|
|||
|
|
I trust that my nephew won't go off the deep end... and he'll come back to his senses.
|
|||
|
|
No, don't do that.
|
|||
|
|
I don't have the luxury to love anyone to the point of it being heart wrenching.
|
|||
|
|
You once told me that I was ominous, didn't you?
|
|||
|
|
What you said was right. I've dragged President Joo into my life and made him stand on the brink on the death. Yet, here I am staring into that face all over again.
|
|||
|
|
I'm never going to repeat that same mistake again.
|
|||
|
|
Bang Shil.
|
|||
|
|
Do you have a grudge against me because I was a bit harsh with you in the past?
|
|||
|
|
Are you trying to get an apology from me or something?
|
|||
|
|
- Is that it?
|
|||
|
|
I know that it's only because you love President Joo very much.
|
|||
|
|
You're very precious to the person that I care deeply about.
|
|||
|
|
If anything, I'm grateful to you.
|
|||
|
|
Are you... trying to play me, too?
|
|||
|
|
No. I'm just going to leave you be, and get lost for good.
|
|||
|
|
It seems as though you're starting to have some doubts.
|
|||
|
|
Everyone can't seem to understand me.
|
|||
|
|
They all thought the same... that I was bluffing and playing hard to get.
|
|||
|
|
They think it's ludicrous that someone like President Joo would want me to stay.
|
|||
|
|
Then... do you want to try remaining at his side... and live your life together while enduring and handling what may come your way?
|
|||
|
|
Because it seemed to me that he was ready to do that.
|
|||
|
|
You know that I can't do that.
|
|||
|
|
My decision to leave was an extremely difficult decision for me to make.
|
|||
|
|
Even the thought of never being able to see him again... makes me feel completely empty inside.
|
|||
|
|
This kid... is he following you around?
|
|||
|
|
His name is Woo Jin.
|
|||
|
|
He follows me because he's really worried about his mom.
|
|||
|
|
- Are you not going to help this kid out?
|
|||
|
|
- No, I'm not. The last time I followed this kid, I almost caused Joong Won to die.
|
|||
|
|
I'm going with you because I don't want to do anything like that again.
|
|||
|
|
Then, I'll wait for you at the airport tomorrow.
|
|||
|
|
It's up to you whether you'll come with me or not.
|
|||
|
|
So you're the cause of Gong Shil's agony, huh? It seems as though even her final decision... will all come down to you again.
|
|||
|
|
She's sleeping?
|
|||
|
|
After threatening me to come with the necessities after a fake hospitalization... and she sleeps?
|
|||
|
|
It seemed like a big project led by a famous director.
|
|||
|
|
I wonder if she's making a huge mistake by letting go of this opportunity. Seeing how she's sleeping so peacefully... she seems perfectly fine to me.
|
|||
|
|
What the heck?
|
|||
|
|
Did you attack me just now?
|
|||
|
|
Even though I'm a little flustered by your surprise ambush... but I came prepared for it. So, I won't get mad at you.
|
|||
|
|
But... are you sure that was enough?
|
|||
|
|
I was prepared for something even more drastic with you being the black whiskered whale and all.
|
|||
|
|
But thanks for such a bland ending.
|
|||
|
|
What?
|
|||
|
|
You really won't get mad if I do something more than that?
|
|||
|
|
No, I wouldn't have gotten mad.
|
|||
|
|
It's an opportunity that you even gave up an international movie for... but that's too bad.
|
|||
|
|
Kang Woo!
|
|||
|
|
That didn't count.
|
|||
|
|
I'm going to do it right this time.
|
|||
|
|
There are reporters waiting outside.
|
|||
|
|
You can't come out there, okay?
|
|||
|
|
I should've just jumped on him. I was attempting to organize my thoughts in order to renegotiate with you. I discovered a huge injustice along the process.
|
|||
|
|
The more I think about it, the more ridiculous it all seems.
|
|||
|
|
What's ridiculous? You and I've been taking turns talking about our end.
|
|||
|
|
When in fact, we've never even really started.
|
|||
|
|
We've never once shared a meal, or held hands without having a ghost involved.
|
|||
|
|
Talking about our ending when there wasn't even a beginning...
|
|||
|
|
Don't you find that funny? Yes, it's funny. I've touched you, grabbed you, and poked you enough to get accused of sexual harassment.
|
|||
|
|
But I've never once touched you just because I wanted to from liking you.
|
|||
|
|
Forget all that talk about leaving and just grab my hand and let's just go grab dinner together.
|
|||
|
|
It feels weird.
|
|||
|
|
I think this is the first time I've ever held your hand without there being a ghost.
|
|||
|
|
See? Doesn't it feel unfair to just end it after only having held hands once?
|
|||
|
|
Since I've grabbed onto your hand, why don't we go have dinner together?
|
|||
|
|
I'll just go in and change real quick.
|
|||
|
|
Make it quick.
|
|||
|
|
This is my favorite udon restaurant.
|
|||
|
|
This place is the best in this area.
|
|||
|
|
I love udon so much, that I find myself eating it about five times a week.
|
|||
|
|
This is the first time I've ever heard of how much you like udon.
|
|||
|
|
I hate these fat noodles that sits in a bowl of this hot broth.
|
|||
|
|
I like the refreshing tasting and thin nangmyun noodles.
|
|||
|
|
- I see. So you like nangmyun?
|
|||
|
|
- That doesn't mean that I like all nangmyun.
|
|||
|
|
I only like it from this certain restaurant. It's number three on their menu.
|
|||
|
|
But... ever since the grandmother of that place passed away the flavor of the dish changed, so I've quit eating nangmyun.
|
|||
|
|
Really? Had I known sooner, I would've stopped by that nangmyun place. If that deceased grandmother was still there don't you think I could've found out why the flavor of the dish had changed?
|
|||
|
|
I find that to be unfair, too.
|
|||
|
|
Where's that nangmyun place?
|
|||
|
|
I'll stop by before I leave.
|
|||
|
|
Don't pretend to care when you're just going to leave and abandon me.
|
|||
|
|
Go on and eat before your fat noodles get fatter.
|
|||
|
|
I hope you really enjoy eating it... and that you feel a sense of longing whenever you eat another bowl of udon.
|
|||
|
|
I come to this place from time to time to get some exercise.
|
|||
|
|
I used to be really good at sports. I was especially good at tennis. I'm good at other thing besides tennis such as horseback riding, golf, and archery.
|
|||
|
|
I guess you would've concentrated more on being athletic since you couldn't read.
|
|||
|
|
I, on the other hand, only read because I couldn't go outside.
|
|||
|
|
That's too bad. We could've lived together with me reading all the books that you'd recommend and with me teaching you all the sports that I'm really good at. You're breaking the fundamental structure of 'Give and Take' when you leave.
|
|||
|
|
I guess you're right.
|
|||
|
|
I've always wanted to learn how to horseback ride, and how to golf.
|
|||
|
|
I have horses, golf courses, swimming pools, and tennis courts.
|
|||
|
|
I have them all. In other words, you could say that I have a lifetime membership to all those things.
|
|||
|
|
You even have horses?
|
|||
|
|
I saw the ghost of a horse once.
|
|||
|
|
But you can't ride the ghost of a horse.
|
|||
|
|
President Joo.
|
|||
|
|
There's an old lady sitting on that bench who likes to mess with couples on their dates.
|
|||
|
|
All the couples that sits on that bench ends up breaking up.
|
|||
|
|
Excuse me!
|
|||
|
|
They'll end up breaking up if I just leave them alone.
|
|||
|
|
Then let them break up. My relationship is about to be broken up as well.
|
|||
|
|
I don't want to see others having a happy ending.
|
|||
|
|
Tae Gong Shil.
|
|||
|
|
Don't go.
|
|||
|
|
Ms. Tae told me that she was leaving for the sake of her own benefit.
|
|||
|
|
That's why I'm sure Master Joo won't be able to force her to stay either.
|
|||
|
|
I've always thought that President Joo could do the things for Tae Gong Shil that I never could do for her myself.
|
|||
|
|
That's why I've taken a step back only to stare at her from afar.
|
|||
|
|
But... if Tae Gong Shil is saying that she herself is what she's really afraid of... then the only thing President Joo can do... is to take a step back and watch her as he waits for her like I've done.
|
|||
|
|
Master Joo has never once accepted a person's decision for what it is.
|
|||
|
|
Whether he'll be able to be understand and be considerate of her decision... is something that I'm not sure he'll be able to do.
|
|||
|
|
I didn't even know that jerk was the blabbermouth I've been searching for.
|
|||
|
|
I went out to eat chicken gizzards, and even lamb hearts with him?
|
|||
|
|
Hey! Blabbermouth!
|
|||
|
|
This is my bottle.
|
|||
|
|
I didn't pour that drink just so you can dump it into that cheap blabbermouth of yours.
|
|||
|
|
Hey, blabbermouth.
|
|||
|
|
Why aren't you saying anything?
|
|||
|
|
Why don't you try saying something?
|
|||
|
|
Huh? That cheap mouth of yours is useless unless it's used for gossiping, right?
|
|||
|
|
Hey. Hey!
|
|||
|
|
What... what did you just do with that cheap mouth of yours?
|
|||
|
|
Now that's the only kind of excuse my lips can make.
|
|||
|
|
Your excuse... was a little short.
|
|||
|
|
Then... should I give you a longer explanation?
|
|||
|
|
First of all... since you can't be the only sober one here, start drinking.
|
|||
|
|
Give us another bottle.
|
|||
|
|
It tastes so sweet. So sweet.
|
|||
|
|
I really like the rooftop of your place.
|
|||
|
|
I can now understand why you say that you feel most comfortable up there.
|
|||
|
|
It's a perfect place to have a beer.
|
|||
|
|
I want to fill up your fridge with beer... and I want to come over every day to have one.
