praca-magisterska/docs/document.toc

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\contentsline {chapter}{Streszczenie}{7}%
\contentsline {chapter}{Abstract}{9}%
\contentsline {chapter}{Wst\IeC {\k e}p}{11}%
\contentsline {chapter}{Rozdzia\PlPrIeC {\l }\ 1\relax .\leavevmode@ifvmode \kern .5em Wprowadzenie do sieci neuronowych}{13}%
\contentsline {section}{\numberline {1.1\relax .\leavevmode@ifvmode \kern .5em }Regresja liniowa}{13}%
\contentsline {section}{\numberline {1.2\relax .\leavevmode@ifvmode \kern .5em }Uczenie modelu}{14}%
\contentsline {subsection}{\numberline {1.2.1\relax .\leavevmode@ifvmode \kern .5em }Funkcja kosztu}{15}%
\contentsline {subsection}{\numberline {1.2.2\relax .\leavevmode@ifvmode \kern .5em }Znajdowanie minimum funkcji}{15}%
\contentsline {subsection}{\numberline {1.2.3\relax .\leavevmode@ifvmode \kern .5em }Metody gradientowe}{15}%
\contentsline {section}{\numberline {1.3\relax .\leavevmode@ifvmode \kern .5em }Regresja liniowa jako model sieci neuronowej}{17}%
\contentsline {section}{\numberline {1.4\relax .\leavevmode@ifvmode \kern .5em }Funkcje aktywacji}{19}%
\contentsline {section}{\numberline {1.5\relax .\leavevmode@ifvmode \kern .5em }Wielowarstwowe sieci neuronowe}{19}%
\contentsline {subsection}{\numberline {1.5.1\relax .\leavevmode@ifvmode \kern .5em }Jednokierunkowe sieci neuronowe}{20}%
\contentsline {subsection}{\numberline {1.5.2\relax .\leavevmode@ifvmode \kern .5em }Autoencodery}{21}%
\contentsline {subsection}{\numberline {1.5.3\relax .\leavevmode@ifvmode \kern .5em }Rekurencyjne sieci neuronowe}{22}%
\contentsline {subsection}{\numberline {1.5.4\relax .\leavevmode@ifvmode \kern .5em }LSTM}{23}%
\contentsline {subsection}{\numberline {1.5.5\relax .\leavevmode@ifvmode \kern .5em }Sequence-to-sequence}{25}%
\contentsline {chapter}{Rozdzia\PlPrIeC {\l }\ 2\relax .\leavevmode@ifvmode \kern .5em Wprowadzenie do teorii muzyki}{27}%
\contentsline {section}{\numberline {2.1\relax .\leavevmode@ifvmode \kern .5em }Podstawowe koncepcje}{27}%
\contentsline {subsection}{\numberline {2.1.1\relax .\leavevmode@ifvmode \kern .5em }D\IeC {\'z}wi\IeC {\k e}k muzyczny}{27}%
\contentsline {subsection}{\numberline {2.1.2\relax .\leavevmode@ifvmode \kern .5em }Sygna\IeC {\l } d\IeC {\'z}wi\IeC {\k e}kowy}{27}%
\contentsline {subsection}{\numberline {2.1.3\relax .\leavevmode@ifvmode \kern .5em }Zapis nutowy}{27}%
\contentsline {section}{\numberline {2.2\relax .\leavevmode@ifvmode \kern .5em }Cyfrowa reprezentacja muzyki symbolicznej}{31}%
\contentsline {subsection}{\numberline {2.2.1\relax .\leavevmode@ifvmode \kern .5em }Standard MIDI}{31}%
\contentsline {chapter}{Rozdzia\PlPrIeC {\l }\ 3\relax .\leavevmode@ifvmode \kern .5em Projekt}{33}%
\contentsline {section}{\numberline {3.1\relax .\leavevmode@ifvmode \kern .5em }Koncepcja}{33}%
\contentsline {section}{\numberline {3.2\relax .\leavevmode@ifvmode \kern .5em }Przygotowanie danych}{34}%
\contentsline {subsection}{\numberline {3.2.1\relax .\leavevmode@ifvmode \kern .5em }Przyk\IeC {\l }ad dzia\IeC {\l }ania One-Hot Encoding}{34}%
\contentsline {subsection}{\numberline {3.2.2\relax .\leavevmode@ifvmode \kern .5em }Muzyczne "s\IeC {\l }owo"}{34}%
\contentsline {subsection}{\numberline {3.2.3\relax .\leavevmode@ifvmode \kern .5em }Konwersja MIDI na sekwencje s\IeC {\l }\IeC {\'o}w muzycznych}{35}%
\contentsline {subsection}{\numberline {3.2.4\relax .\leavevmode@ifvmode \kern .5em }Inne aspekty przygotowania danych}{38}%
\contentsline {subsection}{\numberline {3.2.5\relax .\leavevmode@ifvmode \kern .5em }Podzia\IeC {\l } danych na dane wej\IeC {\'s}ciowe i wyj\IeC {\'s}ciowe}{38}%
\contentsline {section}{\numberline {3.3\relax .\leavevmode@ifvmode \kern .5em }Definicja modelu}{39}%
\contentsline {section}{\numberline {3.4\relax .\leavevmode@ifvmode \kern .5em }Proces uczenia}{39}%
\contentsline {section}{\numberline {3.5\relax .\leavevmode@ifvmode \kern .5em }Wyniki}{39}%
\contentsline {section}{\numberline {3.6\relax .\leavevmode@ifvmode \kern .5em }Wnioski}{39}%
\contentsline {chapter}{Rozdzia\PlPrIeC {\l }\ 4\relax .\leavevmode@ifvmode \kern .5em Podsumowanie}{41}%
\contentsline {chapter}{Bibliografia}{43}%