|
|||
|
|
Tae Gong Shil.
|
|||
|
|
How many beers should I get to fill up your fridge?
|
|||
|
|
Should I buy one beer for tonight, or can I fill it up as much as I want?
|
|||
|
|
For now... just a single pack.
|
|||
|
|
Six beers?
|
|||
|
|
I want to have a beer too while holding your hand. If it's only six beers, we can either drink them all tonight or if there are still some left... then you can come back another time.
|
|||
|
|
Okay.
|
|||
|
|
One pack.
|
|||
|
|
Any specific kind you like? No, I'll figure that out on my own.
|
|||
|
|
We'll just start off with a pack.
|
|||
|
|
It would be too unfair to just leave without even doing that.
|
|||
|
|
One pack. Six days.
|
|||
|
|
I've bought myself that much time at least.
|
|||
|
|
Woo Jin.
|
|||
|
|
Gong Shil, please help my mom.
|
|||
|
|
No, I don't want to.
|
|||
|
|
I'm not going to look at you.
|
|||
|
|
Gong Shil. Please help me.
|
|||
|
|
I'm not going.
|
|||
|
|
Go away. I said, I'm not going!
|
|||
|
|
Where did she go?
|
|||
|
|
[President Joo]
|
|||
|
|
Why isn't she answering her phone?
|
|||
|
|
Miss. Aren't you going to answer your phone?
|
|||
|
|
I wasn't sure what was going to happen, so I put a tracking device in Gong Shil's bag.
|
|||
|
|
Found it.
|
|||
|
|
Driver, stop the car.
|
|||
|
|
Woo Jin. Mommy is coming to be with you.
|
|||
|
|
Ma'am!
|
|||
|
|
No, you can't!
|
|||
|
|
Please don't do this!
|
|||
|
|
Let go!
|
|||
|
|
Please don't do this.
|
|||
|
|
Don't do this!
|
|||
|
|
Please calm down.
|
|||
|
|
You can't do this.
|
|||
|
|
Woo Jin. Woo Jin!
|
|||
|
|
- You can't do this.
|
|||
|
|
It's too dangerous. - I want to go to him!
|
|||
|
|
It's okay.
|
|||
|
|
Woo Jin is standing next to her.
|
|||
|
|
He came to ask for my help because his mother was in danger.
|
|||
|
|
I almost got you killed the last time I followed that kid.
|
|||
|
|
But I ended up following him again.
|
|||
|
|
Even though I stopped her this time, she may try doing the same thing again.
|
|||
|
|
That's her life.
|
|||
|
|
How can you expect yourself to handle all that?
|
|||
|
|
I kept being swayed because I continue to see and hear them.
|
|||
|
|
Even though I really hate it, this is just who I am.
|
|||
|
|
I can't even handle myself. So, how can you be expected to handle me?
|
|||
|
|
If you go with that man... will you then be able to stop seeing the things that you don't want to see?
|
|||
|
|
I don't know.
|
|||
|
|
But don't you think that I should at least try to find out why I ended up this way?
|
|||
|
|
I'll accept your decision.
|
|||
|
|
Okay.
|
|||
|
|
This ends right here.
|
|||
|
|
Tae Gong Shil.
|
|||
|
|
You and I are nothing but two people who've only held hands once and shared one single meal together.
|
|||
|
|
It means that we'll easily forget one another.
|
|||
|
|
I'm going... to forget you.
|
|||
|
|
Okay. If you really hate me... you can curse me and call me a bitch who left you after bewitching you.
|
|||
|
|
No, thanks. There's no need to curse out a woman whom I've only held hands and dined with once.
|
|||
|
|
I'm leaving. Even to the very end... she hadn't said... that she loves me.
|
|||
|
|
It has now been three hundred... and seventy five days since the sun gone down in my life.
|
|||
|
|
But I haven't collapse and crumble.
|
|||
|
|
What should I wear today?
|
|||
|
|
- Is everything prepared? - Yes.
|
|||
|
|
Our sales and revenue must beat out Giant Mall in the annual sales report.
|
|||
|
|
We're preparing some special events for the end of the year sales drive.
|
|||
|
|
I'll be leaving for Shanghai after this season ends.
|
|||
|
|
We need a huge and definitive advantage over Giant Mall in sales before I leave.
|
|||
|
|
- How much?
|
|||
|
|
This much.
|
|||
|
|
- This much. Even bigger.
|
|||
|
|
This much!
|
|||
|
|
Once Joong Won leaves for Shanghai next year... you'll be taking over his position as the President of this location.
|
|||
|
|
The thought of that gives me the butterflies.
|
|||
|
|
I have to do whatever I can to make sure that he gets married before he leaves.
|
|||
|
|
He sees Ms. Park So Hyun with all the frequent meeting with Sejin Group, right?
|
|||
|
|
- What do you think of those two? - They only get into hot debates over money.
|
|||
|
|
I don't see any possibilities between those two.
|
|||
|
|
Why don't you try setting up a dinner or something after one of those meetings? You can do that, can't you?
|
|||
|
|
Well... yes, okay. But... From the way I see it... it seems to me that President Joo is waiting.
|
|||
|
|
Do you think that it makes any sense that Joong Won would wait around for anyone?
|
|||
|
|
As long as he wants, I can get a line of women for him from here to the moon.
|
|||
|
|
But... Bang Shil?
|
|||
|
|
What is she... a princess from outer space or something?
|
|||
|
|
- Why would he wait for her? - Well, you know...
|
|||
|
|
I'm waiting for the sun to rise again.
|
|||
|
|
As a show of your belief that the sun will rise again... can you bang the can, and spin the lid?
|
|||
|
|
Thanks.
|
|||
|
|
In its own way, it comforts me when you bang the can and spin the lid for me.
|
|||
|
|
Deputy Ahn. Did you tell him that his meeting with Sejin Group is at the Palace Hotel?
|
|||
|
|
Yes, Sejin Group called this morning to confirm as well.
|
|||
|
|
Oh no, what to do? I needed to coordinate with President Joo's schedule and set the meeting up at Kingdom but I seemed to have made a mistake.
|
|||
|
|
I have to go with him to that meeting. President Joo will probably get really upset if we change the schedule.
|
|||
|
|
I'll speak to him since I'm the one who made the mistake.
|
|||
|
|
How in the world did I make such a simple mistake like that?
|
|||
|
|
I wonder if I was bewitched by a ghost.
|
|||
|
|
We're here way too early for the meeting.
|
|||
|
|
There's no way that Chief Secretary Kim would've made a simple mistake like this.
|
|||
|
|
I wonder... if he's really sick?
|
|||
|
|
Chief Secretary Kim.
|
|||
|
|
Have you been to the hospital yet?
|
|||
|
|
You still have to consider your age even if it is just a cold.
|
|||
|
|
Take the next few days off and rest.
|
|||
|
|
You're going to get me sick with your cold.
|
|||
|
|
I'm going to send over the doctor, so just stay home and don't go anywhere. What about dinner?
|
|||
|
|
I'll send over some of your favorite tuna porridge. No, you can't have any ice cream.
|
|||
|
|
I'm hanging up.
|
|||
|
|
I noticed you when you first walked in.
|
|||
|
|
If it's okay with you, can I join you for a drink?
|
|||
|
|
No, I'm actually waiting for someone.
|
|||
|
|
You've been sitting here by yourself all night.
|
|||
|
|
- Well, yes... excuse me. - Yes? - Would it be okay if I moved my seat?
|
|||
|
|
Thank you.
|
|||
|
|
This change is nice.
|
|||
|
|
Has Seoul's night skyline always been this pretty?
|
|||
|
|
Excuse me, Miss.
|
|||
|
|
Would you like to have a drink with me?
|
|||
|
|
No, thanks.
|
|||
|
|
Please go away.
|
|||
|
|
You look so much like someone I know.
|
|||
|
|
I said, forget it.
|
|||
|
|
You're really... not going to look at me?
|
|||
|
|
I'm here with someone.
|
|||
|
|
Who?
|
|||
|
|
A ghost?
|
|||
|
|
It is you, Tae Gong Shil. The bitch who left me after bewitching me.
|
|||
|
|
Subtitles by DramaFever
|
|||
|
|
Subtitles by DramaFever
|
|||
|
|
I'm a unique and special entity in your world.
|
|||
|
|
The only way I won't be aggrieved is if you felt like dying without me.
|
|||
|
|
But, I don't know what to tell you.
|
|||
|
|
I just feel slightly disappointed when you're not around.
|
|||
|
|
Just slightly disappointed?
|
|||
|
|
I haven't been waiting around hoping for you to remember me.
|
|||
|
|
All I needed to do is show you this and you'll remember who I am. But I purposely kept it and didn't return it to you.
|
|||
|
|
You purposely kept it to yourself... and didn't return it to me?
|
|||
|
|
Yes. I thought it would be better for the both of us not to have this.
|
|||
|
|
I was planning to throw this away since it was just something that I picked up.
|
|||
|
|
Here, you can have it.
|
|||
|
|
You were seriously... thinking of throwing it away?
|
|||
|
|
Yes. So, if I hadn't taken it upon myself to remember and recover it. You really were planning to toss this away, and never to be found again?
|
|||
|
|
Yes. Anyways, I've already thrown it away.
|
|||
|
|
Then... should I throw it away too?
|
|||
|
|
Since it's yours to begin, you can do whatever you want with it.
|
|||
|
|
Then I'll throw it away, too. I'll simply get rid of it.
|
|||
|
|
Are you in pain?
|
|||
|
|
Yeah, I'm in pain.
|
|||
|
|
I feel like my back is splitting in half.
|
|||
|
|
I thought you've fully recovered.
|
|||
|
|
Have you ever been stabbed with a screwdriver?
|
|||
|
|
If it had gone any deeper, it would've pierced my heart.
|
|||
|
|
Does it still hurt?
|
|||
|
|
The moment I got my memories back... the shock and agonizing pain I felt when I got stabbed came back, too.
|
|||
|
|
Let's get you home.
|
|||
|
|
Yeah, I think I need to go home.
|
|||
|
|
Take me to the parking garage.
|
|||
|
|
I'll go get someone to help you.
|
|||
|
|
I got hurt because of you, and you can't even help me walk?
|
|||
|
|
Aren't you being too harsh?
|
|||
|
|
Okay, let's go.
|
|||
|
|
You didn't even once visit me at the hospital while I was there, did you?
|
|||
|
|
Why are you disappointed when you don't even remember being there?
|
|||
|
|
Do you know how much pain I was in?
|
|||
|
|
To be honest, it still aches whenever I take a breath.
|
|||
|
|
Yes, I'm sure that you were in a great deal of pain.
|
|||
|
|
Is that the best you can say? Can't you be a bit more sincere when you say that?
|
|||
|
|
Yes, I'm sure that you were in a great deal of pain.
|
|||
|
|
Right there. That's where it hurts.
|
|||
|
|
- You do the driving.
|
|||
|
|
- Me? Then you expect me to drive when I'm in this much pain?
|
|||
|
|
Unlock the door.
|
|||
|
|
It'll be dangerous if something jumps out while you're driving.
|
|||
|
|
This is for my own safety.
|
|||
|
|
Just concentrate on driving.
|
|||
|
|
I have to concentrate on enduring my pain.
|
|||
|
|
Start the car.
|
|||
|
|
I'm sorry, Han Na.
|
|||
|
|
I don't think Joong Won was feeling well, he probably went home.
|
|||
|
|
I think he went off to see Tae Gong Shil.
|
|||
|
|
I guess he still feels drawn to her even though he has no memories of her.
|
|||
|
|
She was the woman he cared far enough to risk his own life.
|
|||
|
|
It's understandable that he would feel this way.
|
|||
|
|
Did Mr. Joo Joong Won get hurt in his attempt to save her?
|
|||
|
|
- No! - Yes, that's right.
|
|||
|
|
I see.
|
|||
|
|
I had no idea that Tae Gong Shil meant that much to Mr. Joo Joong Won.
|
|||
|
|
We look the same... but you're not the one that Joong Won likes.
|
|||
|
|
The only thing that Joong Won knows is that he likes a girl named Cha Hee Joo.
|
|||
|
|
I want to tell Joong Won... who I truly am.
|
|||
|
|
I'm sorry, Hee Joo.
|
|||
|
|
I wasn't able to take in my twin nieces that my sister left behind.
|
|||
|
|
Of the twins... Han Na was adopted, and she moved to England.
|
|||
|
|
And Hee Joo grew up in an orphanage here in Korea.
|
|||
|
|
Didn't you tell me that I have a twin?
|
|||
|
|
I want to go and find my sister.
|
|||
|
|
This is the picture they sent me when they met for the first time.
|
|||
|
|
I was going to come to Korea myself, so that I could also meet Hee Joo.
|
|||
|
|
But when Han Na came back to England... she told me that Hee Joo had died in an accident.
|
|||
|
|
My little sister is dead.
|
|||
|
|
Why didn't you look her? She was left her all alone there.
|
|||
|
|
And I haven't seen Han Na again since that day.
|
|||
|
|
But... why do you think that after these past 15 years... she's appeared by Master Joo's side?
|
|||
|
|
There's a very high probability that she was the co-conspirator.
|
|||
|
|
Han Na... would've never done something like that.
|
|||
|
|
President Joo will be shocked when he finds out Han Na is the late Cha Hee Joo's twin. But, when he finds out that you're a blood relative of Cha Hee Joo's... he will be tremendously shocked.
|
|||
|
|
It's even possible that he may misunderstand the nature of your true intentions.
|
|||
|
|
You think... that all those years that I've remained by Master Joo's side... would end up in a terrible misunderstanding? One in which he may never forgive me?
|
|||
|
|
Get some rest. I'm going to get going now.
|
|||
|
|
What would you like to drink?
|
|||
|
|
I'm going to have a beer, and you can have a soda.
|
|||
|
|
Since I don't have any soda, you can have some sparkling water.
|
|||
|
|
I thought that you said you were in pain.
|
|||
|
|
Do you really think that I've brought you all the way here because of my back pain?
|
|||
|
|
You know that wasn't the real reason, but you still came with me.
|
|||
|
|
Okay, let's just forget everything that we've agreed to disregard... and start over from scratch, and reorganize our thoughts.
|
|||
|
|
Okay, fine. Let's talk now since I'm here.
|
|||
|
|
I understand that you wanted to run away because of your guilt.
|
|||
|
|
You probably think this was all your fault for dragging me in but I'm also partly to blame because I ran in there without a plan.
|
|||
|
|
End of story.
|
|||
|
|
We just need to more cautious from now on. I'd always anticipated that we'll end things at some point and that made me wanted to keep one foot out the door.
|
|||
|
|
But... after that near death experience... that's when I knew for sure...
|
|||
|
|
I don't want to end things with you.
|
|||
|
|
I'm not going to end it.
|
|||
|
|
Just remain by my side.
|
|||
|
|
I'll handle everything.
|
|||
|
|
So, you've already decided that's what you want to do?
|
|||
|
|
That's right. So, when I start to seduce you... you just need to fall for me and come to me.
|
|||
|
|
Drink up.
|
|||
|
|
I don't think that I'm going to fall for you that easily.
|
|||
|
|
To me you are no longer... the desperately necessary entity that I needed like before.
|
|||
|
|
I'm your defensive shield.
|
|||
|
|
What happened?
|
|||
|
|
Did I lose my ability when I got stabbed by the screwdriver?
|
|||
|
|
No, that's not it.
|
|||
|
|
It's just that I'm no longer afraid of the ghosts like I used to be.
|
|||
|
|
So, I no longer need to have a defensive shield.
|
|||
|
|
You're still really great, and rich and all... but that ultimate attractiveness about you that drew me to you is no longer there.
|
|||
|
|
You sucked up to me by saying that I was a shield made out of the finest marble in this world when you really needed me.
|
|||
|
|
But, what am I?
|
|||
|
|
You no longer find me attractive because you're not afraid ghosts anymore? Yes. It's the same thing as a woman liking a man for his money and the guy loses his attraction to her when he loses his fortune.
|
|||
|
|
I've lowered myself as much as I could go to fit you on your level... but you're telling me that that my worth has gone down? Then do you want to renegotiate our terms?
|
|||
|
|
Don't lower yourself to suit me, or fall any lower either.
|
|||
|
|
I told you that I don't want that.
|
|||
|
|
I'm going to go now.
|
|||
|
|
Okay, you can go for now.
|
|||
|
|
We'll renegotiate once I'm done staring at myself in the mirror and find some other appeal that I can offer to you.
|
|||
|
|
You do that.
|
|||
|
|
You.
|
|||
|
|
She says you're not attractive. You've never heard that before, have you?
|
|||
|
|
No, don't quiver. And don't get angry either.
|
|||
|
|
We'll go back and renegotiate.
|
|||
|
|
Just endure it.
|
|||
|
|
Unclench your fist.
|
|||
|
|
This is no fun.
|
|||
|
|
I'm unattractive to her.
|
|||
|
|
You're quick with your calculations.
|
|||
|
|
Just name your price.
|
|||
|
|
I'll give you whatever you want. You must've figured out a very precise answer to your calculation. Once I pay up, Tae Gong Shil's contract with you is over.
|
|||
|
|
I will never... block your sun from you again.
|
|||
|
|
I'll try talking to Madame Go.
|
|||
|
|
Your top priority is their looks? Why do you care so much about looks when you're already dead?
|
|||
|
|
Excuse me? You think that man is perfect?
|
|||
|
|
But... that man is still alive!
|
|||
|
|
What are you thinking?
|
|||
|
|
Just get lost!
|
|||
|
|
I heard that it's going to rain tonight. - Are you going on your GT dressed like that?
|
|||
|
|
- What's a 'GT'?
|
|||
|
|
The 'Ghost Training' that Madame Go makes you go on. Did you train yourself to not be afraid when you go ghost hunting?
|
|||
|
|
- I've signed a contract with her.
|
|||
|
|
- That's all over now.
|
|||
|
|
She and I have come to a settlement.
|
|||
|
|
Ah... you settled it with her?
|
|||
|
|
That's good.
|
|||
|
|
I'm sure you've already heard... I signed that contract because I want to bring you back to life.
|
|||
|
|
I thought it was great that you were able to wake back up safely... but I did feel that it was a little unfair that I got shafted on this.
|
|||
|
|
Shafted? Sacrifice, devotion, love... It would sound so much better if you had used those kinds of words instead.
|
|||
|
|
Feelings like that only exist in fairy tales.
|
|||
|
|
The wolf and the lamb who meets on that stormy night... their feelings for each other are so pure and sweet, isn't it?
|
|||
|
|
That because it's a children's book. But in reality, a wolf and a lamb cannot be together.
|
|||
|
|
You're well aware of that yourself.
|
|||
|
|
I came back to life from the brink of death. I left reality to jump into a fairytale.
|
|||
|
|
But it sounds like you crawled out of the fairytale into reality during that time.
|
|||
|
|
Mine was a very cruel fairytale.
|
|||
|
|
A dark fairytale where a person dies and come visit the other.
|
|||
|
|
It scared me so much, I crawled out of that fairytale.
|
|||
|
|
You should just go back to your neighborhood now.
|
|||
|
|
This is the third time you've told me to get lost today.
|
|||
|
|
Which means, I've endured you turning me down three times.
|
|||
|
|
Don't you remember what you once said to me? Sticking around after being told to get lost is something only a mutt would do.
|
|||
|
|
It seems to me that you're not taking your own advice.
|
|||
|
|
My ears are wide open, and I can hear you very well. But, I don't understand it.
|
|||
|
|
Grandmother, what are you doing here again?
|
|||
|
|
We're in the middle of an important conversation. What are you doing? Tell them to come back another time.
|
|||
|
|
Your son is there doing that again?
|
|||
|
|
That's very dangerous.
|
|||
|
|
Okay, let's go.
|
|||
|
|
Where are you going?
|
|||
|
|
Don't touch me.
|
|||
|
|
This isn't the time for your defensive shield.
|
|||
|
|
Just go home.
|
|||
|
|
This is the fourth time she told me to get lost.
|
|||
|
|
I'm counting the number of times.
|
|||
|
|
- Grandmother, it's okay.
|
|||
|
|
- I think it's going to start raining soon. Are you really not afraid at all?
|
|||
|
|
I can handle it.
|
|||
|
|
Is your son in a bad state?
|
|||
|
|
You're not able to leave in peace because your son is still causing trouble, right?
|
|||
|
|
What grandmother? Tell me what's going on.
|
|||
|
|
You can't see the grandmother anyways.
|
|||
|
|
So, you don't need to know.
|
|||
|
|
Right?
|
|||
|
|
Why are you laughing?
|
|||
|
|
What is it?
|
|||
|
|
What do you care? You can't hear her anyways.
|
|||
|
|
Yes, you're right.
|
|||
|
|
- He's a bit... - Are you guys talking about me? I don't need to hear to know that.
|
|||
|
|
There he is!
|
|||
|
|
Mister!
|
|||
|
|
Mister from the supermarket! Mister!
|
|||
|
|
Mister!
|
|||
|
|
I can see him, too.
|
|||
|
|
How much did he have to drink?
|
|||
|
|
Mister.
|
|||
|
|
Grandmother, should I wake him up like I did before?
|
|||
|
|
National Singing Competition!
|
|||
|
|
I won first place at that competition.
|
|||
|
|
Yes, you did.
|
|||
|
|
Someone who won first place at a national singing competition can't be lying in the middle of the streets, right? It's very dangerous to be there in front of the truck like that.
|
|||
|
|
Come on, let's go.
|
|||
|
|
You could've just explained what was going on to me. If that man was dangerous and if he held a weapon at me would you run to save me again like the last time? What if he had a gun in his hand?
|
|||
|
|
Would you have taken the bullet for me?
|
|||
|
|
I'm not going to drag you into situations like that anymore.
|
|||
|
|
Are you asking me to leave you to face these dangers alone?
|
|||
|
|
It's more dangerous when the two of us are together.
|
|||
|
|
We don't see or hear the same things.
|
|||
|
|
You can grab onto me and not see or hear anything either.
|
|||
|
|
How can I live my life clinging onto you like that? I have my own world to live in.
|
|||
|
|
So, you were serious when you told me that you can live without me.
|
|||
|
|
You were bewitched because of my persistent clinging.
|
|||
|
|
Truthfully, no other woman in this world would've come onto you like I did.
|
|||
|
|
I came back even after getting pulled away by the hair. I clung onto you even though you've told me to get lost a 100 times.
|
|||
|
|
I'm sorry, President Joo. There's absolutely no reason why you should let me stick around you.
|
|||
|
|
That's right.
|
|||
|
|
I fell for your spell, and lost my mind.
|
|||
|
|
You're saying all the right words, but I still can't understand any of it.
|
|||
|
|
I must've turned into a street mutt.
|
|||
|
|
Once you take a step back from me, and think about it very carefully you'll come back to your senses.
|
|||
|
|
I don't want to hear you telling me to get lost for the fifth time.
|
|||
|
|
I'm going to get going. Be careful going home alone.
|
|||
|
|
You're still here?
|
|||
|
|
What? There's someone who wants to meet me?
|
|||
|
|
Right now?
|
|||
|
|
Who?
|
|||
|
|
You came.
|
|||
|
|
I've asked Joon Suk to bring you here so that I could see you.
|
|||
|
|
Joon Suk is the kid who's been asking you to buy coffee every day.
|
|||
|
|
Gong Shil. Do you... remember who I am?
|
|||
|
|
I know you.
|
|||
|
|
I'm positive that I've seen you in my dreams. It wasn't just a dream. You were with me during the three long years that you were in a coma.
|
|||
|
|
The sun will rise again, and I'll be back by your side again.
|
|||
|
|
Because... you're here.
|
|||
|
|
Meeting you felt like a fresh ray of sunshine.
|
|||
|
|
You have no idea how reassuring it feels to know that I have a defensive shield to run there when I'm truly scared.
|
|||
|
|
Master Joo, are you awake?
|
|||
|
|
How can I live the rest of my life clinging onto you like that?
|
|||
|
|
I have my own world that I need to live in.
|
|||
|
|
He's someone who can see and hear the same things that I do?
|
|||
|
|
I was the one who discovered you out there in the woods.
|
|||
|
|
Because your spirit came and told me where you were.
|
|||
|
|
During the whole time you were lying in a coma in the hospital... your spirit never went back to your body.
|
|||
|
|
We stayed together for three whole years.
|
|||
|
|
I've lived as a ghost for three whole years?
|
|||
|
|
Is that why I'm able to see ghosts?
|
|||
|
|
I don't know the exact reason for it myself.
|
|||
|
|
Because I don't know how I came to see them either.
|
|||
|
|
Here.
|
|||
|
|
You were with me at all the places that I took those pictures.
|
|||
|
|
He's telling me that I was there?
|
|||
|
|
Want to go back to those places?
|
|||
|
|
Then you will be able to remember those times that you spent with me.
|
|||
|
|
There's someone else in this world who can see and hear the same things that I can.
|
|||
|
|
I guess you finally realized who I am, Uncle.
|
|||
|
|
I didn't know it was you because you've changed so much, Han Na.
|
|||
|
|
I heard that you went all the way to England to meet with my friends and ask around about me?
|
|||
|
|
Why did you do that?
|
|||
|
|
Did something happen between you and Hee Joo? Were you involved in the accident... that caused Hee Joo's death?
|
|||
|
|
Chief Secretary Kim!
|
|||
|
|
When did you get back?
|
|||
|
|
I got my memories back while you were gone.
|
|||
|
|
Let's you and I talk. I thought I was going to burst because I had absolutely no one to talk to.
|
|||
|
|
- Come into my office.
|
|||
|
|
- Master Joo. Before we do that... there's something that you need to hear first.
|
|||
|
|
What is it?
|
|||
|
|
It's about Cha Hee Joo.
|
|||
|
|
- Did you find her twin sister?
|
|||
|
|
- Yes. And those twin girls... are my nieces.
|
|||
|
|
- Chief Secretary Kim is Cha Hee Joo's uncle?
|
|||
|
|
Someone whom we've suspected to be the twin sister has been found in close proximity to President Joo Joong Won.
|
|||
|
|
Cha Hee Joo's older sister?
|
|||
|
|
How interesting.
|
|||
|
|
You're saying that you suspect me of being the culprit?
|
|||
|
|
These are all the postcards you've sent.
|
|||
|
|
Yes, you're right.
|
|||
|
|
Those are the postcards that I sent to a friend of mine.
|
|||
|
|
You were in every city that I was in.
|
|||
|
|
Have you been following me around?
|
|||
|
|
Is that how it looks like? I guess... but my uncle was always right by your side.
|
|||
|
|
Uncle.
|
|||
|
|
Do you remember the emails you always sent me?
|
|||
|
|
Although I never responded to any of them.
|
|||
|
|
You always wrote about where you were, and which place you thought was nice.
|
|||
|
|
And the places you went which you thought may be of help in my studies. I listened to him because it was an advice given to me by my only blood relative.
|
|||
|
|
Yes, she's right.
|
|||
|
|
I emailed her every month to let her know what I was doing. I was pretty sure she was reading them, so I never severed ties with my niece.
|
|||
|
|
Uncle. Although I'm a little shocked to hear that Hee Joo was the culprit... you must know there is no reason for me to have been her co-conspirator.
|
|||
|
|
Han Na grew up in a very rich family.
|
|||
|
|
There's no reason why she would've done something like that for money.
|
|||
|
|
The Han Na that I knew was a very kind and bright child. She would never have done something like that.
|
|||
|
|
Hee Joo was always the dark one.
|
|||
|
|
And she was really greedy, too. Why did you keep the secret about you being her twin sister? Why did you hover so close around me?
|
|||
|
|
When I met Hee Joo... she told me all about you.
|
|||
|
|
That's Joo Joong Won.
|
|||
|
|
He came every Christmas to the orphanage with his arms laden with gifts.
|
|||
|
|
I always thought that he looked like a prince. I've liked him ever since I was little girl.
|
|||
|
|
Hee Joo told me that she never got the courage to talk to you. She always felt too shabby and pathetic.
|
|||
|
|
I gave her the courage she needed... but that love... ended so tragically.
|
|||
|
|
I became interested in you because you were someone whom Hee Joo liked.
|
|||
|
|
People always say that twins share a very special bond. I thought that you were showing some interest in me, too.
|
|||
|
|
Then you told me that I wasn't the real thing.
|
|||
|
|
How disappointing.
|
|||
|
|
That's right.
|
|||
|
|
You're a fake. But I'll take what you're saying right now as the real thing. Since Chief Secretary Kim... is vouching for you.
|
|||
|
|
I'll be going back to England soon.
|
|||
|
|
Isn't the statue of limitation for Hee Joo's accident ending soon? I was going to give Hee Joo a proper goodbye when it ends. But everything turned into such a mess.
|
|||
|
|
I'm sorry for not having told you the truth sooner.
|
|||
|
|
I came to you because I was curious about the boy who was involved in my niece's death. But... I saw that the boy's scar ran very deep.
|
|||
|
|
Remaining by that boy's side to help him heal his scar... seemed to be the only thing I could do for the niece that I had lost.
|
|||
|
|
Enough.
|
|||
|
|
Please stop. When you first started... I told you that you were a recorder and an interpreter.
|
|||
|
|
It seems that I've opened myself up too much in front of those two things. If you find it burdensome to have me remain by your side... I'll stop and leave your side.
|
|||
|
|
Do that.
|
|||
|
|
Thanks to you... I was able to escape his suspicion.
|
|||
|
|
You heard from Team Leader Kang, right? That I've been deceitful all this time.
|
|||
|
|
I can understand if you've misinterpreted my intentions.
|
|||
|
|
No.
|
|||
|
|
I've seen Cha Hee Joo.
|
|||
|
|
Hee Joo never once glanced in your direction.
|
|||
|
|
I hear... that you can see spirits?
|
|||
|
|
You've seen dead Hee Joo's spirit?
|
|||
|
|
Yes.
|
|||
|
|
Hee Joo told me that she wanted to protect the culprit.
|
|||
|
|
If the ghost is willing to protect the culprit... then I guess it'll be pretty difficult to catch that person.
|
|||
|
|
You don't think Han Na's the culprit, do you?
|
|||
|
|
Can you... catch the culprit? I really don't want to do it. But I think I'm going to have to grant Hee Joo her request.
|
|||
|
|
Are you not suspecting Han Na because you believe what Secretary Kim said?
|
|||
|
|
No.
|
|||
|
|
I'm positive that she is the co-conspirator.
|
|||
|
|
We just need to find the evidence and catch her.
|
|||
|
|
If she goes back to England, it'll all be over.
|
|||
|
|
She came back on her own accord, and she even tried to seduce me.
|
|||
|
|
She wouldn't have done that unless she was sure that there was... no evidence to be found.
|
|||
|
|
So, are you just going to give up, and watch her walk away?
|
|||
|
|
I've found out everything that I want to know.
|
|||
|
|
I wanted to know who the co-conspirator was, and I now know who that was.
|
|||
|
|
She said she wanted to protect her...
|
|||
|
|
because Han Na was her older twin sister.
|
|||
|
|
Cha Hee Joo is dead. No matter how much you hated her... don't you think that you should at least try... to make an effort to understand why things happened the way it did?
|
|||
|
|
If that's what you're going to do, then don't do it in front of me.
|
|||
|
|
Keep doing it behind my back like you did with my father.
|
|||
|
|
I'll do that. I'll leave Kingdom, and do it outside of this place.
|
|||
|
|
President Joo. I don't want to tell you to get lost, too.
|
|||
|
|
If you're here to talk about Hee Joo, then don't.
|
|||
|
|
I've got my 10 billion won radar on.
|
|||
|
|
I keep getting Hee Joo on my radar.
|
|||
|
|
Maybe... it was during the moments when I was dead.
|
|||
|
|
I saw Hee Joo during those moments. I finished reading that same book while seated in front of her.
|
|||
|
|
And then I felt at peace.
|
|||
|
|
I was able to read all the words that were written on those pages very easily.
|
|||
|
|
I... no longer hate Hee Joo. Then... does that mean it's all over?
|
|||
|
|
I've continued to see Hee Joo.
|
|||
|
|
She was always standing next to that woman, Han Na. Didn't you tell me that Hee Joo wanted to protect her co-conspirator? It's probably why she remained by her side.
|
|||
|
|
Tell her to keep doing that if she wants. I'm not going to get my money back just because I go after her twin sister.
|
|||
|
|
It's just going to bring more things to light which I don't want to know about.
|
|||
|
|
But still...
|
|||
|
|
I... just want to end it here.
|
|||
|
|
But... She was the criminal and I was the victim. I said that I'm letting it go, and just accept things for what they are.
|
|||
|
|
Do I need to try to understand when I can't even see or hear her?
|
|||
|
|
That's why you shouldn't... look at that dead girl any longer either.
|
|||
|
|
Okay.
|
|||
|
|
I'm not going to force you to try to understand things that only I can see and hear anymore.
|
|||
|
|
You should live your life in peace.
|
|||
|
|
This was just something that I wanted to resolve for you.
|
|||
|
|
Your radar is useless.
|
|||
|
|
Tae Gong Shil.
|
|||
|
|
In the beginning, you hated the things that you could see and hear and you clung onto me as your shield because you wanted to escape from that.
|
|||
|
|
But why are you starting to fight me on this? Why are you trying to see and hear them more and more? When you do that...
|
|||
|
|
But your life is more peaceful now. The more useless we become to one another... the easier our lives will get for the both of us. I fought and found my way back because I thought you couldn't be without me.
|
|||
|
|
But, I see it was nothing more than a slight disappointment to not have me around.
|
|||
|
|
This is unfair.
|
|||
|
|
If I continue standing here looking at you...
|
|||
|
|
I'm just going to tell you to get lost from the injustice of it all. You should leave.
|
|||
|
|
Team Leader Kang... are you really quitting?
|
|||
|
|
Yes.
|
|||
|
|
I heard that Chief Secretary Kim quit, too.
|
|||
|
|
Yes, I think so. Thanks... for everything.
|
|||
|
|
First Tae Gong Shil quits her job, then, Chief Secretary Kim, and now Team Leader Kang...
|
|||
|
|
What a mess.
|
|||
|
|
Then who is to become the Team Leader now?
|
|||
|
|
I've decided to go to America.
|
|||
|
|
Okay.
|
|||
|
|
- That's good. - But I can't just leave like this.
|
|||
|
|
What about it?
|
|||
|
|
Have... dinner with me before I leave.
|
|||
|
|
Do you know how many reservations I've canceled because of you?
|
|||
|
|
Okay.
|
|||
|
|
Let's go eat.
|
|||
|
|
I'll treat.
|
|||
|
|
I thought you'd want to go somewhere that would destroy my paycheck.
|
|||
|
|
But this is it? A while back you said you were going to bring me here to eat pickled radishes.
|
|||
|
|
So, I wanted to check it out and see what the big fuss was about. I took your status into consideration, and rented out the whole place.
|
|||
|
|
Eat as much as you'd like.
|
|||
|
|
But now that we're here like this, it feels a bit weird.
|
|||
|
|
But it's simpler this way. Let's pretend that we're a couple from high school who met by chance and then parted ways after sharing some ddukbokki... simple and fleeting.
|
|||
|
|
Forget it.
|
|||
|
|
Just go and get me some more pickled radish.
|
|||
|
|
Do I look like a high schooler to you?
|
|||
|
|
Let's cheers.
|
|||
|
|
One shot. You have to knock it back like a black whiskered whale, okay?
|
|||
|
|
This is weird.
|
|||
|
|
I feel like I've been drinking. Kang Woo. I don't want to break up with you.
|
|||
|
|
If I had just told you that I wanted to have a drink you you probably would've told me that you don't want to, right?
|
|||
|
|
I'm not trying to be stubborn... I'm just not a very good drinker.
|
|||
|
|
Don't you find me the least bit pretty? Don't I look a bit prettier to you now that you're drunk?
|
|||
|
|
Yes, you're pretty.
|
|||
|
|
Tae Yi Ryung is very pretty. There are a few times when I thought to myself, wahh you're really pretty when you'd show up out of the blue.
|
|||
|
|
Then why don't you like me when you think I'm pretty?
|
|||
|
|
Because there's someone that I want to protect.
|
|||
|
|
She doesn't even know that I've been protecting her this whole time.
|
|||
|
|
Do you think that you're Tae Gong Shil's bodyguard or something?
|
|||
|
|
Yeah. If she'd just call out my name just once... I will appear out of thin air to stand in front of her.
|
|||
|
|
That's why I... I continue to stand in the sidelines and watch her from afar.
|
|||
|
|
I don't want her... to feel afraid anymore.
|
|||
|
|
I want her to feel safe.
|
|||
|
|
That's the only way... I can stop being her bodyguard. I don't want to protect you.
|
|||
|
|
Where are you saying that you're going to go?
|
|||
|
|
Isn't this another country?
|
|||
|
|
Are you going abroad? Gong Ri.
|
|||
|
|
There's someone else who's able to see ghosts like I can.
|
|||
|
|
- He wants me to go there with him.
|
|||
|
|
- There's another person like you?
|
|||
|
|
- He really sees the things that you do?
|
|||
|
|
- Yeah. I don't really remember him, but he says he knows me very well. Gong Ri, during those three years that I spent in the hospital he told me that my spirit came and stayed with him during that whole time.
|
|||
|
|
You were there from the beginning, right?
|
|||
|
|
What do you think will happen?
|
|||
|
|
He might be more understanding since he can see the same things... but do you think that you'll be able to leave the man you love behind? If someone like me who sees and hears useless things remain next to a man who only does what he wants, and hears what he wants... he won't be able to live his life in peace.
|
|||
|
|
You're leaving much quicker than I expected.
|
|||
|
|
If I was any later, I could've missed you completely.
|
|||
|
|
I thought you were going to let me go.
|
|||
|
|
Did you come to capture me? Did you really think that I'd just let you go?
|
|||
|
|
You said that you believed me in front of my uncle.
|
|||
|
|
If I was to capture you as the co-conspirator... Chief Secretary Kim, who's trying to protect his only niece, will be hurt.
|
|||
|
|
The secret agent that my father sent to keep an eye on me is quite good so I was thinking of having him turn you over to the police.
|
|||
|
|
But I'm not going to do that.
|
|||
|
|
Let's you and I see this thing through right here, right now.
|
|||
|
|
Give me back my necklace. And... get lost.
|
|||
|
|
You seem to be convinced that I'm the culprit.
|
|||
|
|
Did that woman, Tae Gong Shil, hear something from Hee Joo?
|
|||
|
|
Don't involve that woman in this.
|
|||
|
|
Do you want to die and be reunited with Hee Joo?
|
|||
|
|
If that's what you want, I can arrange for that to happen.
|
|||
|
|
That woman must be very special to you.
|
|||
|
|
Have you completely forgotten about Cha Hee Joo?
|
|||
|
|
Waiting fifteen long years to see you is proving to be in vain.
|
|||
|
|
What was this whole thing? Were you trying to approach me again like how you and Hee Joo tried to do in the past?
|
|||
|
|
I guess seduction wasn't your forte.
|
|||
|
|
Even though you were her twin, I've never once been interested in you.
|
|||
|
|
Then I'll tell you the truth... Joo Joong Won.
|
|||
|
|
Cha Hee Joo isn't the woman that you were in love with. It was her older twin sister...
|
|||
|
|
Han Na.
|
|||
|
|
I'm leaving.
|
|||
|
|
Help me. I'm sorry.
|
|||
|
|
My first love... wasn't Cha Hee Joo... so it was you? Hee Joo could only watch you from afar... so Han Na pretended to be Hee Joo, and started talking to you in her place.
|
|||
|
|
You're Joo Joong Won, right?
|
|||
|
|
My name is Cha Hee Joo. Han Na was a girl who shone brightly as if she had the whole world within her grasp. Ultimately, she got you.
|
|||
|
|
The person that the dark and tragic Hee Joo had desperately wanted for herself.
|
|||
|
|
But in the end, she lost that too.
|
|||
|
|
Hee Joo ended up getting very angry.
|
|||
|
|
That's why she did what she did.
|
|||
|
|
I'm sorry for all this. Joo Joong Won.
|
|||
|
|
Hee Joo, Han Na.
|
|||
|
|
That was something that the two of you planned and did together.
|
|||
|
|
Cha Hee Joo did that all on her own.
|
|||
|
|
Han Na would never do something like that.
|
|||
|
|
She was an angel.
|
|||
|
|
Try to remember. The girl whom you were in love with.
|
|||
|
|
One of the two ended up dying. You saw it, didn't you?
|
|||
|
|
You witnessed the moment of her death.
|
|||
|
|
But, which of the girls do you think is dead?
|
|||
|
|
Was it Han Na... or Hee Joo?
|
|||
|
|
Who are you?
|
|||
|
|
- Are you Cha Hee Joo?
|
|||
|
|
- I told you, I'm sweet Han Na.
|
|||
|
|
It was that bitch, Cha Hee Joo, who died.
|
|||
|
|
That's the truth you've known for the past 15 years, isn't it?
|
|||
|
|
You said that the dead girl was a bitch.
|
|||
|
|
It would be too much of a tragedy if it was the nice girl that had died. You're... Cha Hee Joo, aren't you?
|
|||
|
|
Please. I need you to die as Cha Hee Joo.
|
|||
|
|
I told you that I'm... the nice and sweet Han Na.
|
|||
|
|
I'm the same Han Na whom you used to be in love with.
|
|||
|
|
That's why I've returned to you. I thought that once I've returned... you'd fall in love with me again.
|
|||
|
|
But you already got another woman stuck by your side.
|
|||
|
|
No, you're not it. - You're a fake.
|
|||
|
|
- Why are you acting like this now?
|
|||
|
|
You were too involved in your own scars that you never once tried to find out or understand why that girl ended up dying.
|
|||
|
|
If you just keep on believing the truth you've known... you'll be able to live your life in peace.
|
|||
|
|
Are you saying... that she really ended up dying... because of me?
|
|||
|
|
That's right.
|
|||
|
|
She died because of you.
|
|||
|
|
I'm Han Na.
|
|||
|
|
You don't believe me?
|
|||
|
|
Even if you don't...there's no way you can prove it otherwise. Whatever the case...
|
|||
|
|
I'm sorry for all this.
|
|||
|
|
- Joo Joong Won. - Joo Joong Won.
|
|||
|
|
Cha Hee Joo. What... did you just call me?
|
|||
|
|
Cha Hee Joo.
|
|||
|
|
It's me, Hee Joo.
|
|||
|
|
The one and only person who knows that you're the real Cha Hee Joo.
|
|||
|
|
It must have been nice for you to be living as Han Na Brown in my place?
|
|||
|
|
What do you think that you're doing right now?
|
|||
|
|
I borrowed this woman's body because I wanted to talk to you face to face.
|
|||
|
|
This is absurd.
|
|||
|
|
Get away from me.
|
|||
|
|
You don't believe me?
|
|||
|
|
Should I tell you what the last words you said to me?
|
|||
|
|
'Cha Hee Joo is going to die here.'
|
|||
|
|
'If not, I'm going to kill Joo Joong Won.'
|
|||
|
|
'Please. I need you to die as Cha Hee Joo.'
|
|||
|
|
I died as you, and I allowed you to live as me.
|
|||
|
|
Why have you come back, Hee Joo?
|
|||
|
|
Are you... really Han Na?
|
|||
|
|
I stole this woman's body so that I could come see you.
|
|||
|
|
Hee Joo.
|
|||
|
|
I died because of you. Isn't that right?
|
|||
|
|
You can bring me back to life again.
|
|||
|
|
Help me. We're sisters.
|
|||
|
|
Okay.
|
|||
|
|
Let's leave together.
|
|||
|
|
Just like how Cha Hee Joo has been living as Han Na Brown... you can live your life as Tae Gong Shil.
|
|||
|
|
I'll help you.
|
|||
|
|
And we'll never come near Joo Joong Won again.
|
|||
|
|
This is great.
|
|||
|
|
Because I really didn't like seeing that woman by his side.
|
|||
|
|
Once that woman disappears... Joo Joong Won will be alone.
|
|||
|
|
The rumor about Joo Joong Won being cursed by Cha Hee Joo... I've always liked that rumor.
|
|||
|
|
I guess I'll be leaving him behind with another curse.
|
|||
|
|
Don't run away just because you're afraid.
|
|||
|
|
That's humiliating.
|
|||
|
|
You could've just stayed away, and never come back.
|
|||
|
|
You could've also just left without telling him anything.
|
|||
|
|
So, why did you tell him everything?
|
|||
|
|
Did you want to torment Joong Won?
|
|||
|
|
I thought that I could have him if I came back as Han Na.
|
|||
|
|
But he told me that I was a fake.
|
|||
|
|
He recognized that you weren't the girl that he was in love with.
|
|||
|
|
I know. I'm not Han Na, whom he was in love with.
|
|||
|
|
What is it?
|
|||
|
|
We're in middle of an operation.
|
|||
|
|
Joong Won doesn't know who you really are.
|
|||
|
|
I know.
|
|||
|
|
Because he's never met the real Cha Hee Joo.
|
|||
|
|
But my name will forever remain in his heart as his curse. Cha Hee Joo.
|
|||
|
|
Yes, it is you.
|
|||
|
|
That's right. Since I'm the real Cha Hee Joo.
|
|||
|
|
Han Na... I heard that you said you wanted to protect me?
|
|||
|
|
Let's go, Han Na.
|
|||
|
|
I'll protect you.
|
|||
|
|
The late Han Na said she wanted to protect Hee Joo, who's still living.
|
|||
|
|
Even though she's been unfairly framed, and getting shafted on the deal.
|
|||
|
|
In other words... it's all about sacrifice, devotion, and love.
|
|||
|
|
But even at the end, you never realized that, Cha Hee Joo.
|
|||
|
|
You. You're not Han Na, are you?
|
|||
|
|
- You dared to deceive me?
|
|||
|
|
- You caused Han Na's death.
|
|||
|
|
And you deceived everyone. You did all that. Didn't you, Cha Hee Joo?
|
|||
|
|
There's no evidence to support your story.
|
|||
|
|
Hee Joo.
|
|||
|
|
You left something... besides the girl who lost her life.
|
|||
|
|
Luckily, we still have two days left until the statute of limitation is up. Cha Hee Joo.
|
|||
|
|
What I really stole... isn't this necklace, but it was Han Na's life.
|
|||
|
|
But no one knows that.
|
|||
|
|
I'm sorry for all this, Han Na.
|
|||
|
|
My older twin sister.
|
|||
|
|
Hee Joo.
|
|||
|
|
I will... remain with you by your side.
|
|||
|
|
It's all over, Tae Gong Shil.
|
|||
|
|
It really is all over.
|
|||
|
|
Um, Hee Joo... I mean, Han Na says there's one last message that she'd like for me to pass along.
|
|||
|
|
You have something you'd like to say to her too, don't you?
|
|||
|
|
Joong Won. I hope that I no longer... remain as a source of pain to you.
|
|||
|
|
I'm sorry.
|
|||
|
|
I'm sorry for having hated you without knowing the truth.
|
|||
|
|
I'm sorry.
|
|||
|
|
Why are you crying?
|
|||
|
|
I'm crying for you in your place since you're not good at crying.
|
|||
|
|
My ten billion won radar. That was a huge thing you just did.
|
|||
|
|
Let's go. I'll treat you.
|
|||
|
|
I'm... leaving.
|
|||
|
|
I feel so much better now that I was able to resolve Cha Hee Joo's case before I leave.
|
|||
|
|
It's a relief to know that I wasn't completely useless to you.
|
|||
|
|
Leave? Leave to go where?
|
|||
|
|
I've met someone who can see and hear the same things that I do.
|
|||
|
|
I told that person that we'll be leaving somewhere together. When you came to see me as a spirit... you told me that I shone brightly as the sun.
|
|||
|
|
I think... that I'm a sun that should only shine brightly for those who are dead. I just... want to shine brightly and be popular only amongst the ghosts. But when I'm with you...
|
|||
|
|
So, it's not just that you're slightly disappointed when I'm not around... but I actually make you fear and hate yourself? I don't want to remain by your side only to become that kind of a sun.
|
|||
|
|
Please tell me to just get lost and out of your life now.
|
|||
|
|
The only reason why I was able to... tell you to get lost all this time without any fear... was because I knew without a doubt... that you'd come back to me and rise again as the sun in my life.
|
|||
|
|
I'll give it a try... and do as you wish me to do.
|
|||
|
|
Get lost... my sun.
|
|||
|
|
If the sun walks out of my life like this... it's... going to destroy me.
|
|||
|
|
Subtitles by DramaFever
|
|||
|
|
Subtitles brought to you by The I See Dead People Team@Viki. I was surprised that I thought I was imagining things, but I guess it is you, Tae Gong Shil.
|
|||
|
|
I was so surprised, too, that I thought I was seeing a ghost.
|
|||
|
|
Is your radar still working?
|
|||
|
|
Can you still see ghosts?
|
|||
|
|
Is your company a ghost?
|
|||
|
|
Were you in the middle of having one [drink] with one?
|
|||
|
|
I didn't want to meet you like this.
|
|||
|
|
There aren't any ghosts.
|
|||
|
|
I can't see them anymore.
|
|||
|
|
Really?
|
|||
|
|
Yes.
|
|||
|
|
That's why you can stop with the ghosts.
|
|||
|
|
Have you been well?
|
|||
|
|
Would someone who's curious as to how I've been doing not contact me and only meet in a place like this, under these kind of circumstances?
|
|||
|
|
I have been curious.
|
|||
|
|
I was wondering if I should go see you.
|
|||
|
|
So you at least were able to wonder about it.
|
|||
|
|
I have been well.
|
|||
|
|
I traveled here and there, too.
|
|||
|
|
I have changed.
|
|||
|
|
You look like you've changed.
|
|||
|
|
CEO!
|
|||
|
|
Has everyone from the Sejin group arrived?
|
|||
|
|
Yes, they just arrived here, including Miss Park.
|
|||
|
|
Tell them that an important meeting has become longer and that I'll be a little late.
|
|||
|
|
Yes.
|
|||
|
|
You're here for an appointment.
|
|||
|
|
Yes, a meeting that holds a lot of money.
|
|||
|
|
For each second it pays 100 million in sales.
|
|||
|
|
I'm giving this time to you.
|
|||
|
|
Is Secretary Kim no longer with you?
|
|||
|
|
Because of his age, he shouldn't work outside the office.
|
|||
|
|
Oh, Miss Park of the Sejin group, that's the girl you were engaged to before, right?
|
|||
|
|
Yes.
|
|||
|
|
I'm going to hold hands with her (join with her in business) and open a Kingdom in Shanghai.
|
|||
|
|
I guess you'll make a lot of money then. I guess I've met you at the wrong time if you're trying to make a lot of money. Around next month, I'm going to be leaving for China for several years, so the timing is just right.
|
|||
|
|
I was so loaded with money I invested it.
|
|||
|
|
So I even bought a house in England.
|
|||
|
|
Seeing as you're bragging about your money, I'll congratulate you.
|
|||
|
|
But... can you really not see them (ghosts) anymore?
|
|||
|
|
Yes, I can't see them anymore.
|
|||
|
|
So, after you broke free of them, did you enjoy being alone?
|
|||
|
|
Yes, now that I am free, I'm enjoying myself a bit.
|
|||
|
|
It's true.
|
|||
|
|
Well, that is something to brag about, so I guess you should at least have one.
|
|||
|
|
I have a meeting soon so I'm sorry I can't drink with you.
|
|||
|
|
Congratulations on turning off your radar.
|
|||
|
|
I guess everything's okay because nothing comes up.
|
|||
|
|
Why?
|
|||
|
|
Is it still true that you are afraid to take a drink because you dread that something will emerge?
|
|||
|
|
Don't you feel like confirming whether you are free of ghosts or not?
|
|||
|
|
No, it's fine.
|
|||
|
|
I told you I've changed now.
|
|||
|
|
I guess so.
|
|||
|
|
Congratulations, really.
|
|||
|
|
Thank you.
|
|||
|
|
I have a strong sense of money.
|
|||
|
|
The timing is good.
|
|||
|
|
Let's see each other again at a good time.
|
|||
|
|
If you find a good timing, were you really thinking of coming to see me?
|
|||
|
|
Yes. I did have that thought.
|
|||
|
|
I'll be going first. She's gotten better, but she's not looking at me.
|
|||
|
|
Final Episode
|
|||
|
|
Don't follow me!
|
|||
|
|
You said you drank and even crashed.
|
|||
|
|
Why would you come crying to me to buy you a drink at a time like this? That person, without seeing any ghosts, wanted to see Tae Gong Shil, not the radar or anything like that.
|
|||
|
|
Because of you everything got ruined.
|
|||
|
|
Miss, are you okay?
|
|||
|
|
If you're not feeling well, should I open a window?
|
|||
|
|
Mister, take me to Mang-uri.
|
|||
|
|
I thought you said that you're going to Seodaemun.
|
|||
|
|
I must go to Mang-uri.
|
|||
|
|
Before I go, I have to buy a garden shear.
|
|||
|
|
Where will I be able to buy one?
|
|||
|
|
A shear?
|
|||
|
|
Why?
|
|||
|
|
A tree branch keeps poking me.
|
|||
|
|
I have to cut it off.
|
|||
|
|
Are you drunk?
|
|||
|
|
There's no tree branch!
|
|||
|
|
Mister, have you ever lived in the ground?
|
|||
|
|
Oh, that scared me!
|
|||
|
|
What, what, what?
|
|||
|
|
Mister, stop the car!
|
|||
|
|
Tae Gong Shil, forget about the timing and get off.
|
|||
|
|
Is she your girlfriend?
|
|||
|
|
That's perfect.
|
|||
|
|
I can't go.
|
|||
|
|
Take this wasted woman and get her out of here.
|
|||
|
|
Let's go to Mang-uri.
|
|||
|
|
[A ghost] came in.
|
|||
|
|
Go away!
|
|||
|
|
♫ Can you hear my heart?
|
|||
|
|
♫
|
|||
|
|
♫ Can you see my tears?
|
|||
|
|
♫ If you fled because of the ghost, ♫ in this one world ♫ -then
|
|||
|
|
I'll let that slide, Tae Gong Shil.
|
|||
|
|
♫ I need it to be you. ♫
|
|||
|
|
♫ Why are you making me go crazy?
|
|||
|
|
♫
|
|||
|
|
♫ Why are you making me cry?
|
|||
|
|
♫ ♫ When you get close enough for me to hold your hand, you get further away like the wind ♫ Tae Yang, are you awake?
|
|||
|
|
You're wondering how much you must want to sleep with this man to dream a dream like this, right?
|
|||
|
|
Since you're already dreaming, do you feel it's a waste since it's so plain?
|
|||
|
|
I don't want to even if the sun is up.
|
|||
|
|
Should I cooperate?
|
|||
|
|
Come here.
|
|||
|
|
What happened?
|
|||
|
|
Why am I here?
|
|||
|
|
You've really changed, Tae Gong Shil. The same Tae Yang that stuck to me like glue, you at least ask, "What happened to me?"
|
|||
|
|
I'm asking you what happened!
|
|||
|
|
I'm sure I was in a taxi-
|
|||
|
|
You're were drunk and were basically taken over.
|
|||
|
|
The taxi you rode, I followed.
|
|||
|
|
And I picked you up after you got kicked out of the taxi for making a mess.
|
|||
|
|
Was I okay?
|
|||
|
|
I wasn't okay.
|
|||
|
|
Yesterday, you seduced in many different ways.
|
|||
|
|
Mister, ice cream, please!
|
|||
|
|
Ice cream, please!
|
|||
|
|
Ice cream!
|
|||
|
|
I want more.
|
|||
|
|
No more. If you eat more our Gong Shil will get a stomachache.
|
|||
|
|
She'll get sick, and get a fat belly.
|
|||
|
|
No!
|
|||
|
|
Who are you now?
|
|||
|
|
From the pose, it's not a dog.
|
|||
|
|
Meow!
|
|||
|
|
-Meow!
|
|||
|
|
There was an old cat living downstairs, I guess it left [dead].
|
|||
|
|
It seems it left [died]
|
|||
|
|
Come down!
|
|||
|
|
Look at that!
|
|||
|
|
Last time, a dog came and ripped my cushion.
|
|||
|
|
What should I throw at you?
|
|||
|
|
Meow!
|
|||
|
|
Darling.
|
|||
|
|
That's my skincare, not alcohol.
|
|||
|
|
It's to apply on the skin, you can't drink it.
|
|||
|
|
I'm so lonely tonight.
|
|||
|
|
Don't leave me alone.
|
|||
|
|
Hey, Parisian.
|
|||
|
|
If I touch you, you'll be forced to leave [her body]. I can't give you what you want.
|
|||
|
|
It's hard for me to even hold hands and sleep!
|
|||
|
|
Just be satisfied with sleeping separately.
|
|||
|
|
No?
|
|||
|
|
Do you need me to speak in French for you?
|
|||
|
|
No, go away.
|
|||
|
|
I'm really going crazy.
|
|||
|
|
I really need to hold it in, too.
|
|||
|
|
By any chance, yesterday did I say something weird after I drank alcohol?
|
|||
|
|
I see that, during the time you were gone, you developed voluptuousness which you didn't have.
|
|||
|
|
You got drunk and kept coming at me daringly, but it's not like I could respond to that.
|
|||
|
|
Sleeping with just holding hands was really hard.
|
|||
|
|
I was just a drunk easy girl?
|
|||
|
|
You were just drunk.
|
|||
|
|
Whoever drinks gets drunk.
|
|||
|
|
Yesterday, you were just a drunk Tae Gong Shil.
|
|||
|
|
I'm relieved.
|
|||
|
|
Sorry.
|
|||
|
|
Tae Gong Shil!
|
|||
|
|
Tae Gong Shil!
|
|||
|
|
I'll bring you water.
|
|||
|
|
CEO, I missed you.
|
|||
|
|
Since you can still see things like that, did you miss your hideout?
|
|||
|
|
It's absolutely not that.
|
|||
|
|
I just really, really, really missed you a lot.
|
|||
|
|
But I still see ghosts.
|
|||
|
|
I couldn't find a way to live as a normal person.
|
|||
|
|
So, that's why you didn't come to me?
|
|||
|
|
I've been getting ready to seduce you.
|
|||
|
|
After becoming an awesome and normal woman,
|
|||
|
|
I'll show up in front of you and you'll fall for me.
|
|||
|
|
And after you fall for me, "I still see ghosts."
|
|||
|
|
I wanted to tell you this.
|
|||
|
|
I was already into you, so what's so important about what comes first and last?
|
|||
|
|
It's important!
|
|||
|
|
I didn't want to meet you again as a girl with a radar who hangs onto her hideout.
|
|||
|
|
I even made a lot of the money you like.
|
|||
|
|
I'm sorry I caused a ruckus.
|
|||
|
|
Thank you for the tea.
|
|||
|
|
Hey, easy woman!
|
|||
|
|
Usually, when you spend a night at a man's house, shouldn't you easily give him your number, and ask when you can meet him again and make your time easily available?
|
|||
|
|
What do you mean, make everything available?
|
|||
|
|
I'm not an easy woman.
|
|||
|
|
Okay, then I'll correct it.
|
|||
|
|
Arrogant Tae Gong Shil. Since I knew you arrogantly wouldn't give me your number,
|
|||
|
|
I took it on my own. When I call you politely, DO NOT not get it, arrogantly pushing me away. or else I'm going to spread a rumor saying that you're easy.
|
|||
|
|
Don't call me.
|
|||
|
|
I'll do it. I've decided on that. Well, you said what comes first and last is important, so I'll do that considering myself being understanding and caring.
|
|||
|
|
Can I send you texts?
|
|||
|
|
Well, if you want.
|
|||
|
|
Thank you.
|
|||
|
|
I'll be leaving then.
|
|||
|
|
Tae Gong Shil, try hard to seduce me.
|
|||
|
|
Do everything you can.
|
|||
|
|
Fighting!
|
|||
|
|
Oh, I must've been fine after drinking.
|
|||
|
|
Yeah, there hasn't been anything that has been going in and out lately. Oh, what a relief.
|
|||
|
|
Okay, I'll bring him with me.
|
|||
|
|
Tae Gong Shil!
|
|||
|
|
What about Joong Won?
|
|||
|
|
I don't think he's in a condition to go work out.
|
|||
|
|
Really?
|
|||
|
|
What happened to Joong Won yesterday?
|
|||
|
|
He even canceled that important meeting with the Sejin group.
|
|||
|
|
I don't know, but he had a Bang Shil (Gong Shil) kind of smile. (bang shil is also an expression for smile) It seems to me that he isn't going to any other woman [besides Gong Shil].
|
|||
|
|
It's been a year since he's seen Bang Shil (Gong Shil).
|
|||
|
|
If he doesn't see her for another year, he'll forget her.
|
|||
|
|
I guess CEO Joo will only have things to smile "bang shil, bang shil" over from now on.
|
|||
|
|
Bang Shil, fighting!
|
|||
|
|
Yes.
|
|||
|
|
Since Joong Won's not going, I don't want to go either.
|
|||
|
|
My body condition is not that great either.
|
|||
|
|
You're not going?
|
|||
|
|
When I look at you, it looks as if CEO Joo is in front of me.
|
|||
|
|
For now, it is.
|
|||
|
|
My Joong Won is first and you're second.
|
|||
|
|
I guess I need a kid, so that I'll have someone to side with me.
|
|||
|
|
It's a joke, a joke.
|
|||
|
|
What's that at our age.
|
|||
|
|
Let's just love together.
|
|||
|
|
Bang Shil!
|
|||
|
|
Bang Shil!
|
|||
|
|
Bang Shil!
|
|||
|
|
I love you.
|
|||
|
|
Honey!
|
|||
|
|
Okay, Gong Shil, I'll go right after I'm done!
|
|||
|
|
Tae Gong Shil came back?
|
|||
|
|
Why?
|
|||
|
|
So you can release your cheap mouth again?
|
|||
|
|
After becoming Team Leader, my mouth has become very luxurious.
|
|||
|
|
Asking me when you already know... Anyway, don't go around blabbering about it everywhere.
|
|||
|
|
Whatever Gong Shil does, I'm on her side.
|
|||
|
|
But if the Master knows, he'll go crazy. After Special Customer Service's Tae Yang left Kingdom's Master Joo, there's a huge rumor that he's a bit out of his mind.
|
|||
|
|
There have been multiple instances of him sitting on a bench alone and talking to himself.
|
|||
|
|
Gong Shil ruined a person.
|
|||
|
|
If she made a man like that, she ought to take responsibility.
|
|||
|
|
Gong Ri, you should take responsibility of me.
|
|||
|
|
Why would I? All those nights, We were like that and this.
|
|||
|
|
That's what--
|
|||
|
|
Those light lips.
|
|||
|
|
Why are you talking about such things so loudly?
|
|||
|
|
Since your sister is back, you'll formally introduce me, right?
|
|||
|
|
Meet my family, and before it gets colder make a mark (marry) and take responsibility for me.
|
|||
|
|
Well, then do as you please.
|
|||
|
|
When we do get married, Chief Kang should MC our wedding.
|
|||
|
|
Well, since he's not my Chief anymore, I'll ask Kang Woo hyung to do it for me.
|
|||
|
|
And the celebratory song will naturally go to Tae Yi Ryeong.
|
|||
|
|
Then, it'll be a blow.
|
|||
|
|
We will be the couple of a century.
|
|||
|
|
Han Ju-lina Gong Li.
|
|||
|
|
Something like that.
|
|||
|
|
Will they even do it for us?
|
|||
|
|
We'll be able to use Tae Yi Ryeong just by mentioning Kang Woo's name. I hoped that our Gong Shil would do well with Chief Kang, but he fell for little sun.
|
|||
|
|
But if Kang Woo gets to know that Tae Gong Shil returned,
|
|||
|
|
I wonder if he'll go back to his Lorelei. I'm worried about that, too.
|
|||
|
|
Why are you worrying about that?
|
|||
|
|
Cake, eat the cake.
|
|||
|
|
It's sweet.
|
|||
|
|
You too.
|
|||
|
|
Tae Yi Ryeong, you make your own manager into a paparazzi.
|
|||
|
|
This... this-!
|
|||
|
|
Why is this woman stuck onto a guard?
|
|||
|
|
Why are all diplomats' wives so pretty?
|
|||
|
|
Why did you take pictures?
|
|||
|
|
It's me, Kang Woo!
|
|||
|
|
Yi Ryeong's manager?
|
|||
|
|
Hey, Dog Manners.
|
|||
|
|
Move to a place filled with ahjussis rather than the Diplomatic Service.
|
|||
|
|
Hey, black whiskered whale.
|
|||
|
|
Do you want to swallow up and get rid of all the girls around me?
|
|||
|
|
Yeah.
|
|||
|
|
I still don't have confidence that I'm the only fish in your aquarium.
|
|||
|
|
Whenever we meet, we always meet in a place where no one's around for such a short time.
|
|||
|
|
Shouldn't I feel anxious?
|
|||
|
|
That's because you're Tae Yi Ryeong.
|
|||
|
|
Because this is protecting you in your position.
|
|||
|
|
Kang Woo.
|
|||
|
|
Did you just say that you were going to protect me?
|
|||
|
|
You said you were going to protect me, okay.
|
|||
|
|
Why?
|
|||
|
|
Because that means your heart is mine now.
|
|||
|
|
I guess a black whiskered whale really has no sense.
|
|||
|
|
I think it's been a while, but you say it's now.
|
|||
|
|
How disappointing.
|
|||
|
|
Just to make sure. If I'm for real, watch a movie with me.
|
|||
|
|
A movie?
|
|||
|
|
We watched a movie already.
|
|||
|
|
Not the night movies.
|
|||
|
|
Let's see it at a film festival.
|
|||
|
|
A film festival?
|
|||
|
|
The red carpet... I'm asking you to go see a movie with me after passing through it arm-in-arm.
|
|||
|
|
That way I can show the whole Pacific that you're mine.
|
|||
|
|
As expected, a black whiskered whale is too burdensome for me.
|
|||
|
|
Red carpet is too much.
|
|||
|
|
It's a path you must pass through to protect me.
|
|||
|
|
I'm someone who has to stand on that path.
|
|||
|
|
Can't you stay by my side?
|
|||
|
|
Right, your side is that kind of place. But while standing on a path that doesn't suit me, I wonder if I can keep standing to protect you properly.
|
|||
|
|
Let's go together. Yes?
|
|||
|
|
I told you to stay with me now.
|
|||
|
|
Why are you coming back here?
|
|||
|
|
I've tried going to other places before getting this place, but... this place is the most comfortable.
|
|||
|
|
Do you still see things?
|
|||
|
|
It's not that you don't see them anymore because you were with Yoo Jin Woo?
|
|||
|
|
That's not it.
|
|||
|
|
But I think I know now how I came to be like this.
|
|||
|
|
Where is he now?
|
|||
|
|
He's still abroad, but he's coming back to Korea soon.
|
|||
|
|
You're going to stay here now, right?
|
|||
|
|
I'm staying here.
|
|||
|
|
Unni, I'm going to buy this place.
|